National Gallery of Art | Talks
By National Gallery of Art, Washington
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Category: Visual Arts
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Episodes: 1002
Description
Messages, meanings, movements—how does art history help us understand our world? Join curators, historians, artists, musicians and filmmakers as they explore art and its histories in a search for our shared humanity. Download the programs, then visit us on the National Mall or at www.nga.gov, where you can explore many of the works of art mentioned.
| Episode | Date |
|---|---|
|
Howardena Pindell on Social Change
|
Aug 12, 2022 |
|
Season 2, Episode 8: Sonia De Los Santos and Auguste Renoir’s “Young Spanish Woman with a Guitar”
|
May 31, 2022 |
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Season 2, Episode 7: Maria Schneider and George Bellows’s “The Lone Tenement”
|
May 17, 2022 |
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Season 2: Episode 6: Delfeayo Marsalis and Hawkins Bolden’s “Untitled”
|
May 03, 2022 |
|
John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session III: “Blackness is not peripheral to the American project; it is the foundation”
|
Apr 28, 2022 |
|
John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session II: “I built this altar for them”: Mining the Archives to Uplift Untold Stories
|
Apr 27, 2022 |
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John Wilmerding Symposium on American Art and Community Celebration 2022: Afro-Atlantic Histories, Session I: “the afterlife of slavery”
|
Apr 26, 2022 |
|
Season 2: Episode 5: Peter Sheppard Skærved and Hieronymus Bosch’s “Death and the Miser”
|
Apr 22, 2022 |
|
Season 2, Episode 3: Sa-Roc and Margaret Burroughs’s Sleeping Boy
|
Apr 22, 2022 |
|
Season 2, Episode 4: Daniel Ho and Thomas Cole’s Voyage of Life series
|
Apr 05, 2022 |
|
Season 2: Episode 2: Jenny Scheinman and El Greco’s "Laocoön"
|
Mar 08, 2022 |
|
Season 2: Episode 1: Dom Flemons and Marc Chagall’s "Orphée"
|
Feb 22, 2022 |
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John Wilmerding Symposium on American Art and Community Celebration 2021: Alma W. Thomas: Everything is Beautiful: The Infiniteness of Alma Thomas
|
Jan 25, 2022 |
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session I: An Evening Celebration of Alma Thomas
|
Jan 25, 2022 |
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session II: Alma Thomas’s Studio Practice and DC Cultural Institutions
|
Jan 25, 2022 |
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John Wilmerding Symposium on American Art and Community Celebration 2021: Session III: The Nation’s Capital in the Time of Alma Thomas
|
Jan 25, 2022 |
|
American University’s Feminist Art History Conference 2021: Feminist Issues in Art Museums
|
Jan 25, 2022 |
|
Elson Lecture 2021: Mark Bradford
|
Jan 17, 2022 |
|
Rajiv Vaidya Memorial Lecture 2021: Josephine Baker as a “Rememory” of Global Black Cinema?
|
Dec 05, 2021 |
|
Wyeth Lecture in American Art 2021: Prioritizing Indigenous Communities and Voices: Curating in This Time: Patricia Marroquin Norby, The Metropolitan Museum of Art
|
Dec 03, 2021 |
|
Bonus Episode: Episode 11: Celeste Headlee and James Van Der Zee’s “Couple, Harlem”
|
Nov 23, 2021 |
|
Sydney J. Freedberg Lecture on Italian Art 2021: “More perfect and excellent than men”
|
Nov 05, 2021 |
|
The National Gallery's New YouTube Channel
|
Sep 21, 2021 |
|
Christian McBride and Roy DeCarava’s “David”
|
Jun 06, 2021 |
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 6: Alienation
|
May 30, 2021 |
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 5: Interference
|
May 23, 2021 |
|
Daniel Bernard Roumain and "American Gothic"
|
May 19, 2021 |
|
Nathalie Joachim and Carrie Mae Weems’s "May Flowers"
|
May 16, 2021 |
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The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 4: Strain
|
May 16, 2021 |
|
Bora Yoon and "Ommah"
|
May 12, 2021 |
|
The 70th A. W. Mellon Lectures: Contact: Art and the Pull of Print, Part 3: Separation
|
May 09, 2021 |
|
Rafiq Bhatia and James Turrell’s "New Light"
|
May 02, 2021 |
|
The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 2: Reversal
|
May 02, 2021 |
|
Lara Downes and "Tomorrow I May Be Far Away"
|
Apr 28, 2021 |
|
The 70th A. W. Mellon Lectures in the Fine Arts: Contact: Art and the Pull of Print, Part 1: Pressure
|
Apr 25, 2021 |
|
Jasiri X and Kerry James Marshall’s "Untitled (Man)"
|
Apr 21, 2021 |
|
Vijay Iyer and I.M. Pei’s "National Gallery of Art, East Building"
|
Apr 18, 2021 |
|
Kamala Sankaram and Mark Rothko’s "Untitled"
|
Apr 12, 2021 |
|
Emily Wells and David Wojnarowicz’s "Untitled (Falling Buffalos)"
|
Apr 11, 2021 |
|
Diamonstein-Spielvogel Lecture Series: Stanley Nelson and Marcia Smith
|
Mar 25, 2021 |
|
"Sound Thoughts on Art" trailer
|
Mar 10, 2021 |
|
Arnold Newman Lecture Series on Photography: Teju Cole and Fazal Sheikh
|
Mar 05, 2021 |
|
“the artifice of justice” A Conversation with Reginald D. Betts, Candice C. Jones, and Richard Ross
|
Jan 29, 2021 |
|
Elson Lecture Series 2020: Mary Kelly
|
Jan 12, 2021 |
|
Rajiv Vaidya Memorial Lecture 2020: Julie Dash and the L.A. Rebellion: Architects of the Impossible
|
Jan 04, 2021 |
|
The Sydney J. Freedberg Lecture on Italian Art 2020: Telling the Past Differently: Italian Renaissance Art in the Hands of the Beholder
|
Oct 30, 2020 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: David Bomford on Édouard Manet’s The Railway (1873)
|
Sep 22, 2020 |
|
John Wilmerding Symposium 2020, A Tribute to David C. Driskell: Part 6, Artist Conversation
|
Sep 17, 2020 |
|
2020 Summer Lecture Series: Staycation: Modern Masters of the French Riviera
|
Aug 07, 2020 |
|
2020 Summer Lecture Series: Staycation: Milan: A Tale of Two Cities
|
Jul 31, 2020 |
|
Blurred Identities: The Art and Audience of Lynching Photography
|
Jul 14, 2020 |
|
Black Opera as Architecture: A Conversation with Kimberly Drew, Alicia Hall Moran, and Imani Uzuri
|
Jun 30, 2020 |
|
Local to Global: Teaching Critical Thinking through Art—the Gallery’s first Massive Open Online Course
|
Jun 09, 2020 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Thomas Kren on Giovanni d’Alemagna’s Saint Apollonia Destroys a Pagan Idol (c. 1442/1445)
|
Jun 09, 2020 |
|
Reflections on the Collection: Cecilia Frosinini on Giotto’s Madonna and Child (c. 1310/1315)
|
May 19, 2020 |
|
Speech on the Dedication of the National Gallery of Art: Paul Mellon
|
May 19, 2020 |
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Remarks on the Dedication of the National Gallery of Art: Charles Evans Hughes
|
May 19, 2020 |
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Remarks on the Dedication of the National Gallery of Art: Samuel H. Kress
|
May 19, 2020 |
|
Wyeth Lecture in American Art: Art Is an Excuse: Conceptual Strategies, 1968–1983
|
May 19, 2020 |
|
Cats in the National Gallery of Art's Permanent Collection
|
Apr 21, 2020 |
|
The Easter Story in Art
|
Apr 07, 2020 |
|
The Problem with Renoir: A Hard Look at the Artist on the Centennial of His Death
April 2, 2020, 11:18 AM
|
Apr 07, 2020 |
|
Coding Our Collection: The National Gallery of Art Datathon
|
Mar 31, 2020 |
|
Introduction to the Exhibition-Raphael and His Circle
|
Mar 31, 2020 |
|
Raphael and his Circle: Introductory Slide Overview
|
Mar 31, 2020 |
|
Degas at the Opéra: Introductory Slide Overview
|
Mar 31, 2020 |
|
Painting in the Open Air: A Conversation with Ann Lofquist
|
Mar 24, 2020 |
|
Introduction to the Exhibition—Degas at the Opéra
|
Mar 24, 2020 |
|
Weather in Art: From Symbol to Science
|
Mar 10, 2020 |
|
The Moon in the Age of Photography
|
Mar 10, 2020 |
|
Something, Anything, Everything, Nothing: Ambiguity, Meaning, and Experience
|
Mar 10, 2020 |
|
COMPACT ASSEMBLY
|
Mar 10, 2020 |
|
Collecting European Landscape Sketches: An Introduction to Open-Air Painting in Europe, 1780–1870
|
Mar 03, 2020 |
|
A Conversation with Richard Mosse
|
Mar 03, 2020 |
|
Introduction to the Exhibition—Verrocchio: Sculptor and Painter of Renaissance Florence
|
Feb 25, 2020 |
|
Space Still the Place―d.c. space Part II and Its Contemporaries: 1974–1991
|
Feb 18, 2020 |
|
Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 1—Mapping the Moon with Telescopes
|
Feb 18, 2020 |
|
Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 2—Through Astronaut Eyes
|
Feb 18, 2020 |
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Photographing the Moon: An Evening with Smithsonian National Air and Space Museum Curators, Part 3—Geology from Orbit: Robots, Cameras, and Photogeology
|
Feb 18, 2020 |
|
Introduction to the Exhibition—Alonso Berruguete: First Sculptor of Renaissance Spain
|
Feb 11, 2020 |
|
Before the Kodak Girl: Women in Nineteenth-Century Photography
|
Feb 04, 2020 |
|
USCO | nga
|
Jan 28, 2020 |
|
The Artist's Sketchbook: A Personal View
|
Jan 21, 2020 |
|
Verrocchio and the Interplay between the Arts
|
Jan 21, 2020 |
|
Reflections on the Collection: Marc Fumaroli on Jean Honoré Fragonard’s Landscape Paintings
|
Jan 21, 2020 |
|
Art and Photography in the Heroic Age of Antarctic Exploration, Part I
|
Jan 21, 2020 |
|
Art and Photography in the Heroic Age of Antarctic Exploration, Part II
|
Jan 21, 2020 |
|
Verrocchio’s Medici Tombs: New Observations and Technical Analysis
|
Jan 14, 2020 |
|
The Sydney J. Freedberg Lecture on Italian Art: Andrea Mantegna’s Stones, Caves, and Clouds
|
Jan 14, 2020 |
|
Executed En Masse: Early Modern Portrait Prints at the National Gallery of Art
|
Dec 10, 2019 |
|
Cima da Conegliano and Venetian Landscape Painting
|
Dec 10, 2019 |
|
Collaborations and Investigations in Sound: Alex Braden and Emily Francisco in Conversation
|
Dec 10, 2019 |
|
Instructional Videos: Didactic Documentary for the Postmodern Era
|
Dec 10, 2019 |
|
Photography and Nation Building in the Nineteenth Century
|
Dec 03, 2019 |
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Introduction to the Exhibition—The Touch of Color: Pastels at the National Gallery of Art
|
Dec 03, 2019 |
|
The Living Legacy National Speaking Tour: David C. Driskell and Curlee R. Holton in Conversation
|
Dec 03, 2019 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Antoinette Le Normand-Romain on Auguste Rodin, The Walking Man (L’Homme qui marche) (model 1878–1900, cast probably 1903)
|
Dec 03, 2019 |
|
Fifteenth-Century Florentine and Tuscan Sculpture in the National Gallery of Art
|
Nov 26, 2019 |
|
Celebrating the Old Master Collections of the National Gallery of Art: Dutch Art of the Golden Age
|
Nov 19, 2019 |
|
The Role of Libraries in our Cultural Landscape
|
Nov 19, 2019 |
|
Celebrating the Old Master Collections of the National Gallery of Art: Venetian Painting, 1350–1800
|
Nov 12, 2019 |
|
Celebrating the Old Master Collections of the National Gallery of Art: Central Italian Painting
|
Nov 12, 2019 |
|
Celebrating the Old Master Collections of the NGA: Masterpieces of American Furniture
|
Nov 12, 2019 |
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Celebrating the Old Master Collections of the National Gallery of Art: American Painting, 1700–1900
|
Nov 05, 2019 |
|
The End of the Sixties: Kerry James Marshall’s “Mementos”
|
Oct 29, 2019 |
|
Conversations with Artists: Oliver Lee Jackson
|
Oct 29, 2019 |
|
2019 Summer Sunday Lecture Series: Celebrating the Old Masters of the NGA: British Painting
|
Oct 29, 2019 |
|
Celebrating the Old Master Collections of the National Gallery of Art: British Painting, 1700–1850
|
Oct 22, 2019 |
|
Celebrating the Old Master Collections of the National Gallery of Art: French Art of the 18th Century
|
Oct 22, 2019 |
|
American Pre-Raphaelitism through the Lens and on the Canvas
|
Sep 24, 2019 |
|
FAPE 2019: Ken Burns and the American Story
|
Sep 10, 2019 |
|
Two Writers on Art, Music, and Modality
|
Sep 03, 2019 |
|
The Art and Literature of the Great War
|
Sep 03, 2019 |
|
Photography from the Sunny Side of the Alps
|
Aug 20, 2019 |
|
Signed JV, but not by Vermeer: Jacobus Vrel’s “Young Woman in an Interior”
|
Aug 06, 2019 |
|
Augusta Savage: A Woman of Her Word
|
Aug 06, 2019 |
|
I.M. Pei: A Celebration of His Life and Work
|
Jul 30, 2019 |
|
The Sculpture of David Smith (1906–1965), Part 1
|
Jul 30, 2019 |
|
The Sculpture of David Smith (1906–1965), Part 2
|
Jul 30, 2019 |
|
