The Ankler Podcast
By TheAnkler.com
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Category: Business
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Subscribers: 34
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Episodes: 219
Description
"Ankler Agenda" breaks down the headlines, trends and creativity shaping the evolution of Hollywood, the creator economy and entertainment.
The show is hosted by Elaine Low, author of Ankler Media’s popular “Series Business” Substack newsletter, who is joined weekly by her colleagues Sean McNulty (“The Wakeup”) and Natalie Jarvey (“Like & Subscribe”) -- in addition to Richard Rushfield, the Ankler himself. Episodes will also be available every Thursday on YouTube.
| Episode | Date |
|---|---|
|
Hollywood Alarm as Recession Indicators Rack Up
|
Oct 30, 2025 |
|
Coming Soon: "Ankler Agenda with Elaine Low"
|
Oct 30, 2025 |
|
Emergency Pod: WBD’s Endgame Era Begins
|
Oct 22, 2025 |
|
The Shocking Revenge of Reality TV
|
Oct 16, 2025 |
|
10 Showrunners Shaping TV — Right as GPT-5 Rewrites Everything
|
Oct 09, 2025 |
|
Hollywood's Gen Z Blindspot, Starring Taylor Swift
|
Oct 02, 2025 |
|
Kimmelgate: 6 Days That Shook Disney
|
Sep 25, 2025 |
|
Emergency Pod: The Kimmel Crisis & What’s Next
|
Sep 18, 2025 |
|
The Netflix of Microdramas: Who Gets There First?
|
Sep 11, 2025 |
|
Summer Duds, Fest Buzz: What the Hell is Happening to Movies
|
Sep 04, 2025 |
|
Love, Loss & Drama: Swift, Netflix, Paramount
|
Aug 28, 2025 |
|
How TV Became a 24/7 Sports Bar
|
Aug 21, 2025 |
|
‘And Just Like That’... Streamers Want Rom-Coms, Agents Want Creators
|
Aug 15, 2025 |
|
Apple's ‘F1’ Brand Slam & Disney+’s Streaming Shakeups
|
Aug 07, 2025 |
|
WBD Divorce, Netflix 'KPop' Frenzy: Film’s Split Screen Summer
|
Jul 31, 2025 |
|
Gen X Career Crisis & Colbert Collapse
|
Jul 24, 2025 |
|
The Epic Cable TV Swap Meet Begins
|
Jul 17, 2025 |
|
Meet the 'New Paramount': Cindy, Crumbling Cable & Chaos
|
Jul 11, 2025 |
|
Druckmann Ditches HBO: ‘The Last of Us’ Faces a Creative Apocalypse
|
Jul 03, 2025 |
|
Now It’s Spotify vs. YouTube — Plus Personal Struggles Post-L.A. Fire
|
Jun 27, 2025 |
|
'Broadcast Is Dead’ Isn’t a Hot Take—It’s Josh Richards’ Business Plan
|
Jun 25, 2025 |
|
YouTube vs. Netflix: Rumble on the Riviera
|
Jun 20, 2025 |
|
TV Tales: How ‘The Traitors’ Broke Through & Upended Reality
|
Jun 18, 2025 |
|
Creator Coup: CEO Neal Mohan on YouTube Beating Netflix Without Buying a Single Show
|
Jun 18, 2025 |
|
Swipe, Pay, Cry: A $5 Billion Boom in 60-Second Soaps
|
Jun 13, 2025 |
|
TV Tales: 'Penis, Penis, Penis, Me' — Comedy Legend Nell Scovell Tells All
|
Jun 11, 2025 |
|
