New Books in Film
By Marshall Poe
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Category: TV & Film
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Episodes: 949
Description
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
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| Episode | Date |
|---|---|
|
Lucas L. Johnson II, "Remembering Roots: How an American Classic Transformed the World" (Broadleaf Books, 2026)
|
Sep 08, 2026 |
|
Violaine Roussel, "Data-Driven Hollywood: The New Data Professionals in the Age of Streaming" (Princeton UP, 2026)
|
Sep 07, 2026 |
|
Stephen Lee Naish, "Point Break: Movies Minute by Minute" (Bloomsbury, 2026)
|
Sep 03, 2026 |
|
Filmmaker Peter Santenello on Your Fellow Americans: Dispatches from Across the Country We Call Home
|
Sep 02, 2026 |
|
Dog Day Afternoon
|
Aug 31, 2026 |
|
John Trafton, "Los Angeles and Film: A Cultural History of 20th-Century Hollywood" (Bloomsbury, 2026)
|
Aug 31, 2026 |
|
Corrado Neri, "Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture" (Anthem Press, 2026)
|
Aug 30, 2026 |
|
Brian Jay Jones, "George Lucas: A Life" (Little, Brown and Company, 2016)
|
Aug 26, 2026 |
|
Mulholland Drive at 25: Film Quarterly
|
Aug 21, 2026 |
|
Vincent Haddad, "Next Time on Dragon Ball: Playing with a Manga and Anime Franchise" (U Minnesota Press, 2026)
|
Aug 18, 2026 |
|
Tár
|
Aug 17, 2026 |
|
Ellery E. Foutch, "A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026)
|
Aug 14, 2026 |
|
Linda Williams and eds. Christine Gledhill et al., "Melodrama As Provocateur" (Duke UP, 2026)
|
Aug 14, 2026 |
|
Close Encounters of the Third Kind and The War of the Worlds
|
Aug 03, 2026 |
|
Kathleen W. Taylor Kollman, "The Fictional Female Presidency in Film, Television, and Literature: Representations from 1932 to 2024" (Bloomsbury Academic, 2026)
|
Jul 30, 2026 |
|
David Zeitlyn and Chihab El Khachab eds., "Understanding Social Images: Essays on Visual Methods and Teaching Visual Anthropology" (Berghahn, 2025)
|
Jul 27, 2026 |
|
Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024)
|
Jul 19, 2026 |
|
Mike F. Alvarez, Warren J. Bareiss, and Jolane Flanigan eds., "Suicide in Popular Media and Culture: Studies in Framing a Social Catastrophe" (Bristol University Press, 2026)
|
Jul 15, 2026 |
|
Adam Geczy, "Glasses" (Bloomsbury, 2026)
|
Jul 15, 2026 |
|
Soraya Murray, "Technothriller: Film and the American Imagination" (MIT Press, 2026)
|
Jul 14, 2026 |
|
Krzysztof Rowiński, "Failure Narratives Beyond Redemption: Twentieth Century Literature and Film" (Routledge, 2026)
|
Jul 07, 2026 |
|
Jonathan L. Friedmann, "Chai Noon: Jews and the Cinematic Wild West" (U Wisconsin Press, 2025)
|
Jul 04, 2026 |
|
Grizzly Man
|
Jun 22, 2026 |
|
Blue Jasmine
|
Jun 15, 2026 |
|
Shikha Jhingan, "The Female Playback in Bombay Cinema: Voice, Body, Technology" (Wayne State UP, 2025)
|
Jun 09, 2026 |
|
Allyson Nadia Field, "Acts of Love: Black Performance and the Kiss That Changed Film History" (U California Press, 2026)
|
Jun 06, 2026 |
|
Mackenzi Lee, "Masters of the Universe: Teela: Daughter of Eternos" (Mattel, 2026)
|
Jun 01, 2026 |
|
Robin R. Means Coleman and Novotny Lawrence eds., "The Oxford Handbook of Black Horror Film" (Oxford UP, 2024)
