Hyperallergic
By Hyperallergic
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Category: Visual Arts
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Subscribers: 105
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Episodes: 101
Description
News, developments, and stirrings in the art world with host Hrag Vartanian, cofounder and editor-in-chief of Hyperallergic.
| Episode | Date |
|---|---|
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From Blog to Book
|
Apr 04, 2024 |
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Thomas Lanigan-Schmidt: The Story of One of the Few Artists at the Stonewall Uprising
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Mar 21, 2024 |
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The Cartoonist the US Right-Wing Political Establishment Loves to Hate
|
May 06, 2022 |
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Artists Tali Hinkis and Daniel Temkin Discuss Digital Combines
|
Apr 29, 2022 |
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Tamara Lanier's Fight for the Photographs of Her Enslaved Ancestors at Harvard
|
Apr 21, 2022 |
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Understanding Why a Harvard Museum Will Return Standing Bear’s Tomahawk
|
Jul 21, 2021 |
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Audrey Flack and the Last of the New York School
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Jul 16, 2021 |
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Collector Tim Kang Talks About His Love of NFTs
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May 31, 2021 |
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Creative Time’s Diya Vij Helps Launch an Art World Think Tank
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May 11, 2021 |
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After Decades of Selling New Media Art, Gallerist Steven Sacks Offers His Take on NFTs
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Mar 30, 2021 |
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Lindsay Howard Talks About the Burgeoning Market for NFTs
|
Mar 09, 2021 |
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The World of NFTs, Explained by Digital Artist Addie Wagenknecht
|
Mar 02, 2021 |
|
A Photographer Documents Post-war Artsakh
|
Feb 27, 2021 |
|
MoMA’s Leon Black Problem and Cuban Artists Under Siege
|
Feb 08, 2021 |
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The Biggest Art Stories of the Month, From Bernie Memes to the Vessel Shutdown
|
Jan 29, 2021 |
|
From Graffiti to the Gallery, Futura Talks About Art
|
Dec 18, 2020 |
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Artist Shahzia Sikander Is Ready for a New Post-Pandemic Reality
|
Dec 16, 2020 |
|
John Yau, Jillian Steinhauer, and Others at Hyperallergic's First-ever Public Reading
|
Nov 27, 2020 |
|
On Election Day, Reflecting on Months of Political Arts Reporting
|
Nov 03, 2020 |
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Where Did the Deepfakes Go?
|
Oct 25, 2020 |
|
Sam Durant Revisits the “Scaffold” Controversy Three Years Later
|
Oct 23, 2020 |
|
National Gallery of Art Director Discusses the Decision to Delay the Philip Guston Exhibition
|
Oct 02, 2020 |
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Amin Husain and Nitasha Dhillon on Working to Decolonize the Art World (Part 2)
|
Sep 25, 2020 |
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Amin Husain and Nitasha Dhillon on Working to Decolonize the Art World (Part 1)
|
Sep 25, 2020 |
|
The Artistic World of the Taíno People
|
Sep 09, 2020 |
|
Why Did the Whitney Museum Cancel a Political Art Exhibition?
|
Aug 27, 2020 |
|
Why Does TikTok Bother the Powerful So Much?
|
Aug 19, 2020 |
|
Why Would a Museum Display Skulls of Enslaved People in the First Place?
|
Jul 30, 2020 |
|
Should Blue Chip Art Galleries Have Received Millions of Dollars of PPP Loans?
|
Jul 16, 2020 |
|
Christopher Knight: The Critic Whose Love for LA Uplifted Its Arts Community
|
Jun 19, 2020 |
|
The Monumental Impact of Black Lives Matter Protests
|
Jun 12, 2020 |
|
Our Obsession With Less and Its Co-option by Silicon Valley
|
May 30, 2020 |
|
How the US Is Treating the Arts During the Pandemic, the #CancelRent Movement
|
May 20, 2020 |
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Art Critic John Yau Talks About Four Decades of Writing in New York
|
May 15, 2020 |
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How Are the Arts in LA, the US Southwest, and Beyond Weathering the Pandemic?
|
Apr 29, 2020 |
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What's Up With Museum Layoffs, Union Problems, and Untouchable Endowments?
|
Apr 16, 2020 |
|
The Boom in Online Exhibitions During the Pandemic
|
Apr 09, 2020 |
|
The Pandemic’s Effects on Museums and Art Schools
|
Apr 01, 2020 |
|
From Rome to NYC, Audio Dispatches on COVID-19 and the Arts
|
Mar 25, 2020 |
|
What’s the Impact of COVID-19 on the Art Community?