TV’s Top Directors: ‘Good American Family,’ ‘Severance,’ ‘Zero Day’ & ‘The Pitt’
|
Jun 11, 2025 |
|
TV’s Top Directors: ‘High Potential,’ ‘What We Do in the Shadows’ & ‘Hacks’
|
Jun 09, 2025 |
|
Now Renting: 8 Million Sq Ft of Sadness
|
Jun 06, 2025 |
|
The 'American Idol' Pastor Who Helped Katharine McPhee and More Stars Shine
|
Jun 04, 2025 |
|
Mubi vs. Marvel: A New High-Stakes Film Era
|
May 30, 2025 |
|
Bruce Vilanch and the Wild World of 1970s Variety TV Spectaculars
|
May 28, 2025 |
|
Netflix, Disney+ & YouTube: The Fight to Babysit Your Kids
|
May 23, 2025 |
|
TV Tales: 'Big Mouth' Creators Nick Kroll & Andrew Goldberg Tell (Almost) All
|
May 21, 2025 |
|
Upfronts: Less Glitz, Higher Stakes & a Fierce Fight to Win
|
May 16, 2025 |
|
The Week Trump Terrified Hollywood
|
May 09, 2025 |
|
What Deals in 2025 Reveal So Far
|
May 02, 2025 |
|
How Webtoon Is Building an IP Gold Mine
|
Apr 30, 2025 |
|
Hollywood Jobs 2025: Good, Bad & Who’s Hiring
|
Apr 25, 2025 |
|
AI, Hollywood and New Worlds of Storytelling
|
Apr 22, 2025 |
|
Reality Check: Inside Non-scripted TV with Top Execs
|
Apr 21, 2025 |
|
Netflix’s Push to Take TV’s Final 80%
|
Apr 18, 2025 |
|
WWE's Prez and Triple H on Global Growth, the Netflix Deal & Bad Bunny
|
Apr 15, 2025 |
|
CBS’ Secret Sauce to TV Procedurals
|
Apr 14, 2025 |
|
WWE to Webtoon: Hollywood's New World Order
|
Apr 11, 2025 |
|
Amazon Delivery: TV & Film Whiplash
|
Apr 04, 2025 |
|
Writers Hated Mini-Rooms. Now They Want Them Back
|
Mar 28, 2025 |
|
MrBeast & Beyond: Hollywood’s New Stars
|
Mar 21, 2025 |
|
Big IP’s Midlife Crisis: Marvel, DC, Bond
|
Mar 14, 2025 |
|
Tina Brown & Janice Min Talk Meghan Markle, Demi Moore, DOGE
|
Mar 08, 2025 |
|
The Lost Art of Hollywood Swagger
|
Mar 07, 2025 |
|
Broadcast TV Surge; WBD’s Sports Pause; Paramount Stalled
|
Feb 28, 2025 |
|
Michael Wolff on Trump's Coming 'Self-Destruction': 'He Will Pay the Price'
|
Feb 27, 2025 |
|
Hollywood’s New Mission Impossible: Greenlights
|
Feb 21, 2025 |
|
Hollywood’s DEI Cave-in; Post-Fires Leave L.A. Debate
|
Feb 14, 2025 |
|
Inside #StayinLA; Two Minutes with Bob Iger; SpinCo Woe
|
Feb 07, 2025 |
|
A Dire Sundance, Indie Peril & the Creator Incursion
|
Jan 31, 2025 |
|
'Creators Should Be in Charge': Sean Evans, Rhett & Link
|
Jan 29, 2025 |
|
The New Showbiz: Hollywood, Creators, & Brands
|
Jan 28, 2025 |
|
Hollywood’s New Trick to Screw Writers
|
Jan 24, 2025 |
|
L.A. Production Spiral. Trump to the Rescue?
|
Jan 17, 2025 |
|
‘An Intense Couple of Days’
|
Jan 10, 2025 |
|
Tales From the ’90s: How New Line Dominated the Decade
|
Jan 06, 2025 |
|
Lively vs. Baldoni: Lawsuits! Exposés! Rumors!
