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Episode | Date |
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The brief, inglorious reign of Melissa Lee - and how a more powerful minister might change NZ’s media
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Apr 28, 2024 |
How the Stuff deal shuffles the NZ media deck
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Apr 21, 2024 |
How Madison Reidy built a YouTube smash for the NZ Herald
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Apr 14, 2024 |
Another dark day for NZ media, and the plan? Nothing.
|
Apr 10, 2024 |
Is what's happening to news all advertisers' fault?
|
Apr 07, 2024 |
After a lifetime on stages and screens, a new Mountain
|
Mar 31, 2024 |
The startup helping small media get a bigger share of advertising spend
|
Mar 24, 2024 |
The NZ film legends behind Once Were Warriors and The Convert
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Mar 17, 2024 |
How big data and AI are transforming out-of-home – and advertising
|
Mar 10, 2024 |
On the redundancies at TVNZ, and the awful end of Sunday and Fair Go
|
Mar 07, 2024 |
There's more Bad News from Leon Wadham
|
Mar 03, 2024 |
Deep inside the past, present and possible futures of Newshub and Three
|
Feb 29, 2024 |
On the sudden, shocking end to Newshub and Three as we know it
|
Feb 28, 2024 |
The quiet genius who connects Havoc and Jeremy Wells to Neighbours at War
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Feb 25, 2024 |
How an anonymous Substacker rose to oversee the online future of Newstalk ZB
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Feb 18, 2024 |
How to sell red meat in the age of climate change
|
Feb 14, 2024 |
Inside the enormous, invisible Roblox economy
|
Feb 11, 2024 |
How Laneway gets it so right, so often
|
Feb 04, 2024 |
The present and future of social and the creator economy
|
Jan 28, 2024 |
Summer reissue: Noelle McCarthy on the glory days of bFM and making podcasts
|
Jan 21, 2024 |
Summer reissue: No one gets the internet quite like Embedded’s Kate Lindsay
|
Jan 14, 2024 |
Summer reissue: The D*List is media for – not about – people with disabilities
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Jan 07, 2024 |
Summer reissue: The ABC’s Gaven Morris on fixing public media in New Zealand
|
Dec 31, 2023 |
The Spinoff presents SUPERPOD 2023
|
Dec 18, 2023 |
Claire Mabey on why books are thriving in the internet age
|
Dec 17, 2023 |
On the uncertain future for TV
|
Dec 10, 2023 |
Todd Niall on covering Wayne Brown and the Auckland beat
|
Dec 03, 2023 |
Simon Denny on making huge, ambivalent artworks about the big tech era
|
Nov 30, 2023 |
Where has all the music journalism gone?
|
Nov 26, 2023 |
How Caffeine Daily challenges hostility toward the media
|
Nov 19, 2023 |
On TVNZ’s Showcase and the state of NZ media
|
Nov 15, 2023 |
Vincent Heeringa on his pioneering role in sustainability media
|
Nov 12, 2023 |
How Tom Sainsbury built his career
|
Nov 05, 2023 |
Michael Donaldson on the golden age of newspapers and building a new print career in craft beer
|
Oct 29, 2023 |
Emergency episode: The Project NZ facing cancellation
|
Oct 26, 2023 |
Chelsea Rapp on the potential for NZ’s gaming industry
|
Oct 22, 2023 |
The case for a minister of culture and creativity
|
Oct 15, 2023 |
On the election debate I wish we could have had
|
Oct 08, 2023 |
Bryan Wilmot on how to drive investment with content
|
Oct 01, 2023 |
ZB+ is great idea – here’s why
|
Sep 26, 2023 |
Annie Murray on the NZ Film Commission in the age of streaming
