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Episode | Date |
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No. 79: From Auction Week to Art Basel, What’s Happening in the Art Market
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Jun 06, 2018 |
No. 78: Are Selfie Museums an Affront to the Art World?
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May 25, 2018 |
No. 77: Exploring the Art Market’s Best (and Worst) Practices
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May 09, 2018 |
No. 76: How Is the Internet Impacting Creativity and the Arts?
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Apr 25, 2018 |
No. 75: Answering The Art History Questions You Never Thought to Ask
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Apr 11, 2018 |
No. 74: The State of the Art Market in 2018 So Far
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Mar 28, 2018 |
No. 73: Miami Mega-Collector Jorge Pérez on Why Cuban Art Matters
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Mar 14, 2018 |
No. 72: The Delectable, Daring World of Cake Art
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Mar 07, 2018 |
No. 71: What the Obama Portraits Tell Us about Art and Politics
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Mar 01, 2018 |
No. 70: Behind the Scenes of the New Museum Triennial
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Feb 22, 2018 |
No. 69: How Independent Curators Power the Art World
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Feb 14, 2018 |
No. 68: Is It Illegal to Eat a Work of Art?
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Feb 07, 2018 |
No. 67: How Judy Chicago Pioneered the First Feminist Art Program
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Jan 31, 2018 |
No. 66: Why Do Certain Photographs Make History?
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Jan 24, 2018 |
No. 65: Can Pot Help Unlock Creative Potential?
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Jan 18, 2018 |
No. 64: Looking Ahead to 2018 in the Art World
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Jan 10, 2018 |
No. 63: Camille Claudel, the Sculptor Who Inspired Rodin’s Most Sensual Work
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Jan 03, 2018 |
No. 62: The Myth of Jackson Pollock and the Masterpiece Created in One Night
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Dec 27, 2017 |
No. 61: When Georgia O’Keeffe Went to Hawaii to Paint Pineapples for Dole
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Dec 20, 2017 |
No. 60: Why Robert Rauschenberg Erased a De Kooning
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Dec 13, 2017 |
No. 59: The Latest from Art Basel in Miami Beach
|
Dec 07, 2017 |
No. 58: What’s Driving Artists to Become More Professional?
|
Nov 29, 2017 |
No. 57: What Happens When Art Meets Craigslist
|
Nov 23, 2017 |
No. 56: Unpacking the Allegations of Sexual Harassment in the Art World
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Nov 16, 2017 |
No. 55: What Art Therapy Can Do That Traditional Therapy Can’t
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Nov 08, 2017 |
No. 54: Petra Collins and Marilyn Minter Talk Feminism and Horror Flicks
|
Nov 02, 2017 |
No. 53: Is the Art Market Irrational?
|
Oct 26, 2017 |
No. 25: Making It in the Art World If You’re Not a Rich Kid
|
Oct 19, 2017 |
No. 52 (Part Two): Guggenheim Curators on the Controversy Surrounding Their New Show
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Oct 12, 2017 |
No. 52 (Part One): How Globalization Changed China—and Its Art
|
Oct 12, 2017 |
No. 51: The Latest from London’s Frieze Week
|
Oct 05, 2017 |
No. 50: Why Rembrandt’s Night Watch Is So Famous
|
Sep 28, 2017 |
No. 49: How Art Fairs Can Do Better
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Sep 22, 2017 |
No. 48: Jeffrey Deitch on Four Decades in a Changing Art World
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Sep 14, 2017 |
No. 47: The Latest Requirement for Med Students? Studio Art
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Sep 07, 2017 |
No. 46: When Museums Sell Their Art, Where Should the Money Go?