From the Cathedral to the Billiard Room: Tracing the History of a Medieval Stained Glass Window from the William A. Clark Collection
|
Jul 23, 2019 |
|
Mary Pinchot Meyer: Artist
|
Jul 23, 2019 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Stephen Bann on Léopold Flameng after Rembrandt van Rijn, Portrait of a Man (Le Doreur) (1885)
|
Jul 23, 2019 |
|
The Roles and Representations of Animals in Japanese Art and Culture, Part 1
|
Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 2
|
Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 3
|
Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 4
|
Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 5
|
Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 6
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Jul 09, 2019 |
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The Roles and Representations of Animals in Japanese Art and Culture, Part 7
|
Jul 09, 2019 |
|
Jarob Ortiz | nga
|
Jul 09, 2019 |
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The Edmond J. Safra Visiting Professors at the National Gallery of Art: Richard J. Powell
|
Jul 09, 2019 |
|
Tintoretto Lecture Series, Part 1—Tintoretto in Context: Framing Tintoretto: Sixteenth-Century Venetian Painting
|
Jul 02, 2019 |
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Tintoretto Lecture Series, Part 2—Tintoretto: The Early Work
|
Jul 02, 2019 |
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Tintoretto Lecture Series, Part 3—Tintoretto Central: The Scuola Grande di San Rocco
|
Jul 02, 2019 |
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Tintoretto Lecture Series, Part 4—In Situ: Tintoretto in Venice
|
Jul 02, 2019 |
|
If I Survive: Frederick Douglass and Family in the Walter O. Evans Collection
|
Jul 02, 2019 |
|
Shared Exploration: Music and the Visual Arts
|
Jul 02, 2019 |
|
Frederick Douglass: Prophet of Freedom
|
Jun 25, 2019 |
|
Introduction to the Exhibition—The Life of Animals in Japanese Art
|
Jun 25, 2019 |
|
Washington Color School: Kenneth Victor Young
|
Jun 18, 2019 |
|
Model Citizens: Frances Benjamin Johnston at the Tuskegee Institute
|
Jun 18, 2019 |
|
John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 1
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 2
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Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 3
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Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 4
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Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 5
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 6
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 7
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 8
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 9
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 10
|
Jun 04, 2019 |
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John Wilmerding Symposium on American Art 2019, Artists and American Communities: Part 11
|
Jun 04, 2019 |
|
Mastering Tradition: An Artist Awakening through Practicing the Past
|
Jun 04, 2019 |
|
Oral History Interview with I. M. Pei
|
May 28, 2019 |
|
Introduction to the Exhibition—Tintoretto: Artist of Renaissance Venice
|
May 21, 2019 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Nancy J. Troy on Piet Mondrian, Tableau No. IV: Lozenge Composition with Red, Gray, Blue, Yellow, and Black (c. 1924/1925)
|
May 14, 2019 |
|
The 68th A. W. Mellon Lectures: End as Beginning: Chinese Art and Dynastic Time, Part 6
|
May 14, 2019 |
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The 68th A. W. Mellon Lectures: End as Beginning: Chinese Art and Dynastic Time, Part 5
|
May 07, 2019 |
|
Black Dreams at Sea: The Sardine Fisherman’s Funeral and An Opera of the World
|
May 07, 2019 |
|
Hip-Hop’s Great Day: Gordon Parks and a Legacy of Photographic Inspiration
|
Apr 30, 2019 |
|
The 68th A. W. Mellon Lectures: End as Beginning: Chinese Art and Dynastic Time, Part 4
|
Apr 30, 2019 |
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The Sixty-Eighth A. W. Mellon Lectures in the Fine Arts: End as Beginning: Chinese Art and Dynastic Time, Part 3: Conflicting Temporalities: Heaven’s Mandate and Its Antitheses
|
Apr 16, 2019 |
|
Diamonstein-Spielvogel Lecture Series: Alex Katz
|
Apr 16, 2019 |
|
Watching Thinking: Self-Reflection and the Study of Process in Drawing
|
Apr 16, 2019 |
|
The Undefeated
|
Apr 16, 2019 |
|
USCO: Conversation with 1960s Multimedia Pioneers
|
Apr 16, 2019 |
|
The Sixty-Eighth A. W. Mellon Lectures in the Fine Arts: End as Beginning: Chinese Art and Dynastic Time, Part 2: Reconfiguring the World: The First Emperor’s Art Projects
|
Apr 09, 2019 |
|
Rachel Whiteread Symposium, Part 1—Rachel Whiteread: Weathering, Patina, Time
|
Apr 09, 2019 |
|
Rachel Whiteread Symposium, Part 2: Three Halcyon Arts Lab Fellows Respond
|
Apr 09, 2019 |
|
Rachel Whiteread Symposium, Part 3: A Conversation with Lynne Cooke and Cristina Iglesias
|
Apr 09, 2019 |
|
Rachel Whiteread Symposium, Part 4: Remarks and Discussion
|
Apr 09, 2019 |
|
Chartres: Light Reborn
|
Apr 09, 2019 |
|
The Sixty-Eighth A. W. Mellon Lectures in the Fine Arts: End as Beginning: Chinese Art and Dynastic Time, Part 1: The Emergence of Dynastic Time in Chinese Art
|
Apr 02, 2019 |
|
Boutet de Monvel’s Jeanne d’Arc: From Print to Paint
|
Mar 26, 2019 |
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Boutet de Monvel’s Jeanne d’Arc: The Role of the Bibliophile in the French Medieval Aesthetic
|
Mar 26, 2019 |
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Boutet de Monvel’s Jeanne d’Arc: The Passion for All Things Post-Medieval: A Multimedia Perspective
|
Mar 26, 2019 |
|
Boutet de Monvel’s Jeanne d’Arc: The Corcoran Commission and Installation
|
Mar 26, 2019 |
|
Pop without Pretense: Mass Media and the Art of James Castle
|
Mar 26, 2019 |
|
The Art of Light: A Conversation with Charles Ross and James Meyer
|
Mar 26, 2019 |
|
Painting and Representation
|
Mar 05, 2019 |
|
Arnold Newman Lecture Series on Photography: Dawoud Bey
|
Feb 26, 2019 |
|
Four Centuries of American Chairs
|
Feb 26, 2019 |
|
linn meyers: work
|
Feb 26, 2019 |
|
Cataloging the Corcoran Collection: Highlights in the Department of Photographs
|
Feb 05, 2019 |
|
The Christmas Story in Art
|
Feb 05, 2019 |
|
The Edmond J. Safra Visiting Professors at the National Gallery of Art: Victor I. Stoichita
|
Jan 01, 2019 |
|
John Edmonds
|
Dec 18, 2018 |
|
Introduction to the Exhibition—Gordon Parks: The New Tide, Early Work 1940–1950
|
Nov 27, 2018 |
|
Cataloging the Corcoran Collection: The Story of American Print Publishing
|
Nov 27, 2018 |
|
The Sydney J. Freedberg Lecture on Italian Art: Against Titian
|
Nov 13, 2018 |
|
Reflections on the Collection: The Edmond J. Safra Visiting Professors at the National Gallery of Art: Carel van Tuyll van Serooskerken on Annibale and Agostino Carracci, River Landscapes (c. 1590/1595)
|
Nov 13, 2018 |
|
Picturing Alexander Hamilton
|
Nov 13, 2018 |
|
Present Tense: Corot, Photography, and the Body
|
Nov 13, 2018 |
|
The Longest Running Show: Small French Paintings from the Ailsa Mellon Bruce Collection
|
Oct 23, 2018 |
|
Forty Years of Exhibitions: A Baker’s Dozen Memorable Shows
|
Oct 23, 2018 |
|
Introduction to the Exhibition: The Chiaroscuro Woodcut in Renaissance Italy
|
Oct 16, 2018 |
|
Modern Sculpture in the National Gallery
|
Oct 09, 2018 |
|
Caitlin Teal Price
|
Oct 09, 2018 |
|
Reflecting on Collecting: Recent Acquisitions of Modern Art
|
Oct 02, 2018 |
|
Minimalism
|
Oct 02, 2018 |
|
The Washington D.C. Color School
|
Sep 25, 2018 |
|
Pop Art
|
Sep 25, 2018 |
|
Introduction to the Exhibition—Corot: Women
|
Sep 18, 2018 |
|
Introduction to the Exhibition—Rachel Whiteread
|
Sep 18, 2018 |
|
Stanley Kubrick: The Irony of Feeling
|
Sep 18, 2018 |
|
Abstract Expressionism
|
Sep 11, 2018 |
|
Post-World War II European Art
|
Sep 11, 2018 |
|
German and Austrian Expressionism
|
Aug 28, 2018 |
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Dada and Surrealism
|
Aug 28, 2018 |
|
Ingmar Bergman and the Visual Arts
|
Aug 28, 2018 |
|
Abstraction and Purity
|
Aug 28, 2018 |
|
Cézanne Portraits in Context
|
Aug 28, 2018 |
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Avant-Garde to Underground: Outliers and Film
|
Aug 21, 2018 |
|
German Expressionism and Degenerate Art
|
Aug 07, 2018 |
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Extending Tradition: French Painting, 1890–1940
|
Aug 07, 2018 |
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Amedeo Modigliani (1884–1920)
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Aug 07, 2018 |
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American Art, 1900–1950: Henri, Stieglitz and Their Circles
|
Aug 07, 2018 |
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Henri Matisse and Fauvism
|
Aug 07, 2018 |
|
Early Picasso and Cubism
|
Aug 07, 2018 |
|
Monet at Vétheuil
|
Aug 07, 2018 |
|
Maruja Mallo’s “Sewers and Belfries” (c. 1929-1932)
|
Jul 31, 2018 |
|
Anne Charlotte Robertson: Selections from “Five Year Diary”
|
Jul 31, 2018 |
|
Water, Wind, and Waves: Marine Paintings from the Dutch Golden Age
|
Jul 24, 2018 |
|
Collecting for the Nation: The 75th Anniversary of the Lessing J. Rosenwald Gift
|
Jul 24, 2018 |
|
Film in the Sculptural Field
|
Jul 17, 2018 |
|
The Description of the Sacred Mountain of La Verna
|
Jul 10, 2018 |
|
Introduction to the Exhibition—Sharing Images: Renaissance Prints into Maiolica and Bronze
|
Jul 03, 2018 |
|
Cézanne's Portraits: Doubt, Certainty, and Painting in Series
|
Jun 19, 2018 |
|
The Evidence of Things Seen and Unseen
|
Jun 19, 2018 |
|
Abstraction in Reverse: A Conversation with Alexander Alberro and James Meyer
|
Jun 19, 2018 |
|
Differing, Drawn: A Conversation with Lynne Cooke and Darby English
|
Jun 05, 2018 |
|
Crossing Paths
|
Jun 05, 2018 |
|
The East Building at Forty: Reflections from Curators Past and Present
|
Jun 05, 2018 |
|
FAPE 2018: Why Is Art Necessary?
|
Jun 05, 2018 |
|
History, Photography, and Race in the South: From the Civil War to Now Part 1
|
May 29, 2018 |
|
History, Photography, and Race in the South: From the Civil War to Now Part 2
|
May 29, 2018 |
|
History, Photography, and Race in the South: From the Civil War to Now Part 3
|
May 29, 2018 |
|
History, Photography, and Race in the South: From the Civil War to Now Part 4
|
May 29, 2018 |
|
History, Photography, and Race in the South: From the Civil War to Now, Part 5
|
May 29, 2018 |
|
Claude Monet’s “The Artist's Garden at Vétheuil”—Two Masterworks Reunited, Part I: Curators’ Take
|
May 22, 2018 |
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Claude Monet’s “The Artist’s Garden at Vétheuil”—2 Masterworks Reunited, Part II: Conservator’s Take
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May 22, 2018 |
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Claude Monet’s “The Artist’s Garden at Vétheuil”—Two Masterworks Reunited, Part III: In Context
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May 22, 2018 |
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The Art of the Harpsichord: Music and Painting
|
May 01, 2018 |
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Mathematics and the Art of M. C. Escher
|
May 01, 2018 |
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Draping Michelangelo: Francesco Mochi, Gianlorenzo Bernini, and the Birth of Baroque Sculpture
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 1: Walter Benjamin and His Barbarians
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 2: Jean Dubuffet and His Brutes
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 3: Georges Bataille and His Caves
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 4: Asger Jorn and His Creatures
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 5: Eduardo Paolozzi and His Hollow Gods
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May 01, 2018 |
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The Sixty-Seventh A. W. Mellon Lectures in the Fine Arts: Positive Barbarism: Brutal Aesthetics in the Postwar Period, Part 6: Claes Oldenburg and His Ray Guns
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May 01, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 1: Women in White
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 2 Inspiring Visits with Archibald Motley Jr.
