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Jenna
Oct 26, 2019
Very informative and expansive discussions on music, life as a musician, and Seattle.
Episode | Date |
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Sea Lemon’s Shoegaze Captivates Ben Gibbard, Seattle, and Beyond
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Jul 08, 2025 |
Meet Carl the Collector, the PBS Kids Show with “Synth and Soul"
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Jul 01, 2025 |
“Youth Revolution Now”: Sharp Pins on Chicago’s DIY Scene
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Jun 24, 2025 |
Outer Spaceways Incorporated Honors Sun Ra’s Cosmic Legacy
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Jun 17, 2025 |
The Revival of Panchiko, a '90s “Lostwave” Band
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Jun 10, 2025 |
Tune-Yards: “I don't need hope. I need wonder and a will to live.”
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Jun 03, 2025 |
Hiro Ama Creates Peace with a 1980s Japanese Synthesizer
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May 27, 2025 |
World Goth Day Cofounder: “Anyone Is Welcome”
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May 22, 2025 |
Suzzallo’s Loud Grief on The Quiet Year
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May 20, 2025 |
Dead Pioneers Confront the American Dream
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May 13, 2025 |
Vegas Sober & 8 Months Pregnant for Pitbull
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May 06, 2025 |
SASAMI’s Left Turn Pop Album
|
Apr 29, 2025 |
Ela Minus’ Journal of Freedom
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Apr 22, 2025 |
Perfume Genius Faces His Fears
|
Apr 15, 2025 |
Spotify and The Costs of the Perfect Playlist
|
Apr 08, 2025 |
Lucy Dacus on Love and Stillness
|
Apr 01, 2025 |
La Fonda Quit Corporate Day Jobs For Band & Vintage Shop
|
Mar 25, 2025 |
Lupe Flores: Rock Drummer, Budding Restauranteur
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Mar 18, 2025 |
TOKiMONSTA Moves Through Grief
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Mar 11, 2025 |
How Big Tech Inspired Marie Davidson’s New Album
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Mar 04, 2025 |
Youth Lagoon: “I’m against nostalgia. I view that as a prison.”
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Feb 25, 2025 |
Bonus: A Review of Neko Case’s Memoir
|
Feb 22, 2025 |
Bartees Strange on ‘Horror’ and Overcoming his Fears
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Feb 18, 2025 |
Oakland’s Flung Listens to the Hum of the World
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Feb 11, 2025 |
Bonus: Kendrick Lamar and Hip-Hop Beefs
|
Feb 08, 2025 |
Maribou State on growth, hope, and Hallucinating Love
|
Feb 04, 2025 |
The Career of Soundgarden and Pearl Jam Drummer Matt Cameron
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Jan 28, 2025 |
The Lijadu Sisters' Long Overdue Recognition
|
Jan 21, 2025 |
OMBIIGIZI on Indigenous Shame and Healing
|
Jan 14, 2025 |
How A.I.-Generated Music Is Siphoning Streams from Artists
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Jan 07, 2025 |
Larry Crane’s Fond Farewell to Elliott Smith
|
Dec 31, 2024 |
KEXP’s Top Played Songs of 2024
|
Dec 24, 2024 |
TRANSA Celebrates Trans and LGBTQ Lives
|
Dec 17, 2024 |
The Gits Remember Mia Zapata
|
Dec 10, 2024 |
Deep Sea Diver’s Masterclass for Indie Bands
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Dec 03, 2024 |
Teresa Suydam Connects with Native American and Filipino Lineage on 'Lost Bird'
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Nov 26, 2024 |
Nilüfer Yanya on Identity and 'My Method Actor'
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Nov 19, 2024 |
Merce Lemon Immerses Herself In Nature
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Nov 12, 2024 |
After “Downward Spiral,” Christopher Owens Makes First Album in a Decade
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Nov 05, 2024 |
Laura Marling’s Euphoric Motherhood
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Oct 29, 2024 |
Terror/Cactus Explores Bicultural Belonging on 'Forastero'
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Oct 22, 2024 |
Miss Kaninna on EP and Aboriginal Life
|
Oct 14, 2024 |
Dark Chisme Puede Vivir Sin Ti
|
Oct 08, 2024 |
How a Car Accident Gave Tomu DJ Motivation to Become a Solo Artist
|
Oct 01, 2024 |
MIKE Enters the Final Stage of Grief
|
Sep 24, 2024 |
Suki Waterhouse: ‘Model, Actress, Whatever’
|
Sep 17, 2024 |
Enumclaw Leaves Tacoma
|
Sep 10, 2024 |
The History of Stax Records
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Sep 03, 2024 |
Sunny Day Real Estate on Band History and “Emo” Music
|
Aug 27, 2024 |
F*cked Up On Releasing Albums in 24 Hours & Medical Marijuana
|
Aug 20, 2024 |
Aoife O’Donovan Gives History Lesson on Suffrage Movement
|
Aug 13, 2024 |
Alisa Amador Learns to Say Yes
|
Aug 06, 2024 |
Alex Henry Foster Finds Healing on Ambient Record
|
Jul 30, 2024 |
EMEL on Soundtracking the Revolution
|
Jul 23, 2024 |
Pedro the Lion Makes Peace With the Past
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Jul 16, 2024 |
somesurprises Frontwoman Natasha El-Sergany on Cosmic and Political Inspirations
|
Jul 09, 2024 |
Kamasi Washington on Fatherhood and Embracing New Sounds
|
Jul 02, 2024 |
Lawrence Rothman on Anorexia and Making Music To Help Others