|
Sep 24, 2023 |
Nikki Wright and David Robertson on how to communicate climate change
|
Sep 17, 2023 |
Noelle McCarthy on her new podcast Dear Jane
|
Sep 10, 2023 |
Emergency podcast: NZ on Air’s Cam Harland on the latest Where are the Audiences? research
|
Sep 05, 2023 |
Letterboxd proves that social media doesn’t have to be a hellscape
|
Sep 03, 2023 |
No one gets the internet quite like Embedded’s Kate Lindsay
|
Aug 27, 2023 |
The mystery of the missing pan-Asians in media
|
Aug 20, 2023 |
Milly Olykan on exporting country music to the world
|
Aug 13, 2023 |
Shayne Currie has the whole of New Zealand’s news media talking
|
Aug 06, 2023 |
Thompson Spencer are growing into a major new agency
|
Jul 23, 2023 |
Bronwynn Bakker on taking kiwi comedy to the world
|
Jul 16, 2023 |
Sarah-Jane Paine on Growing Up in New Zealand
|
Jul 09, 2023 |
The D*List is media for – not about – people with disabilities
|
Jul 02, 2023 |
Guy Montgomery has figured out comedy
|
Jun 25, 2023 |
On the RNZ Russia scandal
|
Jun 15, 2023 |
Matt Bale on the future of AI in the media business
|
Jun 11, 2023 |
How New Zealand's internet could be about to change forever
|
Jun 01, 2023 |
Madeleine Sami on how to create more creatives
|
May 28, 2023 |
Budget special: Bernard Hickey and Toby Manhire binge on bread and butter
|
May 18, 2023 |
Joel Little and Savina Fountain on the creation of Big Fan
|
May 14, 2023 |
Peter Griffin on how generative AI has revolutionised the tech industry
|
May 07, 2023 |
Jo Norris on Stuff’s bold new approach to paywalls for news
|
Apr 28, 2023 |
Dr. Paul Spoonley sees the future – and wants us to see it too
|
Apr 23, 2023 |
Mihingarangi Forbes and Annabelle Lee-Mather are the most iconic duo in journalism
|
Apr 16, 2023 |
Damien Venuto on what it takes to host The Front Page
|
Apr 09, 2023 |
Alex Braae and Anna Rawhiti-Connell on how The Bulletin is made
|
Apr 02, 2023 |
Emergency episode: Today FM gets taken off air
|
Mar 30, 2023 |
Guyon Espiner on NZ's troublesome lobbying laws
|
Mar 26, 2023 |
Dr. Jim Mather on the founding days of Whakaata Māori
|
Mar 19, 2023 |
Mukpuddy on keeping local animation alive for over 20 years
|
Mar 12, 2023 |
The ABC’s Gaven Morris on fixing public media in New Zealand
|
Mar 05, 2023 |
James Frankham on the evolution of NZ Geographic
|
Feb 26, 2023 |
Georgia Rippin on the untapped potential of web-series
|
Feb 19, 2023 |
Nick Vile on the legacy media form still thriving in a digital world
|
Feb 12, 2023 |
Duncan Greive on stepping down as CEO of The Spinoff
|
Feb 05, 2023 |
Glen Kyne on Warner Bros. Discovery's future in New Zealand
|
Jan 29, 2023 |
The Shit Show feat. Duncan Greive
|
Jan 24, 2023 |
Madeline Chapman and Toby Manhire on Jacinda Ardern and the media
|
Jan 19, 2023 |
Justin Flitter on the AI takeover
|
Jan 15, 2023 |
Mini-pod: The danger of AI to the media industry
|
Jan 08, 2023 |
Mini-pod: if the RNZ-TVNZ merger gets blown up, what should Plan B be?
|
Jan 01, 2023 |
The Spinoff presents SUPERPOD 2022
|
Dec 25, 2022 |
RNZ's Paul Thompson on the future of public media in New Zealand
|
Dec 18, 2022 |
Mediawatch's Hayden Donnell on the biggest stories of the year
|
Dec 11, 2022 |
Amie Mills on NZ on Air’s confronting Gen Z research and a brave new remit
|
Dec 05, 2022 |
Tracey Martin has the hardest job in NZ media
|
Nov 27, 2022 |
Janine Morrell-Gunn on a groundbreaking career in television
|
Nov 20, 2022 |
Mister Organ has David Farrier hanging by a thread
|
Nov 13, 2022 |
Madeleine Chapman on her first year editing The Spinoff
|
Nov 06, 2022 |
