Art Movements

By Hyperallergic

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A weekly collection of news, developments, and stirrings in the art world with host Hrag Vartanian, cofounder and editor-in-chief of Hyperallergic.

Episode Date
Kent Monkman’s Mission to Decenter the Colonial Museum
00:31:41

Most of our earliest experiences of art are forged at museums. In this episode artist Kent Monkman recounts his own youth visiting institutions that didn’t reflect the lived reality around him and his Cree community in Winnipeg. 

Since those formative years, Monkman has become an important voice in contemporary art who challenges the histories told inside the hallowed halls of museums, pushing them to reflect the complexity of the world around them. He is an artist who teaches us to imagine the world we want to see, one that refuses to erase the stories of pain, but instead uses them to portray the power of resilience and future possibilities.

This is the first in a four-part series by Hyperallergic in conjunction with the Gardiner Museum and its Community Art Space, a platform for experimentation and socially-engaged art. The series explores the role of museums, ceramics, and the stories they tell.

A special thanks to Brooklyn-based musician SunSon for providing the music to this episode, and you can check out his website sunson.band. You can also follow him on Facebook or Instagram.

Jul 09, 2019
The Unapologetic Queerness of Nayland Blake
00:57:17

During this special Pride Month, I knew we'd all need the wisdom of artist Nayland Blake, who is a leader in the field of queer representation and art, but that is one of his many talents as an artist, activist, educator, and innovator.

This episode, I talk to Blake to learn about their experiences growing up biracial and queer in New York, going to school in Southern California, their formative years in San Francisco, and their return to New York. They also school me on kink.

A special thanks to Twig Twig for the music to this week’s episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.

This episode is sponsored by Swann Auction Galleries.

Swann’s first ever “Pride Sale,” a curated auction of material related to the LGBTQ+ experience and the gay rights movement, takes place on June 20, 2019. A corresponding exhibition of works on offer will run from June 15 through the sale.

Jun 17, 2019
Talking Digital Colonialism with Morehshin Allahyari
00:47:49

Morehshin Allahyari has been capturing the imagination of art lovers the world over since her Material Speculation: ISIS series from 2015-16 propelled her into the spotlight. For that project, she recreated objects destroyed by the ISIS terrorist organization in Iraq. For that ambitious endeavor, she used the few images she could collect of the artifacts themselves and then 3D printed them in a beautiful translucent material that revealed a USB — filled with the related data — buried deep inside the new works.

Her latest project, which is performance-lecture that was commissioned and presented by New Museum affiliate Rhizome, is titled Physical Tactics for Digital Colonialism, and it builds on her concept of digital colonialism in relation to the technology of 3D printing.

The lecture was just released online by Rhizome, but I wanted to invite her into our Brooklyn studio to talk about the issues surrounding digital colonialism.

A special thanks to Prince Harvey, who provided the music for this episode. Titled “Stay Gold” you can find more about the artist on his website at www.princeharvey.com.

Jun 11, 2019
Decolonizing the Color of Queerness
00:21:36

What is June, really? It's a time for the LGBTQ community to come together and reflect on the ongoing fight for equality, even as we honor the hard-won achievements by queer activists past and present. It's also an opportunity to reflect on the rich creativity and diversity of our friends and chosen families.

That's why Hyperallergic is putting a special spotlight on the queer arts community this month. Writers, philosophers, activists, illustrators, painters, sculptors, poets, filmmakers, performers, drag queens — everyone, all creative people are important beacons of hope and resilience in a time of political uncertainty. We've always been devoted to using our website as a platform for historically marginalized peoples, and Pride Month is also a time to celebrate and double-down on that work.

Inaugurating this effort, we invited artist and actor Cristina Pitter to share a selection of readings from her solo performance, Decolonizing the Color of Queerness on our Hyperallergic Art Movements podcast. It's something of a paean to self-discovery that weaves its way toward self-actualization through histories of hardship and episodes of revelation — something every queer person can relate to. The music in this episode is generously provided by the composer Serena Ebony Miller.

This episode is part of our "2019 Pride in Art" series, which is sponsored by Swann Auction Galleries who are running their "Pride Sale," a curated auction of material related to the LGBTQ experience and the gay rights movement on June 20, 2019 at their location at 104 East 25th Street in Manhattan.

This episode is sponsored by Swann Auction Galleries.

Swann’s first ever "Pride Sale," a curated auction of material related to the LGBTQ+ experience and the gay rights movement, takes place on June 20, 2019. A corresponding exhibition of works on offer will run from June 15 through the sale.

