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Episode | Date |
---|---|
Live from NAB 2024: Blackmagic's CEO on the URSA Cine 12K & Future of AI
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Apr 22, 2024 |
Editing Tyler Perry's Life Story with Filmmaker Erick Sasso
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Apr 19, 2024 |
Why The 'Blood for Dust' Director & Producer Don't Wait for Permission To Make Movies
|
Apr 19, 2024 |
These No Film School Listeners Won Slamdance and Then Some
|
Apr 12, 2024 |
Survive Until 2025
|
Apr 11, 2024 |
How to Safely Light Chris Hemsworth on Fire
|
Apr 05, 2024 |
How Heat Shapes Your Career & the Biz Feat Oscar-Nominated Producer Chris Moore & Team
|
Apr 04, 2024 |
Is Achieving the American Dream Possible Through Cinematography?
|
Mar 29, 2024 |
Troubleshooting Tech for Dummies & Bombing an Interview
|
Mar 28, 2024 |
Let’s Talk About Sex (On Screen) With a Team of Intimacy Coordinators
|
Mar 22, 2024 |
To Rent or Buy Gear? Plus, Movies That Made Us Want To Make Movies
|
Mar 21, 2024 |
Pete Ohs Rethinks How We Make Movies
|
Mar 15, 2024 |
How Your First Ten Pages — Or AI? — Will Determine if Someone Finishes Your Script
|
Mar 14, 2024 |
‘Damsel’ Director Juan Carlos Fresnadillo Sets Fantasy on Fire (And It Looks Awesome)
|
Mar 08, 2024 |
How We Manage Our Careers — From Annual Goals to Daily Tasks
|
Mar 07, 2024 |
How Broadcast Dramas Work, With ‘Quantum Leap’ Writer Shakina
|
Mar 01, 2024 |
Dissecting Emerging AI and Why Your Human Voice Is So Important
|
Feb 29, 2024 |
Career-Sustaining Advice for a Consolidating Film Industry
|
Feb 23, 2024 |
How To Ensure People Can Watch Your Movie (Hopefully) Forever
|
Feb 22, 2024 |
How First-Time Feature Director Katie Burrell Subverts Ski Comedy... Hilariously
|
Feb 16, 2024 |
Are Super Bowl Ads Creative Anymore? Plus, a New Film Camera!
|
Feb 15, 2024 |
‘The Florida Project’ Producer Francesca Silvestri & ‘Suncoast’ Director Laura Chinn on Unlocking the Director-Producer Relationship
|
Feb 09, 2024 |
Indecision Is Death: ‘Argylle’ Director Matthew Vaughn on Titles, Twists & Scripts
|
Feb 08, 2024 |
Neon’s Horror Subversion ‘Handling the Undead’ Director Thea Hvistendahl on the Patience To Face Your Nightmares
|
Feb 06, 2024 |
'Expats' Director Lulu Wang on the Power of Saying “No”…and Sound
|
Feb 03, 2024 |
Oscars Snobbery or Misogyny? Plus, Doug Liman's 'Road House' Boycott
|
Feb 01, 2024 |
Lollapalooza, Oil, & Life-Or-Death Stakes: These Sundance Doc Directors Wear All the Hats
|
Jan 31, 2024 |
E-Girl Investigators of Sundance Premiere Neon Doc ‘Seeking Mavis Beacon’ on Ethics, DIY, and How To Ask For What You Need
|
Jan 28, 2024 |
From Landing the Job to Boosting Morale: Sundance DP Roundtable Dives into Filters & More
|
Jan 27, 2024 |
When Sundance Is the End of Your Festival Run: ‘How To Have Sex’ Director Molly Manning Walker
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Jan 24, 2024 |
NFS @ Sundance: Community and Creativity at the No Film School Alumni Party
|
Jan 23, 2024 |
‘Layla’ Director Amrou Al-Kadhi and Cast on Opening Sundance, Casting Chemistry, and the Power of Subtext
|
Jan 23, 2024 |
NFS @ Sundance: Risks, Giveaways and What the Fest Tells Us About the Industry
|
Jan 22, 2024 |
‘Blackfish’ Director Gabriela Cowperthwaite Turns Blacklist Script ‘I.S.S.’ Into Sci-Fi Thriller Theatrical Release
|
Jan 19, 2024 |
Surviving Our Lowest Lows
|
Jan 18, 2024 |
Crucial Advice on Pitching Your TV Show
|
Jan 12, 2024 |
Industry Etiquette Tips for Social Media and Feedback
|
Jan 11, 2024 |
How To Make a Movie... For TikTok?
|
Jan 05, 2024 |
Filmmaker Resolutions for 2024
|
Jan 04, 2024 |
Why Breaking Story Is Like Breaking a Horse
|
Dec 29, 2023 |
Micro Budget by Design With the Screenwriting Life’s Jeff Graham
|
Dec 29, 2023 |
Indie Horror Duo the LeVecks: From Production To Press On ‘A Creature Was Stirring’
|
Dec 22, 2023 |
A Shocking Netflix Dump, Plus Lessons From Our Fav Holiday Flicks
|
Dec 21, 2023 |
'Share?' Director Ira Rosensweig on Full Stack Filmmaking
|
Dec 15, 2023 |
Why Don’t We Have an Indie Streaming Platform? Plus Our 700th Episode!
|
Dec 14, 2023 |
Unpacking the Ethical Minefield of Docs With the Team Behind ‘Subject’
|
Dec 08, 2023 |
The Joy of Networking in Hollywood!
|
Dec 07, 2023 |
How ‘May December’ Writer Samy Burch Plays With Power on the Page
|
Dec 01, 2023 |
What Actors Need To Know About Cinematography, Plus Building Your Post Team
|
Nov 30, 2023 |
‘Hungry Dog Blues’ Filmmakers Share Secret to Indie Film (Good Follow Up)
|
Nov 24, 2023 |
Gift Guide 2023 and the Pokémon Cards of Filmmaking
|
Nov 23, 2023 |
‘Asteroid City’ DP Robert D. Yeoman on Film vs Digital, Long-Term Director Relationships, and Sleep
|
Nov 17, 2023 |
An Indie Film Exec Unpacks The Post-Strike World
|
Nov 16, 2023 |
Demystifying Artist Labs and Programs with Tribeca Studios’ Bryce Norbitz
|
Nov 10, 2023 |
How To Talk About Your Film Career at the Holiday Dinner Table
|
Nov 09, 2023 |
‘TMNT: Mutant Mayhem’ Production Designer Yashar Kassai on the Future of Animation
|
Nov 03, 2023 |
Avoid Making Your Sets Look Like Sets; Plus, Are Intermissions Back?
|
Nov 02, 2023 |
Why Horror Films Are a Mirror of Society
|
Oct 31, 2023 |
Piloting Real-Time Post-Collab on Damien LeVeck’s Holiday Horror
|
Oct 28, 2023 |
Breaking Down the Color of Horror with LatinXorcists’ Ricardo Martinez
|
Oct 27, 2023 |
Practical Advice for Practical Effects With the Directors of SXSW Creature Feature ‘Snatchers'
|
Oct 26, 2023 |
Adventures in Indie Filmmaking and Leveraging Famous Faces
|
Oct 19, 2023 |
How 'The Creator' DP Challenges Big Budget Filmmaking with an Indie Mindset
|
Oct 18, 2023 |
How The Weird Satanist Guy Spawned a Sundance Indie With Demon Puppets
|
Oct 18, 2023 |
Why You Should Write Your Spec with 'Greenland' Screenwriter Chris Sparling
|
Oct 10, 2023 |
The WGA Strike is Over - What's Next?
|
Oct 05, 2023 |
The Most Disturbing Shorts at Sundance
|
Sep 29, 2023 |
The Writer's Strike Ends and Social Media Debates a Screenplay Page
|
Sep 28, 2023 |
How To Cast, Direct and Make Movies for Kids
|
Sep 23, 2023 |
The iPhone 15 is for Filmmakers, Casting Problems, and a Panamanian Adventure
|
Sep 21, 2023 |
How These SNL Editors Cut an Emmy-Nominated Sketch With 60+ VFX Shots in Two Days
|
Sep 15, 2023 |
Secrets to a Happy Set
|
Sep 14, 2023 |
How “Blackberry” Editor Induces Anxiety in Comedy
|
Sep 08, 2023 |
Strike Updates & Questions Directors Need To Answer in Prep (Feat. A Director in Prep)
|
Sep 07, 2023 |
Grit, Hustle and Self-Distribution: Learnings From Team Behind "Anchorage"
|
Sep 01, 2023 |
How To Write a Screenplay in Ten Days and Shoot a Movie in Less
|
Aug 31, 2023 |
How To Reinvent a Classic With Birth/Rebirth’s Laura Moss and Brendan J. O’Brien
|
Aug 25, 2023 |
How To Actually Shoot a Movie On Your iPhone
|
Aug 24, 2023 |
SNL Vet On Directing, Producing and Shooting Sketch, Parody and Satire
|
Aug 18, 2023 |
Rock & Roller Grace Potter Explains Her Filmic Inspirations, Aspirations
|
Aug 17, 2023 |
“Mutt” Director and Actor Unpack Career-Launching First Feature
|
Aug 11, 2023 |
How “The Bear” Editor Harnesses Chaos Across Film and TV
|
Aug 10, 2023 |
Top Legal Mistakes Filmmakers Make and How To Avoid Them
|
Aug 04, 2023 |
How To Shoot and Edit for Visual and Practical FX With “Appendage” Editor
|
Aug 03, 2023 |
How Appalachia-Based Filmmakers Blend Doc and Myth in “King Coal”
|
Jul 28, 2023 |
The DGA Deal Point Everyone Should Be Talking About, Plus Strike Updates
|
Jul 27, 2023 |
"Plan C" Editor Reveals the Skill Every Creative Should Foster
|
Jul 21, 2023 |
Your Double Strike Questions Answered: Waivers, Indies, Subscriptions and More
|
Jul 20, 2023 |
Why You Shouldn't Choose a Lane as a Filmmaker
|
Jul 14, 2023 |
What Indie Filmmakers Can Learn From ‘Indiana Jones’
|
Jul 13, 2023 |
What Podcasters and TV Writers Can Learn From Each Other
|
Jul 07, 2023 |
The Boundary-Pushing Tech at Cine Gear and Tribeca
|
Jul 06, 2023 |
What Can Tribeca Doc Editors Teach Us About Tools, Tone and Working Remote?
