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Episode | Date |
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Hilal Sezgin: THE ALL IS ONE, Animal Ethics, and Human Rights
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Nov 22, 2023 |
Ria Salway & Claire Sullivan: FENCELINE, “Cancer Alley,” and Science Communication Through Storytelling
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Nov 14, 2023 |
Erica Travia: ARCADE, Mental Health, and 2-D Animation
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Nov 08, 2023 |
Bruce Cohen & Tonia Davis: RUSTIN, Queer Representation, and Hidden Histories
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Nov 02, 2023 |
Matthew Lopez: RED, WHITE & ROYAL BLUE, Representation, and Sharing Your Story
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Aug 26, 2023 |
Clement Virgo: BROTHER, Returning to Film, and Presenting Masculinity
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Jul 26, 2023 |
D. Smith: KOKOMO CITY, Authenticity, and Black Trans Representation
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Jul 17, 2023 |
Julie Cohen: EVERY BODY, Documentary Filmmaking, and Intersex Awareness
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Jul 03, 2023 |
Juan Felipe Zuleta: UNIDENTIFIED OBJECTS, Representation, and Creating Through Adversity
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Jun 26, 2023 |
STICKS AND STONES: Depression, Anxiety, and Toxic Masculinity
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Jun 19, 2023 |
Hunter Brockmann: Autism, Mental Health, and Filmmaking
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Jun 12, 2023 |
LADY!: Caregiving, Early Onset Dementia, and Stigma
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Jun 05, 2023 |
Prof. Evelyn Alsultany: Muslim Inclusion in Hollywood
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May 31, 2023 |
Natalie Portman, Julianne Moore, and Sean Penn at the 76th Cannes Film Festival
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May 29, 2023 |
Sevier Crespo: Staying True to Yourself, Producing, and Rising in Hollywood
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Apr 29, 2023 |
Making It In Hollywood: Bree Frank and Kiana Madani on Creating Opportunities in Entertainment
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Apr 21, 2023 |
THE MARTHA MITCHELL EFFECT: Gaslighting, Nixon, Watergate, and Women in Politics
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Mar 09, 2023 |
Joshua Seftel: STRANGER AT THE GATE, Islamophobia, hate, and healing
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Mar 07, 2023 |
A HOUSE MADE OF SPLINTERS: Ukrainian Children Living In A War Zone
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Mar 07, 2023 |
MY YEAR OF DICKS: Virginity, Sexuality, and Growing Up
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Mar 01, 2023 |
THE FLYING SAILOR: Animating the 1917 Halifax Explosion, Canadian filmmaking, and women in film
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Feb 22, 2023 |
THE FIRST STEP: Criminal Justice and Prison Reform, Van Jones and The Trump Administration
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Feb 13, 2023 |
CASSANDRA FREEMAN: Bel-Air, Aunt Viv, inclusion and representation in Hollywood
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Feb 08, 2023 |
Jay Rosenblatt: HOW DO YOU MEASURE A YEAR? | Family, Parenting, and Growing Up
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Jan 31, 2023 |
Cyrus Neshvad: THE RED SUITCASE, Iranian women and girls, and forced child marriage
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Jan 20, 2023 |
Tobi Bamtefa: MAYOR OF KINGSTOWN, career changes, and building an acting career
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Jan 05, 2023 |
FINDING PALEMAHAN: Jillian Li on reducing pollution in Bali & environmental justice
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Dec 21, 2022 |
WILDCAT: Samantha Zwicker on rescuing wildlife in the Amazon and mental health
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Dec 15, 2022 |
Jusep Moreno: WHEN PIGS ESCAPE, plant-based living, and the plight of farmed animals
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Dec 03, 2022 |
WHEN MEN WERE MEN: Gender Identity, Masculinity, and Storytelling
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Nov 17, 2022 |
Lauren Aboulafia: SUPER SCAR and overcoming traumatic childbirth
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Nov 09, 2022 |
David Sarfati: PROPHETS OF CHANGE, music, and the Israeli-Palestinian conflict
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Nov 02, 2022 |
Faith Strongheart: HAVANA and telling forgotten stories