Jun 10, 2019
Discussing the Future of Design and Tech with Paola Antonelli, Senior Curator at MoMA
00:41:09

Paola Antonelli is the Museum of Modern Art’s Senior Curator in the Department of Architecture & Design, as well as the institution’s Director of R&D. She’s also — like me — a fan of the beloved arts organization Eyebeam.

This month, Eyebeam celebrates its 20th anniversary, and Antonelli will be the keynote speaker at the celebration. I sat down with this leading curator to discuss the world of design, tech, and what organizations like Eyebeam are doing to change the landscape.

A special thanks to Newborn Huskies for the music to this week’s episode. You can listen to that and more at newbornhuskies.bandcamp.com and on other streaming services.

Jun 09, 2019
The Los Angeles Art Landscape, Through the Lens of Our Writers
00:33:26

Last year, editor Elisa Wouk Almino relocated from Hyperallergic’s New York-based office to Los Angeles to help expand coverage along the West Coast. In this podcast, she chats with Editor-in-Chief Hrag Vartanian about her initial impressions of the city, where artists have been increasingly flocking to.

We then speak with Catherine G. Wagley, a veteran Los Angeles art critic and reporter who has contributed nuanced op-eds and reported stories to the site. She shares her thoughts on why Los Angeles is such an appealing city for artists and how it differentiates itself from other major centers like New York. She also talks about how students at the California Institute of the Arts (CalArts) have been battling for more transparent financial policies — a fight that is relevant for art schools across the country.

Finally, two of our frequent contributors, Matt Stromberg and Abe Ahn, share some of their favorite art spaces and experiences in Los Angeles. If you live in the city or are planning a summer trip, don’t miss out on their fun, off-beat, and insightful recommendations.

A special thanks to April + VISTA for the music to this week’s episode. If you’re in Los Angeles, the band will be performing at the Echo on June 13. You can listen to more of their music on Spotify and other streaming services.

May 31, 2019
Michael Rakowitz Discusses Withdrawing from the 2019 Whitney Biennial, and His Leonard Cohen Problem
01:11:56

When news that Michael Rakowitz withdrew from the 2019 Whitney Biennial was published by the New York Times on February 25, people wondered why the Iraqi-American artist decided to sit out the biannual art event.

Later, in April, when the Leonard Cohen: A Crack in Everything opened at the Jewish Museum, many people noticed that Rakowitz's work about the renowned Canadian crooner’s relationship with Zionism and Israel — which appeared in the original exhibition at the Musée d’art contemporain de Montréal — wasn’t there. Why?

Rakowitz talks to me about the controversies with both exhibitions and his thoughts on museums and power. He also reads his 2015 letter to Leonard Cohen, which he mailed to the singer a year before the legend died.

And, as a special treat, the music in this podcast is performed by Rakowitz himself.

May 17, 2019
What Should Artists Do With Their Work After They Die?
00:44:16

The business of artists's estates is becoming a big business, but the realities facing artists today aren't always as glamorous as some might think. For every multi-millionaire dollar Robert Rauschenberg estate, there are thousands of lesser-known talents whose families have to confront the tough decisions about what to do with hundreds of artworks and archives.

To sort out the realities facing artists and their loved ones, I invited two experts in the field who deal extensively with artist estates. Saul Ostrow is a critic, curator, and a principal at Art Legacy Planning, and Jason Andrew is a curator and partner at Artist Estate Studio.

Both of them are on the front lines of helping artists and their families decide what to do with their art after they pass away. I invited them to share their expertise in an episode that is a must-listen for those who are faced (or may be one day) with helping the artists in their lives to plan for the inevitable.

A special thanks to Twig Twig for the music to this week’s episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.

Apr 17, 2019
Tapping into the Art World's Potential to Making Us Feel Empowered
00:36:34

A business and financial literacy conference, the Art World Conference is gathering together 50 speakers for panel discussions, conversations, and in-depth workshops addressing many of the challenges faced by visual artists and arts professionals who work closely with artists. The multi-day event is the brainchild of Dexter Wimberly and Heather Bhandari, two veterans of the art field who bring decades of expertise to the table.

I invited Dexter and Heather to the studio to talk about the changing currents of the art community and their own visions for a more empowered and exciting art world. We discuss the lingering myths that continue to plague art professionals, and new ways forward.

The music in this podcast was provided by Providence-based band Strawberry Generation. Check them out on Spotify, Apple Music, Facebook and Instagram. They are currently working on their first full-length album, to be released later in the year. They’re also getting ready to tour for the first time this summer, playing at the Indietracks festival in the UK.

Apr 15, 2019
An Artist Works to Break Down the Walls Between a College and Its Community
00:36:09

What if artists were invited into institutions of higher learning to lead conversations about safety, community, and change?