|
Jun 30, 2023 |
How To Sell Your TV Show Plus a Sundance Episodic Darling
|
Jun 29, 2023 |
The Festival Challenging Industry Norms & It's Best Feature Doc Winner
|
Jun 23, 2023 |
Big Movies Require Big Risks - 'God is a Bullet’ Producer and Financier Talks Filmmaking
|
Jun 22, 2023 |
‘Extraction 2’ Director Sam Hargrave’s Advice on Oners, Stunts, and Emails
|
Jun 16, 2023 |
Live From TriBeCa plus a Film That Takes on Toxic Frat Culture
|
Jun 15, 2023 |
‘White Lotus’ DP Explains the Difference Between Shooting Film & TV
|
Jun 09, 2023 |
How to Transition Roles Within the Film Industry Feat. ‘Flamin’ Hot’ Director Eva Longoria
|
Jun 08, 2023 |
How to Craft a Freaky Jump Scare With ‘Boogeyman’ Director Rob Savage
|
Jun 02, 2023 |
Why We’ll Be Babysitting AI To Avoid a Cliche Hellhole
|
Jun 01, 2023 |
An Accidental First Feature—Walé Oyéjidé’s on His Stunning ‘Bravo, Burkina!’
|
May 26, 2023 |
How To Navigate Hollywood Power Structures and What SAG Striking Means for the WGA
|
May 25, 2023 |
How To Break Into TV and Keep Healthy Boundaries
|
May 19, 2023 |
Is Your Project Fellowship-Ready? Plus, Find The Perfect IP For You
|
May 18, 2023 |
A Step-By-Step Guide to Indie Film: From Labs to Sundance to Theaters
|
May 12, 2023 |
Live From the WGA Picket Line and Why It Matters to You
|
May 11, 2023 |
How To Nail Camp Across Genres
|
May 05, 2023 |
How To Salvage a Toxic Production and the Death of the Movie Star
|
May 04, 2023 |
Puberty and Filmmaking—Not So Different! ‘Are You There God?’ Director Kelly Fremon Craig
|
Apr 28, 2023 |
Golden Elevator to Indie Film? Plus, Rolling Calls
|
Apr 27, 2023 |
'Chevalier' Director Stephen Williams on Big Breaks Outside of Hollywood
|
Apr 21, 2023 |
Day 2 of NAB 2023: Innovation, Battle Testing Camera to Cloud
|
Apr 21, 2023 |
Day 1 of NAB 2023: The Largest Community of Creatives and the Philosophy of What Makes a Camera Great
|
Apr 18, 2023 |
‘Renfield’ Director Chris McKay: The DNA of Your Movie Is the People Who Make It
|
Apr 14, 2023 |
WGA Strikes for Everybody, Plus Ray Romano, and Falling Out of Love
|
Apr 13, 2023 |
‘Joyland’ Director Saim Sadiq Redefines What it Means to be a Director
|
Apr 07, 2023 |
True Originality is Within Your Grasp
|
Apr 06, 2023 |
Turning "You're Not Gonna Make It" into Emmys with Director-Editor Kabir Akhtar
|
Mar 31, 2023 |
The Money Episode
|
Mar 30, 2023 |
How to Greenlight Yourself with ‘Wildflower’ Director
|
Mar 24, 2023 |
Tarantino's Last Movie, plus, Surviving Freelance, Anchoring Scripts, and Ronin 4D Flex
|
Mar 23, 2023 |
How to Cut Weeks of Shooting and Still Win at Sundance with ‘Mami Wata’ Director C.J. “Fiery” Obasi and Cinematographer Lílis Soares
|
Mar 17, 2023 |
Too Many Cooks in the Best Picture Category? Plus, Critiques, Critics, and 'No Hard Feelings'
|
Mar 16, 2023 |
Daniels and Paul Rogers talk Oscar-Winning (Re-Run)
|
Mar 14, 2023 |
From Sundance to SXSW: "Fancy Dance" Director Erica Tremblay and Co-Writer Miciana Alise
|
Mar 10, 2023 |
Big Data in Little Hollywood
|
Mar 09, 2023 |
SXSW Preview: Should You Produce Your Festival Experience? Plus Interview with Director Ella Glendining
|
Mar 03, 2023 |
Do We Miss Development Hell? Plus, The Last of Us
|
Mar 02, 2023 |
"The Banshees of Inisherin" Editor Mikkel E.G. Nielsen on Making Films Come Full Circle
|
Feb 24, 2023 |
Do We Need AI to Cry? Plus, the Future of Red.
|
Feb 23, 2023 |
Nailing the LOL with Women Write Now’s Sundance Fellows
|
Feb 17, 2023 |
Editors and Post Sound Have a Crush on Each Other('s Work)
|
Feb 10, 2023 |
How to Deal with Agents, Managers, and Breaking Up with Collaborators
|
Feb 09, 2023 |
Jason Woliner on Developing Filmmaking Stamina and Creative Confidence
|
Feb 07, 2023 |
For These DP's Connecting with Story and Storytellers Prevents Burnout
|
Feb 03, 2023 |
Live From Sundance: Festival Favorites, Acquisitions, and the Good/Bad/Ugly of Networking
|
Jan 27, 2023 |
“Don’t Follow the Rules, Rewrite the Rules” — Sundance Director Alison O'Daniel on Slow Burn Filmmaking by Design, Weaving Captioning into Film Narrative
|
Jan 26, 2023 |
Live from Sundance, plus Powderkeg Media’s Head of Development Approaches the Fest in a Time of Pure Flux
|
Jan 23, 2023 |
What We Wish We Knew About Film Festivals When We Were Younger
|
Jan 20, 2023 |
What is the 'Secret Sauce' of a Great Film? Oscar-Winning Editor Lee Smith Helps Us Find Out
|
Jan 17, 2023 |
Why is Francis Ford Coppola Losing His Crew?
|
Jan 13, 2023 |
How to Make Money as a Cinematographer
|
Jan 10, 2023 |
You Can Own a Piece of A Disruptive Film and TV Development Model
|
Jan 03, 2023 |
Darius Khondji on Scale, Scope, and Cinematic Storytelling
|
Dec 29, 2022 |
Filmmaker First Steps: Anne Sophie Bine on Short Film Success
|
Dec 27, 2022 |
There is a Whole New Way Movies Are Marketed... Will it Work?
|
Dec 22, 2022 |
Going Right From Film School Shorts to a First Feature
|
Dec 20, 2022 |
Making Your Creative Intentions Count
|
Dec 15, 2022 |
Todd Field Tells us How to Study Character in Tar
|
Dec 13, 2022 |
A.I. Leaps Forward Again...Do Filmmakers Need to Worry?
|
Dec 08, 2022 |
How to Craft Natural Light into Stunning Visuals in Banshees of Inisherin
|
Dec 06, 2022 |
NEW AI Tech That Blows Our Minds and How to Use Improv on Set
|
Dec 01, 2022 |
Navigating Ego in Filmmaking
|
Nov 24, 2022 |
How to Get Your Kinds of Movies Made with Dean Craig Writer/Director of 'The Estate'
|
Nov 22, 2022 |
Is This the Tool Filmmakers Need to Find Their Audience?
|
Nov 19, 2022 |
Tony Kushner Breaks Down 'The Fabelmans' and Collaborating with Steven Spielberg
|
Nov 15, 2022 |
You Finished Your Screenplay. Now What?
|
Nov 11, 2022 |
“Smile” Director and DP Share the Secret Rules to Their On-Set Success
|
Nov 08, 2022 |
How to Get Commercial Directing Gigs and Brand New Camera Tech We Love
|
Nov 03, 2022 |
How This 15 Year Old Shot a Horror Short and Got it To Cannes
|
Oct 28, 2022 |
How to Give Notes That Help and What AI Will Do to Filmmaking
|
Oct 27, 2022 |
Paul Feig Teaches Us the Nuances of Comedy and Collaboration
|
Oct 25, 2022 |
When and How to "Run and Gun" Wisely
|
Oct 20, 2022 |
How Can You Option Valuable IP and Get it Made with Josh Gordon and Will Speck
|
Oct 18, 2022 |
Box Office Smarts for Filmmakers or How To Make Your Movie When Something Like it Bombed
|
Oct 13, 2022 |
"Bodies Bodies Bodies" Director Halina Reijn Shares Her Directing Process
|
Oct 11, 2022 |
How to Stay Healthy During #SetLife
|
Oct 07, 2022 |
'The Redeem Team' Director Jon Weinbach Teaches Us How to Sell The Stories We Love
|
Oct 04, 2022 |
How Do You Make Money While Pursuing a Filmmaking Career?
|
Sep 30, 2022 |
Debunking and Decoding the Industry with 'Superbad' and 'Confess, Fletch' Director Greg Mottola
|
Sep 27, 2022 |
How to Shoot Sex Scenes Responsibly, Even Without A Big Budget
|
Sep 23, 2022 |
What's The Cost of Doing Work You Care About? Jerrod Carmichael Explains
|
Sep 20, 2022 |
Is There Still a Place in Cinema for Rule Breakers?
|
Sep 15, 2022 |
Face Down Your Filmmaking Challenges with this Approach From Medieval Director Petr Jakl
|
Sep 13, 2022 |
How to Become More Hireable and What We like About the Fuji X-H2
|
Sep 09, 2022 |
How to Find Your Way Into the Industry with Jessica M. Thompson
|
Sep 06, 2022 |
Joe Dante Believes You Can Create Amazing Things
|
Sep 02, 2022 |
When is the Right Time to Take Big Career Swings?
|
Sep 01, 2022 |
Yes, You Can Still Do This... and Audiences Need You to!
|
Aug 30, 2022 |
China Sends Hollywood a Message
|
Aug 27, 2022 |
How to Identify Your Filmmaking Voice and Expand Beyond It
|
Aug 23, 2022 |
How Can You Navigate Hollywood if You Aren't Rich or Connected?
|
Aug 18, 2022 |
How to Create Your Directing Opportunities with Liz Allen Rosenbaum
|
Aug 16, 2022 |
Find Out What the Hell Happened with HBO Max
|
Aug 11, 2022 |
How 'Nope' Editor Nicholas Monsour Creates Perspective and Meaning
|
Aug 09, 2022 |
How Do You Know When Your Edit is Done?