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Oct 27, 2022 |
Craig Boreham: LONESOME, Queer Cinema, and LGBTQ+ Sexuality Onscreen
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Oct 11, 2022 |
FIRE ISLAND and Equality California: Fighting For Representation Onscreen and Off
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Oct 05, 2022 |
LYLE, LYLE, CROCODILE: Co-Directing, Singing Crocodiles, and Inclusion
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Sep 30, 2022 |
Esther Moon: PARTNER TRACK and Centering Underrepresented Stories
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Sep 17, 2022 |
WORLDS APART: Gender Fluidity, Shame, and Creating Space
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Sep 08, 2022 |
OUR AMERICAN FAMILY: Addiction, Family, and the Courage to Fight Back
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Aug 31, 2022 |
Alise Willis: ECHOES on Netflix, modeling and acting
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Aug 18, 2022 |
Robert Avellanet: FREE DEAD OR ALIVE, music, and Menudo
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Aug 11, 2022 |
FREE DEAD OR ALIVE: Exploring The Migrant Journey
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Aug 04, 2022 |
Melanie Rose: HOW TO BUILD A SEX ROOM
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Jul 28, 2022 |
Pej Vahdat: THE OLD MAN and overcoming stereotypes in Hollywood
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Jul 18, 2022 |
Felicia D. Henderson: FIRST KILL on Netflix and inclusive storytelling
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Jul 13, 2022 |
David Henry Gerson: THE STORY WON'T DIE and the plight of refugees
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Jun 30, 2022 |
Trans Equity Summit: Admiral Rachel Levine, Dr. Jerrica Kirkley, and Kris Hayashi on transgender equity in the U.S.
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Jun 24, 2022 |
Ezra Edmond: BLEWISH and being Black and Jewish
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Jun 22, 2022 |
Hamish Steele and Zach Barack: DEAD END: PARANORMAL PARK and queer storytelling
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Jun 08, 2022 |
Mick McIntyre and Kate Clere: EATING PLANTS and the plant-based movement
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Jun 02, 2022 |
Maggie Cohn: THE STAIRCASE on HBO Max, scripting a real-life tragedy
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May 17, 2022 |
Eitan Pitigliani: SISSY, love and loss
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May 11, 2022 |
Robin Tran: NETFLIX IS A JOKE, comedy, coming out, and mental health
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May 02, 2022 |
Jessica Godinez: THE SONG OF THE SEA and ocean conservation in Latino communities
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Apr 28, 2022 |
Michelle Jones: UNCLE, mental health and criminal justice
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Apr 11, 2022 |
Nathalie Kantaris Diaz: THE TRUST CRISIS and the future of democracy
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Apr 03, 2022 |
Phumi Morare: WHEN THE SUN SETS and apartheid in South Africa
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Mar 24, 2022 |
Luis Villegas and Francisco Acosta: EXPEDITION TRIBUGA and protecting endangered places
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Mar 17, 2022 |
Aunjanue Ellis: KING RICHARD and fighting for opportunities
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Mar 08, 2022 |
Martin Strange-Hansen: ON MY MIND and dealing with grief
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Mar 03, 2022 |
Annie St-Pierre: LIKE THE ONES I USED TO KNOW and family separation
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Mar 01, 2022 |
Karin Shiel and Sean Dino Johnson: BEHIND THESE WALLS and Rehabilitation Through The Arts
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Feb 23, 2022 |
Cesar Martinez Barba: DIAL HOME and life after deportation
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Feb 17, 2022 |
Mitch Kalisa: PLAY IT SAFE and prejudice in the classroom
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Feb 14, 2022 |
Justin Cunningham: GRAND CREW and growing up in Arkansas
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Feb 11, 2022 |
Tadeusz Lysiak: THE DRESS and the power of love
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Feb 08, 2022 |
Nicolaj Kopernikus: STENOFONEN and bringing a father's story to life
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Feb 01, 2022 |
Murad Abu Eisheh: TALA'VISION and watching TV in a war zone
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Jan 28, 2022 |