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Aug 31, 2017 |
No. 23: What Does It Mean to Curate GIFs?
|
Aug 26, 2017 |
No. 45: Why Artists Are Turning to Mysticism
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Aug 17, 2017 |
No. 44: Who’s Afraid of Contemporary Art?
|
Aug 10, 2017 |
No. 43: You Can Thank These Women for Modern Art as We Know It
|
Jul 27, 2017 |
No. 42: Former Met Director Thomas Campbell Defends His Legacy
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Jul 20, 2017 |
No. 41: Art and Censorship in the Age of Social Media
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Jul 13, 2017 |
Bonus: The 60-Year Saga of a Nazi-Looted Painting
|
Jul 06, 2017 |
No. 40: How Old Women Eclipsed Young Men in the Art World
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Jun 29, 2017 |
No. 39: What Happens When Art Threatens the President
|
Jun 22, 2017 |
Special Edition: Art Basel in Basel
|
Jun 15, 2017 |
No. 38: How Reddit Got a Million People to Make Art Together
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Jun 08, 2017 |
No. 37: Why Good Artists Make “Bad” Paintings
|
Jun 01, 2017 |
No. 36: When Basquiat Is More Expensive Than Warhol
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May 25, 2017 |
No. 35: The Olympics of Art
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May 18, 2017 |
No. 34: Is Guernica Picasso's Most Important Work?
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May 11, 2017 |
Special Edition: Frieze New York
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May 05, 2017 |
No. 33: When Artists Play with Their Food
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Apr 27, 2017 |
No. 32: The Law Shaking Up the Art World
|
Apr 20, 2017 |
Bonus: How to Start Collecting Art
|
Apr 18, 2017 |
No. 31: Women Photographing Women
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Apr 13, 2017 |
No. 30: Why the Art World Fell in Love with the White Cube
|
Apr 06, 2017 |
No. 29: Why Returning Nazi-Looted Art Isn’t So Simple
|
Mar 30, 2017 |
Special Edition: Art Basel in Hong Kong
|
Mar 23, 2017 |
No. 28: Why This Year’s Whitney Biennial Is a Resounding Success
|
Mar 16, 2017 |
No. 27: Tackling the Sexist History of Design
|
Mar 09, 2017 |
No. 26: A New Era for The Armory Show
|
Mar 03, 2017 |
No. 25: Making It in the Art World If You’re Not a Rich Kid
|
Feb 23, 2017 |
Live Edition: When Fashion Rips Off Artists
|
Feb 16, 2017 |
No. 24: Why We Fund the Arts
|
Feb 03, 2017 |
No. 23: What Does It Mean to Curate GIFs?
|
Jan 26, 2017 |
No. 22: The Next Great Gallery Could Start in Your Apartment
|
Jan 19, 2017 |
No. 21: We Need to Rethink Feminist Art
|
Jan 12, 2017 |
No. 20: Art World Resolutions for 2017
|
Jan 05, 2017 |
No. 19: Unpacking the Moments That Defined Art This Year
|
Dec 19, 2016 |
No. 18: Does Size Matter?
|
Dec 08, 2016 |
Special Edition: Art Basel in Miami Beach
|
Dec 02, 2016 |
No. 17: What’s in a Frame?
|
Nov 22, 2016 |
Special Edition: Beijing and Shanghai
|
Nov 17, 2016 |
No. 16: Can Ai Weiwei’s Art Change the World?
|
Nov 10, 2016 |
No. 15: Are Taco Bell Galleries the New Mega-Galleries?
|
Nov 03, 2016 |
No. 14: Art History in Crisis
|
Oct 27, 2016 |
Special Edition: London Frieze Week
|
Oct 06, 2016 |
No. 13: We Still Need All-Female Group Shows
|
Sep 22, 2016 |
No. 12: Motherhood, Children, and Art
|
Sep 08, 2016 |
No. 11: So What Is The Art Genome Project Anyway?
|
Aug 18, 2016 |
No. 10: Does Disliking an Artist Mean You Can’t Like Their Work?
|
Aug 04, 2016 |
No. 9: When Art Thefts Go Wrong
|
Jul 21, 2016 |
No. 8: “That’s Not My Artwork!”
|
Jul 07, 2016 |
No. 7: Why Do We Label Artists?
|
Jun 23, 2016 |
No. 6: As the Art World Changes, What’s a Museum To Do?
|
May 27, 2016 |
No. 5: Frieze New York Turns 5 and Detroit Looks Forward
|
May 12, 2016 |
No. 4: What Is an Emerging Artist, Anyway?
|
Apr 21, 2016 |
No. 3: What Happens to Cities When the Art World Comes to Town
|
Apr 08, 2016 |
No. 2: Art History vs. the Art Market
|
Mar 21, 2016 |
No. 1: Instagram vs. The World
|
Mar 10, 2016 |