|
May 29, 2026 |
|
Oscar Winberg, "Archie Bunker for President: How One Television Show Remade American Politics" (UNC Press, 2025)
|
May 25, 2026 |
|
Tony Lee Moral, "A Century of Hitchcock: The Man, the Myths, the Legacy" (UP of Kentucky, 2026)
|
May 22, 2026 |
|
Thomas Doherty, "How Film Became History: The Rise of the Archival Documentary in 1930s America" (Columbia UP, 2026)
|
May 20, 2026 |
|
Angharad N. Valdivia and Isabel Molina-Guzmán, "Rebooting Inequality: Critical Takes on Film and Television Remakes" (NYU Press, 2026)
|
May 20, 2026 |
|
Sumana Roy, "Plant Thinkers of Twentieth-Century Bengal" (Oxford UP, 2024)
|
May 19, 2026 |
|
Benjamin Dalton, "Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity" (Edinburgh UP, 2026)
|
May 18, 2026 |
|
The Enigma of Kaspar Hauser
|
May 18, 2026 |
|
Ayşehan Jülide Etem, "Film Diplomacy: A Media History of Turkey-US Relations" (Columbia UP, 2026)
|
May 16, 2026 |
|
Wake Up Dead Man (Fr Scott Bailey): The Priest who Helped Hollywood Make a Murder Mystery Movie about the Church
|
May 15, 2026 |
|
Es-pranza Humphrey, "Act Black: Posters from Black American Stage & Screen" (Poster House Museum, 2026)
|
May 12, 2026 |
|
Patrick Noonan, "Age of Disaffection: The Aesthetic Critique of Politics in 1960s Japan" (Columbia UP, 2025)
|
May 10, 2026 |
|
Frontier Films for America250: On the Western Genre and Beyond with Matthew J. Franck
|
May 06, 2026 |
|
Ana I. Oancea, "Dangerous Creations: The Inventor Novel in Fin-de-siècle France" (U Toronto Press, 2025)
|
May 06, 2026 |
|
Jeremy Harding's Analogue Africa: Notes on the Anti-Colonial Imagination
|
May 05, 2026 |
|
Richard Ivan Jobs and Steven Van Wolputte, "In the Land of the Lacandón: A Graphic History of Adventure and Imperialism" (McGill-Queen’s UP, 2025)
|
May 02, 2026 |
|
Through the Lens of Taiwan: Film, History, and Identity
|
Apr 30, 2026 |
|
Chinatown
|
Apr 27, 2026 |
|
Jes Battis, "It's Only Forever: Labyrinth" (ECW Press, 2026)
|
Apr 25, 2026 |
|
Michael Lee Nirenberg, "Cinematic Immunity" (Feral House, 2026)
|
Apr 25, 2026 |
|
Laura Horak, "Trans Cinema: Making Communities, Identities, and Worlds" (U California Press, 2026)
|
Apr 23, 2026 |
|
Daisuke Miyao, "Ozu and the Ethics of Indeterminacy" (Duke UP, 2026)
|
Apr 22, 2026 |
|
Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)
|
Apr 20, 2026 |
|
Qi Ai, "Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship" (Routledge, 2025)
|
Apr 20, 2026 |
|
Miranda Banks and Kate Fortmueller, "Boom to Bust: How Streaming Broke Hollywood Workers" (U California Press, 2026)
|
Apr 19, 2026 |
|
The Shawshank Redemption in China: An Interview with Matti Lehtonen
|
Apr 17, 2026 |
|
Gabriel S. Estrada, "Queer Indigenous Cinemas: Sovereign Genders from Seven Directions" (U Arizona Press, 2026)
|
Apr 13, 2026 |
|
Get Shorty
|
Apr 13, 2026 |
|
Leslie Barnes, "Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film" (Edinburgh UP, 2025)
|
Apr 07, 2026 |
|
Christine Grandy, "Race on Screen: Audience Racism in Twentieth-Century Britain" (Cambridge UP, 2026)
|
Apr 04, 2026 |
|
Michael Mann Reconsidered: Heat and Collateral
|
Apr 01, 2026 |
|
Michael Allan, "Cinema before the World: The Global Routes of the Lumière Brothers" (Fordham UP, 2026)