Anders Walter: CHILD OF MINE and overcoming childhood trauma
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Jan 26, 2022 |
Maya Sanbar: FOOTSTEPS ON THE WIND, working with Sting and helping refugee children
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Jan 19, 2022 |
Leo Berne and Raphael Rodriguez: CENSOR OF DREAMS
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Jan 14, 2022 |
Fab Five: QUEER EYE Season 6, sparking joy and spotlighting Heroes in Austin
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Jan 10, 2022 |
Farbod Ardebili: FORBIDDEN TO SEE US SCREAM IN TEHRAN, human rights in Iran
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Jan 07, 2022 |
Javier Marco: A LA CARA, social media trolls and empathy online
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Jan 04, 2022 |
Emmanuel Tenenbaum: FREE FALL, corporate greed and capitalism
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Dec 31, 2021 |
Olmo Omerzu: THE LAST DAY OF PATRIARCHY, exploring privilege and family in film
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Dec 28, 2021 |
Chibuikem Uche: ONE OF US IS LYING and going from actuarial science to acting
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Dec 21, 2021 |
Ser'Darius Blain: AMERICAN UNDERDOG, THE BIG LEAP, and overcoming adversity
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Dec 17, 2021 |
Jerry Hoffman and Stella Flickr: Representation in sci-fi, androids, and the inclusive Oscar-eligible film I AM
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Dec 14, 2021 |
Marianne Farley: abortion bans, human rights, and her Oscar-eligible film FRIMAS
|
Dec 09, 2021 |
Joe Kaiser: comedy during the pandemic, interviewing comedy club owners, and inclusion in comedy
|
Dec 06, 2021 |
Suzannah Mirghani: Oscar-eligible short film AL-SIT, filming in Sudan, and child marriages
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Dec 02, 2021 |
Dan Redfield: 'Granted: A Wish Story' Documentary and Starting a Nonprofit
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Nov 29, 2021 |
Co-Writers Kaz and Ryan Firpo: 'Eternals' Film, their Hollywood Journey, and the Importance of Inclusion
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Nov 17, 2021 |
Mat Charles: Child Soldiers in Colombia and his Award-winning Documentary, 'Operation Berlin'
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Nov 11, 2021 |
Sangeetha Gowda and Marshall Yuan: Award-winning 'Perpetua' Film and How Social Media Harms Teens
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Nov 04, 2021 |
Scott Aharoni and Dennis Latos: Oscar-qualified 'Leylak' Film, Frontline Workers During the Pandemic
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Oct 28, 2021 |
David Bartlett: 'Mousie' Film and Approach to Social Impact Filmmaking
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Oct 22, 2021 |
Brian Lawes: Oscar-eligible 'Lost Kings', Food Insecurity, and Wealth Inequality
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Oct 14, 2021 |
Travis Van Winkle: Starring in Netflix’s 'You', Moving to Hollywood at Age 20, and Mentoring!
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Oct 14, 2021 |
Jason Scott Lee: DOOGIE KAMEALOHA, M.D. on Disney+, Land Rights in Hawaii, and Sustainable Farming
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Oct 07, 2021 |
Erica Eng: 'Americanized' Film, Growing up in the Bay, and more!
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Oct 02, 2021 |
Tolu Kasali: 'Remember Me' Film, Boko Haram, and Internally Displaced Persons
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Sep 10, 2021 |
Gabe Liedman: Q-Force, being a Comedy Writer, and Working with Sean Hayes
|
Sep 02, 2021 |
Jack Settipane and Bud Rebel: Inclusive cryptocurrency, $tar Coin
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Aug 25, 2021 |
Sena Mourad Friedman & Erickson Blakney: 'Zip Code Matters' Film
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Aug 13, 2021 |
Troy Kotsur & Daniel Durant: 'CODA' Film, Importance of Representation, and Being Deaf in Hollywood
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Aug 03, 2021 |
'Forget Me Not' Filmmaking Team Tackles Dementia and Mental Health Onscreen
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Jul 26, 2021 |
Matt Ogens: 'Audible' Film on Netflix & Social Impact Documentaries
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Jul 20, 2021 |
Glen Zipper: Making 'Dogs' and 'Cat People' Series on Netflix
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Jul 12, 2021 |
Kate Baxter: Protecting the Environment, Directorial Debut, & Five Fifty Five
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Jul 01, 2021 |