|
Aug 04, 2022 |
The New Soft Skills You Need as a Modern Filmmaker
|
Jul 28, 2022 |
Here's How This DP Did Something Nobody's EVER Done Before
|
Jul 26, 2022 |
Is it Bad That Spielberg and A.I. Generators Are Playing in Our Sandbox?
|
Jul 21, 2022 |
This is Why You Can Do Better Work Even With Limitations
|
Jul 14, 2022 |
How To Create Amazing Cinematic Sequences with the 'Elvis' Editors and Cinematographer
|
Jul 12, 2022 |
How You Can Benefit from Finding Filmmaking Communities
|
Jul 07, 2022 |
Here is How a Random Crush Turned into Someone's Break Through Feature
|
Jul 05, 2022 |
The Personal and the Political of Filmmaking in Unprecedented Times
|
Jun 30, 2022 |
Unlocking the Challenges of Directing Actors with Sophie Hyde
|
Jun 28, 2022 |
Let's Face Filmmaker Imposter Syndrome Together
|
Jun 23, 2022 |
Straightforward Ways to Be a Better Director from 'Hustle' Director Jeremiah Zagar
|
Jun 21, 2022 |
Find Out What's Happening to the Streaming Business Model and What's Next in Lenses from Cine Gear
|
Jun 16, 2022 |
Go Inside the Editing of "Top Gun: Maverick"
|
Jun 14, 2022 |
Learn From The "Sketchy" Things We Did When We Started Out...
|
Jun 09, 2022 |
Make Your Feature by Embracing Fear
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Jun 07, 2022 |
What's Your Responsibility as a Filmmaker AND Film-watcher?
|
Jun 02, 2022 |
Film Festival Founders Share How You Can Grow from the Festival Experience
|
May 31, 2022 |
Do Movie Stars Still Matter for Indie Filmmakers?
|
May 26, 2022 |
Will This Be James Cameron's WATERloo?
|
May 19, 2022 |
How This Writing Team Got Their First Feature (With a Little Help From This Podcast!)
|
May 17, 2022 |
The Problem with TV, The Cat People's Narrative, And a Tool That Finally Crosses the Streams
|
May 12, 2022 |
Award-Winning Director John Madden Talks Crafting Tension in 'Operation Mincemeat'
|
May 10, 2022 |
Word of Mouth and Making Good Movies Still Works!
|
May 05, 2022 |
Filmmaking Tools and Tech That Excite Us the Most as We Wrap Up NAB 2022
|
May 03, 2022 |
These Innovations Let You Light However You Want
|
Apr 27, 2022 |
Robert Eggers Explains How the Devil is in the Details on 'The Northman'
|
Apr 26, 2022 |
The First Day of NAB 2022 Introduces Insane New Workflows
|
Apr 25, 2022 |
There May Be No Better Way to Learn and Get Inspired Than This
|
Apr 23, 2022 |
The Genius Talent Behind "Everything Everywhere All At Once", All at Once
|
Apr 22, 2022 |
What Happened to All The Sex in Movies?
|
Apr 21, 2022 |
A Round Table On Apps Every Filmmaker Needs
|
Apr 19, 2022 |
NAB is Coming And Here is Why We're Pumped
|
Apr 14, 2022 |
How This First Time Filmmaker Got Elite Talent on Her Side
|
Apr 12, 2022 |
Plagiarizing Film Students and Was 'The Godfather' Lit Poorly?
|
Apr 07, 2022 |
How This First Time Filmmaker Got it Done By Laying it All on The Line
|
Apr 05, 2022 |
What To Do With Your Hands... At a Film Festival or Awards Show
|
Mar 31, 2022 |
Learn Directly From these 2021 Academy Award Filmmakers
|
Mar 25, 2022 |
Who Will Win The Streaming War and All Your $$?
|
Mar 25, 2022 |
The Oscar Nominated Art Team Behind "Nightmare Alley"
|
Mar 23, 2022 |
Dune: A Masterclass in Bringing a World to Life Through Sound
|
Mar 22, 2022 |
The Tragedy of People Missing the Point of Movies
|
Mar 20, 2022 |
Find Out Why These Producers Read ‘Mass’ and Had to Make It
|
Mar 16, 2022 |
3 Filmmaking News Stories That Push All Kinds of Buttons
|
Mar 14, 2022 |
The Not-So-Secret Hack That Makes 'Winning Time' So Amazing
|
Mar 09, 2022 |
Why Does The Academy Hate Actual Filmmaking?
|
Mar 03, 2022 |
Want To Binge The Best Movies Ever? This Month You Can...
|
Mar 01, 2022 |
Investors Scamming Filmmakers and a New Camera That Blows Our Mind
|
Feb 24, 2022 |
How Two Very Different Paths Led To Filmmaking Careers
|
Feb 22, 2022 |
This Eye-Tracking Tech Could Change Filmmaking and Watching
|
Feb 17, 2022 |
Creating Subtext in The Power of The Dog
|
Feb 15, 2022 |
In a World of Mostly Bad Things, Make Something Good
|
Feb 10, 2022 |
Station 11 DP's Teach Creating New Looks in Familiar Genre
|
Feb 08, 2022 |
Censorship, Changed Endings, and The Big Chungus of Gear
|
Feb 03, 2022 |
What Cameras Are Most Popular for Sundance Filmmakers?
|
Jan 27, 2022 |
How Driving to LA With Nothing But the Dream Worked For These Guys
|
Jan 25, 2022 |
A Rights-Buying Story So Weird it Might Be a Joke
|
Jan 20, 2022 |
The Secrets Behind Directing Great Television From Someone Who Does It
|
Jan 18, 2022 |
How to Make the Slow Time of Year Busy
|
Jan 13, 2022 |
How Do You Raise Money at a Film Festival?
|
Jan 07, 2022 |
Nathalie Biancheri on Writing and Directing 'Wolf'
|
Jan 06, 2022 |
Nora Fingscheidt On Being 'Drafted' to Direct a Large Scale Feature
|
Jan 04, 2022 |
Licorice Pizza's Editor and DP On Breaking Rules with PTA
|
Dec 23, 2021 |
Nightmare Alley DP and Editor Shed Light on Crafting Utter Darkness
|
Dec 21, 2021 |
Why Make Movies? 2021 In Review
|
Dec 16, 2021 |
Sir Kenneth Branagh on 'Belfast', Cinema History, Growing Up, and Being Human
|
Dec 14, 2021 |
What’s Going On With the Austin Film Festival Screenplay Coverage?
|
Dec 09, 2021 |
Dolph Lundgren On Hollywood, Ambition, and Changing Course
|
Dec 08, 2021 |
Why Comic-Con is for Filmmakers
|
Dec 02, 2021 |
DP Robert Yeoman on Shooting With Wes Anderson
|
Nov 30, 2021 |
Turn Your Holidays into a Filmmaking Laboratory
|
Nov 25, 2021 |
How to Shoot a Feature in One Take. FOR REAL.
|
Nov 23, 2021 |
Sony Venice 2 Drops Here is What You Should Know
|
Nov 18, 2021 |
What’s it Like to Write a Movie For Marvel?
|
Nov 15, 2021 |
Optioning Scripts for Indie Filmmakers, When to Drone, and GOOD DEAL/BAD DEAL
|
Nov 12, 2021 |
'The Harder They Fall' and 'The Master' DP on Creating a Modern Western Look
|
Nov 11, 2021 |
Dune DP Greig Fraser and Editor Joe Walker Break Down Crafting a Cinematic Epic
|
Nov 04, 2021 |
Edgar Wright and Krysty Wilson Cairns Dissect 'Last Night in Soho'
|
Nov 02, 2021 |
Manfrotto Camera Movement Week and Box Office Victories
|
Oct 29, 2021 |
Film Set Tragedy
|
Oct 28, 2021 |
IATSE’s New Contract
|
Oct 23, 2021 |
Justin Long, Christian Long, and Justin Chon for 'Lady of the Manor' and 'Blue Bayou'
|
Oct 19, 2021 |
Should You Pay For Script Coverage?
|
Oct 15, 2021 |
Fuqua, Gyllenhaal, and Melfi on THE GUILTY and THE STARLING
|
Oct 13, 2021 |
Bond is Back And We're Chatting With No Time To Die's Visual Wizards
|
Oct 08, 2021 |
STRIKE! And Russians in Space... With Cameras?
|
Oct 07, 2021 |
Sara Colangelo Tells The Truth in 'Worth'
|
Oct 05, 2021 |
What Does the Huge CAA News Mean For You?
|
Sep 30, 2021 |
How Two Friends Turned an Inside Joke into a Feature Film
|
Sep 29, 2021 |
Ed Burns Shares the Art of Indie Film Compromise
|
Sep 24, 2021 |
Just How Cinematic IS This New iPhone 13?!
|
Sep 23, 2021 |
Welcome To The Wild West Of Streaming Wars and Digital Cameras
|
Sep 16, 2021 |
How to Carve a Sundance Worthy Doc From Hours of Archival Footage
|
Sep 14, 2021 |
Working on Labor Day
|
Sep 09, 2021 |
Paul Schrader Tells Us the Keys To Character Study and How 'Taxi Driver 2' Almost Happened
|
Sep 07, 2021 |
What Could Blockchain Coming to Hollywood Mean For Filmmakers?
|
Sep 02, 2021 |
Turning Disappointment into Growth with Shawn Levy
|
Aug 31, 2021 |
Free Range Production Assistants and Billion Dollar Deals
|
Aug 26, 2021 |
Creating an Epic Landscape in ‘The Green Knight’
|
Aug 24, 2021 |
Toxic Fandom, Tarantino's Mother Issues, and We Play 'Good Deal/Bad Deal'
|
Aug 19, 2021 |
From Caviar With Arnold To 'Cruising' With The Rock
|
Aug 17, 2021 |
Are Director's 'Hot Takes' Good For Their Movies?
|
Aug 12, 2021 |
How They Made the Camera Sing and Dance in 'In The Heights'
|
Aug 10, 2021 |
ScarJo Takes on Disney and What Makes a 'Good' Deepfaker?
|
Aug 05, 2021 |
What Comes After an Entry-Level Job?
|
Jul 29, 2021 |
How 'Stillwater' Keeps You Riveted and How 'Let Us In' Found an ‘IP’ Loophole
|
Jul 28, 2021 |
Nine Days is the Film Of Our Times. How the Heck Did it Get Made?