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 3: Politics and Pageantry: “The Greek Slave"
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 4: Frederick Douglass, “The Greek Slave”
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 5: W. W. Corcoran, Lord Ward, and “Greek Slave”
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 6: Modernism, Race, and Bellows at the NGA
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 7: “You put your self in his place”: Bellows
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 8: Invitation: Audience Engagement
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 9: Reshaping the Conversation
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 10: Dorothea Lange’s Photographs
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 11: Answering the Body’s Question
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Apr 17, 2018 |
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John Wilmerding Symposium on American Art 2018, Part 12: Bodies of Work
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Apr 17, 2018 |
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In the Tower: Anne Truitt, Symposium Part I—Landmarks: Anne Truitt and History
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Apr 10, 2018 |
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In the Tower: Anne Truitt, Symposium Part II—Anne Truitt's Material Imagination
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Apr 10, 2018 |
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In the Tower: Anne Truitt, Symposium Part III—Anne Truitt, Working—A Remembrance
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Apr 10, 2018 |
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In the Tower: Anne Truitt, Symposium Part IV—Enough Space, Enough Color: Anne Truitt
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Apr 10, 2018 |
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The Sisterhood of the Traveling Palette: Rebecca Strand and Georgia O’Keeffe in New Mexico
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Apr 03, 2018 |
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Diamonstein-Spielvogel Lecture Series: Zoe Leonard
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Apr 03, 2018 |
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Parrots and People in Dutch Genre Paintings: A Discussion w/ Dr. Irene Pepperberg
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Apr 03, 2018 |
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Carrie Mae Weems: Kitchen Table Series
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Mar 27, 2018 |
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Introduction to the Exhibition—Cézanne Portraits
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Mar 27, 2018 |
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Seventy-Fifth Birthday Tribute to Curtis Mayfield
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Mar 20, 2018 |
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Introduction to the Exhibition-Michel Sittow: Estonian Painter at the Courts of Renaissance Europe
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Mar 13, 2018 |
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Introduction to the Exhibition-Sally Mann: A Thousand Crossings
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Mar 06, 2018 |
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Suffering, Struggle, Survival: The Activism, Artistry, and Authorship of Frederick Douglass
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Feb 27, 2018 |
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New Technical Research on the Tomb of Mary of Burgundy
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Feb 20, 2018 |
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Photorealist Painting: A Modern History of Surfaces
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Feb 13, 2018 |
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Introduction to the Exhibition-Outliers and American Vanguard Art
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Feb 06, 2018 |
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Virtuous Rivalry in the Age of Vermeer
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Feb 06, 2018 |
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Striking the Right Chord: Seeing Music in Dutch Genre Painting
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Feb 06, 2018 |
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Dutch burghers and their wine: Nary a sour grape
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Feb 06, 2018 |
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Pictures in Paintings
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Feb 06, 2018 |
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Innovation, Competition, and Fine Painting Technique: Marketing High-Life Style in the Dutch 17th C
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Feb 06, 2018 |
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Saul Steinberg: Outsider Extraordinaire
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Jan 30, 2018 |
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Vermeer and the Masters of Genre Painting: New Insights and Discoveries
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Jan 23, 2018 |
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Frederick Douglass and the Visual Arts in Washington, DC
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Jan 16, 2018 |
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The Art of Working with Visitors with Memory Loss: A New Gallery Program
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Jan 16, 2018 |
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Picnic Ware Fit for a Feast
|
Jan 16, 2018 |
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Anne Truitt in Washington: A Conversation with James Meyer and Alexandra Truitt
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Jan 09, 2018 |
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Fashion à la Figaro: Spanish Style on the French Stage
|
Jan 09, 2018 |
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More than Mimicry: The Parrot in Dutch Genre Painting
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Jan 09, 2018 |
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Time and Temporality in Seventeenth-Century Genre Painting
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Jan 09, 2018 |
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A Century Gone By: American Art and the First World War
|
Jan 09, 2018 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 8—Degas’s Sculpture: An Inside Look
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Dec 26, 2017 |
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Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film
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Dec 26, 2017 |
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Charles Le Brun—Louis XIV’s Most Powerful Artist
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Dec 19, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 7—Authorship and Evidence
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Dec 19, 2017 |
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Collector of Lives: Giorgio Vasari and the Invention of Art
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Dec 05, 2017 |
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Calder: The Conquest of Time: A Conversation with Jed Perl and Alexander S. C. Rower
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Dec 05, 2017 |
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The Sydney J. Freedberg Lecture on Italian Art: Sugar and Spice and All Things Nice?
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Dec 05, 2017 |
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Michelangelo Pistoletto
|
Nov 28, 2017 |
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Bunny Mellon: The Pursuit of Perfection
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Nov 28, 2017 |
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The Edmond J. Safra Visiting Professors at the National Gallery of Art: Kathleen A. Foster
|
Nov 28, 2017 |
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The Edmond J. Safra Visiting Professors at the National Gallery of Art: Carl Brandon Strehlke
|
Nov 28, 2017 |
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The Edmond J. Safra Visiting Professors at the National Gallery of Art: Anna Ottani Cavina
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Nov 28, 2017 |
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The Edmond J. Safra Visiting Professors at the National Gallery of Art: Jacqueline Lichtenstein
|
Nov 28, 2017 |
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Amy Sherald
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Nov 21, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 5—Pastels in the Burrell Collection, Glasgow
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Nov 21, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 6—Issues of Finish and Process
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Nov 21, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 4—Drawing on Plate and Stone: Degas and Printmaking
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Nov 14, 2017 |
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Wyeth Lecture in American Art: The Panorama and the Globe: Expanding the American Landscape in World War II
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Nov 14, 2017 |
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Leonardo da Vinci
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Nov 14, 2017 |
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The Vermeer Phenomenon, Part I
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Nov 07, 2017 |
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The Vermeer Phenomenon, Part II
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Nov 07, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 1—Edgar Degas: Man of Science
|
Oct 31, 2017 |
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Introduction to the Exhibition—Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
|
Oct 31, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 2—Exploring Degas’s Process in "Ballet Scene"
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Oct 31, 2017 |
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Introduction to the Exhibition—Fragonard: The Fantasy Figures
|
Oct 24, 2017 |
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"Fray: Art and Textile Politics": A Conversation with Julia Bryan-Wilson and Lynne Cooke
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Oct 10, 2017 |
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Steps toward Reality: Matthias Mansen in Conversation with John Tyson
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Oct 03, 2017 |
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Edvard Munch: Spiritualism, Science, and Color
|
Sep 12, 2017 |
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Wyeth Foundation for American Art Symposium: Artists Panel: The African American Art World in Twentieth-Century Washington, DC
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Jul 04, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 5: Emerson, Raphael, and Light Filtering through Trees
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May 30, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 6: The Forest of Thought: On the Roof with Robert Montgomery Bird
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May 30, 2017 |
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John Moran and Art Photography in America: 1855–1875
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May 30, 2017 |
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Introduction to the Exhibition—America Collects Eighteenth-Century French Painting
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May 30, 2017 |
|
When No One Liked Jacques Louis David
|
May 30, 2017 |
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Restoration/REVELATION: The Exterior Wings of the Ghent Altarpiece
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May 30, 2017 |
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Edgar Degas (1834–1917): A Centenary Tribute, Part 3—An Interview with Degas
|
May 30, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 1: Herodotus among the Trees
|
May 23, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 2: The Tavern to the Traveler: On the Appearance of John Quidor’s Art
|
May 23, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 3: The Aesthetics of Superstition
|
May 23, 2017 |
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The Sixty-Sixth A. W. Mellon Lectures in the Fine Arts: The Forest: America in the 1830s, Part 4: Animals Are Where They Are
|
May 23, 2017 |
|
“A first-rate collection”: Rodin at the National Gallery of Art
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May 16, 2017 |
|
Flights of Angels: The Heavenly Orders in the Renaissance
|
May 09, 2017 |
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A Centennial Celebration I. M. Pei at the National Gallery of Art
|
May 02, 2017 |
|
Answering the Search for the Next Ansel Adams
|
Apr 25, 2017 |
|
Artwork as Network: Printed Multiples and the Cybernetic Turn
|
Apr 18, 2017 |
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Introduction to the Exhibition: Frédéric Bazille and the Birth of Impressionism
|
Apr 18, 2017 |
|
Drawing the Line: The Early Work of Agnes Martin
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Apr 04, 2017 |
|
The Landmarks of New York
|
Mar 21, 2017 |
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Jean Desmet’s Dream Factory, 1906 – 1916: When the Earth Trembled
|
Mar 14, 2017 |
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East of the Mississippi: Nineteenth-Century American Landscape Photography
|
Mar 14, 2017 |
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Jean Desmet’s Dream Factory, 1906 – 1916: The Colorful World of Cinema
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Mar 07, 2017 |
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Conversations with Artists: Theaster Gates
|
Feb 28, 2017 |
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Calder Tower
|
Feb 28, 2017 |
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Jean Desmet’s Dream Factory, 1906 – 1916: Ladies First
|
Feb 28, 2017 |
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Jean Desmet’s Dream Factory, 1906 – 1916: Up in the Air!
|
Feb 21, 2017 |
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Jason + Joan: Reanimation: Jason Moran and Joan Jonas in Conversation with Lynne Cooke
|
Feb 14, 2017 |
|
Paper/Plates: Renaissance Prints and Ceramics at the National Gallery of Art
|
Feb 14, 2017 |
|
Sculpting with Color in Renaissance Florence: An Introduction to the Della Robbia Exhibition
|
Feb 14, 2017 |
|
“Slipping into the World as Abstractions”: Georgia O’Keeffe’s Abstract Portraits
|
Jan 24, 2017 |
|
Douglas Crimp and Lynne Cooke on "Before Pictures"
|
Jan 17, 2017 |
|
Tradition and Invention in the Art of Renaissance Venice
|
Jan 10, 2017 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, VI: Some Art Is Hard to See: Field Trips with Virginia Dwan
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Jan 03, 2017 |
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Rajiv Vaidya Memorial Lecture 2016: The Innovations of the Moving Image
|
Dec 27, 2016 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, V: Liberating Artist and Exhibition:
Dwan Gallery and the Reconceptualization of Site
|
Dec 27, 2016 |
|
Drawings for Paintings in the Age of Rembrandt: The Creative Process
|
Dec 20, 2016 |
|
Flow: Theory and Practice
|
Dec 20, 2016 |
|
The Sydney J. Freedberg Lecture on Italian Art: The Aesthetics of Water: Wellheads, Cisterns, and Fountains in the Venetian Dominion
|
Dec 20, 2016 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, IV: Rethinking Minimalism
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Dec 13, 2016 |
|
The Art of Rivalry
|
Dec 13, 2016 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, III: Tableaux in Three Dimensions: Kienholz’s Social Theater at Ferus and Dwan
|
Dec 06, 2016 |
|
John Wilmerding Symposium on American Art, VI: Rockwell Kent and the End of the World
|
Nov 29, 2016 |
|
Stuart Davis: In Full Swing—An Introduction to the Exhibition
|
Nov 29, 2016 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, II: Learning from LA
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Nov 29, 2016 |
|
John Wilmerding Symposium on American Art, V: Marsden Hartley’s Maine
|
Nov 22, 2016 |
|
Los Angeles to New York: Dwan Gallery, 1959 – 1971, I: West Coast, East Coast
|
Nov 22, 2016 |
|
John Wilmerding Symposium on American Art, IV: Arthur Dove: Circles, Signs, and Sounds
|
Nov 15, 2016 |
|
A Revolution in Color: The World of John Singleton Copley
|
Nov 08, 2016 |
|
John Wilmerding Symposium on American Art, III: Seeing in Detail: Frederic Church and the Language of Landscape
|
Nov 08, 2016 |
|
Introduction to the Exhibition In the Tower: Barbara Kruger
|
Nov 01, 2016 |
|
John Wilmerding Symposium on American Art, II: Which is Which? The Serious Fun of Trompe l'Oeil
|
Nov 01, 2016 |
|
John Wilmerding Symposium on American Art, I: Still Life and America
|
Oct 25, 2016 |
|
Diamonstein-Spielvogel Lecture Series: Thomas Struth
|
Oct 18, 2016 |
|
The Reception of Paolo Veronese in Britain (c. 1600–1900)
|
Oct 18, 2016 |
|
Discoveries from the Dwan Gallery and Virginia Dwan Archives
|
Oct 11, 2016 |
|
The Collecting of African American Art XII: Pamela J. Joyner in Conversation with Leonardo Drew and Jennie C. Jones
|
Oct 04, 2016 |
|
Conversation with Collectors: Virginia Dwan and James Meyer
|
Oct 04, 2016 |
|
Carlos Garaicoa
|
Sep 20, 2016 |
|
Arnold Newman Lecture Series on Photography: Lorna Simpson
|
Sep 13, 2016 |
|
The Light of the World
|
Sep 13, 2016 |
|
Diamonstein-Spielvogel Lecture Series: Jenny Holzer: Public Art
|
Aug 23, 2016 |
|
A Closer Look at Artists’ Practices and Techniques
|
Aug 16, 2016 |
|
Travels in Regency England: Prince Pückler’s Letters of a Dead Man
|
Aug 09, 2016 |
|
Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, VI: Presenting the Kress Collection: Restoration and Framing
|
Aug 02, 2016 |
|
Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, V: History Revealed: The Kress Collection of Historic Images
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Jul 19, 2016 |
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Introducing Hubert Robert
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Jul 19, 2016 |
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Peter Hutton: Landscape and Time
|
Jul 19, 2016 |
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Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, IV: Princes, Dukes, and Counts: Provenance and Pedigrees in the Kress Collection
|
Jul 12, 2016 |
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Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, II: The Kress Collection at the Seattle Art Museum
|
Jul 05, 2016 |
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Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, III: The Leveraged Gift: The Making of the David and Alfred Smart Museum at the University of Chicago
|
Jul 05, 2016 |
|
Conversations with Artists: Helen Frankenthaler
|
Jul 05, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, VIII: Writing, Reading, and Thinking in Alexandria
|
Jun 28, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium VII: Hellenistic Invention: Theory and Practice
|
Jun 28, 2016 |
|
Celebrating a Milestone: 75 Years of the National Gallery of Art and the Samuel H. Kress Foundation, I: A Platinum Jubilee: The Gallery and The Kress @ 75
|
Jun 28, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, VI: Uses and Abuses of the Luxury Arts: Tryphe in the Hellenistic World
|
Jun 21, 2016 |
|
Unflattening: Revolutionizing Thought in Comics
|
Jun 21, 2016 |
|
Bronze, Bells, Bust: The National Gallery of Art’s Charles V
|
Jun 14, 2016 |
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Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium V: Material Matters: Why Bronze?