Bree Frank: Hue You Know, Hello Sunshine, & Navigating a Career in Entertainment
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Jun 22, 2021 |
Ed Munter: 'The Peaceful Revolution' Musical & Protecting the Environment
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Jun 10, 2021 |
Dean Gonzalez: 'What Drives Us' Documentary & Music Fostering Social Change
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Jun 07, 2021 |
Gabriela Revilla Lugo: 'Palm Springs' & An Inspiring Hollywood Journey
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Jun 03, 2021 |
RJ Mitte: New 'Triumph' film & Changing the Narrative on Disabillity
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May 27, 2021 |
Justine Seymour: Costume Design, 'The Mosquito Coast', & Sustainable Productions
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May 25, 2021 |
Alan Jacobsen: FX's 'Pride' & Why Mentorship is Important
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May 20, 2021 |
Kelvin Harrison Jr: New film 'Monster' & Upbringing in New Orleans
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May 17, 2021 |
Gabriel Chavarria: Netflix's Selena Series & Acting Journey
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May 13, 2021 |
Adarsh Gourav: The White Tiger & Economic Inequality
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May 10, 2021 |
Jordan Ehrlich: The Fight To Ban Live Animal Markets
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May 06, 2021 |
Adele Lim: Raya and the Last Dragon & Screenwriting Approach
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May 03, 2021 |
Daniel Gad: White Eye & Criminal Justice Reform
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Apr 29, 2021 |
Doug Roland: Feeling Through & Inclusivity in the Deaf-Blind Community
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Apr 26, 2021 |
Alyson Stoner: Child Labor & Mental Health in Hollywood
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Apr 22, 2021 |
Jona Xiao: Raya and the Last Dragon
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Apr 19, 2021 |
Victor Kossakovsky: Gunda & Animal Welfare
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Apr 15, 2021 |
Stephanie Lassiter & Rose Gramajo: Art of Me and The Effects
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Apr 13, 2021 |
Rafael Leyva: Overcoming Adversity & Success in Cinematography
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Apr 09, 2021 |
Armando Espitia: I Carry You with Me & LGBTQ+ Equality
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Apr 01, 2021 |
Elvira Lind: The Letter Room and Criminal Justice Reform
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Mar 29, 2021 |
Paul Raci: Sound of Metal!
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Mar 22, 2021 |
Kurt Heinlein: Environmental Activism, Between the Creag and the Sky
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Mar 18, 2021 |
Ian Duff: Judas and the Black Messiah, Beginnings as an Actor, & More!
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Mar 15, 2021 |
Nicholas Velez: Judas and the Black Messiah, Racial Equality, & More
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Mar 11, 2021 |
Amber Chardae Robinson: Judas and the Black Messiah, Black Panther Party, & More
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Mar 08, 2021 |
Alysia Joy Powell: Judas and the Black Messiah, Racial Justice, & More
|
Mar 05, 2021 |
Joaquina Kalukango: One Night in Miami, Slave Play, & Inclusion
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Mar 01, 2021 |
Nomi Ruiz: Haymaker and LGBTQ+ Equality
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Feb 25, 2021 |
Felicity Abbott: Production Design and The Luminaries
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Feb 22, 2021 |
Gabriel Oliva: Promising Young Woman & Individuality in the Industry
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Feb 18, 2021 |
Denson Baker: Mentorship, The Luminaries, & Life on Set
|
Feb 15, 2021 |
Clarke Peters: Longevity & The Importance of Protesting
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Feb 11, 2021 |
Trials, Truths, and Triumph!
|
Feb 08, 2021 |
Diverse Stories on a Bigger Scale
|
Feb 01, 2021 |
Overcome and Succeed
|
Jan 28, 2021 |
Honoring Your Craft!
|
Jan 25, 2021 |
Breaking Down Barriers
|
Jan 21, 2021 |
Representation and Connecting through Film
|
Jan 18, 2021 |
Behind the Lens
|
Jan 15, 2021 |
No Justice, No Peace!
|
Jan 11, 2021 |
A New Inclusive Hollywood
|
Jan 07, 2021 |
Iris McAlpin: Trauma and Our Well-being
|
Dec 18, 2020 |
Perspective vs. Race
|
Dec 14, 2020 |
Johnny Derango: Fatman Film & Escapism
|
Dec 10, 2020 |
Trevor Sean: McMillions & White Privilege in Hollywood
|
Nov 13, 2020 |