|
Jul 27, 2021 |
M. Night Shyamalan Explains his Directing Choices on 'Old', Plus the 'PIG' Filmmakers Preach Perseverance
|
Jul 20, 2021 |
How to Take and Give Notes, What is the Future of Celluloid, and RIP Richard Donner
|
Jul 15, 2021 |
'Gunpowder Milkshake' Director Navot Papushado On Shooting Awesome Gunfights
|
Jul 13, 2021 |
No Sudden Move Writer Ed Solomon Teaches Us About Success, Failure, Growth, and Alaskan Strip Clubs
|
Jul 09, 2021 |
TCM Host Ben Mankiewicz Takes Us Behind The Scenes On One of Hollywood's Biggest Sets
|
Jul 07, 2021 |
How Many Ks Do You Need? Blackmagic Week Special Episode
|
Jul 01, 2021 |
How Has Visual Effects Photography Has Evolved and Where Is It Going?
|
Jun 29, 2021 |
You're Not a DP Until You've Cut Your Own Material
|
Jun 28, 2021 |
Are Netflix and Actors Are Both Trying to Hide Something?
|
Jun 24, 2021 |
'Wonder Showzen' and 'False Positive' Co-Creator John Lee Wants You to Push Buttons
|
Jun 22, 2021 |
Edgar Wright Shares His Inspiration and Passion with "The Sparks Bros"
|
Jun 18, 2021 |
Renny Harlin Says He Could Live Without Food... But Not Without Movies
|
Jun 18, 2021 |
What Makes This New Drone So Special?
|
Jun 17, 2021 |
Safe Sex on Sets and Creative Cloud Questions
|
Jun 10, 2021 |
AMC is Buying Arclight and How Do Filmmakers Ask For a Raise?
|
Jun 03, 2021 |
Screenwriting Guru Robert McKee Demystifies Character and Structure
|
Jun 01, 2021 |
Choosing Your First Industry Job
|
May 27, 2021 |
How to Budget Your Indie Feature
|
May 20, 2021 |
Director Timur Bekmambetov Is Loving This New Innovative Filmmaking Technique
|
May 18, 2021 |
How Ratings and Algorithms Impact Your Filmmaking Career
|
May 13, 2021 |
Who Will Save Arclight Cinemas?
|
May 06, 2021 |
'Miss Juneteenth' Writer/Director Shows Us How to Beat the Odds
|
May 04, 2021 |
I'm Producing A Feature... What First Steps Do I Take?
|
Apr 29, 2021 |
The Guys Who Edited Borat Tell All
|
Apr 27, 2021 |
The Pros and Cons of Integrating AI into Filmmaking
|
Apr 22, 2021 |
Following a True Story Landed This Writer/Director His Feature Debut
|
Apr 20, 2021 |
How to Break In... As a PA
|
Apr 15, 2021 |
Ridley Scott's Longtime DP Darius Wolski Has War Stories
|
Apr 13, 2021 |
Why Rian Johnson Can't Stop Winning
|
Apr 08, 2021 |
Success Happened Because There Was No Plan B
|
Apr 06, 2021 |
Do Directors Need a Certain Personality Type To Suceed?
|
Apr 01, 2021 |
Creating the Physical Look of David Fincher's 'Mank'
|
Mar 30, 2021 |
Is Zach Snyder's 'Justice League' a Good Movie?
|
Mar 25, 2021 |
Mark Toia Self-Financed a VFX-Heavy Robot Action Movie for 1.6 Million
|
Mar 23, 2021 |
How WandaVision Achieved Its Kaleidoscope of Looks With One Camera
|
Mar 18, 2021 |
How Michael Stephenson Turned a Child Actor Nightmare Into a Fruitful Directing Career
|
Mar 16, 2021 |
TCM Chooses to Discuss Rather Than 'Cancel' and Why It Matters
|
Mar 11, 2021 |
Mark Ruffalo's Doc on The Rights of Nature Breaks Ground
|
Mar 09, 2021 |
Is George Lucas Returning to Star Wars? We Discuss the Filmmaking Maverick
|
Mar 04, 2021 |
What Do Producers Want? We Ask One
|
Mar 02, 2021 |
Sorry Dude, Amazon Prime Video Direct Does Not Want Your Documentary
|
Feb 25, 2021 |
The United States vs. Billie Holiday DP Says Celluloid Was a 'No Brainer'
|
Feb 23, 2021 |
Was Gina Carano's Firing Fair?
|
Feb 18, 2021 |
'Ma Rainey's Black Bottom' DP Tobias Schliessler is Always Learning
|
Feb 16, 2021 |
Meet Matt Ritter: The Man Who Almost Scored the Film Rights to the Gamestop Madness
|
Feb 11, 2021 |
Oscar-Winning Director of 'The Mauritanian' and 'The Last King of Scotland' Kevin Macdonald
|
Feb 09, 2021 |
Why Remote Sundance is Awesome For Filmmakers and Audiences
|
Feb 04, 2021 |
'Search Party' DP Jonathan Furmanski Discusses the Art Of Lensing Comedy
|
Feb 02, 2021 |
What You Need to Know About the Sony Alpha 1
|
Jan 28, 2021 |
Frank Oz, Voice of Yoda and Muppet Co-Founder, Breaks New Ground and New Formats
|
Jan 26, 2021 |
Is There Anything Left in the Superhero Genre to Explore?
|
Jan 21, 2021 |
How to Work Your Way Up at a Production Company Until You Direct Your Debut Feature
|
Jan 19, 2021 |
Is Quentin Tarantino Giving Us Bad Career Advice?
|
Jan 14, 2021 |
Can Cinema Make You Immortal? A Deep Chat With 'Dick Johnson Is Dead' Creator Kirsten Johnson
|
Jan 12, 2021 |
Did Patty Jenkins Try to Save 'Wonder Woman'?
|
Jan 07, 2021 |
The Producers of 'Black Bear' Tell You What It Really Takes To Make a Legit Indie Film
|
Jan 05, 2021 |
How Writer-Director Tara Miele Brought Her Passion Project 'Wander Darkly' to Life
|
Dec 30, 2020 |
Why ScriptHop Will Help Get Your Screenplay Read By the Right People
|
Dec 29, 2020 |
What Is Up with Tom Cruise and Why Did His COVID Regulation Tirade Seem Fake?
|
Dec 24, 2020 |
Why Disney's New Wave of Content Matters (For Better or Worse)
|
Dec 17, 2020 |
Oscar-Winning Sound Supervisor Mark Mangini Gives You The Keys to the Kingdom
|
Dec 16, 2020 |
How Watson Wu Captures Your Favorite Sounds
|
Dec 14, 2020 |
Heavyweight Directors Vs. Warner Bros: Who Will Have the Last Word?
|
Dec 10, 2020 |
Why 'The Crown' Takes Liberties with Historical Facts and You Should Too (Because It’s All Fiction)
|
Dec 03, 2020 |
How Oscar Winning DP Chris Menges Mastered Naturalistic Cinematography
|
Dec 02, 2020 |
One Director's Honest, Harsh, and Heartwarming Story of Making it in Hollywood
|
Dec 01, 2020 |
How Michael Angelo Covino and Kyle Marvin Ascended to the Top of the Film World with 'The Climb'
|
Nov 30, 2020 |
What's the Best Cinema Camera for Under 10K?
|
Nov 26, 2020 |
Phedon Papamichael is an Actor's Cinematographer. What Does That Mean?
|
Nov 25, 2020 |
How 'The Queen's Gambit' Editor Michelle Tesoro Became So Versatile In Cutting Prestige TV
|
Nov 24, 2020 |
Why Did Leonardo DiCaprio Want 'Killers of the Flower Moon' Rewritten?
|
Nov 19, 2020 |
How Ross Emery Became a Go-To Cameraman for Modern Sci-Fi Classics
|
Nov 18, 2020 |
Malin Akerman Explains How to Attach Talent to a Project
|
Nov 17, 2020 |
DaVinci Resolve 17 Has Tons of New Features You'll Like
|
Nov 12, 2020 |
Sony's New Virtual Sound Tech Was So Good These Veteran Mixers Couldn't Believe Their Ears
|
Nov 11, 2020 |
Daron Aronofsky's Rockstar DP Matthew Libatique Talks Career and 'Requiem For a Dream' Anniversary
|
Nov 10, 2020 |
What You Can Do With the Blackmagic 12K... Oh And About That Election...
|
Nov 05, 2020 |
‘Over The Moon’ Director Glen Keane Uncovers The Secret Sauce Of Story
|
Nov 03, 2020 |
The Ghost of Quibi Haunts The Entertainment Industry
|
Oct 29, 2020 |
'Lovecraft Country' DP Michael Watson On Shooting During Covid-19
|
Oct 28, 2020 |
Jim Cummings Might Owe His Directing Career to a Shopping Cart
|
Oct 27, 2020 |
How Filmmaker Friendly is the iPhone 12?
|
Oct 22, 2020 |
'Back to the Future' Writer Bob Gale Shares Timeless Screenwriting Advice
|
Oct 20, 2020 |
Not Coming to A Theater Near You? How Disney+ Is Changing Movies
|
Oct 15, 2020 |
No One Gives A Sh*t About Max Barbakow and Andy Siara, Creators of “Palm Springs”
|
Oct 13, 2020 |
Why Can't The White House Find a Competent Video Editor?
|
Oct 09, 2020 |
How One Filmmaker Gave Up A Successful Career to Make Documentaries... And How it Worked
|
Oct 06, 2020 |
What Grants Should You Be Looking At This Fall?
|
Oct 01, 2020 |
’The Last Shift’ is a Masterclass in How to Make the Leap from DIY Nonfiction to Big-Time Narrative
|
Sep 28, 2020 |
9.24.20: Why the Canon C70 Is The Compact Camera We've Been Waiting For
|
Sep 24, 2020 |
9.17.20: How CAA Tried to Outsmart the WGA (And Failed)
|
Sep 17, 2020 |
Cinematic Legend Walter Murch on Editing, Sound Design, and His Unique Methods
|
Sep 15, 2020 |
9.10.20: Why Colourlab Will Be a Game-Changer (For Real!)