|
Jun 24, 2024 |
Shabaka Hutchings Relaxes Into Change
|
Jun 18, 2024 |
Alice Randall on Black Country and Writing Chart-Topping Hits
|
Jun 11, 2024 |
Reyna Tropical Explores Diasporic Identity on 'Malegría'
|
Jun 04, 2024 |
La Luz’s New Album Reflects on Cancer Diagnosis
|
May 28, 2024 |
The Rise of Olympia’s Gossip
|
May 23, 2024 |
“Rebel Girl” Kathleen Hanna on Career, Activism, and New Memoir
|
May 21, 2024 |
Ibibio Sound Machine Creates Unity Through Music
|
May 16, 2024 |
Shannon and The Clams Process Grief on New Album
|
May 14, 2024 |
St. Vincent Is Just Getting Started
|
May 07, 2024 |
Gary Clark Jr. Talks Building New Habits and Fighting Old Prejudices
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Apr 30, 2024 |
How a Coma Allowed Meatbodies to Finish Their Latest Album
|
Apr 23, 2024 |
Salt Cathedral Contemplates Screen Addiction, Climate Change, and Our Children’s Future
|
Apr 16, 2024 |
Hurray for the Riff Raff: “Grief is not a punishment, it’s an act of love”
|
Apr 09, 2024 |
Introducing: A Deeper Listen
|
Apr 05, 2024 |
Trans Musicales Highlights
|
Apr 04, 2024 |
Eurosonic Festival Highlights
|
Apr 02, 2024 |
Artists Reclaiming Their Masters
|
Mar 28, 2024 |
First to Last: John Vanderslice
|
Mar 26, 2024 |
Best Of: Bam Bam’s Tina Bell, The Unsung Goddess of Grunge
|
Mar 21, 2024 |
Best Of: Mastering Behind the Console
|
Mar 19, 2024 |
Best Of: Behind the Console: From Prince to PhD
|
Mar 14, 2024 |
Totem Star Youth Recording Studio
|
Mar 12, 2024 |
Toussaint Morrison Reflects on MN Police Killings in Album
|
Mar 07, 2024 |
Brittany Davis Raises Her Voice on ‘Image Issues’
|
Mar 05, 2024 |
Best Of: Ella Vos on Postpartum Depression
|
Feb 29, 2024 |
Charley Pride – The First Black Country Singer to Sign to a Major Label
|
Feb 27, 2024 |
Making An Album After A Near Death Experience
|
Feb 23, 2024 |
BIPOC Punk
|
Feb 20, 2024 |
Hazel Scott's Extraordinary Career
|
Feb 15, 2024 |
Mali Obomsawin Explores Intimacy Under Colonialism on New Album
|
Feb 13, 2024 |
Sofia Kourtesis on Maternal Love and the Neuroscientist Who Inspired Her Latest Album
|
Feb 08, 2024 |
A Review of The Smile’s ‘Wall of Eyes’
|
Feb 06, 2024 |
SPRINTS on Catholic Guilt, Sexism, and ADHD
|
Feb 01, 2024 |
Palestine Amplified Part 4: Joy as an Act of Resistance
|
Jan 30, 2024 |
Palestine Amplified Part 3: The Role of the Artist
|
Jan 26, 2024 |
Palestine Amplified Part 2: Music as a Tool of Liberation
|
Jan 23, 2024 |
Palestine Amplified Part 1: Connecting Our Struggles
|
Jan 18, 2024 |
Making It Work as an Indie Musician
|
Jan 16, 2024 |
Why Coming Back From Tour Is So Hard
|
Jan 11, 2024 |
Best of: Shellfish Diver by Day, Rock Drummer by Night
|
Jan 09, 2024 |
Best Of: Why Less Than 5% of Producers Are Women
|
Jan 04, 2024 |
NNAMDÏ's Musical DNA
|
Jan 02, 2024 |
How A Floor Translates Music Through Vibrations
|
Dec 28, 2023 |
KEXP’s Top Played Albums of 2023
|
Dec 26, 2023 |
2023 in Latin Music
|
Dec 21, 2023 |
A Reflection on Travel, Mortality, and Life Through billy woods
|
Dec 19, 2023 |
Grails: Portland Psych Rockers Ride Again
|
Dec 14, 2023 |
Malummí on 'The Universe is Black'
|
Dec 12, 2023 |
Black Musicians in the PNW Reclaiming Rock & Roll
|
Dec 07, 2023 |
Magic AL Finds Joy and 'Good Grief' on Debut Album
|
Dec 05, 2023 |
Andre 3000’s Ambient Flute Record and Finding Solace in 2023
|
Nov 30, 2023 |
Live Music’s Accessibility Problem
|
Nov 28, 2023 |
Sudan Tapes Archive: Preserving Memory
|
Nov 23, 2023 |
The Halluci Nation’s Wrestling-Inspired EP
|
Nov 21, 2023 |
Duff McKagan Talks Addiction, Recovery, and New Solo Album
|
Nov 16, 2023 |
The Beatles' Last New Song
|
Nov 14, 2023 |
Meet KEXP’s New Music Director
|
Nov 09, 2023 |
SXSW Sydney Performers on Fair Pay
|
Nov 07, 2023 |
Heatmiser on Old Portland and Their Compilation Record
|
Nov 02, 2023 |
The Memoir of Sonic Youth’s Thurston Moore
|
Oct 31, 2023 |
Armand Hammer Embrace the Chaos on ‘We Buy Diabetic Test Strips’
|
Oct 26, 2023 |
Jenn Champion’s Saddest Record Yet
|
Oct 24, 2023 |
Bainbridge Island Wind Harp
|
Oct 19, 2023 |
Explore KEXP Podcasts!
|
Oct 19, 2023 |
Elisapie Shares Memories on Covers Album Sung in Inuktitut
|
Oct 17, 2023 |
Gregg Deal of Dead Pioneers on Being a "Bad Indian"
|
Oct 12, 2023 |
Jeremy Dutcher Preserves Indigenous Language & Stories on 'Motewolonuwok'
|
Oct 10, 2023 |
Lessons in Healing From a Coast Salish Punk
|
Oct 09, 2023 |
No-No Boy's Music Is a Lesson in Asian American History
|
Oct 05, 2023 |
Five Songs Reshaping Alternative Latin Music
|
Oct 03, 2023 |
Highlights From Australia’s BIGSOUND Music Showcase
|
Sep 28, 2023 |
Explosions in the Sky Isn’t Breaking Up
|
Sep 26, 2023 |
Why Vagabon Made an Upbeat Album in Mourning
|
Sep 21, 2023 |
Corinne Bailey Rae on the Expansive Inspirations of 'Black Rainbows'
|
Sep 19, 2023 |
Julie Byrne Navigates Grief with 'The Greater Wings'
|
Sep 14, 2023 |
Genesis Owusu Embraces Outsider Identity
|
Sep 12, 2023 |
Seattle’s Early R&B and Rock History
|
Sep 07, 2023 |
KEXP’s Top Played Songs of Summer
|
Sep 04, 2023 |
Melvins Influence & 40 Year Career
|
Aug 31, 2023 |
Who Is She Ascend to the Heavens with ‘Goddess Energy’
|
Aug 29, 2023 |
Brad’s Final Album and the Late Shawn Smith
|
Aug 24, 2023 |
Shamir's Sonic and Mental Health Journey
|
Aug 22, 2023 |
Cool Schmool: An Interview with Bratmobile
|
Aug 17, 2023 |
Arlo Parks Talks Lyricism and Burnout
|
Aug 15, 2023 |
Is A.I. Music a Threat to Artists?