|
Jun 07, 2016 |
|
Elsa Mora: Timeline
|
Jun 07, 2016 |
|
Black Diaspora Art in Our Global Contemporary Moment: Some Reflections
|
Jun 07, 2016 |
|
German Spaces, Haacke’s Places: Hans Haacke’s Germania at the 1993 Venice Biennale
|
May 31, 2016 |
|
The National Gallery of Art at 75: Andrew W. Mellon, David Finley, Paul Mellon
|
May 24, 2016 |
|
Diamonstein-Spielvogel Lecture Series: Leo Villareal
|
May 17, 2016 |
|
"Molotov Man" in Context
|
May 17, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 6: Worship in Uncertain Times: The Secret Burial of Bronzes in 1310
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May 10, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 5: Chola Obsession with Sri Lanka and the Silk Route of the Sea in the Eleventh and Twelfth Centuries
|
May 03, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 4: An Eleventh-Century Master Sculptor: Ten Thousand Pearls Adorn a Bronze
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Apr 26, 2016 |
|
FAPE 2016: Frank Gehry and Paul Goldberger in Conversation
|
Apr 26, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 3: Portrait of a Queen: Patronage of Dancing Shiva, c. 941‒1002
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Apr 19, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium III: Identity, Continuity, and Change in the Hellenistic Cityscape
|
Apr 19, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 2: Shiva as "Victor of Three Forts": Battling for Empire, 855‒955
|
Apr 12, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, II: Muscle into Bronze: Athletics, Athletes, and Athletic Victor Statues in the Hellenistic Aegean
|
Apr 12, 2016 |
|
From Olympus to the Streets of Constantinople: The Byzantine Retirement of the Ancient Gods
|
Apr 12, 2016 |
|
The Sixty-Fifth A. W. Mellon Lectures in the Fine Arts: The Thief Who Stole My Heart: The Material Life of Chola Bronzes from South India, c. 855–1280, Part 1: Gods on Parade: Sacred Forms of Copper
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Apr 05, 2016 |
|
Women in Hellenistic and Roman Athens: Visualizing Female Power and Wealth
|
Apr 05, 2016 |
|
Power and Pathos: Bronze Sculpture of the Hellenistic World Symposium, I: "Living Statues": Ancient and Modern Viewers of Hellenistic Sculpture
|
Apr 05, 2016 |
|
Zeus, Isis, and Dionysos in Dion at the Foot of Mount Olympus
|
Mar 29, 2016 |
|
Alexandre Arrechea: Space Defeated
|
Mar 29, 2016 |
|
New Discoveries from the Robert H. Smith Collection
|
Mar 22, 2016 |
|
Elson Lecture 2016: Cecily Brown
|
Mar 22, 2016 |
|
Procession: The Art of Norman Lewis
|
Feb 16, 2016 |
|
What Makes a Statue?
|
Feb 09, 2016 |
|
Unabridged and Incomplete: Series and Sequences in Contemporary Art
|
Feb 02, 2016 |
|
Bronzes from the Aegean: The Lost Cargos and the Circumstances of Their Recovery
|
Jan 26, 2016 |
|
The Artist as Weatherman: Hans Haacke's Critical Meteorology
|
Dec 29, 2015 |
|
Introduction to the Exhibition — Power and Pathos: Bronze Sculpture of the Hellenistic World
|
Dec 22, 2015 |
|
Thomas Hart Benton: Painting the Song
|
Dec 01, 2015 |
|
Rajiv Vaidya Memorial Lecture: New York's Cinema 16 Film Society: Programming for a Divided World
|
Nov 24, 2015 |
|
Rajiv Vaidya Memorial Lecture: Germany in the 1920s: Expanding the Film Avant-Garde beyond the Political Divide
|
Nov 17, 2015 |
|
Rajiv Vaidya Memorial Lecture: Time Frames: Andy Warhol's Film and Video
|
Nov 10, 2015 |
|
The Sydney J. Freedberg Lecture on Italian Art: Canova and Color
|
Nov 10, 2015 |
|
Artists and Mentorship: David C. Driskell in Conversation with Ellington Robinson
|
Nov 03, 2015 |
|
Abstraction and Its Capacities
|
Oct 27, 2015 |
|
Introduction to the Exhibition — The Serial Impulse at Gemini G.E.L.
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Oct 13, 2015 |
|
American Experiments in Narrative, 2000–2015: Don Perry
|
Oct 13, 2015 |
|
Talking Shop with Sidney Felsen: Fifty Years of Artists at Gemini G.E.L
|
Oct 06, 2015 |
|
Behind the Scenes of "The Serial Impulse": Conserving Works of Art on Paper
|
Oct 06, 2015 |
|
Gods and Goddesses Behaving Badly: The Art of Joachim Wtewael
|
Sep 29, 2015 |
|
Caillebotte/Durand-Ruel: Making Impressionism
|
Sep 29, 2015 |
|
Jennifer Reeves | nga
|
Sep 22, 2015 |
|
Archive of Lamentations
|
Sep 22, 2015 |
|
Diamonstein-Spielvogel Lecture Series: Carrie Mae Weems
|
Sep 15, 2015 |
|
Cézanne and Antiquity
|
Sep 01, 2015 |
|
Art Is For the Spirit: Recent Prints and Sculpture at Gemini G.E.L.
|
Sep 01, 2015 |
|
Entrevista sobre Venecia 1548: Tiziano contemplando “El milagro del esclavo” de Tintoreto
|
Aug 11, 2015 |
|
Electric Schlock: Duchenne de Boulogne’s Photographic Theater
|
Aug 04, 2015 |
|
New Discoveries about "Young Girl Reading" by Jean-Honoré Fragonard
|
Jul 28, 2015 |
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Introduction to the Exhibition—Gustave Caillebotte: The Painter's Eye
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Jul 07, 2015 |
|
Reading from "Hold Still: A Memoir with Photographs" by Sally Mann
|
Jun 30, 2015 |
|
A Closer Look at Metalpoint Drawing
|
Jun 30, 2015 |
|
Conversations with Artists: Mark Ruwedel
|
Jun 23, 2015 |
|
New Discoveries about "A Pastoral Visit" by Richard Norris Brooke (National Gallery of Art, Corcoran Collection)
|
Jun 23, 2015 |
|
Making Redlands: A Novel in Words and Pictures
|
Jun 16, 2015 |
|
Conversations with Artists: Vera Lutter
|
May 26, 2015 |
|
Introduction to the Exhibition—Drawing in Silver and Gold: Leonardo to Jasper Johns
|
May 19, 2015 |
|
Building a Collection: Photography at the National Gallery of Art
|
May 12, 2015 |
|
The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 6: Redemption in Rome and Paris, 1818–1820: Ingres Revives the Chivalric while Géricault Recovers the Dispossessed
|
Apr 28, 2015 |
|
FAPE 2015: The Role of Art in Diplomacy: Cultural Citizens
|
Apr 28, 2015 |
|
The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea, Part 5:
|
Apr 21, 2015 |
|
Rodolfo Peraza
|
Apr 21, 2015 |
|
Two Approaches to Making a New Music out of the Traditions of Jazz
|
Apr 21, 2015 |
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The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 4: The Religion of Ancient Art from London to Paris to Rome, 1815–1819: Canova and Lawrence Replenish Papal Splendor
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Apr 14, 2015 |
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In My Mind
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Apr 14, 2015 |
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Personal Vision and the Education of Young Composers in America
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Apr 14, 2015 |
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Intermedia Collaboration
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Apr 07, 2015 |
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Elson Lecture 2015: Jessica Stockholder
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Apr 07, 2015 |
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The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 3: Cut Loose, 1815–1817: Napoleon Returns, David Crosses Borders, and Géricault Wanders Outcast Rome
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Mar 31, 2015 |
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Piero di Cosimo: A Renaissance Painter Comes to America
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Mar 31, 2015 |
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Kadir López
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Mar 31, 2015 |
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Other Planes of There
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Mar 17, 2015 |
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The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820: Moscow Burns / The Pope Comes Home, 1812‒1814: David, Gros, and Ingres Test Empire's Facade, Part 1
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Mar 17, 2015 |
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Resisting Love, Embracing War in Representations of Torquato Tasso's Gerusalemme Liberata
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Mar 17, 2015 |
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Another Light: Thomas Demand's "Pacific Sun"
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Mar 03, 2015 |
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Renaissance Invention and the Haunted Infancy
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Feb 24, 2015 |
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Why Prints?
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Feb 24, 2015 |
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Los Carpinteros
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Feb 17, 2015 |
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Introduction to the Exhibition: Piero di Cosimo: The Poetry of Painting in Renaissance Florence
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Feb 10, 2015 |
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Inside Look: Little Dancer Aged Fourteen
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Feb 10, 2015 |
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The Ages of El Greco: From Crete to Toledo
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Feb 03, 2015 |
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The Radicalism of the "Little Dancer Aged Fourteen"
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Feb 03, 2015 |
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Van Gogh at the National Gallery of Art
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Jan 20, 2015 |
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Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860, Part 3: Measuring Time: Linnaeus Tripe's Inscription of the Thanjavur Temple, 1858
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Jan 13, 2015 |
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Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860, Part 2: Interpreting Early Photography in India: Medium and Method
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Jan 06, 2015 |
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Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860, Part 1: "A Glorious Galaxy of Monuments": Photography and the Archaeological Survey of India after Tripe
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Dec 30, 2014 |
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Patrimony in Peril: Germany's Survey of Mural Paintings Threatened During WWII
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Dec 16, 2014 |
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Degas and Cassatt: Different Perspectives, Part 4: Boxes of Colors: Cassatt and Degas as Pastellists
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Dec 09, 2014 |
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The Sixty-Fourth A. W. Mellon Lectures in the Fine Arts: Restoration as Event and Idea: Art in Europe, 1814‒1820, Part 2: At the Service of Kings, Madrid and Paris, 1814: Aging Goya and Upstart Géricault Face Their Restorations
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Dec 09, 2014 |
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What's New with Piero di Cosimo?