|
Sep 10, 2020 |
You Need to Know the Miracle of "The Peanut Butter Falcon"
|
Sep 08, 2020 |
9.03.20: What is Sync Sketch? And Remembering Chadwick Boseman
|
Sep 03, 2020 |
David Fincher's Longtime DP Jeff Cronenweth has Advice, Insight, and Stories
|
Aug 28, 2020 |
8.27.20: The Good, Bad, and Ugly of Film Festival Strategy
|
Aug 27, 2020 |
How Logan Schneider Became the "Drunk History" DP
|
Aug 26, 2020 |
8.20.20: A Middle-Class Moviemaking Manifesto?
|
Aug 24, 2020 |
8.14.20: How will the end of the Paramount Decrees affect theaters and filmmakers?
|
Aug 14, 2020 |
8.6.20: Will families pay $30 for Mulan?
|
Aug 10, 2020 |
How Do You 'Just Shoot It' During a Pandemic?
|
Aug 05, 2020 |
7.31.20: Did Filmmakers Finally Get What They Wanted?
|
Jul 31, 2020 |
7.24.20: Ks For Days
|
Jul 24, 2020 |
7.17.20: Is Canon feeling burned?
|
Jul 17, 2020 |
7.10.20: Revolutions, Revelations, and Resolutions
|
Jul 15, 2020 |
This is How One Man Created a Thriving Indie Production Company with Hope
|
Jul 07, 2020 |
7.3.20: To Sit Or Not To Sit?
|
Jul 03, 2020 |
What Will Creatives Do About Apple's Big News?
|
Jun 26, 2020 |
6.19.20: The Dinosaurs Are Going Back to Set, But Not The Writers
|
Jun 19, 2020 |
What Is It like to Write a Spider-Man Movie?
|
Jun 15, 2020 |
6.12.20: Lights, Camera, Covid?
|
Jun 12, 2020 |
6.5.20: What Is the Role of the Filmmaker in a Time of Unprecedented Upheaval?
|
Jun 05, 2020 |
5.26.20: Will 'Tenet' bring movie goers back to theaters?
|
May 29, 2020 |
Getting a Camera Inside the Moment That Shook the NBA
|
May 25, 2020 |
5.22.20: Remembering Lynn Shelton, 'Unreal' Visuals, and Adobe Premiere Updates
|
May 22, 2020 |
5.15.20: Fake Artist... Real Weirdness. What Do We Make of Lil Miquela?
|
May 15, 2020 |
Jonathan Frakes Shoots to Thrill
|
May 12, 2020 |
5.8.20: How will Netflix Get Back On Set?
|
May 08, 2020 |
'Rick and Morty' Creator Justin Roiland Gives Us a Tour of His New Show and His Twisted Mind
|
May 04, 2020 |
5.1.20: What Can You Do to Make the Most of Quarantine?
|
May 01, 2020 |
These Two Filmmakers Heard About a Job, Wanted It, and Won It
|
Apr 27, 2020 |
4.24.20: When Can Production Resume in the Time of Coronavirus?
|
Apr 24, 2020 |
4.17.20: Adobe Productions Is Here and so Are Our Questions
|
Apr 17, 2020 |
How Colorists Help You Get the Best Finished Product
|
Apr 13, 2020 |
4.10.20: How to Get the Cash the Government is Giving Freelancers
|
Apr 10, 2020 |
Does Making Midnight Movies Sharpen Your Style?
|
Apr 06, 2020 |
4.3.20: How Unemployment on a Shut-Down Production Works
|
Apr 03, 2020 |
6 DPs Reveal Their Process and How They Built Their Careers
|
Mar 30, 2020 |
3.27.20: Who Will Get Netflix's $100 Million?
|
Mar 27, 2020 |
3.20.20: Welcome to Quarantine... Now What?
|
Mar 20, 2020 |
3.12.20: How Will Coronavirus Impact Filmmakers?
|
Mar 12, 2020 |
Why Making a Short is a Career Game-Changer
|
Mar 09, 2020 |
3.4.20: What City Do You Need To Be in To Pursue a Career in Filmmaking?
|
Mar 05, 2020 |
How Do You Find a Good Producer? Sundance Producers Show Us The Way
|
Mar 02, 2020 |
2.28.20: How Long Until The Tech Behind 'The Mandalorian' is Available to More of Us?
|
Feb 28, 2020 |
2.21.20: Kinefinity's Price Drop, Coronavirus, Bond, and Working with Actors
|
Feb 21, 2020 |
7 Editors Take Us Behind the Curtain on Cutting a Sundance Feature
|
Feb 20, 2020 |
2.12.20: Canon Goes 8K, RED goes 6K, SNL Wants Smoke, Plus FCP7 Help!
|
Feb 12, 2020 |
Powerful Emotions, Exciting Innovations and Record Breaking Deals
|
Feb 03, 2020 |
Fifteen Filmmakers, One Boat: How OMNIBOAT Became the First Film ‘Based on a PDF’
|
Jan 30, 2020 |
1.27.20: What We Learned, Enjoyed, and Endured at Sundance 2020
|
Jan 27, 2020 |
How Dan Mirvish Started Slamdance Film Festival
|
Jan 27, 2020 |
What is The Future of Interactive Storytelling?
|
Jan 26, 2020 |
1.26.20: What's Hot, Exciting, and New on the First Day of Sundance 2020
|
Jan 26, 2020 |
Attention Creators: This Might Be Your Best Way Into Sundance
|
Jan 24, 2020 |
1.21.20: Attend the Great Beating Heart of American Independent Film
|
Jan 21, 2020 |
1.7.20: Unraveling '1917', Meet the Insta 360, and Chris Terrio taking on ILM
|
Jan 10, 2020 |
Sundance Institute Founder and Director Michelle Satter Predicts the Future of Indie Filmmaking
|
Dec 27, 2019 |
12.20.19: We Watched Watchmen! Plus Nikon News, and How Fair Use Works on YouTube
|
Dec 20, 2019 |
12.13.19: Can You Distribute Your Short Film and is The Mandalorian Lying to Us?!
|
Dec 13, 2019 |
12.05.19: The Perks of Being a P.O.C. (Proof of Concept, That Is)
|
Dec 05, 2019 |
11.27.19: Analyzing Every Corner of 'The Irishman'
|
Nov 27, 2019 |
11.21.2019: A Potential Movie Distribution Game-Changer plus The New MacBook Pro
|
Nov 22, 2019 |
11.14.19: Begun The Streaming War Has
|
Nov 15, 2019 |
Andre Hyland talks comedy and horror in 'The Death of Dick Long' and 'Old Haunt'
|
Nov 13, 2019 |
11.07.19: Nothing Less Than The Future of Cinema Itself Is At Stake
|
Nov 07, 2019 |
How Larry Sher Shot 'Joker', Built a Career, and Almost Got Fired on His First Day of Filmmaking
|
Oct 31, 2019 |
10.24.19: Will Crackdowns on the 'Gig Economy' Crush Indie-Filmmaking?
|
Oct 23, 2019 |
10.17.19: What Would the Perfect Film School Curriculum Look Like?
|
Oct 16, 2019 |
10.10.19: No Film School vs. Joker, Marty vs. Marvel, and Your Short Film vs. Film Festivals
|
Oct 09, 2019 |
10.4.19: The Irishman Strives, GoPro Stumbles, and We Follow Up on Distribber
|
Oct 04, 2019 |
9.27.19: BMPCC4K Updates, Moon Pirates, Bankruptcy, and Beef with Orson Welles
|
Sep 27, 2019 |
Downton Abbey Goes Big: Here is How Michael Engler Expanded the Canvas
|
Sep 23, 2019 |
9.20.19: The Joker, Raw Wars, and BAD Vibrations!
|
Sep 20, 2019 |
9.13.19: The Sony FX9, The iPhone 11 PRO, plus The Rise of The Middle Class DP
|
Sep 16, 2019 |
9.6.19: Ryan Koo Critiques a Camera (BMPCC6K)And Other News
|
Sep 06, 2019 |
How to Take Advantage of Your Low Budget (and Get Into Sundance… Twice)
|
Sep 03, 2019 |
8.30.19: Behold The Panasonic S1H And Its Myriad Wonders
|
Aug 30, 2019 |
8.22.19: Sony Vs. Disney, Apple Vs. Red, The Office Vs. The Office
|
Aug 22, 2019 |
8.16.19: The Pros and Cons of the BMPCC 6K
|
Aug 16, 2019 |
8.9.19: Can You Tell When The Project You're Working On is Good?
|
Aug 09, 2019 |
8.1.9: Once Upon A Time in (No) Film School
|
Aug 02, 2019 |
7.26.19 Those Human-ish Cats Still Make Us Feel Weird and Other Stories of the Week
|
Jul 26, 2019 |
‘Relaxer’ Filmmakers: Don't Make Poser Movies or You Will Fail!
|
Jul 17, 2019 |
7.12.19: RIP Macbook, Firmware Updates, and Which John Wick Timeline Are We In?