Artist Shaun Leonardo was invited to be the visiting fellow at the Pratt Institute in Brooklyn, and he's been organizing a series of events that are trying to break down the barriers between various aspects of the Pratt community.

I invited him, along with Jane South, who is the chair of the Fine Arts Department within the School of Art at Pratt Institute, to discuss the challenges and goals for such an initiative. And we discuss their big event on April 9 titled "Open Exchange: Belonging."

A special thanks to Jonathon Jircitano for allowing us to use his new single, "Falling Into Place," which is available on iTunes, Spotify, and other music services.

Mar 31, 2019
A Museum Hires a Full-time Therapist
00:29:49

In Canada, an incredible new program allows doctors to prescribe museum visits to their patients. Hyperallergic's Zachary Small visited the Montreal Museum of Fine Arts to talk with Stephen Legari, the first full-time art therapist on staff at a North American museum (he sees 1,200 patients a year), about his work in the city's encyclopedic museum and what role art can plan in healing.

It's a fascinating story that might also point to new possibilities for art museums eager to play important roles in their local communities by teaching people to learn from and engage with art.

A special thanks to Dried Spider for the music to this week’s episode. You can visit driedspider.bandcamp.com, for more information.

Mar 22, 2019
Discussing Modern and Contemporary Art of the Middle East with Sultan Sooud Al Qassemi
00:39:47

He launched into the screens of the internet savvy almost a decade ago, as a lively and unconventional Twitter commentator about the Arab Spring, but Sultan Sooud Al Qassemi is now known as one of the most passionate champions of Middle Eastern art.

Founder of the Barjeel Art Foundation, Al Qassemi joins us to talk about the state of Middle Eastern art and discusses some of his favorite artists from a region that still isn't well represented in the world's modern art museums. One thing you can definitely say is any conversation with Al Qassemi is sure to be lively.

A special thanks to Twig Twig for the music to this week’s episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.

This and more in our current episode of our weekly Art Movements podcast.

Mar 07, 2019
Traveling Through the Uyghur Homeland with Lisa Ross
00:52:21

In 2002, artist Lisa Ross found herself in China. She decided to venture to the far western regions of the country, which she heard were home to a predominantly Uyghur population. She would return numerous times after that to document many aspect of a community that was about to change forever.

Her photos are haunting, since they represent a world that is no longer there, as the Chinese authorities are imposing strict assimilationist policies on the local populations. It is believed that over a million Uyghurs and other Muslim populations have been forced into “re-education camps” that have been built in the last few years. A number of Ross’s contacts in the region have been disappeared and detained in such camps.

I invited Ross, and her collaborator Anthony Varalli, to our studio to tell us about her experience in this land that sees few foreigners and where international reporters rarely ever visit. Some of Ross’s work in the Uyghur homeland is currently on view in New York’s Miyako Yoshinaga gallery. Titled I Can’t Sleep: Homage to a Uyghur Homeland, the exhibition continues until March 16.

The music for this episode is “People are Glorious” by renowned musician Sanubar Tursun, who worked with Lisa Ross. Tursun was arrested by the Chinese authorities in December of last year. Her music is part of the album Music of Central Asia, Vol. 10: Borderlands, which you can find on iTunes and other music portholes.

Feb 28, 2019
Hyperallergic Editors Reflect on Warhol’s Superbowl Commercial, MoMA Expansion, and More
00:33:26

It was a snowy week in Brooklyn, so some of us decided to gather in the podcast studio to talk about the world of art, giving you a small window into the conversations that happen in our office every day.

Hyperallergic editor and critic Seph Rodney and news editor Jasmine Weber join me to talk about what they’re excited about right now: Burger King’s Warhol commercial for the Superbowl, Venice’s new tourism tax, the new Museum of Modern Art expansion, the Museum of the Bible CEO’s ridiculous remarks about the rock that killed Goliath, and more.

The music featured on this episode is by Mark Pritchard, who is represented by Warp Records. You can hear more from his latest release “Under the Sun” at markprtchrd.com and find more great music from Warp Records at warp.net.

Feb 15, 2019
Discussing the Sculptures of Richard Serra with Hal Foster
00:28:01

There are many illuminating moment’s in Hal Foster’s Conversations about Sculpture (Yale University Press, 2018) with Richard Serra, including the discussion of the infamous “Tilted Arc” sculpture, Serra's formative years as he battled with Minimalism and Conceptual Art, his idea’s around site-specific art, and the role of text and image in his oeuvre.

This podcast begins with Serra’s own voice from a SFMOMA clip that asks the question, “Why Make Art?” and continues with a little adventure to see the artist’s first land artwork, “Shift” (1970), in King City, Ontario. Finally, I sit down with Foster, who talks about his own relationship with an artist who has reinvented himself a few times in his career.