Jon Duffy on Consumer as the original member-funded media organisation
|
Oct 30, 2022 |
Chris Parker is at his peak but still pining
|
Oct 23, 2022 |
Rewind | Viva La Dirt League on building a YouTube empire from West Auckland
|
Oct 16, 2022 |
Rewind | Joe Daymond is building a comedy empire
|
Oct 09, 2022 |
Tova O’Brien on the Three news political dynasty and going up against Hosking
|
Oct 02, 2022 |
The murk around the merger, Facebook in war mode and media after the monoculture
|
Sep 25, 2022 |
TVNZ CEO Simon Power has some notes for the government on its merger
|
Sep 18, 2022 |
Alice Snedden has bad news for people who love Bad News
|
Sep 11, 2022 |
Finlay Macdonald on what powers The Conversation and the golden age of NZ magazines
|
Sep 04, 2022 |
Elise Sterback has a radical plan for arts funding
|
Aug 28, 2022 |
Michelle Ang on being a child star, then growing up in film and TV
|
Aug 21, 2022 |
Rex Woodbury on all the ways Gen Z is changing the world
|
Aug 14, 2022 |
John Tapu is building a Pacific media powerhouse in his Māngere garage
|
Aug 07, 2022 |
Willie Jackson on the RNZ-TVNZ merger and his one big regret
|
Jul 31, 2022 |
How Brodie Kane became a podcast powerhouse
|
Jul 24, 2022 |
Jack Tame and Alex Braae on the remaking of Q+A
|
Jul 17, 2022 |
Anna Rawhiti-Connell on the newsletter boom and the evolution of social media
|
Jul 10, 2022 |
Te Papa's Courtney Johnston on museums as slow journalism
|
Jul 03, 2022 |
The digital media startup bringing hard news to Queenstown
|
Jun 26, 2022 |
Leigh Hart is super funny - he’s also a business genius
|
Jun 19, 2022 |
Henry Cooke was born to be in the press gallery
|
May 29, 2022 |
Oliver Driver and the quietly revolutionary Shortland Street
|
May 22, 2022 |
Wendy Youens wants to make NZ’s media accessible to all
|
May 15, 2022 |
Irene Gardiner on the screen industry in the time of streaming
|
May 08, 2022 |
Bernard Hickey has charged enough for The Kākā. Now, he wants to give it away.
|
May 01, 2022 |
Netflix’s chilling numbers, and Elon’s new toy
|
Apr 27, 2022 |
Nathan Rarere's broadcasting path to First Up
|
Apr 24, 2022 |
Don Mann on the spectrum of community serving
|
Apr 17, 2022 |
Olivia Carville on covering big tech at one of the world’s greatest magazines
|
Apr 11, 2022 |
Viva La Dirt League on building a YouTube empire from West Auckland
|
Apr 05, 2022 |
Tim Harper on how NFTs can build a better future for artists
|
Mar 27, 2022 |
Anna Fifield vs the public service comms machine
|
Mar 20, 2022 |
How the ACC became a sports entertainment juggernaut
|
Mar 13, 2022 |
Sanjana Hattotuwa’s month watching the parliament protest
|
Mar 06, 2022 |
Emily Writes on the year that changed her life
|
Feb 27, 2022 |
Julie Zhu is telling everyday immigrant stories
|
Feb 20, 2022 |
Joe Daymond is building a comedy empire
|
Feb 13, 2022 |
Sean Plunket is platforming himself
|
Feb 07, 2022 |
Dallas Gurney on how Today FM will be different
|
Jan 30, 2022 |
Summer reissue: Emma Espiner on Getting Better
|
Jan 23, 2022 |
Summer reissue: Lucy Blakiston on building SYSCA
|
Jan 09, 2022 |
Summer reissue: Derek Cheng would rather be climbing
|
Dec 26, 2021 |
The Spinoff presents SUPERPOD 2021
|
Dec 21, 2021 |
2021 in review: the year in Aotearoa media
|
Dec 12, 2021 |
Guy Williams on making New Zealand Today into a podcast
|
Dec 05, 2021 |
Dan Buckingham on the ‘forgotten diversity’ of disability
|
Nov 28, 2021 |
TVNZ's Cate Slater on what's coming in 2022
|
Nov 21, 2021 |
Discovery’s Glen Kyne on the future of Three
|
Nov 14, 2021 |
Bonus chat: What’s going on at Three?
