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Ben and Matthew are American writers from Sharkey, KY and Albuquerque, NM, respectively, who live in Germany and talk about fiction, the writing and publishing process, and art and culture in general. Sometimes they get overly excited (in a positive sense), sometimes they are on the attack. Though, hopefully, they are more often than not insightful.
| Episode | Date |
|---|---|
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Amina Gautier's "Surely Not"
|
Sep 24, 2026 |
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Terra Travis's "Ham Hocks"
|
Sep 02, 2026 |
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Carlos Portugal's "Deserts"
|
Jun 18, 2026 |
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Ágnes Makó's "Snow White"
|
Jun 09, 2026 |
|
AI and Literature
|
Apr 14, 2026 |
|
Five for Fall Revisited: How Are Those Fall Book Picks Coming?
|
Dec 18, 2025 |
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Sharon Wahl's "Friends"
|
Dec 03, 2025 |
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Riddhi Dastidar’s “Darling, Darling”
|
Nov 20, 2025 |
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Five for Fall: Reading Recommendations
|
Sep 19, 2025 |
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Feral Transformation in Lauren Groff's "Dogs Go Wolf
|
Sep 01, 2025 |
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Strange Magic and Metamodernism in Noah Milligan's "Abyss"
|
Jul 16, 2025 |
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Poetry! Two poems by Vincent Antonio Rendoni
|
Jun 18, 2025 |
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Fending off the Venom of the Soul: Hemingway's "A Clean, Well-Lighted Place"
|
Jun 01, 2025 |
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Troy James Weaver's "Hooks"
|
May 15, 2025 |
|
Paul Yoon's "Valley of the Moon"
|
Apr 22, 2025 |
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Maeve Barry's "Girabella"
|
Apr 01, 2025 |
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Gothataone Moeng's "Small Wonders"
|
Mar 05, 2025 |
|
Garth Greenwell's "Harbor"
|
Feb 20, 2025 |
|
Last Year, This One, Robot Censors and Our First-Ever Awards
|
Jan 10, 2025 |
|
Kafka's "Josephine the Singer, or the Mouse Folk"
|
Dec 04, 2024 |
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Morgan Talty's "Burn"
|
Oct 30, 2024 |
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Writing Conferences, Summer Writing and Getting Back to our Steez
|
Sep 26, 2024 |
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Speculative Summer and Geetha Iyer's "Continental Drift"
|
Aug 06, 2024 |
|
MM De Voe Interview
|
Jul 04, 2024 |
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Surprise 3: Top 3 Short Stories
|
May 27, 2024 |
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Shannon Sanders Interview
|
Mar 05, 2024 |
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Winter Reading and Resolutions
|
Feb 20, 2024 |
|
Top Five Little Lit Mags
|
Dec 25, 2023 |
|
The Alchemy of Collections
|
Nov 07, 2023 |
|
Martha Anne Toll Interview
|
Oct 18, 2023 |
|
Writing Conferences, Language Gripes and Where You at, Kentucky?!!
|
Sep 04, 2023 |
|
Character Draft
|
Aug 07, 2023 |
|
Surprise 2! What Are You Working On?
|
May 22, 2023 |
|
Surprise! Favorite Travel Books
|
May 03, 2023 |
|
In Albuquerque
|
Apr 09, 2023 |
|
Pritha Bhattacharyya Interview
|
Mar 07, 2023 |
|
Dantiel W. Moniz and Funky Blue Water
|
Feb 22, 2023 |
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What's Your Day Job? Writing and Work
|
Dec 19, 2022 |
|
Our 10 Most Influential Works
|
Nov 22, 2022 |
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Why do we even write? Inside Roberto Bolaños "Sensini"
|
Oct 26, 2022 |
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Alice Munro's "Love of a Good Woman"
|
Oct 10, 2022 |
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Jamel Brinkley Double Feature, Part 2: Rankings
|
Sep 23, 2022 |
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Jamel Brinkley Double Feature, Part 1
|
Sep 07, 2022 |
|
Writing Conferences and Titillating Questions
|
Aug 18, 2022 |
|
Extremities and the Promised Land: Junot Diaz's "Ysrael," Nonfiction Corner and the Conundrum of What to Read Next
|
Jul 28, 2022 |
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Marching with Doubts: ZZ Packer's "The Ant of the Self"
|
Jun 24, 2022 |
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Ecumenical Dropkick: Magazines and the Publishing World
|
Jun 12, 2022 |
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Essential Misunderstandings & Soup: Chimamanda Adichie's "On Monday of Last Week"
|
Jun 01, 2022 |
|
Ohhhh Henry: The 2021 O'Henry Award Winners
|
May 26, 2022 |
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A Box of Wild Oats: Edward P Jones's "A New Man"
|
May 04, 2022 |
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Mayonnaise and Innocence: Louise Erdrich's "A Plague of Doves"
|
Apr 11, 2022 |
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Dog Me Blind: Chris Offutt's "Old of The Moon"
|
Mar 15, 2022 |
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Greek Statues and The Nuthouse: Thom Jones's "The Pugilist at Rest"
|
Mar 03, 2022 |