Jan 24, 2019
The Political Life of Memes with An Xiao Mina
00:43:55

Memes are the street art of the social web, and they are becoming more central to the political and cultural conversations we have. In her new book, Memes to Movements: How the World's Most Viral Media Is Changing Social Protest and Power, An Xiao Mina helps us understand how memes influenced the Umbrella Movement in Hong Kong, Black Lives Matter in the United States, and Women’s Marches around the world. She explores how memes can help people express public dissent in environments where that can be downright dangerous.

As one of Hyperallergic's original contributors, An Xiao Mina is no stranger to Hyperallergic readers. In her latest project, she continues to challenge us to think critically about the online world and the role of art in the formation of this brave new social terrain. She also discusses her time working at Ai Weiwei’s studio, her internet research in Uganda, and her current job working in the Bay Area’s robust tech scene developing tools for journalists and other online citizens.

The music for this episode is “Grass-Mud Horse Cartoon and Rap (Cao Ni Ma),” which was one of the many versions of the Grass-Mud Horse song that emerged anonymously in China approximately a decade ago to protest internet censorship. This version, An Xiao Mina’s favorite, is featured in this episode. Also, a special thanks to Jason Li for allowing us to use his illustration for Memes to Movements as this week’s cover art.

Jan 10, 2019
Lowery Stokes Sims and Chloë Bass Talk Empathy, Art, and Education
00:51:31

Last year, we invited artist, writer, and Queens College professor Chloë Bassto talk with curator, art historian, and museum veteran Lowery Stokes Sims to have a conversation of their choosing. It took me a year to publish this podcast, but I’m happy to say their words are more relevant today than ever, as the two art world figures discuss the imagined publics of contemporary art, public and private education, and the challenges of empathy and identity in art.

Bass is no stranger to Hyperallergic readers, and she's known for her deep engagement with art and writing coupled with a solid understanding of the way art functions in the world and the emotional sophistication needed to outline those parameters.

Then there’s Lowery Stokes Sims, who has been a trailblazer throughout her career. She was on the education and curatorial staff of The Metropolitan Museum of Art from 1972 to 1999, during which time she specialized in modern and contemporary art. From 2000 to 2007, she was executive director and then president of The Studio Museum in Harlem, and served as Adjunct Curator for the Permanent Collection. Then from 2007 until 2015, she chief curator at New York’s Museum of Arts and Design.

I think you’ll agree that the following conversation offers useful insight into the worlds of two leading figures in New York’s art community.

A special thanks to Brooklyn-based musician SunSonfor providing the music to this episode. You can check out his website sunson.band and follow him on Facebookor Instagram.

Dec 07, 2018
Didier William on Painting a Revolution
00:28:38

It’s rare for an artist to have two concurrent solo shows in the same city, but Didier William accomplished that with his Curtains, Stages, and Shadows, Act 1 & Act 2. The two-part exhibition explores the formal and narrative possibilities of painting. In his review of Act 1, critic Seph Rodney focuses on the figures that can appear as elusive as they are powerful, writing:

These are all figures ready to enact real violence with the cutlasses, and they are also figures who are depicted as staging a rebellion. If one views the text in the back room, one can begin to understand why William believes it necessary to pictorially rehearse the action of insurrection.

I invited Rodney to continue the conversation with William in this episode of Art Movements, in which the two explore the visual language of revolution, specifically in the context of the Haitian revolution, which is one of the larger themes in the artist’s series.

A special thanks to Red Wedding for providing the music for this episode. You can check her out on Instagram.

Nov 30, 2018
Antwaun Sargent on Black Contemporary Art
00:47:29

Sir Sargent, as he’s known on social media, represents a new wave of art writers and critics focused on Black contemporary art and its evolving role in an international African diasporic consciousness. He was born in Chicago as Antwaun Sargent, and has called New York home since 2011.

When he first arrived in New York City, he was a kindergarten teacher, but he soon discovered his interest in telling the stories of Black artists and sharing his insights on into a contemporary art world often perceived as opaque and inaccessible. He’s since co-curated his first exhibition, spoken at countless events, and is now working on a book.

I invited our news editor, Jasmine Weber, to join me in this conversation to learn about Sargent’s thought on a scene that is getting more attention than ever.

A special thanks to Amani Fela for providing the music for this episode.

Nov 15, 2018
Carleton Watkins and Photography’s Romance with the American West
00:45:33

Tyler Green may be best known as the journalist and art writer behind the Modern Art Notes podcast, but for the last six years, he’s also been working on a major book about a photographer who helped establish the sublime visual record of the American West for viewers around the world.