|
Aug 10, 2023 |
Mudhoney’s Steve Turner on His New Grunge Memoir
|
Aug 08, 2023 |
Studios of Seattle and Tacoma
|
Aug 03, 2023 |
John Goodmanson on Producing in Seattle
|
Aug 01, 2023 |
Mix and Match: Linda From Work
|
Jul 27, 2023 |
Memories in the Key of Alicia
|
Jul 25, 2023 |
LP Giobbi on "Femme House" and Building a More Equitable Industry
|
Jul 20, 2023 |
Danielle Ponder: From Public Defender to Full-Time Musician
|
Jul 18, 2023 |
Protmartyr's Formal Growth in Detroit
|
Jul 13, 2023 |
Nabihah Iqbal Creates Space to Dream
|
Jul 11, 2023 |
Seattle’s Summer Music Festival Guide
|
Jul 06, 2023 |
Janelle Monáe’s 'Age of Pleasure' Review
|
Jul 04, 2023 |
Brandy Clark on New Album & Being Gay in Country Music
|
Jun 29, 2023 |
Sigur Rós 'ÁTTA' Review
|
Jun 27, 2023 |
K.Flay on Touring and Making Music After Hearing Loss
|
Jun 22, 2023 |
A Reflection on Erykah Badu
|
Jun 20, 2023 |
Apparently: Sounds of the Unborn
|
Jun 18, 2023 |
Apparently: billy woods on His ‘A Is For Anarchist’ Children’s Book
|
Jun 18, 2023 |
The Story of Zamrock and W.I.T.C.H
|
Jun 15, 2023 |
Everything But the Girl Reflects on 40+ Year Career
|
Jun 13, 2023 |
What Little Richard Deserved
|
Jun 08, 2023 |
Day Job: DJ Yaddy, Teacher Miss Yas
|
Jun 06, 2023 |
Mix & Match: Racoma
|
Jun 01, 2023 |
Asian Man Records' Mike Park on Nearly 30 Years of Ska and Independence
|
May 30, 2023 |
How a Religious Cult Inspired Draag’s Album
|
May 25, 2023 |
Karl Blau Leaves Washington and Starts New Band with War on Drugs Members
|
May 23, 2023 |
Habibi's Rahill Reflects on Iranian Heritage and Family in Debut Album
|
May 18, 2023 |
Kassa Overall on Mental Health and Seattle Cutting Washington Middle School’s Band
|
May 16, 2023 |
Durand Jones Dedicates Album to Rural South
|
May 11, 2023 |
Y La Bamba on 'Lucha' and Embracing Their Full Identity
|
May 09, 2023 |
Blondshell on Toxic Relationships and the Catharsis of Songwriting
|
May 04, 2023 |
Will A.I. Change Radio?
|
May 02, 2023 |
Lonnie Holley Reflects on The Alabama Industrial School for Negro Children
|
Apr 27, 2023 |
The Legacy of Schoolhouse Rock
|
Apr 25, 2023 |
Adi Oasis on Gun Violence, Black Resilience, and Female Empowerment
|
Apr 20, 2023 |
Macklemore on Addiction & Recovery
|
Apr 18, 2023 |
The Garages— The Top-Selling Seattle Band You Didn’t Know Of
|
Apr 13, 2023 |
Sigur Rós’ Jónsi on His Seattle Art Exhibit and Making Perfume
|
Apr 11, 2023 |
Cyborgs Helped Miss Grit Explore Their Identity
|
Apr 06, 2023 |
Treefort Music Fest Highlights
|
Apr 04, 2023 |
Music Doesn't Matter
|
Apr 01, 2023 |
Women in the Touring Industry
|
Mar 30, 2023 |
Grace Love’s “Work in Protest”
|
Mar 28, 2023 |
Living Singles: Local Edition
|
Mar 23, 2023 |
Living Singles with Pacific Notions’ Alex Ruder
|
Mar 21, 2023 |
Listeners Stories: How Music Brings Us Together
|
Mar 16, 2023 |
Chromatics’ Adam Miller on Old Seattle
|
Mar 14, 2023 |
Trans Musicales Highlights
|
Mar 09, 2023 |
The McFerrin Family Legacy of Joy
|
Mar 07, 2023 |
The Raincoats' Gina Birch on Debut Solo Album
|
Mar 02, 2023 |
Stranger in the Punk House: A Look at Black Punks
|
Feb 28, 2023 |
The Women of London’s 1970’s Punk Scene
|
Feb 23, 2023 |
Don Letts on The Clash, Punk & Reggae
|
Feb 21, 2023 |
Black Belt Eagle Scout Comes Home
|
Feb 16, 2023 |
250
|
Feb 14, 2023 |
Eurosonic Highlights
|
Feb 09, 2023 |
Lil Yachty’s Psych Rock Album Isn’t Surprising
|
Feb 07, 2023 |
The Arcs Remember Richard Swift
|
Feb 02, 2023 |
Who Is She Enters (And Exits) The Hockey Rink
|
Jan 31, 2023 |
50 Years of Hip-Hop: Coming February 1
|
Jan 27, 2023 |
Hammock on Choosing to 'Love in the Void'
|
Jan 26, 2023 |
The Best Latin American Music of 2022
|
Jan 24, 2023 |
The Story of Jim Thorpe
|
Jan 19, 2023 |
The Smile at KEXP
|
Jan 17, 2023 |
Travis Thompson on 'Reservation Dogs' and Indigenous Representation
|
Jan 12, 2023 |
Seattle’s Music Scene, Past and Present
|
Jan 10, 2023 |
Mix & Match: Deep Sea Diver
|
Jan 05, 2023 |
Mix & Match: Mt. Fog
|
Jan 03, 2023 |
Living Singles with Sharlese Metcalf: Nuovo Testamento, RISK RISK and Teenage Daycare
|
Dec 29, 2022 |
KEXP's Top Played Albums of 2022
|
Dec 27, 2022 |
A Very Merry Christmas Edition of Living Singles
|
Dec 22, 2022 |
Hip Hop: “The World's Most Strangest, Most Dangerous Occupation”
|
Dec 20, 2022 |
Living Singles with Dusty Henry: Thundercat, MIKE and Coco & Clair Clair
|
Dec 15, 2022 |
Cellist Lori Goldston on Her Career from Nirvana to Now
|
Dec 13, 2022 |
Living Singles: The Songs That Got Emily Fox Through Maternity Leave
|
Dec 08, 2022 |
KEXP DJs on Their Favorite Albums of 2022
|
Dec 06, 2022 |
Living Singles with Roddy Nikpour: Eluvium, Hammock, and The Album Leaf
|
Dec 01, 2022 |
Day Job: Pike Place Fish Thrower
|
Nov 29, 2022 |
Living Singles with Tia Ho: Hello Mary, Blondshell, and Julien Chang
|
Nov 24, 2022 |
Independent Music Meets Pro Wrestling
|
Nov 22, 2022 |
Living Singles with Leah Capindo: Blood Orange, Fousheé, and Thee Sacred Souls
|
Nov 17, 2022 |
