Soundwriting Pedagogies

By Courtney S. Danforth, Kyle D. Stedman, & Michael J. Faris

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Episodes: 12

Description

This is the audio-only version of Soundwriting Pedagogies, edited by Courtney S. Danforth, Kyle D. Stedman, & Michael J. Faris. The availability of digital tools has made it easier than ever to record and edit sound, and teachers of composition have noticed. In the audio-only versions of chapters that follow, you will find theories, examples, and lots of audio to encourage the use and value of soundwriting in composition, writing, rhetoric, and communications classrooms. Crank it up. The full edited collection can be read and listened to at http://ccdigitalpress.org/soundwriting.

Episode Date
A Note About the Audio-Only Version of Soundwriting Pedagogies
May 31, 2018
Preface
May 30, 2018
Introduction
May 29, 2018
Do You Hear What I Hear? A Hearing Teacher and a Deaf Student Negotiate Sound
May 28, 2018
Recasting Writing, Voicing Bodies: Podcasts Across a Writing Program
May 27, 2018
A Pedagogy of Listening: Composing with/in Media Texts
May 26, 2018
Sounding the Stories of Isla Vista: Archives, Microhistory, and Multimedia Storytelling
May 25, 2018
Soundwriting and Resistance: Toward a Pedagogy for Liberation
May 24, 2018
Sleight of Ear: Voice, Voices, and Ethics of Voicing
May 23, 2018
"English via the Airwaves": Recovering 1930s Radio Pedagogies
May 22, 2018
Composing the Artist–Medium
May 21, 2018
Writing Dirt, Teaching Noise
May 20, 2018