|
Jul 12, 2019 |
7.5.19: Deep Fakes, Netflix Victories and Gas Money
|
Jul 06, 2019 |
6.21.19: DP Shane Hurlbut on His Process, Collaborators, and the Hurlbut Academy
|
Jun 24, 2019 |
Jim Jarmusch on How to Pick Up on Your Actor's Needs
|
Jun 17, 2019 |
6.14.19: Praising Chernobyl, "Burning Cane" and Taking a Stand Against Apple’s New Monitor
|
Jun 14, 2019 |
6.7.2019: The Week of Panasonic's New Mirrorless Camera and Apple's New Cheese Grater
|
Jun 07, 2019 |
The Ultimate Screenwriting Masterclass with John Fusco and Jon Fusco
|
Jun 03, 2019 |
How to Build the Perfect Lookbook with Adam Egypt Mortimer
|
May 27, 2019 |
5.23.19: Game of Thrones Ends, War Against ATA Rages On
|
May 23, 2019 |
Why You Should Experiment Early In Your Career: 'The Mountain'
|
May 20, 2019 |
NFS 5.19.19: Game of Thrones Goes Heavy Metal, ARRI Goes to Charleston
|
May 16, 2019 |
How to Prove You Can Write With Just One Script - 'Big Time Adolescence' Director Jason Orley
|
May 13, 2019 |
How to One-Man-Crew it like an Olympian
|
May 06, 2019 |
NFS 5.2.19: The Long Night is Over
|
May 02, 2019 |
How to Ensure You are Taking Advantage of the Democratization of Film
|
Apr 29, 2019 |
How to Subversively Film a Politically Subversive Film
|
Apr 22, 2019 |
Why Writing and Directing Comedy Go Hand in Hand: Will Forte & 'Extra Ordinary'
|
Apr 15, 2019 |
How to Make a Coming of Age Movie that Doesn't Suck: Ninian Doff on 'Boyz in the Wood'
|
Apr 08, 2019 |
Masturbation on Film: Karen Maine, Natalia Dyer & More on SXSW Standout 'Yes, God, Yes'
|
Apr 01, 2019 |
'Don't be Afraid if You Didn't Go To Film School': The Method to Success Behind 'Greener Grass'
|
Mar 11, 2019 |
'There's No Business Like Slow Business': Lee Cronin on His Path to Horror Glory
|
Mar 04, 2019 |
How Young Filmmakers Can Take Advantage of Fellowships
|
Feb 25, 2019 |
DIAY: Do It ALL Yourself with Director Johannes Nyholhm
|
Feb 18, 2019 |
How To Put Yourself in the Room: Sundance Breakout ‘Them That Follow’
|
Feb 11, 2019 |
How to Become a Sundance Worthy Documentary Cinematographer
|
Feb 04, 2019 |
Does This Year's Sundance Signal the Death of Truly Independent Film? NFS Live Pt.2
|
Jan 31, 2019 |
No Film School Live from Sundance 2019 Pt.1
|
Jan 28, 2019 |
Best of the 2018 No Film School Podcast Interviews, Part 3
|
Jan 21, 2019 |
Best of the 2018 No Film School Podcast Interviews, Part 2
|
Jan 14, 2019 |
IFW 1.10.19: The Final Episode
|
Jan 10, 2019 |
Best of the 2018 No Film School Podcast Interviews, Part 1
|
Jan 07, 2019 |
IFW 12.20.18: Indie Film Weekly Will Come to an End in 2019
|
Dec 20, 2018 |
IFW 12.13.18: How to Build Relationships in the Biz & 2018's Biggest Box Office Draw
|
Dec 13, 2018 |
Why the Bolex is the World’s Most Beloved Camera
|
Dec 10, 2018 |
IFW 12.6.18: Sundance Selections & Our Full Review of the Blackmagic Pocket Cinema Camera
|
Dec 06, 2018 |
Making the Move from Producer to Director: Cristina Gallego on 'Birds of Passage'
|
Dec 03, 2018 |
IFW 11.29.18: The First Film Awards of the Season & How to Shoot Safe Sex
|
Nov 29, 2018 |
Yorgos Lanthimos on How to Shoot Surrealist Film
|
Nov 26, 2018 |
IFW 11.22.18: A Thanksgiving Miracle & Are Big Changes Coming for Final Cut?
|
Nov 22, 2018 |
Academy Award Winner László Nemes on Following Your Inspiration to Success
|
Nov 19, 2018 |
IFW 11.15.18: Our Favorite Books on Cinema & The Death of a Real-Life Superhero
|
Nov 15, 2018 |
Mike Leigh on How to Become Your Actor's Dream Director
|
Nov 12, 2018 |
IFW 11.8.18: The Greatest Foreign Films of All Time & How Much You Should Be Asking for Upfront?
|
Nov 08, 2018 |
'Diamantino': How to Make a Masterpiece Out of Your Mistakes
|
Nov 05, 2018 |
IFW 11.1.18: Farewell FilmStruck & Is Apple Finally Filmmaker Friendly?
|
Nov 01, 2018 |
For Paycheck or For Passion? Steven Yeun on 'Burning', 'Sorry to Bother You' and Building a Career
|
Oct 29, 2018 |
IFW 10.25.18: Our Thoughts on the New MacBook Pro & Where to Submit Your Film Online
|
Oct 25, 2018 |
Why You Should Edit Your Own Films
|
Oct 22, 2018 |
IFW 10.18.18: Why 2018 Has Been a Great Year for Movies & Where to Move if You Want to Make One
|
Oct 18, 2018 |
One Hundred Different Ways to Get Your Film Funded
|
Oct 15, 2018 |
IFW 10.11.18: Your Favorite Filmmakers Defined & A New Mirrorless Camera from Fuji
|
Oct 11, 2018 |
How to Become a Top Notch Sound Designer with the Team Behind 'First Man'
|
Oct 08, 2018 |
IFW 10.4.18: When to Move On to Freelancing & Why You Should Be Playing Video Games
|
Oct 04, 2018 |
Jeremy Saulnier on Why Being a DP is More Fun than Being a Director
|
Oct 01, 2018 |
IFW 9.27.18: How to Correctly Use a Fish & A New Mirrorless Camera From Panasonic?
|
Sep 27, 2018 |
From Film School 'Failure' to Godard's Cinematographer: Fabrice Aragno on Working with Jean-Luc
|
Sep 24, 2018 |
IFW 9.20.18: Two of the Years Biggest Cameras & How to Advertise Your Short Film
|
Sep 20, 2018 |
'Think Slow, Act Fast': Joe Walker on Editing for Steve McQueen and Denis Villeneuve
|
Sep 17, 2018 |
IFW 9.12.2018: The Academy Makes a Smart Decision & How Hard Should You Be Working?
|
Sep 13, 2018 |
How Do You Know What to Cut on the Editing Floor? The First Short: THE GUY [Episode 3]
|
Sep 10, 2018 |
IFW 9.6.18: Our Most Anticipated Films at TIFF & Other Movies to See in Fall 2018
|
Sep 06, 2018 |
How to Raise Money & What Should You Expect in Production? The First Short: THE GUY [Episode 2]
|
Sep 03, 2018 |
IFW 8.30.18: Our Top Advice from Three Years of Filmmaker Interviews
|
Aug 30, 2018 |
How Do You Make a Film with Zero Experience? The First Short: THE GUY [Episode 1]
|
Aug 27, 2018 |
IFW 8.23.18: 360° Filmmaking Finally Makes Sense & How Old is Too Old to Make a Movie?
|
Aug 23, 2018 |
'Meow Wolf': How to Build an Immersive World Through Film
|
Aug 20, 2018 |
IFW 8.16.18: Blackmagic's New Resolve is a Masterpiece & The Scariest Trailer Ever Made
|
Aug 16, 2018 |
How to Make a Short Film for Only $4.50
|
Aug 13, 2018 |
IFW 8.9.18: How to Perfect Your Script & Why Docs Are the New Blockbusters
|
Aug 09, 2018 |
How to Shoot a Feature Film for Only $7000
|
Aug 06, 2018 |
IFW 8.2.18: What to Know Before You Drone & The Best Way to Get Your Short Seen
|
Aug 02, 2018 |
How to Become a Top TV Editor
|
Jul 30, 2018 |
IFW 7.26.18: Nikon Teases a Full Frame Mirrorless & What Should We Make of the James Gunn Firing?
|
Jul 26, 2018 |
How to Make the Jump from Short to Feature with Award Winning Director Jim Cummings
|
Jul 23, 2018 |
IFW 7.19.18: How to Start Your Own Netflix & Why You Should Buy a Still Camera Over Video
|
Jul 19, 2018 |
Why Making a Good Music Documentary Means Speaking Two Universal Languages
|
Jul 16, 2018 |
IFW 7.12.18: How to Properly Use a Green Screen & The 25 Coolest Festivals in the World
|
Jul 12, 2018 |
How Working Within Extreme Constraints Actually Benefits Your Film
|
Jul 09, 2018 |
IFW 7.5.18: Where to Live for a Career in Film & How to Spend Your Camera Budget
|
Jul 05, 2018 |
'Leave No Trace': The Secret Ingredient to Great Casting
|
Jul 02, 2018 |
IFW 6.28.18: How YouTube and Instagram Are Competing For Your Videos
|
Jun 28, 2018 |
What You Can Do in Distribution to Maximize the Life of Your Film
|
Jun 25, 2018 |
IFW 6.21.18: Our First Impressions of ProRes RAW & The Movie Ticket Subscription Race Heats Up
|
Jun 21, 2018 |
How to Meld the Perfect Collaborative Atmosphere on Set
|
Jun 18, 2018 |
IFW 6.14.18: Why Renting Gear Just Got Easier & How to Overcome Your Creative Block
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Jun 14, 2018 |
No Business School: How to Save Time and Money on Your Films
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Jun 11, 2018 |
IFW 6.7.18: Our Favorite Gear from Cinegear 2018 & Why Movie Theaters are Failing Audiences
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Jun 07, 2018 |
"Hearts Beat Loud": The Secrets to Recording Live Music for Film
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Jun 04, 2018 |
How Do You Become a Filmmaker (And Other Questions)? The First Feature: AMATEUR [Episode 10]
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May 30, 2018 |
How Tech Can Be Used to Turn Your Movie into a Global Movement
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May 28, 2018 |
IFW 5.24.18: Netflix Nabs the Obamas & A Major Week for RED
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May 24, 2018 |
How Do You Release Your Film? The First Feature: AMATEUR [Episode 9]
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May 23, 2018 |
How Post-Production Makes or Breaks a Film, Part 2: The Secret Art of Colorists
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May 21, 2018 |
IFW 5.17.18: How to Make Sure You Get Paid & Have We Discovered the New RED?
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May 17, 2018 |
How Do You Finish Your Film? The First Feature: AMATEUR [Episode 8]
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May 16, 2018 |
How Post-Production Makes or Breaks a Film, Part 1: The Editor's Process
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May 14, 2018 |
IFW 5.10.18: A Selfie-Free Cannes Kicks Off & Can Your Short Really Be a Calling Card?
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May 10, 2018 |
How Do You Go Through Production? The First Feature: AMATEUR [Episode 7]
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May 09, 2018 |
How Do You Protect Your Film’s Subjects, Data, and Yourself in Unsafe Situations?
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May 07, 2018 |
IFW 5.3.18: Why RED is Partnering with Facebook & Is MoviePass Finished?
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May 03, 2018 |
How Do You Tell Your Story Visually? The First Feature: AMATEUR [Episode 6]
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May 02, 2018 |
What a Festival Programmer Looks for in a Short Film
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Apr 30, 2018 |
IFW 4.26.18: Has Tribeca Become New York’s Best Fest for Indie Filmmakers?