Maral Creates Transcendent Club Music from Iranian Samples
|
Nov 16, 2022 |
Remembering Mimi Parker
|
Nov 15, 2022 |
Living Singles with Martin Douglas: Almond Joy, Bella and the Bizarre, and billy woods
|
Nov 10, 2022 |
Rocky Votolato on Grief
|
Nov 09, 2022 |
The Iranian Protest Song Connecting a Revolution
|
Nov 08, 2022 |
Living Singles with Jasmine Albertson: K4, Chanel Beads, and Weyes Blood
|
Nov 03, 2022 |
The Black Angels’ Alex Maas on the Psychedelic Rock Community
|
Nov 01, 2022 |
Living Singles with Syd Gladu
|
Oct 27, 2022 |
Toro y Moi Finds Himself in 'Mahal'
|
Oct 25, 2022 |
Living Singles with DJ Evie
|
Oct 20, 2022 |
Sleater-Kinney’s Corin Tucker Gets Her Tracks Covered
|
Oct 18, 2022 |
Living Singles with Albina Cabrera
|
Oct 13, 2022 |
Seattle DJs Remember Nirvana’s 'Nevermind'
|
Oct 11, 2022 |
Living Singles with Alaia D’Alessandro
|
Oct 06, 2022 |
The Psychedelic Soul of Nada Rosa
|
Oct 04, 2022 |
Living Singles with Rachel Stevens
|
Sep 29, 2022 |
Autumnal Tunes of 2022
|
Sep 27, 2022 |
Doris Anahí Paves a Path in 'Mija'
|
Sep 22, 2022 |
Built to Spill’s Doug Martsch Talks Fandom with His Biggest Fan
|
Sep 20, 2022 |
Living Singles with Isabel Khalili
|
Sep 15, 2022 |
Santigold Strikes Gold — Again
|
Sep 13, 2022 |
Music Heals: Mental Health
|
Sep 08, 2022 |
Wake Up, Win Butler: A Roundtable
|
Sep 06, 2022 |
Living Singles with Janice Headley
|
Sep 01, 2022 |
Break It Like Beckmann
|
Aug 30, 2022 |
Living Singles with Jasmine Albertson
|
Aug 25, 2022 |
Apparently: Sharon Van Etten Addresses Parent’s Guilt
|
Aug 23, 2022 |
How Lace Cadence Discovered Burna Boy in a Swedish Club and Never Looked Back
|
Aug 18, 2022 |
Sylvan Esso Trusts the Process (or, Randy and Sandy Get Weird)
|
Aug 16, 2022 |
The Beytable (Beyoncé Roundtable)
|
Aug 11, 2022 |
Fred again.. in Actual Life
|
Aug 09, 2022 |
Break It: Morgan Chosnyk and Eva Walker
|
Aug 04, 2022 |
Of Montreal Paints with Sound on 'Freewave Lucifer'
|
Aug 02, 2022 |
Break It: Greg Vandy & John Gilbreath
|
Jul 28, 2022 |
ODESZA Comes Home
|
Jul 26, 2022 |
Break It: Marco Collins & John Richards
|
Jul 21, 2022 |
Yard Act Gets Cheeky with Elton John
|
Jul 19, 2022 |
Miki Ratsula Rewrites Love Songs for All Genders
|
Jul 14, 2022 |
Top Songs of 2022 (So Far)
|
Jul 12, 2022 |
Killer Mike on “Run” and the Politics of Being Black
|
Jul 07, 2022 |
Artists & Their Abortions
|
Jul 05, 2022 |
Zola Jesus on Healing the Music Industry
|
Jun 30, 2022 |
MUNA on Queer Representation
|
Jun 28, 2022 |
Bartees Strange on Farm To Table: “I Can’t Fix the World But I Can Fix Me”
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Jun 23, 2022 |
The Sonics of Black Spirituality
|
Jun 21, 2022 |
Nabil Ayers’ “Life in the Sunshine”
|
Jun 16, 2022 |
Pomplamoose on the Business of Being Full Time Musicians
|
Jun 14, 2022 |
Poliça Turns Traumas Into Healing Songs
|
Jun 09, 2022 |
Fantastic Negrito’s Ancestral Love Story
|
Jun 07, 2022 |
Introducing "The Runcast with John Richards"
|
Jun 06, 2022 |
Apparently: Parallels of a Grandmother and Grandchild
|
Jun 02, 2022 |
Emmy The Great Embraces Biracial Heritage Through Music and Motherhood
|
May 31, 2022 |
Apparently: La Luz’ Shana Cleveland’s Fight to Stay in Music After Motherhood and Cancer Diagnosis
|
May 26, 2022 |
Allen Stone on the American Song Contest
|
May 24, 2022 |
Chris Bathgate’s Musical Journey From Living in a Forest to Working for Tech Startup
|
May 19, 2022 |
Lavender Country on Making Gay Country Music
|
May 17, 2022 |
Tennyson Writes Album After New Hearing Condition
|
May 12, 2022 |
Hollis’ Love Letter to Seattle
|
May 10, 2022 |
Charlotte Adigéry & Bolis Pupul on Wokeness, Racism and #Metoo
|
May 05, 2022 |
The Head and the Heart on Going to Band Therapy and New Album
|
May 03, 2022 |
Hatchie on Self-Acceptance and Working a Day Job to Save for Tour
|
Apr 28, 2022 |
Maren Morris on Motherhood, Death and Diversity in Country Music
|
Apr 26, 2022 |
Destroyer’s Evolution of Sound
|
Apr 21, 2022 |
Lucius Dances Through The Darkness
|
Apr 19, 2022 |
Kae Tempest on the Power of Lyricism
|
Apr 14, 2022 |
Orville Peck Releases 'Bronco' After Almost Quitting Music
|
Apr 12, 2022 |
Apparently: Lowland Hum “Quiet Music” to Colicky Baby
|
Apr 07, 2022 |
Apparently: Middle Kids on What It Takes to Tour With Toddler
|
Apr 05, 2022 |
Fresh off the Spaceship: The Story of the Black Constellation
|
Apr 01, 2022 |
Apparently: Parenting Advice from Inuk Throat Singer Tanya Tagaq
|
Mar 31, 2022 |
Apparently: Swimming Upstream
|
Mar 29, 2022 |
Brittany Davis Addresses Blindness on Debut EP
|
Mar 24, 2022 |
From Homeless to Starting Band of Horses
|
Mar 22, 2022 |
Creating Music and Community at a Liquor Store Day Job
|
Mar 17, 2022 |
Ukraine’s DakhaBrakha: “It’s not a conflict, it’s just war.”
|
Mar 15, 2022 |
Video Game Music in Seattle
|
Mar 10, 2022 |
Superchunk’s Laura Ballance: “My Hearing Problems Have Ruined My Life As A Musician”
|
Mar 08, 2022 |
Jen Malone: Behind the Music of Euphoria, Atlanta & Yellowjackets