|
Nov 09, 2021 |
Ahmed Osman on representation on NZ screens
|
Nov 07, 2021 |
Everybody loves Coffee News
|
Oct 31, 2021 |
Bailey Mackey on making the Vaxathon
|
Oct 22, 2021 |
Hal Crawford on the Facebook Files
|
Oct 17, 2021 |
Head High and the future of locally made TV drama
|
Oct 13, 2021 |
Toby Morris on Dad Man Walking and comics journalism
|
Oct 03, 2021 |
Samson Samasoni on reaching Pasifika audiences
|
Sep 19, 2021 |
Janet Wilson on Judith Collins’ National Party
|
Sep 14, 2021 |
Big shocks in 2021's 'Where are the Audiences?' research
|
Sep 08, 2021 |
Dylan Cleaver on the changing shape of sports journalism
|
Sep 05, 2021 |
Danyl Mclauchlan on postjournalism
|
Aug 29, 2021 |
Creator Series: Jon Wild on making NZ's best reality TV
|
Aug 08, 2021 |
Creator Series: Emma Espiner on Getting Better
|
Aug 01, 2021 |
Creator Series: Dan Ahwa on Viva’s unique place in NZ media
|
Jul 25, 2021 |
Creator Series: Troy Kingi’s 10 10 10 project
|
Jul 18, 2021 |
Creator Series: Lucy Blakiston from Shit You Should Care About
|
Jul 11, 2021 |
Creator Series: Qiane Matata-Sipu on Nuku Women and protecting Ihumātao
|
Jul 04, 2021 |
Creator Series: James Roque on selling his comedy special
|
Jun 27, 2021 |
Creator Series: The reinvention of Metro magazine
|
Jun 20, 2021 |
Creator Series: Derek Cheng on balancing a press gallery job with a climbing obsession
|
Jun 13, 2021 |
Creator Series: Kirsty Johnston on impact journalism and the difference between the Herald and Stuff
|
May 30, 2021 |
Miriyana Alexander on two years of NZ Herald's online subscription model
|
May 16, 2021 |
TVNZ CEO Kevin Kenrick on the media merger and the future of OnDemand
|
May 09, 2021 |
The 17-year-old magazine publishers making social change in youth circles
|
May 02, 2021 |
Special Group founder Tony Bradbourne on the rapidly changing world of advertising
|
Apr 18, 2021 |
Broadcasting minister Kris Faafoi on funding NZ journalism
|
Apr 11, 2021 |
Vodafone CEO Jason Paris on ethical advertising and the Magic Talk saga
|
Apr 05, 2021 |
Cam Wallace on his first three months as MediaWorks CEO
|
Mar 28, 2021 |
Hal Crawford on reviewing the NZ Media Fund
|
Mar 18, 2021 |
Local Democracy reporter Justin Latif on telling the stories of South Auckland
|
Mar 11, 2021 |
Facebook just blocked all news in Australia
|
Feb 18, 2021 |
Substack's Hamish McKenzie on a new era of publishing
|
Feb 14, 2021 |
Ali Mau on #MeTooNZ, talkback radio and the New Zealand music industry's reckoning
|
Feb 08, 2021 |
Summer reissue: Media, money and the government, with Bernard Hickey
|
Jan 28, 2021 |
Summer reissue: Sinead Boucher on buying Stuff for $1
|
Jan 21, 2021 |
Summer reissue: Gaurav Sharma, The Indian Times
|
Jan 07, 2021 |
The wildfire that was 2020 for NZ media, reviewed
|
Dec 23, 2020 |
The Spinoff presents SUPERPOD 2020
|
Dec 21, 2020 |
Turning words into action, with Laura O’Connell Rapira
|
Dec 03, 2020 |
Introducing Coming Home: Like nothing we've ever seen before
|
Nov 22, 2020 |
The boss of all rugby, with Mark Robinson
|
Nov 20, 2020 |
Media, money and the government, with Bernard Hickey
|
Nov 05, 2020 |
Melodie Robinson on the future of NZ sports broadcasting
|
Oct 22, 2020 |
A newcomer’s view from the press gallery, with Justin Giovannetti
|
Oct 16, 2020 |
Sido Kitchin is launching four new magazine titles this year
|
Oct 08, 2020 |
Where are the Audiences? with NZ On Air's Cameron Harland
|
Sep 18, 2020 |
The most eye-opening bits from NZ On Air’s new Where are the Audiences? report
|
Sep 03, 2020 |
How The Bulletin gets made, with Alex Braae
|
Aug 26, 2020 |
The Fold podcast: Gaurav Sharma on the communities NZ’s media doesn’t serve
|
Jul 07, 2020 |
Stuff CEO and owner Sinead Boucher on how she bought it for $1
|
Jun 24, 2020 |
The Fold podcast: Bailey Mackey takes Māori storytelling to the world
|
May 08, 2020 |
The Fold: How will Covid-19 impact NZ's TV, radio and online news?
|
Mar 27, 2020 |
RNZ special: Toby Manhire on the Concert fiasco, the case for a youth channel and the TVNZ maybe-merger
|
Feb 21, 2020 |
Exit interview: Newshub's Hal Crawford on Weldon, Paul Henry and the truth about TV ratings
|
Jan 26, 2020 |
The Fold: Sinead Boucher on reinventing Stuff – and why they are conscientious objectors to Facebook
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Nov 27, 2019 |