|
Mar 29, 2026 |
|
Michael Mann Reconsidered: Ali and The Last of the Mohicans
|
Mar 27, 2026 |
|
Michael Mann Reconsidered: Ferrari and Manhunter
|
Mar 22, 2026 |
|
Becca Voelcker, "Land Cinema in an Age of Extraction" (U California Press, 2025)
|
Mar 21, 2026 |
|
Karen McNally ed., "Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance" (U Illinois Press, 2026)
|
Mar 18, 2026 |
|
Michael Mann Reconsidered: Thief and The Insider
|
Mar 17, 2026 |
|
A Star Is Born (1937)
|
Mar 16, 2026 |
|
Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)
|
Mar 10, 2026 |
|
Look & See: A Portrait of Wendell Berry | Filmmaker Q&A
|
Mar 07, 2026 |
|
Rachel Walther, "Born to Lose: The Misfits Who Made Dog Day Afternoon" (Headpress, 2026)
|
Mar 05, 2026 |
|
Boiling Point
|
Mar 02, 2026 |
|
Michael Glover Smith, "Bob Dylan as Filmmaker: No Time to Think" (McNidder and Grace, 2026)
|
Feb 28, 2026 |
|
Veronique Boone, "Le Corbusier on Camera: The Unknown Films of Ernest Weissmann" (Birkhaüser, 2024)
|
Feb 27, 2026 |
|
Santiago Fouz-Hernández, "The Films of Bigas Luna" (Manchester UP, 2025)
|
Feb 20, 2026 |
|
The American Mirage: How Reality TV Upholds the Myth of Meritocracy
|
Feb 19, 2026 |
|
Darién J. Davis, "'Black Orpheus' and the Globalization of Afro-Brazilian Culture" (Rutgers UP, 2026)
|
Feb 18, 2026 |
|
Robert P. Kolker and David Wyatt, "The Film Auteur: Angles of Vision" (Routledge, 2026)
|
Feb 17, 2026 |
|
His Girl Friday
|
Feb 16, 2026 |
|
Dan Hassler-Forest, "Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood" (U Minnesota Press, 2026)
|
Feb 14, 2026 |
|
Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024)
|
Feb 13, 2026 |
|
Isaac Butler, "The Method: How the Twentieth Century Learned to Act" (Bloomsbury, 2022)
|
Feb 08, 2026 |
|
Jacqueline Riding, "Hard Streets: Working-Class Lives in Charlie Chaplin’s London" (Profile Books, 2025)
|
Feb 05, 2026 |
|
Robert Guffey, "Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos" (Headpress, 2026)
|
Feb 04, 2026 |
|
Twentieth Century
|
Feb 02, 2026 |
|
Mark Gallagher, "Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal" (U Texas Press, 2025)
|
Jan 30, 2026 |
|
Justin L. Mann, "Breaking the World: Black Insecurity and the Horizons of Speculation" (Duke UP, 2026)
|
Jan 29, 2026 |
|
163* The Drama of Celebrity with Sharon Marcus (JP)
|
Jan 29, 2026 |
|
Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
|
Jan 26, 2026 |
|
Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)
|
Jan 24, 2026 |
|
Min Joo Lee, "Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race" (Rutgers UP, 2025)
|
Jan 18, 2026 |
|
Alvin K. Wong, "Unruly Comparison: Queerness, Hong Kong, and the Sinophone" (Duke UP, 2025)
|
Jan 13, 2026 |
|
Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)
|
Jan 11, 2026 |
|
Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)
|
Jan 10, 2026 |
|
Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023)
|
Jan 08, 2026 |
|
Book Talk 69: American Medium, with Eyal Peretz
|
Jan 06, 2026 |
|
Jason Isralowitz, "Nothing to Fear: Alfred Hitchcock and the Wrong Men" (Fayetteville Mafia Press, 2023)
|
Jan 05, 2026 |
|
Pluribus Episodes 8 & 9 Analysis: It’s Over!