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Dec 09, 2014 |
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Auguste Rodin's Lifetime Bronze Sculpture in the Simpson Collection and the Role of Several Trusted Practitioners
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Dec 09, 2014 |
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Degas and Cassatt: Different Perspectives, Part 3: Degas: Women, Horses, and Nature
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Dec 02, 2014 |
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Degas and Cassatt: Different Perspectives, Part 2: Degas and Cassatt: Sex and the Single Artist
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Nov 25, 2014 |
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Image of the Black in Western Art, Part IV
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Nov 25, 2014 |
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Degas and Cassatt: Different Perspectives, Part 1: Degas, Cassatt, and the Americans
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Nov 18, 2014 |
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The Sydney J. Freedberg Lecture on Italian Art: Venice 1548
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Nov 11, 2014 |
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El Greco in America: Critics, Collectors, and Connoisseurs
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Nov 11, 2014 |
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Andrew Wyeth: Rebel
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Nov 04, 2014 |
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Visibility Machines: A Conversation with Harun Farocki and Trevor Paglen
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Nov 04, 2014 |
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Rendez-vous with Art: A Conversation
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Oct 28, 2014 |
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Artists, Amateurs, Alternative Spaces: Experimental Cinema in Eastern Europe, 1960–1990
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Oct 21, 2014 |
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Saving the Baldwin Film
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Oct 21, 2014 |
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Sandra Ramos
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Oct 14, 2014 |
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A Celebration of James Baldwin with Carolyn Forché and E. Ethelbert Miller
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Oct 07, 2014 |
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Introduction to the Exhibition: Captain Linnaeus Tripe: Photographer of India and Burma, 1852-1860
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Oct 07, 2014 |
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Ursula von Rydingsvard
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Sep 23, 2014 |
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Among Friends: Allen Ginsberg, Robert Delpire, Jonas Mekas, and Ed Grazda on Robert Frank, Part 4
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Sep 23, 2014 |
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Among Friends: Allen Ginsberg, Robert Delpire, Jonas Mekas, and Ed Grazda on Robert Frank, Part 3
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Sep 16, 2014 |
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Among Friends: Allen Ginsberg, Robert Delpire, Jonas Mekas, and Ed Grazda on Robert Frank, Part 2
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Sep 09, 2014 |
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Among Friends: Allen Ginsberg, Robert Delpire, Jonas Mekas, and Ed Grazda on Robert Frank, Part 1
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Sep 02, 2014 |
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Harry Callahan: Photographer, Teacher, Mentor
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Aug 26, 2014 |
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The Domenichino Affair: Novelty, Imitation, and Theft in Seventeenth-Century Rome
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Aug 19, 2014 |
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A Sense of Place-Winslow Homer and the Maine Coast
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Aug 12, 2014 |
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The Accidental Masterpiece: On the Art of Life and Vice Versa
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Aug 05, 2014 |
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The Artist's Reality: Philosophies of Art
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Jul 29, 2014 |
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The Art of Frank Lloyd Wright
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Jul 22, 2014 |
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Speaking Pictures: Poetry Addressing Works of Art
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Jul 15, 2014 |
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Andrew Wyeth at the Movies: The Story of an Obsession
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Jul 08, 2014 |
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The Girl with a Pearl Earring: The Making of an Icon
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Jul 01, 2014 |
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Out of the Kokoon: Modernism in Cleveland before the Armory Show
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Jun 24, 2014 |
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Van Gogh: The Face in the Mirror
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Jun 24, 2014 |
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Andrew Wyeth: A Spoken Self-Portrait
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Jun 17, 2014 |
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El Greco: 400 Years After: The Apostolate of the Museo del Greco in Toledo: One of El Greco's Greatest Series, Part 5
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Jun 10, 2014 |
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Patrons, Artists, and Saints: El Greco in the Chapel of San José in Toledo
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Jun 10, 2014 |
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Producing Digital Knowledge about Analog Art: The Case of Frederick Sommer
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Jun 03, 2014 |
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Mary Cassatt's Radical Monstrosities
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Jun 03, 2014 |
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Dutch Paintings in a New Age: The Debut of NGA Online Editions
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May 27, 2014 |
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El Greco: 400 Years After: Sainthood and Creativity: El Greco's Portraits of Saint Ildefonso and Giulio Clovio, Part 4
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May 27, 2014 |
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El Greco: 400 Years After: A Greek Painter in Toledo, 400 Years After, Part 3
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May 20, 2014 |
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Introduction to the Exhibition: Degas/Cassatt
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May 20, 2014 |
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FAPE 2014: The Role of Art in Diplomacy: The Artist in a Global Community
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May 13, 2014 |
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Introduction to the Exhibition: Andrew Wyeth: Looking Out, Looking In
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May 13, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 6: Constantine and Conversion: The Roles of the First Christian Emperor
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May 13, 2014 |
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El Greco: 400 Years After: El Greco in Italy: Formation of an Ambitious Portraitist, Part 2
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May 06, 2014 |
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Ways of Seeing Byzantium: Beautiful Bodies: Personal Adornment and Byzantine Aesthetics, Then and Now, Part 4
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May 06, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 5: Martyrdom and Persecution: The Uses of Early Christian Suffering
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May 06, 2014 |
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Ways of Seeing Byzantium: Heaven in Earth: Exhibiting the Metaphysics of Matter, Part 3
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Apr 29, 2014 |
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El Greco: 400 Years After: Introduction: The Critical Fortune of El Greco: Causes and Effects, Part 1
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Apr 29, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 4: Relics and Ruins: Material Survivals and Early Modern Interpretations
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Apr 29, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : Ruptures in the Urban Fabric (Boots on the Ground): Paris/Beijing, Part 7
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Apr 22, 2014 |
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Ways of Seeing Byzantium: The Byzantine Icon in the Expanded Field, Part 2
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Apr 22, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : Paris Plays Itself: The Modernizing City Seen through the Lens (in Rewind), 1926 – 1865, Part 6
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Apr 15, 2014 |
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Ways of Seeing Byzantium: An Introduction, Part 1
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Apr 15, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 3: Christian Origins and the Work of Time: Imagining the First Christians
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Apr 15, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 2: Bearers of Memory and Makers of History: The Many Paths to Christian Antiquity
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Apr 08, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : The Quarry in the City: Charles Marville¹s Landscapes of the Carrières d¹Amérique, Part 5
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Apr 08, 2014 |
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"Fair Greece, Sad Relic": How Did Byzantium Reform Classical Greek Art?
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Apr 08, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : Marville's Street Lamps, Part 4
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Apr 01, 2014 |
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Elson Lecture 2014: Allan McCollum
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Apr 01, 2014 |
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The Sixty-Third A. W. Mellon Lectures in the Fine Arts: Past Belief: Visions of Early Christianity in Renaissance and Reformation Europe, Part 1: How Jesus Celebrated Passover: The Jewish Origins of Christianity
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Apr 01, 2014 |
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Introduction to the Exhibition: Garry Winogrand
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Mar 25, 2014 |
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The Collecting of African American Art XI: The Wedge Collection
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Mar 25, 2014 |
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Capital Culture: J. Carter Brown, the National Gallery of Art
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Mar 18, 2014 |
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The Inside Story: Monuments Men and the National Gallery of Art
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Mar 18, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris: Mapping, Picturing and Constructing the 19th-Century Parisian Grid, Part 3
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Mar 18, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : Urban Graphics: Mapping, Picturing and Constructing the Nineteenth-Century Parisian Grid, Part 2
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Mar 11, 2014 |
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Image of the Black in Western Art, Part III
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Mar 04, 2014 |
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Looking Forward, Looking Back
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Mar 04, 2014 |
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Climbing and Clarifying: The Genius of Jacob Lawrence
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Feb 25, 2014 |
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A Bearden Celebration
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Feb 25, 2014 |
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Old Topographics: Photography and Urbanization in Nineteenth-Century Paris : Transit and Transition in Marville's Paris, Part 1
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Feb 25, 2014 |
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The Collecting of African American Art X: Rodney Merritt Miller: Reflections on Collecting
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Feb 11, 2014 |
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Witnessing Byzantium: The Greek Perspective
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Feb 04, 2014 |
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Conservation of the Shaw Memorial: The Long Journey
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Jan 28, 2014 |
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Speaking across Disciplines: Introducing "Facture," a New Gallery Journal
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Jan 28, 2014 |
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Visualizing Community: City and Village in Byzantine Greece: Earthenwares from "Heavenly" Byzantium, Part 3
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Jan 21, 2014 |
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Visualizing Community: City and Village in Byzantine Greece: Art and Craftsmanship in Medieval Byzantium, Part 4
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Jan 21, 2014 |
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Visualizing Community: City and Village in Byzantine Greece: Visualizing Community in Byzantium Greece, Part 1
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Jan 14, 2014 |
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Visualizing Community: City and Village in Byzantine Greece: New Discoveries from Byzantium Greece, Part 2
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Jan 14, 2014 |
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An Insider's Perspective
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Dec 31, 2013 |
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The Education of a Curator: Keeping It All in Balance
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Dec 24, 2013 |
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Andy Goldsworthy
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Dec 17, 2013 |
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Russians in Napoléon vu par Abel Gance: The Émigré Contribution
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Dec 17, 2013 |
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The Real Treasure of Citizen Kane: William Randolph Hearst and the Story of His Extraordinary Collections
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Dec 10, 2013 |
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DJ Spooky: A Civil War Symphony
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Dec 03, 2013 |
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Diamonstein-Spielvogel Lecture Series: Julie Mehretu
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Nov 26, 2013 |
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Making It: Race and Class in Contemporary America
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Nov 19, 2013 |
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The Sydney J. Freedberg Lecture on Italian Art: Circa 1515: Leonardo, Raphael, and Michelangelo
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Nov 19, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: Architecture and the Rise of the Event Economy, Part 6
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Nov 05, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: Conflicting Visions: Commerce, Diplomacy, and Persuasion, Part 5
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Nov 05, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: Better Futures: Exhibitions between Reform and Avant-Garde, Part 4
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Nov 05, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: Not at Home: Architecture on Display from World's Fairs to Williamsburg, Part 3
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Nov 05, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: In and Out of Time: Curating Architecture's History, Part 2
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Nov 05, 2013 |
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The Sixty-Second A. W. Mellon Lectures in the Fine Arts: Out of Site in Plain View: A History of Exhibiting Architecture since 1750: Framed and Hung: Architecture in Public from the Salon to the French Revolution, Part 1
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Nov 05, 2013 |
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Charles Marville, Photographer of Paris in the Age of Haussmann
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Nov 05, 2013 |
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War Memoranda: A Conversation with Binh Danh and Robert Schultz
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Oct 29, 2013 |
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Tell It with Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens' Shaw Memorial
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Oct 01, 2013 |
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Yes, No, Maybe: The Art of Making Decisions
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Sep 24, 2013 |
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Elson Lecture 2006: A Talk with Vija Celmins
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Sep 17, 2013 |
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The Rite of Spring: Race, Dance, and Modernism in 1913
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Sep 17, 2013 |
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Philip Kaufman: American Stylist
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Sep 10, 2013 |
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Jeff Wall on His Work
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Sep 03, 2013 |
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Conversations with Collectors: Barney A. Ebsworth
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Aug 27, 2013 |
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Bronislava Nijinska: A Choreographer's Journey
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Aug 20, 2013 |
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The Voice of the Artist: De Wain Valentine
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Aug 13, 2013 |
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Ciné-Concert: A Suitcase Full of Chocolate—Sofia Cosma
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Aug 06, 2013 |
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The Lure of the Letter: Renaissance Venice and Antique Lettering
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Jul 30, 2013 |
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Conversations with Collectors: Margaret and Raymond Horowitz
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Jul 23, 2013 |
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The Accidental Masterpiece: Leonardo and "The Last Supper"
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Jul 16, 2013 |
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Diaghilev Symposium: Poulenc's House Party, Part 5
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Jul 09, 2013 |
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Diaghilev Symposium: Panel Discussion , Part 6
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Jul 09, 2013 |
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Brice Marden: Beyond Visual Reality
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Jul 09, 2013 |
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Diaghilev Symposium: The Ballets Russes and Russia, Part 4
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Jul 02, 2013 |
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Conversations with Artists: Kerry James Marshall
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Jul 02, 2013 |
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When Art Danced with Music (and What it Wore)
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Jun 25, 2013 |
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Diaghilev Symposium: Myth in Motion—Decoration, Dance, and Sources of Russian Modernism, Part 3
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Jun 25, 2013 |
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Diaghilev Symposium: Worlds of Art: Diaghilev and the Ballets Russes: Diaghilev, a Russian Nationalist in the West, Part 1
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Jun 18, 2013 |
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Diaghilev Symposium: Worlds of Art: Diaghilev and the Ballets Russes: Diaghilev and the Courts: Culture Clashes and Lawsuits during the First American Tour of the Ballets Russes, Part 2
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Jun 18, 2013 |
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Elson Lecture 2007: Persistence and Style
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Jun 11, 2013 |
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Bernini's Beloved
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Jun 04, 2013 |
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Useful and Beautiful: William Morris and His Books
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May 28, 2013 |
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Saving Italy: The Monuments Men, Nazis, and War
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May 21, 2013 |
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Conversations with Collectors: Dorothy and Herbert Vogel
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May 14, 2013 |
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Inside Photography: The Role of Art in Diplomacy
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May 07, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Ripe for Revolution? Reconsidering "The New Path" and the American Pre-Raphaelites
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Apr 02, 2013 |
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Engaging with American Furniture: Looking Back, Moving Forward Symposium: Dust, Grain, and Soften: The Fine Art of Decorative Painting
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Apr 02, 2013 |
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Engaging with American Furniture: Looking Back, Moving Forward Symposium: From Appreciation to Interpretation: Academic Engagement with American Furniture
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Apr 02, 2013 |
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Engaging with American Furniture: Looking Back, Moving Forward Symposium: Research for the Future: Revisiting "...things you have long taken for granted"
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Apr 02, 2013 |
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Engaging with American Furniture: Looking Back, Moving Forward Symposium: Lafayette River to the Potomac: The Kaufman Collection at the National Gallery of Art
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Apr 02, 2013 |
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Introduction to the Exhibition:"Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina"
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Mar 26, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Welcome and Introduction: Pre-Raphaelitism and International Modernisms
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Mar 19, 2013 |
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Elson Lecture 2013: A Conversation with Glenn Ligon
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Pre-Raphaelite Landscape Painting and the Barbizon School, or, The English Beef with the French
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Avant-Garde Matters
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Introduction: Pre-Raphaelites: Victorian Avant-Garde
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Q and A (Day 1)
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Can Sculpture Be Pre-Raphaelite?