In his new book, Carleton Watkins: Making the West American, Green writes a very readable story about a figure who blended art and science, helped establish photography as an art, and whose images helped galvanize a citizenry that would eventually establish a national park system around the country. Green managed all of this despite being faced with a researchers nightmare: Watkins’s archive was destroyed in the 1906 San Francisco Earthquake.

Then there's the twist, as Green discusses a very personal connection to Watkins that he discovered in the midst of his research. It’s a fascinating tale that shows us history is often more present than we know.

A special thanks to Mark Pritchard of Warp Records for providing the music for this episode.

Nov 09, 2018
The Book Object as Exhibition, an Interview with Dayanita Singh
00:41:49

Artist Dayanita Singh wasn’t happy taking photographs in the traditional way, preferring to create what she calls “book objects,” mini-exhibitions to showcase her work. Singh  plays with the conventional language of art, and even calls herself an “off-set artist” to denote her preferred way to display her images.

She is currently exhibiting in the Carnegie International exhibition in Pittsburgh, and she has a small retrospective of her book objects at Callicoon Fine Art on Manhattan’s Lower East Side. I talked to her about her love of images, a formative (and funny) experience she shared with Robert Frank, and the future of the artist book.

A special thanks to Flash Trading (flashtrading.bandcamp.com) for providing the music for this episode.

Nov 01, 2018
The Artist as Lawyer, an Interview with Sergio Sarmiento about Art Law
00:51:21

The world of art has become more complicated as copyright, appropriation, and other issues force artists, dealers, collectors, and others to turn to lawyers for help. As foibles around the sale and maintenance of luxury art objects grab media headlines, you might be fooled into believing the future of art is in litigation.

I invited Sergio Sarmiento to join me to talk about the evolving world of art law and discuss why he went to law school as an art project, what he thinks about some recent sensational cases (Richard Prince/Instagram, Sam Durant at the Walker Art Center, and the recent Banksy auction stunt) and his thoughts on how appropriate has changed from the 1970s.

Oct 25, 2018
Linda Nochlin Explores the Role of Women in the Arts in a Previously Unaired Interview
00:57:18

On October 29, 2017, the world lost its first feminist art historian. That title, of course, describes Linda Nochlin, a leading academic who changed the world of art after she published her important essay, “Why Have There Been No Great Women Artists?

In 2016, I had the honor of interviewing her for the Women of Abstract Expressionism podcast and only used a few minutes of our interview. In this episode of Art Movements, we release the whole interview (leaving out some in-between bits) where she discusses the role of women in the arts, how oppression impacts culture, and her personal friendship with Joan Mitchell and others.

I also briefly interview one of her former students, art writer Aruna D'Souza, to explain what Nochlin was like as a person.

And the music this episode is “Brandenburg Concerto No. 4 in G, Movement I (Allegro)” one of the most renowned compositions by Johann Sebastian Bach, who was Nochlin's favorite composer.

Oct 12, 2018
YO, Deborah Kass!
00:32:29

After decades in the art world, Deborah Kass has a hit. A major one. The type of beloved public artwork that you see endlessly on your social feeds, and brings a smile to your face whenever you encounter it. I'm talking about "OY/YO" (2015), the eight-foot-tall yellow sculpture that just landed at the Brooklyn Museum for an exhibition titled Something to Say.

I took the opportunity to invite Kass into the studio to talk about her work, her thoughts on the art world (she's a pessimist), the role of art today, and more. I also got to ask her something I've always wanted to ask her, particularly since she's so well known for her Warhol-inspired Barbra Streisand series: Does she have a favorite song by Streisand?

And a special thanks to sound artist Bradford Reed, who performed this past weekend as part of the 24-hour Sonic Transmission Archive event at the Newburgh Open Studios in Newburgh, New York. I was able to attend the Sunday portion of the event, which is a Wave Farm Partner Transmit project organized by Ethan Primason and Caroline Partamian, and got to hear and record his performance myself. Thanks to the artist and organizers for allowing us to use the sound work.

Oct 04, 2018
How the #MeToo Movement Has Impacted the Performing Arts
00:23:59

September has become the #MeToo movement’s defining month. Bill Cosby recently received a sentence of 3 to 10 years in prison for the drugging and sexual assault of Andrea Constand. And as I write this, Dr. Christine Blasey Ford is testifying before the Senate Judiciary Committee about her allegations of sexual misconduct and attempted rape against the Supreme Court nominee, Judge Brett Kavanaugh.

Under intense public scrutiny, survivors of sexual assault are often asked to revisit painful, traumatic memories with crystal clear recollection and foolproof evidence about a violent act that, by its very nature, is manipulative and deceitful.