|
Jan 04, 2026 |
|
Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)
|
Jan 03, 2026 |
|
Megha Anwer and Anupama Arora, "Screening Precarity: Hindi Cinema and Neoliberal Crisis in Twenty-first Century India" (U Michigan Press, 2025)
|
Jan 02, 2026 |
|
J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)
|
Dec 31, 2025 |
|
Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)
|
Dec 30, 2025 |
|
Eric G. Wilson, "Point Blank" (British Film Institute, 2023)
|
Dec 29, 2025 |
|
Jacob Bricca, "How Documentaries Work" (Oxford UP, 2023)
|
Dec 28, 2025 |
|
Colin Williamson, "Drawn to Nature: American Animation in the Age of Science" (U Minnesota Press, 2025)
|
Dec 25, 2025 |
|
Beenash Jafri, "Settler Attachments and Asian Diasporic Film" (U Minnesota Press, 2025)
|
Dec 23, 2025 |
|
Patrick C. Fleming, "Animating the Victorians: Disney's Literary History" (UP of Mississippi, 2025)
|
Dec 23, 2025 |
|
The Dead
|
Dec 22, 2025 |
|
Michelle Anya Anjirbag, "Appropriated Tales: Race and the Disney Fairy-Tale Mode" (Wayne State UP, 2025)
|
Dec 14, 2025 |
|
Michael D. Dwyer, "Tinsel and Rust: How Hollywood Manufactured the Rust Belt" (Oxford UP, 2025)
|
Dec 10, 2025 |
|
Wings of Desire
|
Dec 08, 2025 |
|
161 One Battle After Another: A West Newton Cinema Discussion with Peter Coviello and Ethan Warren (JP)
|
Dec 04, 2025 |
|
Julia Wagner, "Hester Street" (Bloomsbury, 2025)
|
Dec 02, 2025 |
|
Stefania Marghitu, "Teen TV" (Routledge, 2021)
|
Nov 30, 2025 |
|
Sabrina Mittermeier, "Fan Phenomena: Disney" (Intellect Books, 2023)
|
Nov 28, 2025 |
|
Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
|
Nov 28, 2025 |
|
The Purple Rose of Cairo
|
Nov 24, 2025 |
|
Dustin Condren, "An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film" (Cornell UP, 2024)
|
Nov 19, 2025 |
|
Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)
|
Nov 17, 2025 |
|
Pluribus Episode 3 Analysis: The Amazonification of Everything
|
Nov 16, 2025 |
|
Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
|
Nov 16, 2025 |
|
In “Pluribus” An America Without Division, But At What Price?