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Tirra Lirra in a Mirror: Rhyming Visual and Verbal Form
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: The Craftsman's Dream: The Pre-Raphaelites and the Arts and Crafts Movement
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Mar 19, 2013 |
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Pre-Raphaelitism and International Modernisms Symposium: Seduction or Salvation: Aesthetic Immersion in the Work of Edward Burne-Jones
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Mar 19, 2013 |
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Pre-Raphaelites: Victorian Avant-Garde
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Mar 05, 2013 |
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Conversations with Collectors: Robert and Jane Meyerhoff
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Mar 05, 2013 |
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Colorforms: Ellsworth Kelly and the Colored Paper Images
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Feb 26, 2013 |
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Oil and Water: De Kooning in His Studio
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Feb 19, 2013 |
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William H. Johnson
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Feb 19, 2013 |
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Artists in Residence: Henry O. Tanner in the Holy Land
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Feb 12, 2013 |
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Social Art, Social Cooperation: A Conversation with Tania Bruguera, Tom Finkelpearl, and Mierle Laderman Ukeles
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Feb 12, 2013 |
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Historical Perspectives: African American Art
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Feb 05, 2013 |
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Michelangelo's David-Apollo: An Offer He Couldn't Refuse
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Feb 05, 2013 |
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Roy Lichtenstein's Kyoto Prize Lecture of 1995
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Jan 29, 2013 |
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Of Times and Spaces: On Looking at Thomas Struth and Candida Höfer
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Jan 29, 2013 |
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A Conversation with Calvin Tomkins: "Duchamp: A Biography"
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Jan 22, 2013 |
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A Sculptor Looks at Rodin's Work
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Jan 15, 2013 |
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Truth, Lies, and Photographs
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Jan 15, 2013 |
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Art and Espionage: Michael Straight's Giorgione
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Jan 08, 2013 |
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Concerning America, and Alfred Stieglitz, and Myself
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Jan 08, 2013 |
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Picasso and the Concept of the Masterpiece
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Jan 01, 2013 |
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Viewing History Through the Filmmaker's Lens
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Jan 01, 2013 |
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Painting in Emilia
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Dec 25, 2012 |
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Living with the Dead in France: Nineteenth-Century Tomb Sculpture
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Dec 25, 2012 |
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Tony Smith at 100 Symposium: Introductory Remarks and "Dream of the Proper Context": Tony Smith, the Abstract Expressionists' Architect
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Dec 18, 2012 |
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Tony Smith at 100 Symposium: Tony Smith: X Marks the Spot
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Dec 18, 2012 |
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Tony Smith at 100 Symposium: The Tony Smith Experience and Q and A Session
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Dec 18, 2012 |
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The Sydney J. Freedberg Lecture on Italian Art: Lodovico Carracci: Observations on a Faulted Genius
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Dec 11, 2012 |
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Collecting for Quality: The Kaufman Collection of American Furniture, 1725-1825
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Dec 11, 2012 |
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George Bellows Symposium: The Late Work of George Bellows and the Question of Modernity
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Dec 04, 2012 |
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The Lion in Great Age: Titian's Last Painting
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Dec 04, 2012 |
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George Bellows Symposium: The Ashcan Goes to War: Bellows, Belligerence, and the Rape of Belgium
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Nov 27, 2012 |
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The Collecting of African American Art IX: Collecting Black: An Anachronism
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Nov 27, 2012 |
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George Bellows Symposium: "The infant terrible of painting": Bellows by the River
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Nov 20, 2012 |
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George Bellows Symposium: Sunday in the Park with George Bellows
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Nov 20, 2012 |
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The Sydney J. Freedberg Lecture on Italian Art "Not a painting, but a Vision!": Raphael's Sistine Madonna Turns Five Hundred
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Nov 20, 2012 |
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George Bellows Symposium: Bellows' "Riverfront": The Pestilential City and the Problem of Masculinity
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Nov 13, 2012 |
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Imperial Augsburg: A Flourishing Market for Innovative Prints
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Nov 13, 2012 |
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Italian Painting: Mannerism and Maniera
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Nov 13, 2012 |
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Diamonstein-Spielvogel Lecture Series: Inside Out
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Nov 06, 2012 |
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Triumphs in Craftsmanship: Masterpieces of American Furniture from the Kaufman Collection, 1700-1830
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Nov 06, 2012 |
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Amber and the Ancient World
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Oct 30, 2012 |
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Roy Lichtenstein: Reading between the Dots
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Oct 30, 2012 |
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George Bellows Symposium: Bellows "Both In and Out of the Game"
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Oct 23, 2012 |
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George Bellows Symposium: "Election Night, Times Square"
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Oct 23, 2012 |
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Barnett Newman: The Stations of the Viewer
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Oct 16, 2012 |
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Celebrating "National Gallery of Art: Master Paintings from the Collection"
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Oct 16, 2012 |
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The Serial Portrait: Photography and Identity in the Last One Hundred Years
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Oct 09, 2012 |
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Introduction to the Exhibition:"Shock of the News"
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Sep 25, 2012 |
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Gérôme: Celebrated, Vilified, Reconsidered
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Sep 18, 2012 |
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An American Vision: Henry Francis du Pont's Winterthur Museum
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Sep 18, 2012 |
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PASSAGE 7: John Cage— incidents, texts, conversations, and music
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Sep 11, 2012 |
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"Gilbert Stuart": An Introduction to the Exhibition
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Sep 11, 2012 |
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Joan Miró Symposium: L'Oeuvre de guerre of Miró: Constellation Series, Série Barcelona, and Ceramics, 1940–1945
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Sep 04, 2012 |
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Signs of the Artist: Signatures and Self-Expression in American Paintings
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Sep 04, 2012 |
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Joan Miró Symposium: Miró's Studios: Reflecting His Roots, His References, and His Memories
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Aug 28, 2012 |
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Joan Miró Symposium: "The Farm": Primitivism and Transfiguration
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Aug 21, 2012 |
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Joan Miró Symposium: Perspective, Position, and Politics: Joan Miró
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Aug 14, 2012 |
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Exotic Beasts and Politics: The Menageries of Josephine Bonaparte, Lorenzo de' Medici, and Rudolph II
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Aug 14, 2012 |
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Rings: Five Passions in World Art,"A Preview of the Olympic Exhibition
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Aug 07, 2012 |
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Joan Miró Symposium: Carob Link: A Promenade with Miró
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Aug 07, 2012 |
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Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium: Reinstalling the Nineteenth-Century European Collection at the Metropolitan Museum of Art
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Jul 31, 2012 |
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Introduction to a Painting: Edouard Manet's The Railway
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Jul 31, 2012 |
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Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium: Rethinking Nineteenth-Century Art History in France: The Musée d'Orsay Renovated
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Jul 24, 2012 |
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Introduction to the Exhibition: Edo: Art in Japan, 1615-1868
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Jul 24, 2012 |
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Celebrating the Reopening of the Nineteenth-Century French Galleries Symposium: The Nineteenth Century According to Albert Barnes
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Jul 17, 2012 |
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Introduction to the Exhibition—"Elegance and Refinement: The Still-Life Paintings of Willem van Aelst"
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Jul 10, 2012 |
|
Caravaggio: A Life Sacred and Profane
|
Jul 03, 2012 |
|
Giovanni Benedetto Castiglione: Genius in Context
|
Jun 26, 2012 |
|
Introduction to the Exhibition—"George Bellows": An Unfinished Life
|
Jun 26, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: Thoughts on the Conservation Treatment of Morse's "Gallery of the Louvre
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: Samuel F. B. Morse's "Lectures on the Affinity of Painting with the Other Fine Arts" and the Creation of "Gallery of the Louvre"
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: Samuel Morse's Louvre in Context
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: American Artists and the Louvre
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: Samuel F. B. Morse's "Gallery of the Louvre" as a Religious Painting
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: "Gallery of the Louvre" and the Electric Telegraph
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: The Tradition of Paintings-within-Paintings
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: Painting and Technology: Samuel F. B. Morse and the Visual Transmission of Intelligence
|
Jun 19, 2012 |
|
Samuel F. B. Morse's "Gallery of the Louvre" in Focus Symposium: The Forest of the Old Masters: The Chiaroscuro of American Places
|
Jun 19, 2012 |
|
Architecture and Art: Creating Community
|
Jun 12, 2012 |
|
Introduction to the Exhibition—Miró: Two Views
|
Jun 05, 2012 |
|
Introduction to the Exhibition: Sculpture of Angkor and Ancient Cambodia: Millennium of Glory
|
May 15, 2012 |
|
Itō Jakuchū's Colorful Realm: Juxtaposition, Naturalism, and Ritual
|
May 08, 2012 |
|
Solving the East/West Conundrum in Modern Chinese Art
|
May 01, 2012 |
|
解決當代中國藝術中「東方與西方的難題」
|
May 01, 2012 |
|
Art on the Mall: The National Gallery of Art Sculpture Garden
|
Apr 24, 2012 |
|
Garden of Illusions: The National Gallery of Art Sculpture Garden
|
Apr 17, 2012 |
|
David Finley, Andrew Mellon, and the Founding of the National Gallery
|
Apr 17, 2012 |
|
Side by Side: Cimabue and Giotto at Pisa
|
Apr 10, 2012 |
|
The Collecting of African American Art I: Introduction
|
Apr 10, 2012 |
|
Speech on the Dedication of the National Gallery of Art: Franklin D. Roosevelt
|
Apr 03, 2012 |
|
Speech on the Dedication of the East Building of the National Gallery
|
Apr 03, 2012 |
|
Elson Lecture: Kerry James Marshall: The Importance of Being Figurative
|
Mar 27, 2012 |
|
Vilhelm Hammershøi and His Contemporaries
|
Mar 27, 2012 |
|
Andrew W. Mellon: Collecting for the Nation
|
Mar 20, 2012 |
|
About Four Honest Outlaws
|
Mar 20, 2012 |
|
Conversations with Artists: Joel Shapiro, Thoughts on the Organization of Form in Modern Sculpture
|
Mar 13, 2012 |
|
Mellon: A Life
|
Mar 13, 2012 |
|
Exhibiting Blackness: African Americans and the American Art Museum
|
Mar 06, 2012 |
|
Nineteenth-Century Redux: A New Look at a Great Collection of French Paintings
|
Mar 06, 2012 |
|
The Collecting of African American Art VIII: Elliot Perry and Darrell Walker in Conversation with Michael Harris
|
Feb 28, 2012 |
|
A Sense of Place—Norman Lewis in Harlem: "An Inquiry into the Laws of Nature"
|
Feb 28, 2012 |
|
Conversations with Artists: David C. Driskell and Frank Stewart
|
Feb 21, 2012 |
|
Conversations with Artists-Compositions and Collaborations: The Arts of Lou Stovall
|
Feb 21, 2012 |
|
Nazi Loot in American Collections
|
Feb 21, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 6: Abstract Art Now
|
Feb 14, 2012 |
|
Remembering and Forgetting: Imagery and Its Role in the Slave Trade and Its Abolition
|
Feb 14, 2012 |
|
The Collecting of African American Art VII: David C. Driskell in Conversation with Ruth Fine
|
Feb 14, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 5: Satire, Irony, and Abstract Art
|
Feb 07, 2012 |
|
Works on Paper by African Americans: The Growth of the National Gallery of Art Collection
|
Feb 07, 2012 |
|
A Conversation with David C. Driskell
|
Feb 07, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 4: After Minimalism
|
Jan 31, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 3: Minimalism
|
Jan 24, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 2: Survivals and Fresh Starts
|
Jan 17, 2012 |
|
An Introduction to the Exhibition—Édouard Vuillard
|
Jan 10, 2012 |
|
Pictures of Nothing: Abstract Art since Pollock, Part 1: Why Abstract Art?