|
Mar 03, 2022 |
The Story of White Town's 1997 hit, "Your Woman"
|
Mar 01, 2022 |
Remembering Mark Lanegan
|
Feb 24, 2022 |
Beach House Album Review: 'Once Twice Melody'
|
Feb 24, 2022 |
Ben Gibbard on Honoring Yoko Ono's Legacy
|
Feb 22, 2022 |
From Broadway to a Vermont Farm: Anaïs Mitchell Returns Home for Solo Record
|
Feb 17, 2022 |
Animal Collective Talks Experimentation and Need for Connection
|
Feb 15, 2022 |
Riot Grrrl Energy on an Island off Maine
|
Feb 10, 2022 |
How J Dilla Reinvented Rhythm
|
Feb 08, 2022 |
How Musicians are Utilizing Discord
|
Feb 03, 2022 |
Rediscovering Seattle’s Funk Scene
|
Feb 01, 2022 |
Gabriels on Being Whoever You Want To Be
|
Jan 27, 2022 |
Roe v Wade & Music
|
Jan 25, 2022 |
Cat Power Talks Covers Album, Mental Health and Motherhood
|
Jan 20, 2022 |
Bonobo Finds Musical Inspiration From Samples and Synths
|
Jan 18, 2022 |
Remembering Dr. Martin Luther King Jr.’s Legacy
|
Jan 13, 2022 |
Best Of: Chong The Nomad Finds Beats at Her Day Job
|
Jan 11, 2022 |
Best Of: Vashon Island's Creative Community
|
Jan 06, 2022 |
Ketamine Music Therapy
|
Jan 04, 2022 |
KEXP's Top Albums of 2021: Staff Picks
|
Dec 30, 2021 |
KEXP's Top Albums of 2021: Heavy Rotation
|
Dec 28, 2021 |
“No Standards” Christmas Songs
|
Dec 23, 2021 |
Discover Music Every Day
|
Dec 22, 2021 |
Where's My Vinyl?
|
Dec 21, 2021 |
Rise of LA Underground Hip Hop
|
Dec 16, 2021 |
How Sobriety and Mental Health Issues Shaped Acid Tongue’s New Album
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Dec 14, 2021 |
The Numbers Behind "Spotify Wrapped"
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Dec 09, 2021 |
The Crocodile Opens in New, Larger Space
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Dec 07, 2021 |
David Bowie’s Long-Lost Album, 'Toy'
|
Dec 02, 2021 |
Getting Silly with Wet Leg
|
Nov 30, 2021 |
Snotty Nose Rez Kids on Hope and Change
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Nov 25, 2021 |
Preserving an Indigenous Language Through Music
|
Nov 23, 2021 |
They Might Be Giants' Playful 40-Year Career
|
Nov 18, 2021 |
Live on KEXP with José González
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Nov 17, 2021 |
Damon Albarn's Iceland-Inspired Solo Album
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Nov 16, 2021 |
The War on Drugs on "Certain Optimism" of New Album
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Nov 11, 2021 |
Mudhoney’s Bassist on Being a Nurse During COVID
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Nov 09, 2021 |
Tori Amos on Synesthesia and Her New Album
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Nov 04, 2021 |
Behind the Console: Playing With Sound
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Nov 02, 2021 |
Behind the Console: Monitoring Sound (And Emotions) On Stage
|
Oct 28, 2021 |
Behind the Console: Career Change
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Oct 26, 2021 |
Behind the Console: From Prince to PhD
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Oct 21, 2021 |
Behind the Console: 'It's a Really Steep Uphill Climb'
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Oct 19, 2021 |
Noah Gundersen on Leaving Seattle
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Oct 14, 2021 |
Indigenous Music and Representation on the Screen
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Oct 11, 2021 |
Heart’s Ann Wilson on Her Long Career
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Oct 07, 2021 |
Apparently: Ezra Furman's Journey as a Trans Mom
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Oct 05, 2021 |
Apparently: Ella Vos on Postpartum Depression
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Sep 30, 2021 |
Apparently: J’Von on Being the Dad He Never Had
|
Sep 28, 2021 |
Songs About Seattle
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Sep 23, 2021 |
Adia Victoria Reclaims the South’s Whitewashed History
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Sep 21, 2021 |
The Many Jobs of Bruce Leroy
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Sep 16, 2021 |
Making a Living Off Youtube and Spotify Playlists
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Sep 14, 2021 |
Inspiration from a Left-Handed, Upside-Down Playing Guitarist
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Sep 09, 2021 |
Music of New Orleans
|
Sep 07, 2021 |
RESPECT: An Introduction to Aretha Franklin
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Sep 02, 2021 |
Uncovering the 'Summer of Soul'
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Aug 31, 2021 |
Hiatus Kaiyote: “Somewhere between catchy and likable and a bit obscure”
|
Aug 26, 2021 |
Investigating the Unsolved Murder of Mac Dre
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Aug 24, 2021 |
Neko Case’s Connection to Nature
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Aug 19, 2021 |
Jungle on New Record: “Why Weren’t We Like This Before?”