|
Nov 10, 2025 |
|
The Beast
|
Nov 10, 2025 |
|
C. Yamini Krishna, "Film City Urbanism in India: Hyderabad, from Princely City to Global City ,1890-2000" (Cambridge UP, 2025)
|
Nov 01, 2025 |
|
Jakub Gortat, "Remembering National Socialism in Austrian Post-war Film" (1945-1955) (Brill, 2025)
|
Oct 29, 2025 |
|
Kubrick’s Worlds: Power, Paranoia, and the Politics of the Human Condition
|
Oct 28, 2025 |
|
The Trip
|
Oct 27, 2025 |
|
Alice Lovejoy, "Tales of Militant Chemistry: The Film Factory in a Century of War" (U California Press, 2025)
|
Oct 23, 2025 |
|
Kathryn Robson, "Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film" (Liverpool UP, 2025)
|
Oct 22, 2025 |
|
Mia Yinxing Liu, "Literati Lenses: Wenren Landscape in Chinese Cinema of the Mao Era" (U Hawai’i Press, 2019)
|
Oct 21, 2025 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Oct 20, 2025 |
|
Najmeh Moradiyan-Rizi and Shilyh J. Warren eds., "Women and Global Documentary: Practices and Perspectives in the 21st Century" (Bloomsbury Academic, 2025)
|
Oct 15, 2025 |
|
Petar Mitric, "The Co-production Landscape in Europe: From Eurimages to Netflix" (Springer Nature, 2025)
|
Oct 15, 2025 |
|
William Lempert, "Dreaming Down the Track: Awakenings in Aboriginal Cinema" (U Minnesota Press, 2025)
|
Oct 14, 2025 |
|
Miami Vice
|
Oct 13, 2025 |
|
History Is Made at Night
|
Sep 29, 2025 |
|
Alien: Earth Episode Analysis: Emergence and The Real Monsters
|
Sep 29, 2025 |
|
Mark Archuleta, "The Reel Thrilling Events of Bank Robber Henry Starr: From Gentleman Bandit to Movie Star and Back Again" (U North Texas Press, 2025)
|
Sep 24, 2025 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Sep 22, 2025 |
|
Yu Zhang, "Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965" (U Michigan Press, 2020)
|
Sep 20, 2025 |
|
Mark Goble, "Downtime: The Twentieth Century in Slow Motion" (Columbia UP, 2025)
|
Sep 15, 2025 |
|
The Straight Story
|
Sep 15, 2025 |
|
Katherine Fusco, "Hollywood's Others: Love and Limitation in the Star System" (Columbia UP, 2025)
|
Sep 06, 2025 |
|
Alice Lovejoy, "Tales of Militant Chemistry" (U California Press, 2025)
|
Sep 02, 2025 |
|
Patricia Aufderheide, "Kartemquin Films: Documentaries on the Frontlines of Democracy" (U California Press, 2024)
|
Aug 30, 2025 |
|
Excalibur
|
Aug 25, 2025 |
|
Thomas Christian Bächle and Jascha Bareis eds., "The Realities of Autonomous Weapons (Bristol UP, 2025)
|
Aug 19, 2025 |
|
Prudence Peiffer, "The Slip: The New York City Street That Changed American Art Forever" (Harper, 2023)
|
Aug 15, 2025 |
|
Alisha Mughal, "It Can’t Rain All the Time: The Crow" (ECW Press, 2025)
|
Aug 13, 2025 |
|
Jirí Anger, "Towards a Film Theory from Below: Archival Film and the Aesthetics of the Crack-Up" (Bloomsbury, 2024)
|
Aug 12, 2025 |
|
Horror and Humanism in "28 Years Later"
|
Aug 11, 2025 |
|
Meredith McCarroll, "Unwhite: Appalachia, Race, and Film" (U Georgia Press, 2018)
|
Aug 09, 2025 |
|
Liza Black, "Picturing Indians: Native Americans in Film, 1941-1960" (U Nebraska Press, 2020)
|
Aug 08, 2025 |
|
Nezar AlSayyad and Heba Safey Eldeen, "Cinematic Cairo: Egyptian Urban Modernity from Reel to Real" (American U in Cairo Press, 2022)
|
Aug 07, 2025 |
|
Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
|
Jul 27, 2025 |
|
Moonstruck
|
Jul 21, 2025 |
|
Richard Scheib, "A Viewing Guide to the Pandemic: Depictions of Plague and Pandemic on Film and TV" (Headpress, 2025)
|
Jul 20, 2025 |
|
Karen Redrobe, "Undead: (Inter)(in)animation, Feminisms, and the Art of War" (Univ of California Press, 2025)
|
Jul 16, 2025 |
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Veronica Litt, "Ugh! As If!: Clueless" (ECW Press, 2025)
|
Jul 16, 2025 |
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Elana Levine, "Her Stories: Daytime Soap Opera and US Television History" (Duke UP, 2020)
|
Jul 07, 2025 |
|
Love and Mercy
|
Jul 07, 2025 |
|
Kevin Guyan, "Rainbow Trap: Queer Lives, Classifications and the Dangers of Inclusion" (Bloomsbury, 2025)
|
Jul 05, 2025 |
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Is Sinners a New Classic of Political Utopianism?