As in Congress, so too in the arts: the scales of justice are weighed against survivors of sexual assault. That’s why American Theatre magazine’s thorough investigation of sexual assault allegations in the performing arts is so important. In a field where intense recreations of violence and intimacy are often part of the job description, victims of sexual misconduct are often disregarded or otherwise face effective banishment from the theater community’s predominantly male-run list of organizations. American Theatre’s entire September issue is devoted to investigating the #MeToo movement in the performing arts. Below is a recording of my conversation with the magazine’s senior editor, Diep Tran, wherein we discuss the major allegations facing major regional theaters in Houston, Minneapolis, New Haven, and beyond.

A special thanks to Miserable Chillers & Sun Kin for the music to this week’s episode, which features their latest album, Adoration Room. You can listen to that and more at miserablechillers.bandcamp.com and other streaming services.

Sep 27, 2018
What Does a Black Radical Art Education Look Like?
01:17:09

Faced with the ubiquity of white supremacy in US culture, some are seeking new, radical ways to shift the conversation to center Black consciousness as a way to combat the poison of White supremacy. Two artists and educators, Shanti Peters and Joseph Cullier, founded The Black School to confront such realities. Hyperallergic editor Jasmine Weber spoke to the pair about the role of radical Black education and the "Black art world," in a special interview that comes on the heels of their residency and exhibition at the New Museum in New York. One of the things they discuss are is the group's tarot cards, which can be purchased in the group's online shop.

Then Jasmine and I were joined by editor and critic Seph Rodney and contributor Shirine Saad to talk about the new Soul of a Nation: Art in the Age of Black Power exhibition that opened at the Brooklyn Museum last weekend.

And finally, we have our last segment. Earlier this week, LA-based writer Matt Stromberg reported on the "pause" artist lauren woods pressed on her American Monument project at Cal State Long Beach's museum. The action comes after the museum director Kimberli Meyer was fired. American Monument — a multi-media installation addressing police brutality and the killing of African Americans by police officers — was a project Meyer helped realize, so woods decided that a pause was a necessary act of solidarity in light of the news. Stromberg recorded the roughly 28-minute speech, and we have the recording for those who want to hear it first hand.

A special thanks to Dried Spider for the music to this week’s episode. You can visit driedspider.bandcamp.com, for more information.

Sep 20, 2018
What the Hell Are McMansions and Why Do They Exist?
00:47:39

McMansions are the houses many of us love to hate. They're big, gaudy, and often they're accumulations of traditionally mismatched architectural elements. Whatever they are, they're everywhere in suburbia. We invited Kate Wagner, aka McMansion Hell, to talk oversized buildings of wealth and status, including the McMansion that is US Education Secretary Betsy DeVos's house in Holland, Michigan.

As Hyperallergic editor and critic Seph Rodney returns from Brazil, I invited him to talk about the São Paulo Biennial (Sep 7–Dec 9_)_, which opened a few days after the Natural Museum of Brazil burned down in Rio de Janiero. He picks some favorites and discusses what he saw at the second-oldest art biennial in the world.

A special thanks to Althea SullyCole for the music to this week’s episode. You can visit her website, altheasullycole.com, for more information. She is also performing on September 21 at Postcrypt Coffeehouse in New York City, and September 22 at the Rhythmic Integration Center in New Milford, CT. 

Sep 13, 2018
The Rebel Women of 19th-Century New York
00:37:08

The stories of trailblazing women continue to inspire but many of these figures, who occur throughout history, have been written out of the history books or relegated to accounts of their time and ignored by historians. Now, curator Marcela Micucci talks to use about these figures who had a big impact on all aspects of city life, including the so-called "Witch of Wall Street," Hetty Green. It's an exhibition full of colorful stories.

And then I talk to critic Paddy Johnson and artist William Powhida, co-hosts of the Explain Me podcast, about the fall season, New York museums, and what they've been up to.

A special thanks to Twig Twig for the music to this week’s episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.

Sep 06, 2018
Is the Art World Ready for the Sanctuary Movement?
00:44:00

This week's we talk to Abou Farman, artist and anthropologist at the New School, and Raquel de Anda, director of public engagement at No Longer Empty, about their recent efforts to educate New York City cultural leaders about the needs of immigrant communities. Then I invite Hyperallergic staff writer Zachary Small to tell us about the latest news in the #MeToo movement, particularly in light of the case of NYU professor Avital Ronell, who was found responsible for sexual harassment and suspended her for the 2018–19 academic year. He interviews Emma Sulkowicz, who many people suggest helped kick off the movement with their widely publicized "Mattress Performance (Carry That Weight)" (2014–2015) performance.

A special thanks to Newborn Huskies for the music to this week’s episode. You can listen to that and more at newbornhuskies.bandcamp.com and other streaming services.