|
Mar 18, 2020 |
|
Connecting Modern Art Museums, Colonialism, and Violence
|
Mar 11, 2020 |
|
What Artists Need to Know About Taxes
|
Feb 28, 2020 |
|
Hyperallergic Picks Their Favorite Holiday Movie Classics
|
Dec 25, 2019 |
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Zoë Buckman Is No One's Punching Bag
|
Dec 09, 2019 |
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Hyperallergic's Film Buffs Discuss 2019's Best Films, from Parasite to Avengers
|
Nov 27, 2019 |
|
The Realities Facing Art Schools Today: A Conversation With RISD President Rosanne Somerson
|
Nov 20, 2019 |
|
The Relationship Between Art and Law Since the 1960s
|
Nov 11, 2019 |
|
Women’s Central Role in Lebanon's Modern Art World
|
Nov 04, 2019 |
|
After Kanders: Critics, Reporters, and Editors Reflect on the 2019 Whitney Tear Gas Biennial
|
Oct 07, 2019 |
|
The Story Behind Our Art Handlers Exposé
|
Sep 12, 2019 |
|
The History, Context, and Legacy of an Ancient Plate by the Maya
|
Sep 03, 2019 |
|
Joseph Pierce on Why Academics Must Decolonize Queerness
|
Aug 09, 2019 |
|
The Largely Unknown History of Blackface in Canada
|
Aug 07, 2019 |
|
Shary Boyle's Exploration of the Fantastic and Political Lives of Clay
|
Jul 23, 2019 |
|
Kent Monkman’s Mission to Decenter the Colonial Museum
|
Jul 09, 2019 |
|
The Unapologetic Queerness of Nayland Blake
|
Jun 17, 2019 |
|
Talking Digital Colonialism with Morehshin Allahyari
|
Jun 11, 2019 |
|
Decolonizing the Color of Queerness
|
Jun 10, 2019 |
|
Discussing the Future of Design and Tech with Paola Antonelli, Senior Curator at MoMA
|
Jun 09, 2019 |
|
The Los Angeles Art Landscape, Through the Lens of Our Writers
|
May 31, 2019 |
|
Michael Rakowitz Discusses Withdrawing from the 2019 Whitney Biennial, and His Leonard Cohen Problem
|
May 17, 2019 |
|
What Should Artists Do With Their Work After They Die?
|
Apr 17, 2019 |
|
Tapping into the Art World's Potential to Making Us Feel Empowered
|
Apr 15, 2019 |
|
An Artist Works to Break Down the Walls Between a College and Its Community
|
Mar 31, 2019 |
|
A Museum Hires a Full-time Therapist
|
Mar 22, 2019 |
|
Discussing Modern and Contemporary Art of the Middle East with Sultan Sooud Al Qassemi
|
Mar 07, 2019 |
|
Traveling Through the Uyghur Homeland with Lisa Ross
|
Feb 28, 2019 |
|
Hyperallergic Editors Reflect on Warhol’s Superbowl Commercial, MoMA Expansion, and More
|
Feb 15, 2019 |
|
Discussing the Sculptures of Richard Serra with Hal Foster
|
Jan 24, 2019 |
|
The Political Life of Memes with An Xiao Mina
|
Jan 10, 2019 |
|
Lowery Stokes Sims and Chloë Bass Talk Empathy, Art, and Education
|
Dec 07, 2018 |
|
Didier William on Painting a Revolution
|
Nov 30, 2018 |
|
Antwaun Sargent on Black Contemporary Art
|
Nov 15, 2018 |
|
Carleton Watkins and Photography’s Romance with the American West
|
Nov 09, 2018 |
|
The Book Object as Exhibition, an Interview with Dayanita Singh
|
Nov 01, 2018 |
|
The Artist as Lawyer, an Interview with Sergio Sarmiento about Art Law
|
Oct 25, 2018 |
|
Linda Nochlin Explores the Role of Women in the Arts in a Previously Unaired Interview
|
Oct 12, 2018 |
|
YO, Deborah Kass!
|
Oct 04, 2018 |
|
How the #MeToo Movement Has Impacted the Performing Arts
|
Sep 27, 2018 |
|
What Does a Black Radical Art Education Look Like?
|
Sep 20, 2018 |
|
What the Hell Are McMansions and Why Do They Exist?
|
Sep 13, 2018 |
|
The Rebel Women of 19th-Century New York
|
Sep 06, 2018 |
|
Is the Art World Ready for the Sanctuary Movement?
|
Aug 30, 2018 |
|
Who Was Artist David Wojnarowicz?
|
Aug 24, 2018 |
|
The State of the Union at the Museum of Modern Art
|
Aug 10, 2018 |
|
Hearing from the Artist Behind Anonymous Was a Woman
|
Aug 02, 2018 |
|
How Contemporary Female Artists Are Grappling with Sexual Violence in Their Work
|
Jul 27, 2018 |
|
The Birth of the Dumpling Emoji
|
Jul 20, 2018 |
|
Ford Foundation President Darren Walker on the Power of Art, Inequality, and Detroit
|
Nov 09, 2017 |
|
Egyptian Surrealism and the Quest to Define Modern Egyptian Art
|
Jan 05, 2017 |
|
Marilyn Minter and Xaviera Simmons Talk Art, Sex, and American Democracy
|
Dec 22, 2016 |
|
A Conversation with Mega-collector Don Rubell
|
Dec 09, 2016 |
|
The Roles of Art and Artists at the Pipeline Protests in North Dakota
|
Dec 03, 2016 |
|
Artists Rebecca Nagle and Graci Horne Help Women Confront Sexual Violence at Standing Rock
|
Dec 02, 2016 |
|
A Report from Standing Rock, Where Artists Listen, Learn, Inspire, and Heal
|
Nov 30, 2016 |
|
Curator and Art Historian Kellie Jones
|
Oct 18, 2016 |
|
Brazil's Inhotim and the Legacy of Tropicália
|
Oct 10, 2016 |
|
Women of Abstract Expressionism
|
Jul 25, 2016 |
|
Hank WIllis Thomas and Eric Gottesman on For Freedoms Super PAC
|
Jun 06, 2016 |
|
Tania Bruguera, Mariam Ghani, Queens International
|
May 30, 2016 |
|
Marrakech Biennial 6
|
May 04, 2016 |