|
Jun 25, 2025 |
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American Gangster
|
Jun 23, 2025 |
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Jeremy Stolow, "Picturing Aura: A Visual Biography" (MIT Press, 2025)
|
Jun 20, 2025 |
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John Trafton, "Movie-Made Los Angeles" (Wayne State UP, 2023)
|
Jun 11, 2025 |
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Alison Griffiths, "Nomadic Cinema: A Cultural Geography of the Expedition Film" (Columbia UP, 2025)
|
Jun 11, 2025 |
|
Mission Impossible: The Final Reckoning
|
Jun 03, 2025 |
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Jon L. Pitt, "Botanical Imagination: Rethinking Plants in Modern Japan" (Cornell UP, 2025)
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May 31, 2025 |
|
Heist
|
May 28, 2025 |
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Claire Knight, "Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953" (Cornell UP, 2024)
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May 24, 2025 |
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Lori Jo Marso, "Feminism and the Cinema of Experience" (Duke UP, 2024)
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May 23, 2025 |
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Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)
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May 22, 2025 |
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Christopher Hanscom, "Impossible Speech: The Politics of Representation in Contemporary Korean Literature and Film" (Columbia UP, 2024)
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May 21, 2025 |
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From Hal to Siri: How Computers Learned to Speak
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May 19, 2025 |
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The Politics of Andor (Season 2, Episodes 10-12): Freedom and Order
|
May 18, 2025 |
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Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025)
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May 15, 2025 |
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Vincent L Stephens, "Broads, Sisters, Exes: Feminist Millennial Television" (Wayne State UP, 2025)
|
May 13, 2025 |
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The Politics of Andor (Season 2 Episodes 7-9): Truth and Discipline
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May 13, 2025 |
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The Fisher King
|
May 12, 2025 |
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Mike Miley, "David Lynch’s American Dreamscape: Music, Literature, Cinema" (Bloomsbury, 2025)
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May 11, 2025 |
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Harry Castleman and Walter J. Podrazik, "Watching TV: American Television Season by Season, Fourth Edition" (Syracuse UP, 2024)
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May 09, 2025 |
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Tupur Chatterjee, "Projecting Desire: Media Architectures and Moviegoing in Urban India" (NYU Press, 2025)
|
May 05, 2025 |
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The Politics of Andor (Season 2 Episodes 4-6): Too Much Information
|
May 04, 2025 |
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Ipek A. Celik Rappas, "Filming in European Cities: The Labor of Location" (Cornell UP, 2025)
|
May 03, 2025 |
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Amanda D. Lotz, "After Mass Media: Storytelling for Microaudiences in the Twenty-First Century" (NYU Press, 2025)
|
May 02, 2025 |
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Peeping Tom
|
Apr 28, 2025 |
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The Politics of Andor (Season 2 Episodes 1-3): The Personal is Political
|
Apr 26, 2025 |
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Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025)
