Soundrolling.com
By Matt Price
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Category: Education
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Episodes: 89
Description
Hey it's Matt Price the London Sound Mixer from Soundrolling.com and this is all about my journey as a Location Sound professional in film and branded content and opening up a broader conversation about location sound from the business aspects to technical explanations.
| Episode | Date |
|---|---|
|
Ive created 699 videos... Lets reflect
|
Mar 18, 2019 |
|
Self Esteem and confidence
|
Mar 08, 2019 |
|
Help me to help you
|
Mar 08, 2019 |
|
How I Wake Myself Up After My Alarm
|
Feb 21, 2019 |
|
My relationship with directors and 1st ADs
|
Feb 13, 2019 |
|
How To Get Film Work Through Instragram
|
Feb 11, 2019 |
|
Speed of execution is Key
|
Feb 09, 2019 |
|
How The Slateless System On House Of Cards Worked
|
Feb 08, 2019 |
|
Does Mark Weingarten Always Mic Actors?
|
Feb 08, 2019 |
|
Overtime + Unsafe Hours
|
Feb 08, 2019 |
|
Benefits of Feeding Audio + Timecode to Camera
|
Feb 08, 2019 |
|
Cueing Actors With Clicks + Claps vs Vocal Cues
|
Feb 08, 2019 |
|
What I Do For Track Naming And Metadata
|
Feb 08, 2019 |
|
How Simon Hayes Deals With Hollywood Fx Like Rain and Wind Machines
|
Feb 08, 2019 |
|
What Is Film Carnet? Shooting In Other Countries
|
Feb 08, 2019 |
|
How Wayne Developed His Style Of Post Sound
|
Feb 08, 2019 |
|
Why Dialogue Is King in Animation for Wayne Pashley
|
Feb 08, 2019 |
|
Why The Great Gatsby Movie had over 5,000 ADR lines
|
Feb 08, 2019 |
|
Sending The Correct Audio Level When You Dont Trust The Camera Meters
|
Feb 08, 2019 |
|
My Approach To Backing Up Sound Rushes
|
Feb 07, 2019 |
|
Timecode vs Genlock vs Wordclock
|
Feb 07, 2019 |
|
Should You Get The Sound Devices 633 As Your First Mixer?
|
Feb 07, 2019 |
|
When Do I Record Ambient Sound In Mono or Stereo?
|
Feb 07, 2019 |
|
Balancing commercial work with lower budget narrative work
|
Feb 07, 2019 |
|
Using Carpets and blankets on set
|
Feb 07, 2019 |
|
My experiences doing both location and post sound
|
Feb 05, 2019 |
|
The Sound I Hate Recording The Most
|
Feb 03, 2019 |
|
Q+A: How to promote yourself as a sound mixer
|
Feb 03, 2019 |
|
Q+A: The director is taking over takes
|
Feb 03, 2019 |
|
Slating / Clapperboard Q+A
|
Feb 03, 2019 |
|
Wireless Blocks Explained
|
Jul 09, 2018 |
|
Pre Fade Vs Post Fade and when I use them
|
Jul 08, 2018 |
|
Peak Vs VU Metering and Why I Use Both
|
Jul 08, 2018 |
|
How Instagram TV is a very big move
|
Jun 25, 2018 |
|
Freelancing is not a zero sum game
|
Apr 21, 2018 |
|
NAB 2018 Recap
|
Apr 17, 2018 |
|
Rob Nokes | Mechanics Role In Car Recording Sessions
|
Mar 31, 2018 |
|
Rob Nokes | Why Rob Started Sounddogs.com
|
Mar 30, 2018 |
|
Rob Nokes | Sound Recording Planes SFX
|
Mar 29, 2018 |
|
Rob Nokes | SFX Recording Dos Don't
|
Mar 28, 2018 |
|
Rob Nokes | SFX Recording Mics
|
Mar 27, 2018 |
|
Rob Nokes | Most Memorable SFX
|
Mar 26, 2018 |
|
Rob Nokes | Recording Level For Ambient Sound FX Libraries
|
Mar 25, 2018 |
|
Rob Nokes | Recording Animals and Racetracks
|
Mar 24, 2018 |
|
Rob Nokes | Recording Cars To Their Limit And Sweeteners
|
Mar 24, 2018 |
|
Rob Nokes | Preparation for a car SFX Recording Session
|
Mar 23, 2018 |
|
Need for Impulse Responses in SFX recording | Rob Nokes
|
Mar 22, 2018 |
|
Most Common Sound FX Requests | Rob Nokes
|
Mar 21, 2018 |
|
Rob Nokes - The Importance Of Location Scouting For SFX Recording
|
Mar 12, 2018 |
|
Rob Nokes - SFX recording with Hydrophone Microphones
|
Mar 11, 2018 |
|
Rob Nokes - Is there any formula for sound effect recording success?