|
Jan 10, 2012 |
|
A Sense of Place—Cézanne in Provence: An Introduction to the Exhibition
|
Jan 03, 2012 |
|
The Pastrana Tapestries of King Afonso V of Portugal: The Invention of Glory
|
Dec 27, 2011 |
|
The Image of the Black in Western Art, Part II
|
Dec 20, 2011 |
|
Some Pages from Michelangelo's Life
|
Dec 13, 2011 |
|
Florence: Days of Destruction
|
Dec 13, 2011 |
|
Antico: The Making of an Exhibition
|
Dec 06, 2011 |
|
Leonardo da Vinci: Artist of Sketchbooks and Notebooks
|
Dec 06, 2011 |
|
Harry Callahan at 100
|
Nov 29, 2011 |
|
Teaching Connoisseurship: Paul Sachs at Harvard University and Bernard Berenson at Villa I Tatti
|
Nov 29, 2011 |
|
Conversations with Artists: Mel Bochner
|
Nov 22, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art: Bernard Berenson and Lorenzo Lotto
|
Nov 22, 2011 |
|
Introduction to the Exhibition-In the Tower: Mel Bochner
|
Nov 22, 2011 |
|
Warhol: Headlines Symposium
|
Nov 15, 2011 |
|
Morse at the Louvre
|
Nov 15, 2011 |
|
A New Look: Samuel F. B. Morse's Gallery of the Louvre
|
Nov 08, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art: The Third Italian Renaissance: Art of the Lombard Plain
|
Nov 08, 2011 |
|
Introduction to the Exhibition-Warhol: Headlines
|
Nov 01, 2011 |
|
Americans Collect Italian Renaissance Art
|
Nov 01, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 2002: The Turning Figure
|
Oct 25, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art: The Fashioning of a Public Persona: Duchess Eleonora di Toledo's Ceremonial Dress and Her Portraits by Bronzino
|
Oct 25, 2011 |
|
Art Theft and the Tate's Stolen Turners
|
Oct 18, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art: Michelangelo and the Medici: From Florentine Prodigy to Tuscan Icon
|
Oct 18, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 1998: A Carpaccio Masterpiece Rediscovered
|
Oct 11, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 1999: Art and Science in the Drawings of Leonardo da Vinci
|
Oct 11, 2011 |
|
The Film-Makers' Cooperative at Fifty
|
Oct 04, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art: The Young Michelangelo
|
Oct 04, 2011 |
|
In the Tower: Nam June Paik Symposium
|
Sep 27, 2011 |
|
My Faraway One: The Letters of Georgia O'Keeffe and Alfred Stieglitz, 1915-1933
|
Sep 27, 2011 |
|
Diamonstein-Spielvogel Lecture Series: Ann Hamilton
|
Sep 20, 2011 |
|
Conversations with Artists: Nancy Graves and Donald Saff
|
Sep 13, 2011 |
|
Michael Kahn and Shakespeare's Italy
|
Sep 06, 2011 |
|
The Moment of Caravaggio: Part 5: Severed Representations
|
Aug 30, 2011 |
|
The Moment of Caravaggio: Part 6: Painting and Violence
|
Aug 30, 2011 |
|
Conversations with Artists: Scott Burton and George Segal
|
Aug 23, 2011 |
|
The Moment of Caravaggio: Part 4: Absorption and Address
|
Aug 23, 2011 |
|
Conversations with Artists: Richard Misrach, Desert Cantos and Other Landscapes
|
Aug 16, 2011 |
|
The Moment of Caravaggio: Part 3: The Invention of Absorption
|
Aug 16, 2011 |
|
Conversations with Artists: Ed Ruscha
|
Aug 09, 2011 |
|
The Moment of Caravaggio: Part 2: Immersion and Specularity
|
Aug 09, 2011 |
|
Conversations with Artists: Pat Steir
|
Aug 02, 2011 |
|
The Moment of Caravaggio: Part 1: A New Type of Self-Portrait
|
Aug 02, 2011 |
|
The Unknown Modigliani
|
Jul 26, 2011 |
|
Conversations with Artists: Jim Dine
|
Jul 26, 2011 |
|
Decoding Baltz's Prototypes
|
Jul 19, 2011 |
|
Conversations with Artists: Roy Lichtenstein
|
Jul 19, 2011 |
|
Celebrating Seventy Years
|
Jul 12, 2011 |
|
Conversations with Artists: Claes Oldenburg and Coosje van Bruggen
|
Jul 12, 2011 |
|
The Role of Art in Diplomacy
|
Jul 05, 2011 |
|
Conversations with Artists: Christo and Jeanne-Claude
|
Jul 05, 2011 |
|
Elson Lecture 2004: Jim Dine
|
Jun 28, 2011 |
|
Gauguin's Selves: Visual Identities in the Age of Freud
|
Jun 28, 2011 |
|
Elson Lecture 2003: Sam Gilliam
|
Jun 21, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 6: Self-Portraits While Dying: James Merrill, "A Scattering of Salts"
|
Jun 14, 2011 |
|
Elson Lecture 2002: Christo and Jeanne-Claude
|
Jun 14, 2011 |
|
Elson Lecture 2005: Andy Goldsworthy
|
Jun 14, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 5: Caught and Freed: Elizabeth Bishop, "Geography III"
|
Jun 07, 2011 |
|
Meeting Metsu: ANOTHER Dutch Master
|
Jun 07, 2011 |
|
Elson Lecture 2000: Wayne Thiebaud: "The Painted World"
|
Jun 07, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 4: Death by Subtraction: Robert Lowell, "Day by Day"
|
May 31, 2011 |
|
Introduction to the Exhibition� Gauguin: Maker of Myth
|
May 31, 2011 |
|
Calling the Earth to Witness: Paul Gauguin in the Marquesas
|
May 31, 2011 |
|
Elson Lecture 1999: Ellsworth Kelly
|
May 31, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 3: The Contest of Melodrama and Restraint: Sylvia Plath, "Ariel"
|
May 24, 2011 |
|
Elson Lecture 2011: Terry Winters: Notes on Painting
|
May 24, 2011 |
|
For the Love of Movies: The Story of American Film Criticism
|
May 24, 2011 |
|
Conversations with Artists: Jim Dine
|
May 17, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 2: Facing the Worst: Wallace Stevens, "The Rock"
|
May 17, 2011 |
|
Sights and Sounds of 18th-Century Venice Symposium
|
May 17, 2011 |
|
The Rodin Touch
|
May 10, 2011 |
|
Neorealismo 1941-1954: Days of Glory
|
May 10, 2011 |
|
Last Looks, Last Books: The Binocular Poetry of Death, Part 1: Introduction: Sustaining a Double View
|
May 10, 2011 |
|
The Collecting of African American Art III: A Peculiar Destiny: The Mission of the Paul R. Jones Collection
|
May 03, 2011 |
|
Gabriel Metsu, 1629-1667
|
May 03, 2011 |
|
The Collecting of African American Art II: Reflections on Collecting
|
Apr 26, 2011 |
|
Conversations with Artists: Wayne Thiebaud
|
Apr 19, 2011 |
|
Elson Lecture 1998: I. M. Pei in conversation with Earl A. Powell III
|
Apr 12, 2011 |
|
Lewis Baltz: Prototypes/Ronde de Nuit
|
Apr 12, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 2003: Ovid's "Metamorphoses" in the Art of Renaissance and Baroque Masters
|
Apr 12, 2011 |
|
Elson Lecture 1996: Elizabeth Murray
|
Apr 05, 2011 |
|
Elson Lecture 1995: Claes Oldenburg and Coosje van Bruggen
|
Mar 29, 2011 |
|
Elson Lecture 1994: Roy Lichtenstein and Robert Rosenblum
|
Mar 22, 2011 |
|
Elson Lecture 1993: Frank Stella
|
Mar 15, 2011 |
|
Introduction to the Exhibition�Venice: Canaletto and His Rivals
|
Mar 08, 2011 |
|
Gauguin: Maker of Myth
|
Mar 01, 2011 |
|
Art and Representation in the Ancient New World, Part 5: Envisioning a New World
|
Mar 01, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 2005: Illuminated Choral Manuscripts of the Italian Renaissance
|
Mar 01, 2011 |
|
The Sydney J. Freedberg Lecture on Italian Art 2006: Modernity is Old: The Landscape of Italy as Seen by the Painters of the Early 19th Century
|
Feb 22, 2011 |
|
Art and Representation in the Ancient New World, Part 4: Representation and Imitation
|
Feb 22, 2011 |
|
The Sculpture of Edgar Degas at the National Gallery of Art: Launch of a Landmark Publication
|
Feb 15, 2011 |
|
Art and Representation in the Ancient New World, Part 3: The Body of Perfection, the Perfection of the Body
|
Feb 15, 2011 |
|
The Diamonstein-Spielvogel Lecture Series: Andy Goldsworthy
|
Feb 08, 2011 |
|
Art and Representation in the Ancient New World, Part 2: Seeing Time, Hearing Time, Placing Time
|
Feb 08, 2011 |
|
The Moran Gondola
|
Feb 08, 2011 |
|
Fragonard's "Progress of Love" at the Frick Collection: A Site-Specific Installation?