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Aug 17, 2021 |
Prince’s Long-Lost Album Is Still Relevant
|
Aug 12, 2021 |
Filipino Hip Hop 206: DJ Nasty Nes
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Aug 10, 2021 |
Filipino Hip Hop 206: Massive Monkees
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Aug 05, 2021 |
Filipino Hip Hop 206: isangmahal
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Aug 03, 2021 |
Filipino Hip Hop 206
|
Jul 29, 2021 |
Black & Asian Solidarity
|
Jul 27, 2021 |
Amythyst Kiah Breaks Free of “Shut Up and Sing” Policy
|
Jul 22, 2021 |
Prom Queen Covers Britney Spears
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Jul 20, 2021 |
The Mystery of SAULT
|
Jul 15, 2021 |
The Marías’ Cinematic Debut
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Jul 13, 2021 |
Ambar Lucid's Psychedelic Inspiration
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Jul 08, 2021 |
Garbage’s Shirley Manson on Sexism, Racism and New Album
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Jul 06, 2021 |
How The True Loves Drummer’s Acupuncture Job Informs His Music
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Jul 01, 2021 |
Making an Album with Artificial Intelligence
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Jun 29, 2021 |
Mustafa on Preserving Loved Ones Through His Music
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Jun 24, 2021 |
Kassa Overall and His Middle School Band Teacher Discuss Lasting Lessons
|
Jun 22, 2021 |
How Indie Labels and Venues Are Reacting to NFTs
|
Jun 17, 2021 |
Left At London Explores Mental Health on Genre-Shifting Album
|
Jun 15, 2021 |
Apparently: Baby on Tour
|
Jun 10, 2021 |
Apparently: Navigating a Toxic Music Industry as a Mother
|
Jun 08, 2021 |
Apparently: JusMoni’s Letter to Her Son
|
Jun 03, 2021 |
How New Zealand’s Music Scene Got Stronger During COVID-19
|
Jun 01, 2021 |
Heart’s Nancy Wilson on First Solo Album
|
May 27, 2021 |
Marvin Gaye’s 'What’s Going On' Resonates 50 Years Later
|
May 25, 2021 |
St. Vincent Goes 70s
|
May 20, 2021 |
Grief & Loss of Gang of Four Guitarist, Andy Gill
|
May 18, 2021 |
Musicians Respond to Racism Against Asian Americans
|
May 13, 2021 |
Can’t Stop Won’t Stop: A Hip Hop History
|
May 11, 2021 |
[Unedited] Can’t Stop Won’t Stop: A Hip Hop History
|
May 11, 2021 |
Seattle’s Long Lost Punk Record
|
May 06, 2021 |
London Grammar Reacts to Industry Misogyny in New Album
|
May 04, 2021 |
Tune-Yards on Appropriation vs. Inspiration
|
Apr 29, 2021 |
What I Played When the Verdict Came Down
|
Apr 27, 2021 |
Sharon Van Etten Breaks Down Anniversary Cover Album, 'epic Ten'
|
Apr 22, 2021 |
Japanese Breakfast on New Memoir, 'Crying in H Mart'
|
Apr 20, 2021 |
We'll Be Back Next Week!
|
Apr 12, 2021 |
How 'Big Music' Is Hurting the Industry
|
Apr 08, 2021 |
Brandi Carlile's Memoir
|
Apr 06, 2021 |
Spotify and Streaming Transparency
|
Apr 01, 2021 |
KEXP's Top Played Songs of Women’s History Month
|
Mar 30, 2021 |
Seattle’s Smiley, Singing Bus Driver
|
Mar 25, 2021 |
One Year of Bandcamp Fridays
|
Mar 23, 2021 |
SoundCloud’s New “Fan-Powered Royalties”
|
Mar 18, 2021 |
How NFTs are Making Musicians Millions
|
Mar 16, 2021 |
Apparently: Touring, Fatherhood & Recovery
|
Mar 11, 2021 |
Apparently: Dad in Drag
|
Mar 09, 2021 |
Apparently: Grace Love Goes Solo
|
Mar 04, 2021 |
Tina Bell: Unsung Goddess of Grunge
|
Mar 02, 2021 |
Adrian Younge Revises Black History
|
Feb 26, 2021 |
Kuti Family Continues Afrobeat Tradition
|
Feb 25, 2021 |
Black History Is Now 'In Our Headphones'
|
Feb 23, 2021 |
TV Priest Reflects on Society in 'Uppers'
|
Feb 18, 2021 |
Langhorne Slim on Writing After Recovery
|
Feb 16, 2021 |
Why Fugees' 'The Score' Matters
|
Feb 11, 2021 |
Pussy Riot's New Protest Song
|
Feb 09, 2021 |
Music’s Copyright Gold Rush
|
Feb 04, 2021 |
How Brexit Could Impact Music
|
Feb 02, 2021 |
The Avalanches Find Inspiration in Interstellar Love
|
Jan 28, 2021 |
Selling Horses to Get By: a Rural Musician Perspective
|
Jan 26, 2021 |
Rap Lyrics in Court: “A Dangerous Precedent”
|
Jan 21, 2021 |
Venues Look to Build a More Equitable Future
|
Jan 19, 2021 |
Hip Hop 206: Vitamin D
|
Jan 14, 2021 |
Hip Hop 206: Legacy of the Unexpected
|
Jan 12, 2021 |
Hip Hop 206: Emerald Street Boys
|
Jan 07, 2021 |
How the 90s Changed Hip Hop
|
Jan 05, 2021 |
Music Deaths 2020: Deeper Cuts
|