Aug 30, 2018
Who Was Artist David Wojnarowicz?
01:17:24

Last month, a dozen activists gathered at the Whitney Museum of Art to condemn the institution's lack of modern context about the HIV/AIDS epidemic in relation to Wojnarowicz's artwork. Their action was noticed by the art world and the museum, which is continuing to talk to the protesters after changing some of the labels to reflect on the fact that the AIDS crisis is not over.

In this episode we talk to Wojnarowicz biographer Cynthia Carr, author of Fire in the Belly: The Life and Times of David Wojnarowicz, who helps narrate the complicated story of an artist who has become one of the luminaries of New York's East Village scene in the 1980s. I also invited two artists, Jean Foos and Frank Holliday, who knew Wojnarowicz during his lifetime, to help paint a picture of a scene that burned bright, but was eventually snuffed out by a commercial art world obsessed with novelty, and the looming disaster that was AIDS.

A special thanks to Twig Twig for the music to this week's episode. You can listen to that and more at twigtwig.bandcamp.com and other streaming services.

Aug 24, 2018
The State of the Union at the Museum of Modern Art
00:28:29

This past Monday, over a hundred members of UAW Local 2110, the largest of the Museum of Modern Art’s five unions, staged a walkout just days before negotiations were set to resume. The union members, who are employed in almost every department at MoMA, have been working over 80 days without a contract.

I invited two members of UAW Local 2110 to talk to Hyperallergic and tell us what the state of negotiations is with one of the world’s leading museums of modern and contemporary art. I asked them about the sticking points and challenges of the negotiations this time around.

And then I talk with Apsara DiQuinzio, curator of modern and contemporary art at the Berkeley Art Museum and Pacific Film Archives (BAMPFA) in Berkeley, California, about the Bay Area’s evolving art scene, her current exhibition featuring two artists associated with the Mission School (Alicia McCarthy and Ruby Neri), and I ask her, how truly liberal is the art world?

A special thanks to Hellrazor for the music to this week’s episode, which features their latest album, Satan Smile. You can listen to that and more at lkhellrazor.bandcamp.com and other streaming services.

Aug 10, 2018
Hearing from the Artist Behind Anonymous Was a Woman
00:23:08

We talk to Susan Unterberg, the person behind the mysterious Anonymous Was a Woman foundation that gives $25,000 — no strings attached — to female artists over 40. And then we talk about a boxing exhibition at the Metropolitan Museum that’s worth a look.

A special thanks to Miserable Chillers & Sun Kin for the music to this week’s episode, which features their latest album, Adoration Room. You can listen to that and more at https://miserablechillers.bandcamp.com and other streaming services.

Aug 02, 2018
How Contemporary Female Artists Are Grappling with Sexual Violence in Their Work
00:27:11

Curator Monika Fabijanska talks about her The Un-Heroic Act: Representations of Rape in Contemporary Women's Art in the US exhibition, and arts journalist Barbara Pollack chats about her new book on an emerging generation of Chinese contemporary artists.

Jul 27, 2018
The Birth of the Dumpling Emoji
00:21:17

In our inaugural episode, we discuss the top art news headlines from the week, including how New Yorkers can use their library cards to visit 33 of the city’s museums, an unlikely museum in Thailand, how a Stolen Arab Art exhibition is exactly as advertised, and I talk to emoji activist Jennifer 8 Lee and journalist Zachary Small.

Our guest this week is renowned journalist Jennifer 8 Lee. Not only is she a successful author (Fortune Cookie Chronicles) and film producer (The Search for General Tso), but Lee is a driving force behind Emojination, the people’s voice of the Emoji Consortium. We talk to her about how she helped bring the dumpling emoji 🥟 into the world.

Then we talk to Hyperallergic’s Zachary Small, who tells us about the four queer performance festivals happening in New York this month.

Jul 20, 2018
Ford Foundation President Darren Walker on the Power of Art, Inequality, and Detroit
00:35:33

Hyperallergic's editor-in-chief Hrag Vartanian talks to Ford Foundation President Darren Walker about the public's interest in scrutinizing institutional authority, Walker's own love of art, and the renovations at the Foundation's building, and also discussed Agnes Gund's new Art for Justice fund, the role of the arts for marginalized communities, and the importance of public education.

The music featured in this episode was “Give it Your Choir” by Mark Pritchard from Warp Records.
You can hear more from his latest release “Under the Sun” at http://markprtchrd.com and find more great music from Warp Records at http://warp.net.

Nov 09, 2017
Egyptian Surrealism and the Quest to Define Modern Egyptian Art
00:19:35

Hyperallergic travels to Cairo to see one of the new wave of exhibitions that are reintroducing Egyptian modern art, particularly related to the Art and Liberty group (often referred to as Egyptian Surrealism), to a wider audience.