|
Feb 01, 2011 |
|
Art and Representation in the Ancient New World, Part 1: The Shifting Now of the Pre-Columbian Past
|
Feb 01, 2011 |
|
Jan Lievens: Out of Rembrandt's Shadow; Jan Lievens in Black and White: Etchings, Woodcuts, and Collaborations in Print
|
Jan 25, 2011 |
|
Film Design: Translating Words into Images
|
Jan 25, 2011 |
|
Dutch Paintings at the National Gallery of Art: The Untold Stories behind the Acquisitions of the Rembrandts, Vermeers, and Other Treasures in the Collection
|
Jan 18, 2011 |
|
Elson Lecture, A Conversation with Artist Robert Gober
|
Jan 11, 2011 |
|
Edgar Degas Sculpture: The Systematic Catalogue
|
Jan 11, 2011 |
|
The Early Modernists in America
|
Jan 04, 2011 |
|
Puvis de Chavannes and the Invention of Modernism: Parsing the National Gallery of Art Paintings
|
Dec 28, 2010 |
|
The Image of the Black in Western Art, Part 1
|
Dec 28, 2010 |
|
Robert Frank and the Photographic Book, 1930�1960
|
Dec 21, 2010 |
|
Michelangelo: In the Beginning
|
Dec 14, 2010 |
|
The Vogel Collection Story: Postcards from Artists
|
Dec 07, 2010 |
|
The Greatest Unknown Work of Art in America
|
Dec 07, 2010 |
|
Conversations with Authors: Michael Fried on Photography, Modernism, and the Importance of Not Losing Faith in the Dialectic
|
Nov 30, 2010 |
|
The Sydney J. Freedberg Lecture on Italian Art 2010: Thoughts on the Caravaggisti
|
Nov 23, 2010 |
|
The New Acropolis Museum: A Conversation with Dimitrios Pandermalis
|
Nov 16, 2010 |
|
What I Saw: An Art Critic's Report on Forty Years in Washington
|
Nov 09, 2010 |
|
Arcimboldo, 1526-1593: Nature and Fantasy
|
Nov 02, 2010 |
|
The Collecting of African American Art IV: A Historical Overview
|
Nov 02, 2010 |
|
Edvard Munch: Understanding His Master Prints
|
Oct 26, 2010 |
|
Sirens, Sea Unicorns, and Aquatic Angels: Fantastic Marine Creatures from Renaissance Venice
|
Oct 19, 2010 |
|
Are Books Making Us Illiterate? How e-Reading Can Save Civilization
|
Oct 12, 2010 |
|
Martin Puryear: "How Things Fit Together"
|
Oct 05, 2010 |
|
Martin Puryear: "Sculpture that Tries to Describe Itself to the World"
|
Sep 28, 2010 |
|
Winter (after Arcimboldo) by Philip Haas
|
Sep 28, 2010 |
|
Conversations with Collectors: Dorothy and Herbert Vogel
|
Sep 21, 2010 |
|
Conversations with Artists: Leo Villareal
|
Sep 14, 2010 |
|
Richard Misrach: On the Beach
|
Sep 07, 2010 |
|
A Gallery Landmark Launched: "French Paintings of the 15th through the 18th Century," a Systematic Catalogue
|
Aug 31, 2010 |
|
Venus as Odalisque: Ingres's Reimagining of the Female Nude
|
Aug 24, 2010 |
|
Celebrating "Civilisation"
|
Aug 17, 2010 |
|
The Somewhat Private Life of Allen Ginsberg
|
Aug 10, 2010 |
|
The Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History
|
Aug 03, 2010 |
|
Edvard Munch: Master Prints
|
Aug 03, 2010 |
|
The Diamonstein-Spielvogel Lecture Series: James Turrell
|
Aug 03, 2010 |
|
The Role of Art in Diplomacy
|
Jul 27, 2010 |
|
The Diamonstein-Spielvogel Lecture Series: Chuck Close
|
Jul 20, 2010 |
|
The Diamonstein-Spielvogel Lecture Series: Theory of Boundaries: A Conversation with Mel Bochner
|
Jul 20, 2010 |
|
The Diamonstein-Spielvogel Lecture Series: Rachel Whiteread
|
Jul 20, 2010 |
|
"Synecdoche": The Relationship of Big to Small in the Work of Byron Kim
|
Jul 13, 2010 |
|
About Abstraction: A Conversation with Melvin Edwards, Sam Gilliam, and William T. Williams
|
Jun 22, 2010 |
|
The Image of Abraham Lincoln
|
Jun 15, 2010 |
|
The Vogel Collection Story, The Fifty Works for Fifty States Project: Two Years Later
|
Jun 08, 2010 |
|
American Modernism: The Shein Collection
|
Jun 01, 2010 |
|
The Sydney J. Freedberg Lecture on Italian Art 2009: Ghiberti and the Painters of Florence
|
May 25, 2010 |
|
American Visionary Filmmakers and the Heritage of Emerson
|
May 18, 2010 |
|
Beat Memories: The Photographs of Allen Ginsberg: Part 2, Revisiting and Reprinting
|
May 11, 2010 |
|
The Diamonstein-Spielvogel Lecture Series: Brice Marden on Art
|
May 04, 2010 |
|
Beat Memories: The Photographs of Allen Ginsberg: Part 1, The Early Photos
|
May 04, 2010 |
|
Elson Lecture 2010: Susan Rothenberg: A Life in Painting
|
Apr 27, 2010 |
|
Hendrick Avercamp: The Little Ice Age: Part 2, One Community on the Ice
|
Apr 13, 2010 |
|
Sculpture Comes to Life: Splendor, Color, and Realism in Baroque Spain and Elsewhere
|
Apr 06, 2010 |
|
Hendrick Avercamp: The Little Ice Age: Part 1, Winter Landscapes
|
Apr 06, 2010 |
|
The Sacred Made Real: The Making of an Exhibition
|
Mar 30, 2010 |
|
The Sacred Made Real: Spanish Painting and Sculpture, 1600�1700: Part 2, Spanish Realism
|
Mar 23, 2010 |
|
The Sacred Made Real: Spanish Painting and Sculpture, 1600�1700: Part 1, Polychromed Sculpture
|
Mar 09, 2010 |
|
The History of Books and the Digital Future
|
Feb 16, 2010 |
|
Garden Caf� Fran�ais (Fran�ais)
|
Feb 02, 2010 |
|
Garden Caf� Fran�ais (English)
|
Feb 02, 2010 |
|
From Impressionism to Modernism: The Chester Dale Collection: Part 2, Getting to Know Maud and Chester Dale
|
Jan 12, 2010 |
|
From Impressionism to Modernism: The Chester Dale Collection: Part 1, An Introduction to the Exhibition
|
Jan 05, 2010 |
|
Reading of "The Fisherwoman" by Toni Morrison from Robert Bergman's book A Kind of Rapture, in conjunction with the exhibition Robert Bergman: Portraits, 1986�1995
|
Dec 15, 2009 |
|
Graft by Roxy Paine
|
Dec 08, 2009 |
|
In the Darkroom: Photographic Processes before the Digital Age
|
Nov 10, 2009 |
|
Editions with Additions: Working Proofs by Jasper Johns
|
Nov 03, 2009 |
|
Robert Bergman: Portraits, 1986�1995: A Conversation with the Photographer
|
Oct 13, 2009 |
|
Hendrick ter Brugghen's "Bagpipe Player"
|
Oct 06, 2009 |
|
The Darker Side of Light: Arts of Privacy, 1850�1900
|
Sep 29, 2009 |
|
Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 3, History of the Collection
|
Sep 22, 2009 |
|
Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 2, The 18th Century
|
Sep 15, 2009 |
|
Renaissance to Revolution: French Drawings at the National Gallery of Art: Part 1, The 16th and 17th Centuries
|
Sep 08, 2009 |
|
Garden Caf� Espa�a y las Tradiciones Culinarias Espa�olas
|
Sep 01, 2009 |
|
Judith Leyster, 1609�1660: Part 4, Music in the Paintings of Judith Leyster
|
Aug 25, 2009 |
|
Garden Caf� Espa�a and the Culinary Traditions of Spain
|
Aug 18, 2009 |
|
An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture
|
Aug 11, 2009 |
|
The Art of Power: Royal Armor and Portraits from Imperial Spain
|
Aug 04, 2009 |
|
Luis Melendez: Master of the Spanish Still Life, Part 2: Mel�ndez's Working Method
|
Jul 28, 2009 |
|
Luis Mel�ndez: Master of the Spanish Still Life, Part 1: The Artist
|
Jul 21, 2009 |
|
The Beffi Triptych: Preserving Abruzzo's Cultural Heritage
|
Jul 14, 2009 |
|
Judith Leyster, 1609�1660: Part 3, Music in Leyster's Work
|
Jul 07, 2009 |
|
Judith Leyster, 1609�1660: Part 2, Leyster's Technique
|
Jun 30, 2009 |
|
Judith Leyster, 1609-1660: Part 1, An Introduction
|
Jun 23, 2009 |
|
Stanley William Hayter: From Surrealism to Abstraction
|
Jun 16, 2009 |
|
Jarom�r Funke and the Amateur Avant-Garde
|
Jun 09, 2009 |
|
The Role of Art and Architecture in Civic Buildings
|
Jun 02, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 6: Mural
|
May 26, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 5: Monument
|
May 19, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 4: Monster
|
May 12, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 3: Window
|
May 05, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 2: Room
|
Apr 28, 2009 |
|
Fifty-eighth A. W. Mellon Lectures in the Fine Arts: Picasso and Truth, Part 1: Object
|
Apr 14, 2009 |
|
Elson Lecture 2009: Robert Frank
|
Apr 07, 2009 |
|
Pride of Place, Part 3: Daily Life
|
Mar 31, 2009 |
|
Pride of Place, Part 2: The Cities
|
Mar 24, 2009 |
|
Pride of Place, Part 1: The Cityscape
|
Mar 17, 2009 |
|
The Collecting of African American Art VI: The Art of Collecting
|
Mar 03, 2009 |
|
The Collecting of African American Art V: Collecting as a Way of Life
|
Feb 24, 2009 |
|
Augustus Saint-Gaudens and the Shaw Memorial
|
Feb 17, 2009 |
|
An American Journey
|
Feb 10, 2009 |
|
Transforming Destiny into Awareness: Robert Frank's "The Americans"
|
Feb 03, 2009 |
|
In the Tower: Philip Guston
|
Jan 27, 2009 |
|
The Man Who Made Vermeers: Unvarnishing the Legend of Master Forger Han van Meegeren
|
Jan 20, 2009 |
|
First Lady Jacqueline Kennedy and the 1963 Exhibition of the "Mona Lisa"
|
Jan 13, 2009 |
|
Stanley Kubrick: Two Views
|
Dec 30, 2008 |
|
Time, Space, and the Progress of History in the Medieval Map
|
Dec 23, 2008 |
|
Conversations with Authors: Calvin Tomkins
|
Dec 16, 2008 |
|
The Sydney J. Freedberg Lecture on Italian Art 2008: To Live with Myths in Pompeii and Beyond
|
Dec 09, 2008 |
|
Let's Talk: A Conversation with Peter Schjeldahl
|
Dec 02, 2008 |
|
Jan Lievens, Part 3: Return to the Netherlands (1644�1674)
|
Nov 25, 2008 |
|
Jan Lievens, Part 2: London and Antwerp (1632�1644)
|
Nov 18, 2008 |
|
Jan Lievens, Part 1: The Leiden Years (1620�1632)
|
Nov 11, 2008 |
|
Pompeii and the Roman Villa, Part 5: Rediscovery and Reinvention
|
Nov 04, 2008 |
|
Pompeii and the Roman Villa, Part 4: The Greek Legacy
|
Oct 28, 2008 |
|
Pompeii and the Roman Villa, Part 3: Triclinium of Moregine
|
Oct 21, 2008 |
|
Pompeii and the Roman Villa, Part 2: Courtyards and Gardens
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Oct 14, 2008 |
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Pompeii and the Roman Villa, Part 1: Patrons at Home
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Oct 07, 2008 |
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George de Forest Brush, Part 2: Tradition and Modernity
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Sep 23, 2008 |
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George de Forest Brush, Part 1: The Advent of the Indian Paintings
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Sep 16, 2008 |
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Martin Puryear, Part 2: Defining the Object
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Sep 09, 2008 |
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Martin Puryear, Part 1: Evolution of an Exhibition
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Sep 02, 2008 |
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Richard Misrach, Part 3: On the Beach
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Aug 26, 2008 |
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Richard Misrach, Part 2: Color and Scale
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Aug 19, 2008 |
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Richard Misrach, Part 1: Origins and Influences
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Aug 12, 2008 |
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Afghan Treasures: Rescuing Tillya Tepe's Gold, Part 4
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Aug 05, 2008 |
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Afghan Treasures: The Silk Road Revealed at Begram, Part 3
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Jul 29, 2008 |
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Afghan Treasures: In Search of "Lady Moon"-A� Khanum, Part 2
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Jun 17, 2008 |
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Afghan Treasures: The Bactrian Hoard and Tepe Fullol, Part 1
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Jun 03, 2008 |
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The Vogel Collection Story: Part 3, The Fifty Works for Fifty States Project
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May 13, 2008 |
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The Vogel Collection Story: Part 2, Working with the National Gallery of Art
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May 06, 2008 |
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The Vogel Collection Story: Part 1, Meeting and Collecting
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Apr 29, 2008 |
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Tools of the Trade
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Apr 22, 2008 |
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The Paper Tiger: Calotypes in Great Britain, Part 2
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Apr 08, 2008 |
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The Paper Tiger: Calotypes in Great Britain, Part 1
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Apr 01, 2008 |
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The Italian Legacy in Washington, D.C.
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Mar 25, 2008 |
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The Magic of Fontainebleau
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Mar 18, 2008 |
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Robert Rauschenberg, Part 4: Today's Work
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Feb 15, 2008 |
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Robert Rauschenberg, Part 3: Family Matters
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Feb 14, 2008 |
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Robert Rauschenberg, Part 2: The Personal and the Global
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Feb 13, 2008 |
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Robert Rauschenberg, Part 1: Printmaking, Collaboration, and Language
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Feb 12, 2008 |
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Going Dutch, Part 2: Exploring Paintings from the Netherlands
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Feb 05, 2008 |
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Bronze and Boxwood: Sculpting the Robert H. Smith Collection
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Jan 29, 2008 |
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Going Dutch, Part 1: Exploring Paintings from the Netherlands
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Jan 22, 2008 |
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Why Medals Matter: The Story of the Renaissance Medal
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Jan 15, 2008 |
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The Baroque Woodcut: Carving a Niche
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Dec 11, 2007 |
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Opening the Covers of the Rare Book Collection
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Dec 04, 2007 |
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Rauschenberg's Experiments in Printmaking
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Nov 27, 2007 |
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Exploring Turner, Part 2: Invention
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Nov 17, 2007 |
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Exploring Turner, Part 1: Process
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Nov 13, 2007 |
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J.M.W. Turner and America
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Nov 06, 2007 |
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Snapshot Collecting
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Oct 30, 2007 |
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Holiday Stamps: Bernardino Luini's The Madonna of the Carnation
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Oct 23, 2007 |
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Amateur Photography and the Decisive Moment
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Oct 16, 2007 |
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The Mystique of Edward Hopper
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Oct 01, 2007 |
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Hopper Meets Opera in Later the Same Evening
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Sep 03, 2007 |
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Telling the Edward Hopper Story
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Sep 03, 2007 |
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A Shakespearean Connection
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Sep 03, 2007 |
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Exploring Photography at the National Gallery of Art
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Sep 03, 2007 |
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Tabernacle Frames from the Samuel H. Kress Collection
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Aug 07, 2007 |
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Modernity in Central Europe, 1918-1945
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Aug 07, 2007 |
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Modernity and Tradition: Film in Interwar Central Europe
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Aug 07, 2007 |
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Desiderio da Settignano
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Aug 07, 2007 |
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The Making of a DVD Paul Mellon: In His Own Words
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Jul 03, 2007 |
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The Mellon Legacy: Andrew and Paul Mellon
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Jul 03, 2007 |
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Photography between the Wars
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Jul 03, 2007 |
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Who Is That Boy in Fancy Dress
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Jul 03, 2007 |