Dec 31, 2020 |
KEXP's Favorite Songs of 2020
|
Dec 29, 2020 |
Reflecting on Race, Identity and Music in 2020
|
Dec 24, 2020 |
Calexico Christmas
|
Dec 22, 2020 |
Bartees Strange Synthesizes Genres and Reclaims Space
|
Dec 17, 2020 |
Sigur Rós Goes Medieval
|
Dec 15, 2020 |
Better Off Staying Independent
|
Dec 10, 2020 |
Pearl Jam's Stone Gossard on New Side Project, Painted Shield
|
Dec 08, 2020 |
One Label's Mission to Support Artists' Mental Health
|
Dec 03, 2020 |
Magic Spells and Musical Healing With Nailah Hunter
|
Dec 01, 2020 |
Dirty Projectors on Their “Mosaic” of New Releases
|
Nov 26, 2020 |
Alice in Chains' 30-Year Career
|
Nov 24, 2020 |
Marie Davidson on Divesting from Perfectionism
|
Nov 19, 2020 |
Study Finds Ways to Prevent COVID-19 Spread at Concerts
|
Nov 17, 2020 |
SassyBlack on Creating a Better Future for Artists
|
Nov 12, 2020 |
Marshall Law Band on Underscoring the Seattle Protests
|
Nov 10, 2020 |
Sa-Roc Reflects on Self-Love and Her New Album
|
Nov 05, 2020 |
War on Women Make This 'Wonderful Hell' Worth Living In
|
Nov 03, 2020 |
Laura Veirs' Songs Predicted Her Divorce
|
Oct 29, 2020 |
Polaris Prize Winner Backxwash Finds Comfort in Horrorcore
|
Oct 27, 2020 |
How to Write a Song With Jeff Tweedy
|
Oct 23, 2020 |
Kevin Morby's 'Sundowner' Puts Midwest Twilight Into Sound
|
Oct 22, 2020 |
The Fight to Keep Music Live
|
Oct 20, 2020 |
Deep Sea Diver's Journey of Healing and Empathy on 'Impossible Weight'
|
Oct 16, 2020 |
Bob Mould’s 'Blue Hearts’ Beats With Protest
|
Oct 15, 2020 |
The Cheater's Guide to Spotify
|
Oct 13, 2020 |
Fleet Foxes on the Significance of Nature in 'Shore'
|
Oct 08, 2020 |
Matthew James-Wilson on "What It’s Like to Be Black in Indie Music"
|
Oct 06, 2020 |
Sylvan Esso’s Love for Radio DJs and Dancing
|
Oct 01, 2020 |
Aluna on Dance Music's Black Origins
|
Sep 29, 2020 |
Jessica Hopper on Misogyny in Music
|
Sep 22, 2020 |
Preventing Sexual Abuse After the Fall of Burger Records
|
Sep 17, 2020 |
Making Music Spaces Safer
|
Sep 15, 2020 |
Blimes and Gab on Being Authentically Themselves
|
Sep 10, 2020 |
Josiah Johnson Goes Solo After Head and the Heart and Battle With Addiction
|
Sep 08, 2020 |
How One Lebanese Band Reacted to the Beirut Explosion
|
Sep 03, 2020 |
The Big Life of Little Richard
|
Sep 01, 2020 |
Aminé's Love-Hate Relationship With Portland and Its “Backdoor Racism”
|
Aug 27, 2020 |
USPS Is "the Last Lifeline" for Musicians
|
Aug 25, 2020 |
How to Pull Off a Massive Socially Distant Concert
|
Aug 20, 2020 |
Music Venues Reopen in England
|
Aug 18, 2020 |
Phil Elverum on Breaking Nostalgia and Defying Streaming Services
|
Aug 13, 2020 |
ODESZA on New Collaborative Project, BRONSON
|
Aug 11, 2020 |
Fontaines D.C. on the Stories Behind 'A Hero’s Death'
|
Aug 06, 2020 |
How Taylor Swift Ended Up in KEXP’s Heavy Rotation
|
Aug 04, 2020 |
Carla Sariñana on Burger Records and Sexism in the Music Industry
|
Jul 30, 2020 |
The Biography of Chris Cornell
|
Jul 28, 2020 |
Minneapolis’ History of Segregation in Music
|
Jul 23, 2020 |
The Lawsuit Over "Lady A"
|
Jul 21, 2020 |
Billboard Bans Bundling
|
Jul 17, 2020 |
Building Black Wealth
|
Jul 16, 2020 |
Martha Reeves on Motown and Going into Politics
|
Jul 14, 2020 |
Music Venues Ask for Help Amid COVID-19
|
Jul 09, 2020 |
Aisha Fukushima on The Pandemic and “RAPtivism”
|
Jul 07, 2020 |
Khruangbin’s Musical Fusion Aims to Unite
|
Jul 02, 2020 |
Living Authentically: Reflecting on Jackie Shane's Legacy
|
Jun 30, 2020 |
Gordi on Exploring Queer Identity on Her New Album
|
Jun 26, 2020 |
Dua Saleh on Queer Black Love and Sister Rosetta Tharpe
|
Jun 25, 2020 |
Seattle’s CHOP Fuses Protest With Art
|
Jun 23, 2020 |
I Self Devine on Collective Trauma and Community Organizing
|
Jun 19, 2020 |
Nikkita Oliver on Letting the Vision Lead the Movement
|
Jun 18, 2020 |
Toki Wright on Minneapolis, Racism and Music
|
Jun 16, 2020 |
The Grammys Scrap Term “Urban”
|
Jun 11, 2020 |
Celebrating Black Lives Through Music and Protest
|
Jun 09, 2020 |
Larry Mizell, Jr. on the Music of Resistance
|
Jun 05, 2020 |
Joy Division's Legacy
|
May 28, 2020 |
Seattle Musicians Remember Filmmaker Lynn Shelton
|
May 26, 2020 |
Moses Sumney and Jonah Mutono on Inhabiting the Space Between
|
May 21, 2020 |
Thao & The Get Down Stay Down’s New Album Addresses Vietnamese Heritage and the Trauma of War
|
May 19, 2020 |