|
Jan 03, 2025 |
|
Tales From the ’90s: Ain’t It Cool News’ ‘Titanic’ Impact on Hollywood
|
Dec 30, 2024 |
|
Trends Giving Us Hope in 2025. Seriously
|
Dec 27, 2024 |
|
Tales From the ’90s: Ron Meyer’s 'Miracle' Hollywood Career
|
Dec 23, 2024 |
|
A New Spec Script Boom Catches Fire
|
Dec 20, 2024 |
|
Tales From the ’90s: Before ‘Wicked,’ Winnie Holzman’s ‘My So-Called Life’ Changed TV
|
Dec 16, 2024 |
|
Joe Rogan Helped Trump Win. Now He’s Conquered Comedy
|
Dec 13, 2024 |
|
Tales From the ’90s: ‘Last Action Hero’ Screenwriters Tell All
|
Dec 09, 2024 |
|
HBO & the Harry Potter Gamble
|
Dec 06, 2024 |
|
AI Stole My Scripts: Rage as Big Tech Takes Without Asking
|
Nov 27, 2024 |
|
MSNBC’s $125 Million ‘Ratings Viagra’
|
Nov 22, 2024 |
|
The New Disney Magic
|
Nov 15, 2024 |
|
State of Film: ‘Roll With the Punches’
|
Nov 14, 2024 |
|
AI in Hollywood: More Intern Than God
|
Nov 12, 2024 |
|
Trump 2.0: Why Ari Wins, Studios Lose
|
Nov 08, 2024 |
|
Free. Popular. Unprofitable
|
Nov 01, 2024 |
|
Hollywood’s WFH Wars Worsen
|
Oct 25, 2024 |
|
Hot Seat: Tina Brown on Trump, Harris, Meghan Markle & Menendez Brothers
|
Oct 21, 2024 |
|
CNN Stars Brace for Impact
|
Oct 18, 2024 |
|
Joker 2, Flops and Why Everyone Should Calm Down
|
Oct 11, 2024 |
|
Hot Seat: Shane Smith is Ready to Talk Media. Again
|
Oct 07, 2024 |
|
The $10 Billion in AI Cash About to Rock Hollywood
|
Oct 04, 2024 |
|
A Hollywood ‘Depression’ the Strike Couldn’t Fix
|
Sep 27, 2024 |
|
Succession and the Cult of Iger
|
Sep 20, 2024 |
|
An HBO Earthquake Rocks Hollywood
|
Sep 13, 2024 |
|
TV Series are California Leavin’
|
Sep 06, 2024 |
|
Apple Now Thinks Different About Movies
|
Aug 30, 2024 |
|
Hollywood and the Kamala Blockbuster
|
Aug 23, 2024 |
|
Tubi Puts Hollywood on Edge
|
Aug 16, 2024 |
|
WBD Financial Panic: No Way Out
|
Aug 09, 2024 |
|
Linear TV's Summer of Pain (If You're Not the Olympics)
|
Aug 03, 2024 |
|
Inside Kamala Harris’ Hollywood
|
Jul 26, 2024 |
|
WBD Woes and an Uncertain Future
|
Jul 19, 2024 |
|
Paramount: New Boss, Same Problems
|
Jul 12, 2024 |
|
HBO, A24 and Prestige's Next Phase
|
Jun 28, 2024 |
|
Greenlight Like It’s 1985
|
Jun 21, 2024 |
|
Hot Seat: Ed Zwick’s Battles With the Stars
|
Jun 15, 2024 |
|
A TV Deal Flurry. For Some
|
Jun 14, 2024 |
|
'My Career Feels Like it's On Life Support'
|
Jun 07, 2024 |
|
Pray for Paramount. And the Movies
|
May 31, 2024 |
|
Cannes vs. Box Office: Film's Troubling Split Personality
|
May 24, 2024 |
|
Scripted TV SOS!
|
May 17, 2024 |
|
WBD, Disney and the New Frenemy Era
|
May 10, 2024 |
|
TV Deal Turmoil 2024
|
May 03, 2024 |
|
How Dad TV Muscled Into Hollywood
|
Apr 26, 2024 |
|
AI and Hollywood's 'Sophie's Choice'
|
Apr 19, 2024 |
|
The Paramount Soap Opera
|
Apr 12, 2024 |
|
How Ari & Iger Outfoxed Wall St.
|
Apr 05, 2024 |
|
UTA vs. the Talented Mr. Kassan
|
Mar 29, 2024 |
|
Wall Street's War on Hollywood
|
Mar 22, 2024 |
|
Disney, WBD and Hollywood's Jobs Shift
|
Mar 15, 2024 |
|
Netflix's New Sports Playbook
|
Mar 08, 2024 |
|
Film Shakeup at Netflix and Disney
|
Mar 01, 2024 |
|
Warner Bros.' Wobbly Future
|
Feb 23, 2024 |
|
Paramount's Best/Worst Week Ever
|
Feb 16, 2024 |
|
Disney's Next Decade
|
Feb 09, 2024 |
|
Netflix's Search for the Most Powerful Job in Film
|
Feb 02, 2024 |
|
The Rapid-Fire News Out of Netflix
|
Jan 26, 2024 |
|
Ari Golds of a New Hollywood
|
Jan 19, 2024 |
|
Pain in the New Year: Amazon Layoffs, Paramount Peril
|
Jan 12, 2024 |
|
'It's Like California in the 1920s'
|
Jan 05, 2024 |
|
The Most Blunder-ful Time of the Year!