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Apr 26, 2018 |
How Do You Attach Cast and Prep a Film? The First Feature: AMATEUR [Episode 5]
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Apr 25, 2018 |
Why Now is the Time to Make Your Doc Short
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Apr 23, 2018 |
IFW 4.19.18: The NAB Tech That You Need to Know & Does Netflix or Cannes Have Indie Film's Back?
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Apr 19, 2018 |
How Do You Pitch Your Film and Find Financing? The First Feature: AMATEUR [Episode 4]
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Apr 18, 2018 |
How to Get a Vimeo Staff Pick with DANIELS, Kirsten Lepore, and Head Curator Sam Morrill
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Apr 16, 2018 |
IFW 4.12.18: The Gear That Finally Made NAB Exciting Again
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Apr 12, 2018 |
How Do You Become a Screenwriter? The First Feature: AMATEUR [Episode 3]
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Apr 11, 2018 |
How the Directors of 'Prospect' Built a Utopia in Pre-Production
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Apr 09, 2018 |
IFW 4.5.18: Silicon Valley Takes on Hollywood & How Long Should Your Short Film Be?
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Apr 05, 2018 |
How Do You Turn a Short into a Feature? The First Feature: AMATEUR [Episode 2]
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Apr 04, 2018 |
'First Match': Money-Saving Production Hacks to Make Low-Budget Features Shine
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Apr 02, 2018 |
IFW 3.29.18: Canon Reveals its ARRI Competitor & Spielberg's Take on Netflix
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Mar 29, 2018 |
How Do You Know Which Idea to Pursue? The First Feature: AMATEUR [Episode 1]
|
Mar 28, 2018 |
Don't Wait for Somebody to Make Your Movie, Do it Yourself: The Winning Mantra Behind 'Thunder Road'
|
Mar 26, 2018 |
IFW 3.22.18: No Film School's Greatest Piece of Original Content Ever & A New Cut of 'The Shining'?
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Mar 22, 2018 |
The First Feature: AMATEUR Podcast Announcement
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Mar 19, 2018 |
How to Film in the Face of Opposition
|
Mar 19, 2018 |
IFW 3.15.18: Why SXSW is More than Just a Film Festival
|
Mar 15, 2018 |
Episodic Roundtable: How to Get Your Series Off the Ground
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Mar 12, 2018 |
IFW 3.8.18: What to Look for at SXSW 2018 & How to Perfect Your Dolly Moves
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Mar 08, 2018 |
How To Use Trends in Filmmaking to Your Advantage
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Mar 05, 2018 |
IFW 3.1.18: Canon Finally Makes a Mirrorless Camera & Our 2018 Oscars Preview
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Mar 01, 2018 |
Why You Need to Stop Making Excuses and Make a Short Film
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Feb 26, 2018 |
IFW 2.22.18: When to Use a Cine Lens & Has BitCoin Officially Hit the Film Industry?
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Feb 22, 2018 |
'Piercing': How to Cultivate Tone and Style in Your Film
|
Feb 19, 2018 |
IFW 2.15.18: The Worst Job On Set Gets Better & What Camera Should You Shoot Your Short On?
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Feb 15, 2018 |
How to Maintain Your Sanity as Director When Everything Descends Into Chaos
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Feb 12, 2018 |
IFW 2.8.18: ARRI Finally Goes 4K & Tarantino's Big On-Set Boner
|
Feb 08, 2018 |
DP Roundtable: How to be the Cinematographer Your Director Needs
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Feb 05, 2018 |
IFW 2.1.18: Why VR is Finally Hot & Has RED Developed Its Alexa Killer?
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Feb 01, 2018 |
The Zellner Brothers on Why You Need to Do Something New With Every Film You Make
|
Jan 29, 2018 |
IFW 1.25.18: Did Streaming Deals Die at Sundance 2018?
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Jan 25, 2018 |
How to Build a Score That Raises Your Audience's Expectations
|
Jan 22, 2018 |
IFW 1.18.18: The Best Filmmaking Apps & Our Sundance 2018 Preview
|
Jan 18, 2018 |
Best of the The No Film School Podcast 2017, Part 3
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Jan 15, 2018 |
IFW 1.11.18: Our Pick for Best Mirrorless Camera & A Golden Globes to Remember
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Jan 11, 2018 |
Best of the The No Film School Podcast 2017, Part 2
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Jan 08, 2018 |
IFW 1.4.18: The Most Popular Rental Gear of 2017 & Is Netflix About to Be Sold?
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Jan 04, 2018 |
Best of the The No Film School Podcast 2017, Part 1
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Dec 28, 2017 |
IFW 12.21.17: The Best Movies, Gear, and Filmmaking Advice of 2017
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Dec 21, 2017 |
IFW 12.14.17: Netflix's Most Popular Shows Revealed & An Unexpected Way to Improve Your Script
|
Dec 14, 2017 |
How to Film in a War Zone
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Dec 11, 2017 |
IFW 12.7.17: How a Filmmaker Brought Down the Russian Olympics & When Do You Hide Brand Logos?
|
Dec 07, 2017 |
IFW 11.30.17: Major Changes Coming To Awards Season & When Should You Shoot Anamorphic?
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Nov 30, 2017 |
A Pre-to-Post Primer on Documentary Filmmaking
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Nov 27, 2017 |
IFW 11.23.17: How the FCC is Screwing Filmmakers & Your Best Black Friday Deals
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Nov 22, 2017 |
How Do You Know if One Character Can Carry Your Whole Movie?
|
Nov 17, 2017 |
IFW 11.16.17: How to Make Your Old Footage Look Great & Cash in with Kickstarter's Answer to Patreon
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Nov 16, 2017 |
How Niche Filmmaking Can Move Your Filmmaking Career Ahead
|
Nov 13, 2017 |
How To Shoot Where You're Not Allowed
|
Nov 06, 2017 |
Hitchcock 101: Everything You've Ever Wanted to Know About Psycho
|
Oct 30, 2017 |
IFW 10.26.17: Halloween Spooktacular II - Advice for the Aspiring Horror Auteur
|
Oct 26, 2017 |
How to Master the Art of Satire: Ruben Östlund on 'The Square'
|
Oct 23, 2017 |
IFW 10.19.17: Welcome to a Post-Harvey Hollywood & Your Best Bet for a 360° Stereo Camera
|
Oct 19, 2017 |
Spielberg: Behind the Scenes with the World’s Most Famous Filmmaker
|
Oct 16, 2017 |
IFW 10.12.17: Two Cameras with Unprecedented Resolution & Must-Sees from the New York Film Festival
|
Oct 12, 2017 |
'The Florida Project': Sean Baker on Why You Need to Invest in Yourself When No One Else Will
|
Oct 09, 2017 |
IFW 10.5.17: The Future of Buying and Selling Lenses & The Best Screenwriters of All Time
|
Oct 05, 2017 |
What is a Film Fellowship and Why Should You Do One?
|
Oct 02, 2017 |
IFW 9.28.17: The Next Hottest Rental Camera & It's Time to Stop Putting Lives at Risk on Set
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Sep 28, 2017 |
Pitching Do's and Don’ts: How to Get Your Film Funded
|
Sep 25, 2017 |
IFW 9.21.17: Why Your Film Isn't Getting into Festivals & Tips From a Guerrilla Filmmaking Legend
|
Sep 21, 2017 |
How To Keep Your Production Running Smoothly Across Every Medium
|
Sep 18, 2017 |
IFW 9.14.17: All Things Apple & Panasonic's Surprisingly Affordable New Camera
|
Sep 14, 2017 |
How a 4-Day Journalism Assignment Became an Explosive Yearlong Doc Production
|
Sep 11, 2017 |
IFW 9.7.17: From Werner Herzog to Barry Jenkins: Best Advice from Over 50 Filmmaker Interviews
|
Sep 07, 2017 |
'Expect That Everything Will Go Wrong': How to Ensure Your First Short Film is the Best it Can Be
|
Sep 04, 2017 |
IFW 8.31.17: The Best Way to Choose an Anamorphic Lens & Who Rules the Indie Box Office?
|
Aug 31, 2017 |
What to Do When You've Lost All Hope for Your Film
|
Aug 28, 2017 |
IFW 8.24.17: The Death of Final Cut 7 & Indie Film's Sex Abuse Scandal
|
Aug 24, 2017 |
The First Family of DIY on How to ‘Make Your Own Damn Movie'
|
Aug 21, 2017 |
IFW 8.17.17: 8K is a Lie & Will the Controversial Plan to Make Movies Cheap Actually Kill Them?
|
Aug 17, 2017 |
Why Making a Film is the Only Thing That Can Ever Really Prepare You for Making Your First Film
|
Aug 14, 2017 |
IFW 8.10.17: Best Tripods for Your Budget & The Academy's Surprise President
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Aug 10, 2017 |
The Worst Things a Director Can Do on Set
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Aug 07, 2017 |
IFW 8.3.17: The Demise of DSLR & Soderbergh's Plan to Save Movies
|
Aug 03, 2017 |
How Stupid Videos Led to a $5 Million Deal For 'Brigsby Bear' & An 11 Year Trip to 'Killing Ground'
|
Jul 31, 2017 |
IFW 7.27.17: How to Break into Modern Hollywood & The Latest DSLR Fail
|
Jul 27, 2017 |
'Landline': How to Avoid Sophomore Slump and Make Your Second Feature
|
Jul 24, 2017 |
IFW 7.20.17: The Dangers of Being on Set & Best Advice from Summer's Top Indie Directors
|
Jul 20, 2017 |
Flying Lotus on How Rejecting Film School Made Him a Greater Director
|
Jul 17, 2017 |
IFW 7.13.17: Russia's Plot to Kill Indies & RED's Hype Machine
|
Jul 13, 2017 |
Nathan Silver on How a Director Can Pull off Making 8 Films in 8 Years
|
Jul 10, 2017 |
IFW 7.6.17: Canon's Big Misstep & Is Rotten Tomatoes Ruining Moviegoing?