|
Mar 11, 2018 |
|
Rob Nokes - Teaching External Recordists In Foreign Countries
|
Mar 10, 2018 |
|
Rob Nokes - Dealing With Heat When Recording Cars
|
Mar 10, 2018 |
|
Rob Nokes - Car Rigs and drafting to avoid wind on mics
|
Mar 09, 2018 |
|
Rob Nokes - Car Rig Track Count
|
Mar 09, 2018 |
|
Work Going Away And New Mixers Filling Gaps From Production
|
Mar 08, 2018 |
|
Bringing More Respect Back To The Sound Department
|
Mar 08, 2018 |
|
Keeping A Hand In Post and FX not helping performance
|
Mar 07, 2018 |
|
Jeff Wexler on moving into other sectors | Even the guy in Craft services Is making movies.
|
Mar 07, 2018 |
|
Work Life Balance In Film
|
Mar 06, 2018 |
|
Overtime And Long Unsafe Hours Kill Crew Members
|
Mar 06, 2018 |
|
Distribution and its effect on the industry
|
Mar 05, 2018 |
|
The Business Of Show Business
|
Mar 05, 2018 |
|
Why Fast Shooting Is The Norm
|
Mar 04, 2018 |
|
Why We Will Always Need Some Form Of Mix Track
|
Mar 04, 2018 |
|
Multitracking Is great but you still need a mix track
|
Mar 03, 2018 |
|
Why Jeff Wexler loves Schoeps mics
|
Mar 03, 2018 |
|
How Jeff Wexler Prepares For A Film
|
Mar 02, 2018 |
|
Reasons For A Division Between Production and Post
|
Mar 02, 2018 |
|
Embracing New Sound Tech And Techniques
|
Mar 01, 2018 |
|
Why Modern Crews No Less About Sound
|
Mar 01, 2018 |
|
Zoom At BVE with New H1N and Zoom F1
|
Feb 28, 2018 |
|
How shooting coverage has changed in drama
|
Feb 28, 2018 |
|
Multi-camera Issues and being saved by VFX
|
Feb 28, 2018 |
|
How Sound Tech Advancements Brought New Issues
|
Feb 27, 2018 |
|
Jeff Wexler on Change In Sound Technology
|
Feb 26, 2018 |
|
Single Vs Dual Receivers
|
Feb 09, 2018 |
|
How To Build A New Network
|
Feb 09, 2018 |
|
New Show Segment Q+A Intro
|
Feb 09, 2018 |
|
2018 Is All About Comments.
|
Dec 16, 2017 |
|
First Why then What & How.
|
Aug 19, 2017 |
|
Same Content Different Results
|
Aug 15, 2017 |
|
You Don't Own Ur Social Media
|
Jul 09, 2017 |
|
Money = Value And Framing
|
Jul 07, 2017 |
|
The Illusion Of Job Security
|
Jul 05, 2017 |
|
Freelancing: Why I Went All In
|
Jul 04, 2017 |
|
3 Areas For Business Success
|
Jul 03, 2017 |
|
Why Build An Audience?
|
Jul 02, 2017 |
|
Leverage Being A Freelancer
|
Jul 01, 2017 |