|
Dec 22, 2023 |
|
A Peek Under Netflix's Secretive Hood
|
Dec 15, 2023 |
|
What the Heck is 'Undeniable' TV?
|
Dec 08, 2023 |
|
What Movie Audiences Want for the Holidays
|
Dec 01, 2023 |
|
In Conversation: Judy Blume & Kelly Fremon Craig
|
Nov 25, 2023 |
|
72 Hours with Netflix in Vegas
|
Nov 17, 2023 |
|
Actors and Their Digital Replicas: Hollywood’s New Reality
|
Nov 16, 2023 |
|
Fran Drescher Q&A: How AI Brought Hollywood CEOs to the Brink
|
Nov 11, 2023 |
|
Joy, Worry and 'Very Tired Tears'
|
Nov 10, 2023 |
|
Alex Cooper and the Bold Future of ‘Call Her Daddy’
|
Nov 03, 2023 |
|
Israel, Gaza and the Maha Brouhaha
|
Oct 27, 2023 |
|
Streaming's Next 'Tooth and Nail' Fight
|
Oct 20, 2023 |
|
'A Culture of Dystopia and Nihilism'
|
Oct 13, 2023 |
|
Hollywood Greenlights Get Harder
|
Oct 06, 2023 |
|
An Agency's Golden Handcuff Quandary
|
Sep 29, 2023 |
|
Five Days in September
|
Sep 27, 2023 |
|
A Town Holds its Breath
|
Sep 22, 2023 |
|
Lies, Whispers, Rumors: a Strike Struck
|
Sep 15, 2023 |
|
Inside the Era of Bob Iger 2.0
|
Sep 15, 2023 |
|
Nightmare Scenario of January 2024
|
Sep 08, 2023 |
|
The Ankler x Wakeup Summer Box Office Finale
|
Sep 07, 2023 |
|
Myth of the Hollywood Dream Job
|
Sep 06, 2023 |
|
How to Quit Hollywood
|
Sep 01, 2023 |
|
'My Year is Gone Career-Wise'
|
Aug 25, 2023 |
|
Leaks, Meetings & Calls. Oh My!
|
Aug 18, 2023 |
|
Lina Khan Q&A: Hollywood 'Red Flags', 'Doom Loop' & the Future of M&A
|
Aug 16, 2023 |
|
'It Will Surprise Us How Fast it Can Disappear'
|
Aug 11, 2023 |
|
WBD and the Struggle of Legacy Studios
|
Aug 04, 2023 |
|
Studios, Strikers and a Tense Game of Chicken
|
Jul 28, 2023 |
|
Duncan Crabtree-Ireland: 'It Takes Two to Tango...the Companies Aren't Stepping Up'
|
Jul 22, 2023 |
|
The Raw Deal Point Roiling Hollywood
|
Jul 21, 2023 |
|
Iger, Ire, Actors: Apocalypse Now
|
Jul 14, 2023 |
|
The Murky Definition of a Hit Show
|
Jun 30, 2023 |
|
Iger, Zaslav and the Hollywood CEO Crisis
|
Jun 23, 2023 |
|
Inside Bob Iger's Ticking Timeline
|
Jun 16, 2023 |
|
The Agency Titans Showdown
|
Jun 09, 2023 |
|
Hollywood Execs' Summer Bummer
|
Jun 02, 2023 |
|
Summer's High Stakes Movie Showdown
|
May 26, 2023 |
|
Hollywood's Disappearing ATM Machine
|
May 19, 2023 |
|
How Writers are Winning the Strike Narrative
|
May 12, 2023 |
|
Warning Signs from Week One of the Strike
|
May 05, 2023 |
|
On the Ground with the WGA Picketers
|
May 03, 2023 |
|
What Really Happened in Vegas
|
Apr 28, 2023 |
|
The Dark Underbelly of 'Love is Blind'
|
Apr 21, 2023 |
|
Netflix Earnings: What We Learned
|
Apr 19, 2023 |
|
Dr. Pimple Popper Meets Harry Potter
|
Apr 14, 2023 |
|
Drop the ‘HBO.’ Just ‘Max.’ It’s Cleaner (Wait - Is It?)