|
Jul 06, 2017 |
This Director Proves Everyone Can Act, If Only Given the Right Character
|
Jul 03, 2017 |
IFW 6.29.17: Star Wars' Systemic Problem & How to Avoid Getting Hacked
|
Jun 29, 2017 |
How Starting a Production Company Can Help You Make Your First Film
|
Jun 26, 2017 |
IFW 6.22.17: Why You Should Go to Film School & How to Rent Your Gear for Profit
|
Jun 22, 2017 |
How to Tap into Your Animalistic Filmmaking Instincts and Become a 'Bitch'
|
Jun 19, 2017 |
IFW 6.15.17: What to Look for in a Budget Lens & Why David Mamet is Anti-Film School
|
Jun 15, 2017 |
How to Make an Authentic Movie About Someone Else's Story
|
Jun 12, 2017 |
IFW 6.8.17: Hollywood's Dark Overlord & Panasonic's Race for Indie Dominance
|
Jun 08, 2017 |
How to Avoid the Crucial Mistakes Everyone Makes on their First Movie
|
Jun 05, 2017 |
IFW 6.1.17: Canon's Leaked Camera & Why the Judges Cried at Cannes
|
Jun 01, 2017 |
How Do You Know if Your Film is Porn or Art?
|
May 29, 2017 |
IFW 5.25.17: How to Keep Your Actors in the Moment & Where Not to Pitch Your Project
|
May 25, 2017 |
Divide and Conquer: Why You Should be Working With a Co-Director
|
May 22, 2017 |
IFW 5.18.17: A Game-Changing Law for Freelancers & Are Indies Rising From the Blockbuster's Ashes?
|
May 18, 2017 |
How to Turn an On-Set Day Job Into Your Own Film
|
May 15, 2017 |
IFW 5.11.17: How to Beat the Film Fest System & David Lynch Leaves Movies Behind Forever
|
May 11, 2017 |
What to Expect on the Road to Becoming an Ace Documentary Producer
|
May 08, 2017 |
Indie Film Weekly 5.4.17: 'The Handmaid's Tale' Backlash & Is Tribeca Secretly a Doc Fest?
|
May 04, 2017 |
John Carroll Lynch on How to Be the Director Your Actors Have Always Wanted
|
May 01, 2017 |
Indie Film Weekly 4.27.17: Why This Year's NAB is the Most 'Terrifying' for Filmmakers Yet
|
Apr 27, 2017 |
How to Make the Jump from Lowly PA to Almighty Director
|
Apr 24, 2017 |
Indie Film Weekly 4.20.17: Tribeca Must-Sees & How to Create a DCP the Right Way
|
Apr 20, 2017 |
DP Roundtable: The Shots That Almost Killed Us
|
Apr 17, 2017 |
Indie Film Weekly 4.12.17: NAB Sneak Peek & What’s Shutting Down Hollywood
|
Apr 13, 2017 |
'DRIB': What Happens When Reality and Fiction Collide?
|
Apr 10, 2017 |
Where VR Has Never Gone Before: The 40 Minute Narrative Feature ‘Miyubi’
|
Apr 06, 2017 |
What it Takes to Get Your Midnight Short into SXSW
|
Apr 03, 2017 |
Indie Film Weekly 3.30.17: Here's Why Hollywood Studios Are Panicking and What it Means For You
|
Mar 30, 2017 |
How to Make a Movie Entirely on Your Own
|
Mar 27, 2017 |
Indie Film Weekly 3.23.17: Has Netflix Replaced Cinema?
|
Mar 23, 2017 |
Nick Offerman and 'Infinity Baby' Crew: Being a Script Supervisor is the Best Path to Directing
|
Mar 20, 2017 |
Indie Film Weekly 3.16.17: Why SXSW is the Festival for Fearless Filmmakers
|
Mar 16, 2017 |
DP Roundtable: From Brilliant Color to Black and White, Lensing a Sundance Award-Winning Film
|
Mar 13, 2017 |
Indie Film Weekly 3.9.17: Smooth Aperture Moves & How To Get the World Talking About Your Film
|
Mar 09, 2017 |
How to Start a Production Company: From Film School to Raising Money Out of Your Bedroom Office
|
Mar 06, 2017 |
Indie Film Weekly 3.2.17: How To Make Your Actors Cry & Some Last Words From Bill Paxton
|
Mar 02, 2017 |
Why VR is Not Filmmaking
|
Feb 27, 2017 |
Indie Film Weekly 2.23.17: We Put RED and ARRI Head to Head & What Makes a Film 'Indie,' Anyway?
|
Feb 23, 2017 |
Breaking the Algorithm: How to Make Your Video Stand Out Online
|
Feb 20, 2017 |
Indie Film Weekly 2.16.17: Most Anticipated Cameras of 2017 & How Not to Do a Guerrilla Film Shoot
|
Feb 16, 2017 |
What It Takes to Get Your Short into Sundance
|
Feb 13, 2017 |
Indie Film Weekly 2.9.17: Risks of Making a Super Bowl Ad & Secrets To Shooting a Perfect Long Take
|
Feb 09, 2017 |
How an Unlikely Yiddish Indie Became A24's First Foreign Language Acquisition
|
Feb 06, 2017 |
Indie Film Weekly 2.2.17: Netflix and Trump Go After The Oscars
|
Feb 02, 2017 |
A Civil War in 'Bushwick': Getting Your Film Made, from Pitch to Production
|
Jan 30, 2017 |
Indie Film Weekly 1.26.17: The Good, The Bad, and The Weird of Sundance 2017
|
Jan 26, 2017 |
How to Use Documentary as a Call to Action: The Mobilization Tactics of 'Whose Streets?'
|
Jan 23, 2017 |
Indie Film Weekly 1.19.17: The Sundance Hype is Real & RED Helium's Record-Breaking Sensor
|
Jan 19, 2017 |
How Filmmakers Can Conquer VR's Biggest Challenges
|
Jan 16, 2017 |
Indie Film Weekly 1.12.17: Why Gear Trade Shows May Be Dying & Kodak Revives a Film Stock Favorite
|
Jan 12, 2017 |
Indie Film Weekly 1.5.17: A Rough Start for American Filmmakers in 2017 & Full GH5 Specs Revealed
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Jan 05, 2017 |
Johannes Nyholm on How to Film Contemporary Surrealism
|
Jan 02, 2017 |
Justin Kurzel on Keeping Your Vision and Breaking the Video Game Curse with 'Assassin’s Creed'
|
Dec 29, 2016 |
Indie Film Weekly 12.22.16: Best Movies, Cameras & Filmmaker Advice of 2016
|
Dec 22, 2016 |
'A Monster Calls': How to Direct Young Actors to Brilliant Performances
|
Dec 19, 2016 |
Indie Film Weekly 12.15.16: The Best 4K Under $4K & Netflix's Bad Deal
|
Dec 15, 2016 |
Indie Film Weekly 12.8.16: Steadicam Inventor's Key to Creativity & 'Last Tango' Rape Controversy
|
Dec 08, 2016 |
Alice Rohrwacher on Why You Have to Go into the Void to Make Good Movies
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Dec 05, 2016 |
Indie Film Weekly 12.1.16: The Secret to a Great Screenplay & Hollywood's Math Problem
|
Dec 01, 2016 |
Write Characters With Room For Actors: Wayne Roberts and Christopher Abbott on 'Katie Says Goodbye'
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Nov 21, 2016 |
Indie Film Weekly 11.17.16: Early Oscar News & Film Budget Fundamentals
|
Nov 17, 2016 |
Indie Film Weekly 11.11.16: What a Trump Presidency Means for Filmmakers
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Nov 11, 2016 |
'The Eagle Huntress': What You Can Expect After Sundance
|
Nov 07, 2016 |
Indie Film Weekly 11.3.16: Apple vs. Microsoft - Who Wants Filmmakers More?
|
Nov 03, 2016 |
Indie Film Weekly 10.27.16: How Not to Ask Your Actors to Get Naked - A Halloween Spooktacular
|
Oct 27, 2016 |
How Directors Joe Wright and Owen Harris Built the Dystopian Worlds of 'Black Mirror’
|
Oct 24, 2016 |
Indie Film Weekly 10.20.16: Filmmakers Tackle the US Political Circus
|
Oct 20, 2016 |
Indie Film Weekly 10.13.16: RED Evolves with New 8K Brains & How to Shoot Digital to Feel Like Film
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Oct 13, 2016 |
Friction is Where the Good Stuff Comes: The Intense Writer/Director Collaboration Behind 'Christine'
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Oct 10, 2016 |
Indie Film Weekly 10.6.16: VR Nazi Hunters & How Much To Charge Your Clients
|
Oct 06, 2016 |
Indie Film Weekly 9.29.16: Hail the Disruptors!
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Sep 29, 2016 |
How to Keep Your Subjects Safe: Nanette Burstein on Dangerous Documentary
|
Sep 26, 2016 |
Indie Film Weekly 9.22.16: Panasonic Gives Us The Camera We Need & Who to Choose, Agent or Manager?
|
Sep 22, 2016 |
Indie Film Weekly 9.14.16: Why TIFF Matters for Filmmakers (and What You Missed This Year)
|
Sep 15, 2016 |
Indie Film Weekly 9.8.16: IBC Gear Sneak Peek, Canon's Redemption & Festival Madness
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Sep 08, 2016 |
Indie Film Weekly 9.1.16: Drone Laws Take Flight & What's Up With Canon’s Latest DSLR
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Sep 01, 2016 |
Indie Film Weekly 8.25.16: The Best Budget Cameras & What’s Missing from BBC’s Top 100 Films
|
Aug 25, 2016 |
Indie Film Weekly 8.18.16: The Unintentional DIY Episode
|
Aug 18, 2016 |
Indie Film Weekly 8.11.16: A New Way to Shoot Magic Hour & What to Watch at Fall Fests
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Aug 11, 2016 |
Indie Film Weekly 8.4.16: Closing in on 8K & The Camera that Could Kill GoPro
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Aug 04, 2016 |
Indie Film Weekly 7.28.16: We Pick the Best Camera for First-Time Directors
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Jul 28, 2016 |
Indie Film Weekly 7.21.16: Has China Created The Darth Vader of Theater Chains?
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Jul 21, 2016 |
Indie Film Weekly 7.14.16: The Real Reason Pokemon Go Matters & RED Goes 8K for Bay
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Jul 14, 2016 |
Indie Film Weekly 7.8.16: Saying Goodbye to a Film Legend and An Idealistic Camera
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Jul 08, 2016 |
Indie Film Weekly 6.23.16: This Week, Indie Film Lost a Champion
|
Jun 23, 2016 |
Inside the Minds of Film's Coolest Gatekeepers (& How to Get Yours Programmed)
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Jun 20, 2016 |
Indie Film Weekly 6.16.16: The Celluloid Debate & What We Can Do For Orlando
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Jun 16, 2016 |