Jan 05, 2017
Marilyn Minter and Xaviera Simmons Talk Art, Sex, and American Democracy
00:21:24

Artists Marilyn Minter and Xaviera Simmons both have solo shows up in New York this month. We invited them to chat with Hyperallergic's editor-in-chief Hrag Vartanian about sex, art, gender inequality, Planned Parenthood, and the election.

Dec 22, 2016
A Conversation with Mega-collector Don Rubell
00:33:30

Hyperallergic's Editor-in-chief Hrag Vartanian speaks to mega-collector Don Rubell of the Rubell Family Collection about decades of collecting and establishing one of the biggest collections of contemporary art in the world.

Dec 09, 2016
The Roles of Art and Artists at the Pipeline Protests in North Dakota
01:05:36

In the Oceti Sakowin Camp at Stadning Rock, North Dakota, there is a prominent art tent area. Dozens of artists and volunteers are silkscreening and producing work among the thousands of waterprotectors and their allies, which have arrived to stop the Dakota Access Pipeline from crossing the Missouri River. Among those artists is Standing Rock native Cannupa Hanska Luger and three of his friends, Jesse Hazelit, Raven Chacon, and Dylan McLaughlin. Hyperallergic spoke to the friends to discuss what is going on at Standing Rock and what role art plays.

Dec 03, 2016
Artists Rebecca Nagle and Graci Horne Help Women Confront Sexual Violence at Standing Rock
00:33:14

Native American women grapple with the highest rates of sexual violence in the United States and two Native American artists, Rebecca Nagle and Graci Horne, have traveled to Standing Rock to create a Healing Tent and to work on their Monument Quilt project, which addresses sexual violence.

Dec 02, 2016
A Report from Standing Rock, Where Artists Listen, Learn, Inspire, and Heal
00:20:36

Hyperallergic traveled to Oceti Sekowin Camp at Standing Rock, where thousands of water protectors and their allies are trying to stop the multi-billionaire dollar Dakota Access Pipeline, which is being pushed by the government and major oil companies. We talk to artists about why they’re there and what they are doing to listen, learn, inspire, and heal.

Nov 30, 2016
Curator and Art Historian Kellie Jones
00:24:55

Curator and art historian Kellie Jones is the guest for our latest episode. A 2016 McArthur Fellow, Jones is a lifelong New Yorker and an associate professor at Columbia University. She spoke to Hyperallergic about her work, life, and the evolving world of contemporary art. Photo: John D. & Catherine T. MacArthur Foundation

Oct 18, 2016
Brazil's Inhotim and the Legacy of Tropicália
00:24:08

The impeachment of Brazil’s President Dilma Rousseff and the current economic crisis will have a long-lasting impact on the country, including on one of the largest open-air contemporary art collections in the world.

Oct 10, 2016
Women of Abstract Expressionism
00:24:26

Why were women excluded from the art movement that has come to represent some of the best of 20th century American art? The answer may be rather complicated and Hyperallergic’s editor-in-chief Hrag Vartanian interviews “Women Of Abstract Expressionism” exhibition curator Gwen Chanzit, Abstract Expressionism artist Judith Godwin, feminist art historian Linda Nochlin, and critic/curator Karen Wilkin to understand the issue.

Jul 25, 2016
Hank WIllis Thomas and Eric Gottesman on For Freedoms Super PAC
00:20:37

In the third episode of the Hyperallergic Podcast, we talk to artists Hank Willis Thomas and Eric Gottesman about the For Freedoms Super PAC, which promises to shake things up during the 2016 US Presidential election by inviting artists to reflect on important topics during the run up to Election Day.

Jun 06, 2016
Tania Bruguera, Mariam Ghani, Queens International
00:22:24

Our second podcast focuses on New York's borough of Queens, which is becoming a growing hub of artistic activity in the city. We talk to Tania Bruguera about her Immigrant Movement International project in Queens and her experience in Cuba, then we chat with artist Mariam Ghani about her commissioned mural at the Queen Museum, and finally we wander the Queens International biennial with director Laura Raicovich and guest co-curator Lindsey Berfond to discuss the exhibition's themes of accumulation and globality.

May 30, 2016
Marrakech Biennial 6
00:16:27

Our inaugural podcast sends our editor-in-chief Hrag Vartanian to Morocco to visit the 6th Marrakech Biennial curated by Reem Fadda. There are interviews with the curator and artists Haig Aivazian (Lebanon) and Dineo Seshee Bopape (South Africa), as well as discussions of Superflex’s “Kwassa Kwassa” and Khaled Malas’ "Windmill in Eastern Ghouta (Syria).”

May 04, 2016