Allen Stone on 'Building Balance’ and COVID-19
|
May 14, 2020 |
From Nirvana to Dina Martina: Memories of Seattle’s Re-bar
|
May 12, 2020 |
Parisalexa on Body Positivity, the Music Biz and Being Genuine
|
May 08, 2020 |
Rufus Wainwright on Postponing His New Album
|
May 07, 2020 |
Preventing Copyright Cases in Music
|
May 05, 2020 |
Damien Jurado on the Mystery of Songwriting
|
May 01, 2020 |
Ben Gibbard, Deep Sea Diver and Seattle Opera Tenor on Getting Creative During COVID
|
Apr 30, 2020 |
Laura Marling on Her New Album, ‘Song For Our Daughter'
|
Apr 28, 2020 |
Lido Pimienta on How Racism, Beauty Pageants and National Identity Influenced Her New Album
|
Apr 23, 2020 |
Radiohead’s Ed O’Brien on His First Solo Album
|
Apr 21, 2020 |
A Cosmic Journey with Shabazz Palaces
|
Apr 17, 2020 |
Waxahatchee on the Clarity and Challenges of Sobriety
|
Apr 16, 2020 |
Thundercat on Mourning, Loss and Humor
|
Apr 14, 2020 |
Northwest Classics: The Postal Service
|
Apr 09, 2020 |
Music Venues at Risk of Permanent Closure Amid COVID-19
|
Apr 07, 2020 |
M. Ward on Migration Stories
|
Apr 03, 2020 |
Taking Music and Art Online Amid COVID-19
|
Mar 31, 2020 |
Musicians & Their Day Jobs
|
Mar 24, 2020 |
Bikini Kill on Riot Grrrl Movement, Remembering Richard Swift
|
Mar 17, 2020 |
COVID-19 Is Impacting Venues and Musicians
|
Mar 13, 2020 |
Women’s Day: Soccer Mommy, Phantogram, Best Coast, Paid Family Leave and Music
|
Mar 10, 2020 |
LGBTQ Music and the South, Jamila Woods on the Artists Who Inspired Her Album
|
Mar 03, 2020 |
Northwest Classics: Heart and Soundgarden
|
Feb 25, 2020 |
Cancer and Music
|
Feb 18, 2020 |
Climate Change and Music
|
Feb 11, 2020 |
Josiah Johnson, Poliça, Guayaba and Non-compete Clauses
|
Feb 04, 2020 |
Michael Kiwanuka on race, music, and 'Big Little Lies,' Gender & controversy at the GRAMMYs and CMT
|
Jan 28, 2020 |
Nissim Black on faith and hip-hop, how The Sonics helped invent grunge and punk in the ‘60s
|
Jan 21, 2020 |
FKA twigs, Jimi Hendrix’s legacy, songs from Iran
|
Jan 14, 2020 |
KEXP's favorite songs of 2019
|
Dec 31, 2019 |
Jewish composers behind top Christmas songs, best non-traditional Christmas tunes and Christmas covers
|
Dec 24, 2019 |
Angel Olsen, ‘Switched on Pop’ and cover songs
|
Dec 17, 2019 |
The dark side of K-Pop, SYML on overnight pop stardom, Madame Gandhi on the power of femininity
|
Dec 10, 2019 |
“We breathe in melancholy and we breathe out joy” – Highlights from Iceland Airwaves 2019
|
Dec 03, 2019 |
Brittany Howard, Thunderpussy, Mary Lambert and Hollis Wong-Wear on channeling their experiences through music
|
Nov 26, 2019 |
Death and Music
|
Nov 19, 2019 |
Iceland’s DIY music scene
|
Nov 12, 2019 |
“No Music for ICE,” why only 2% of music producers are women, industry fallout of Lil Peep’s death
|
Nov 05, 2019 |
The mysterious disappearance of musician Jim Sullivan, Rudy Willingham talks samples
|
Oct 29, 2019 |
Vagabon, Kim Gordon and Jónsi
|
Oct 22, 2019 |
Behind the music of Indigenous Peoples’ Day
|
Oct 15, 2019 |
Kurt Cobain's House, Wilco's new album, Octo Octa on nature and gender
|
Oct 08, 2019 |
The New Pornographers, musicians’ day jobs, music & wrongful imprisonment
|
Oct 01, 2019 |
Australia invests in music, why musicians love Nashville, Vivian Girls and Chastity Belt talk new albums
|
Sep 24, 2019 |
Music Heals: Mental Health; A Tribe Called Red on Murdered and Missing Indigenous Women and music
|
Sep 17, 2019 |
Highwomen, Bon Iver and music venues at risk
|
Sep 10, 2019 |
Jeff Tweedy, Noah Gundersen, Jay Som, and Black Belt Eagle Scout talk new music; From “Presidents” to Pre-Schoolers
|
Sep 03, 2019 |
ODESZA, The Head and the Heart, Imogen Heap, AURORA and iLe
|
Aug 27, 2019 |
Carrie Brownstein of Sleater-Kinney, Portishead, issues with international artists touring in the USA
|
Aug 20, 2019 |
Love, Loss and Copyright
|
Aug 13, 2019 |
How “Old Town Road” breaks the mold; Cherry Glazerr and John Van Deusen on Songwriting
|
Aug 06, 2019 |
Of Monsters and Men, Art & Immigration, LA vs. Seattle
|
Jul 30, 2019 |
Cover songs, Seattle grunge and using art to influence rap
|
Jul 23, 2019 |
Streaming impacts song lengths and billboard charts, is LA or Seattle better for musicians
|
Jul 16, 2019 |
Ben Gibbard, Amanda Knox, Rep. Pramila Jayapal, Imij
|
Jul 09, 2019 |
Drag Queens & Gay Cowboys
|
Jul 09, 2019 |
Sound & Vision Trailer
|
Jul 01, 2019 |