|
Apr 13, 2023 |
|
Hollywood's New Grey Ceiling
|
Apr 07, 2023 |
|
Strikes, Firings and the (Possible) Mother of All Mergers
|
Mar 31, 2023 |
|
Tom Ryan: The Future of FASTs in Streaming
|
Mar 27, 2023 |
|
A Showdown Over Streaming Economics
|
Mar 24, 2023 |
|
Is it Worth Working in Hollywood Anymore?
|
Mar 17, 2023 |
|
Rich Paul: 'Don't Get Comfortable Having a Lot of Money'
|
Mar 16, 2023 |
|
'It Was a Great Show': Bruce Vilanch Unpacks the Oscars
|
Mar 13, 2023 |
|
Jeremy Zimmer: I'm Siding With the WGA
|
Mar 11, 2023 |
|
Streaming's Reckoning: Industry Titans Speak Up
|
Mar 10, 2023 |
|
Tony Vinciquerra: Will Smith, the 'Woman King' Snub & Spider-Man's Future
|
Mar 10, 2023 |
|
Hollywood at War: Now and Then
|
Mar 03, 2023 |
|
Richard Rushfield's Star Prom Date
|
Feb 24, 2023 |
|
What's Eating Hollywood Execs?
|
Feb 17, 2023 |
|
How Hollywood AI Will Make 'Every Creative Job Look Different'
|
Feb 10, 2023 |
|
Actors' New Job Anxiety: 'Everyone's Afraid'
|
Feb 03, 2023 |
|
What to Know About Netflix's New Co-CEO
|
Jan 20, 2023 |
|
Why it Worked: The 'Otto' Surprise
|
Jan 16, 2023 |
|
The Disney Drama Continues!
|
Jan 13, 2023 |
|
Why it Worked: Jason Blum and James Wan on 'M3GAN'
|
Jan 11, 2023 |
|
The NFL vs. Awards Shows
|
Jan 06, 2023 |
|
2022: The Best (But Mostly Worst) of Times
|
Dec 23, 2022 |
|
The DC Universe Soap Opera
|
Dec 16, 2022 |
|
The Talented Ms. Finch
|
Dec 09, 2022 |
|
Rearranging the Deck Chairs
|
Dec 02, 2022 |
|
The Week the Floor Fell Out — Again
|
Nov 18, 2022 |
|
The Last Movie Stars in Hollywood
|
Nov 11, 2022 |
|
Second Inning of Hollywood Hell
|
Nov 04, 2022 |
|
It's Not Just You. Things are Gloomy
|
Oct 28, 2022 |
|
Netflix: Where Quantity is Job 1
|
Oct 21, 2022 |
|
Netflix is Growing. Just Not in the U.S.
|
Oct 19, 2022 |
|
'The Writers Guild Wants a Time Machine'
|
Oct 07, 2022 |
|
Awards Shows' Last Stand
|
Sep 23, 2022 |
|
P.R. vs. Journos: the Toronto Chill
|
Sep 16, 2022 |
|
Emmys' Brutal Hangover
|
Sep 13, 2022 |
|
The Forgotten Audience
|
Sep 09, 2022 |
|
Streaming 2.0: Let's Make a Deal!
|
Sep 02, 2022 |
|
Mad at Zaz
|
Aug 26, 2022 |
|
Have We Reached Peak Anxiety?
|
Aug 19, 2022 |
|
Emmys Live TV Virtuoso Tells All
|
Aug 12, 2022 |
|
Disney Subscriber Victory? Not So Fast
|
Aug 11, 2022 |
|
'At What Point Do You Make a Profit?'
|
Aug 05, 2022 |
|
Will Peacock Exist in a Year?
|
Jul 29, 2022 |
|
Martini Shot: Agents are People Too
|
Jul 27, 2022 |
|
Streaming's New Bad Omen
|
Jul 22, 2022 |
|
Netflix Saved by 'Stranger Things'
|
Jul 20, 2022 |
|
EMMYS! 'Yellowjackets' > 'Yellowstone' 🏆
|
Jul 13, 2022 |
|
Pod: Married to the Bob
|
Jul 01, 2022 |
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Pod: The King Is Dead?
|
Jun 24, 2022 |