|
Apr 25, 2025 |
|
Ross Benes, "1999: The Year Low Culture Conquered America and Kickstarted Our Bizarre Times" (UP of Kansas, 2025)
|
Apr 23, 2025 |
|
Peter B. Kaufman, "The Moving Image: A User's Manual" (MIT Press, 2025)
|
Apr 22, 2025 |
|
Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
|
Apr 21, 2025 |
|
Jonathan D. Cohen, "Losing Big: America's Dangerous Sports Gambling Boom" (Columbia Global Reports, 2025)
|
Apr 20, 2025 |
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Alfred L. Martin, Jr., "Fandom for Us, by Us: The Pleasures and Practices of Black Audiences" (NYU Press, 2025)
|
Apr 19, 2025 |
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Jaye Early, "Confessional Video Art and Subjectivity: Private Experiences in Public Spaces" (Bloomsbury, 2025)
|
Apr 11, 2025 |
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Megan Hunt, "Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood's American South" (U Georgia Press, 2024)
|
Apr 02, 2025 |
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Bridget Kies, "Murder, She Wrote" (Wayne State UP, 2025)
|
Apr 01, 2025 |
|
The Free Speech and Poetry of Ana Blandiana
|
Mar 26, 2025 |
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Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)
|
Mar 25, 2025 |
|
Woman in the Dunes
|
Mar 24, 2025 |
|
Adam Kotsko, "Late Star Trek: The Final Frontier in the Franchise Era" (U Minnesota Press, 2025)
|
Mar 24, 2025 |
|
Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)
|
Mar 14, 2025 |
|
Hye Seung Chung, "Cinema Under National Reconstruction: State Censorship and South Korea's Cold War Film Culture" (Rutgers UP, 2024)
|
Mar 12, 2025 |
|
Butch Cassidy and the Sundance Kid
|
Mar 10, 2025 |
|
Nadira Khatun, "Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception" (Oxford UP, 2024)
|
Mar 07, 2025 |
|
Eric Dienstfrey, "Making Stereo Fit: The History of a Disquieting Film Technology" (U California Press, 2024)
|
Mar 07, 2025 |
|
Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)
|
Mar 06, 2025 |
|
Alfie Bown, "Post-Comedy" (Polity, 2025)
|
Mar 05, 2025 |
|
Joseph Jonghyun Jeon, "Bong Joon Ho" (U Illinois Press, 2024)
|
Mar 04, 2025 |
|
Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)
|
Mar 04, 2025 |
|
Waiyee Loh, "Empire of Culture: Neo-Victorian Narratives in the Global Creative Economy" (SUNY Press, 2024)
|
Mar 03, 2025 |
|
Esha Niyogi De, "Women's Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia" (U Illinois Press, 2024)
|
Mar 01, 2025 |
|
William Burns, "Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia" (Headpress, 2025)
|
Feb 25, 2025 |
|
Florence Martin, "Farida Benlyazid and Moroccan Cinema" (Palgrave Macmillan, 2023)
|
Feb 25, 2025 |
|
The Friends of Eddie Coyle
|
Feb 24, 2025 |
|
In “The Beast,” AI Puts Limits on Human Emotion
|
Feb 22, 2025 |
|
Failed Passing
|
Feb 12, 2025 |
|
American Made
|
Feb 10, 2025 |
|
Parisa Vaziri, "Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive" (U Minnesota Press, 2023)
|
Feb 09, 2025 |
|
Martin D. Brown et al., "The Bondian Cold War: The Transnational Legacy of a Cultural Icon" (Routledge, 2024)
|
Feb 08, 2025 |
|
Seung-hoon Jeong, "Biopolitical Ethics in Global Cinema" (Oxford UP, 2023)
|
Feb 07, 2025 |
|
Davide Panagia, "Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France" (Fordham UP, 2024)
|
Feb 06, 2025 |
|
Neil Fox, "Music Films: Documentaries, Concert Films and Other Cinematic Representations of Popular Music" (Bloomsbury, 2024)
|
Feb 05, 2025 |
|
James Fenwick, "Archive Histories: An Archaeology of the Stanley Kubrick Archive" (Liverpool UP, 2024)
|
Feb 01, 2025 |
|
A.I. is Spielberg & Kubrick’s Dark Twisted Fantasy
|
Jan 28, 2025 |
|
The Rainmaker
|
Jan 27, 2025 |
|
What Ex Machina Tell Us About Human-AI Psychology
|
Jan 11, 2025 |
|
Marina Hassapopoulou, "Interactive Cinema: The Ambiguous Ethics of Media Participation" (U Minnesota Press, 2024)
|
Jan 10, 2025 |
|
Oishik Sircar, "Ways of Remembering: Law, Cinema and Collective Memory in the New India" (Cambridge UP, 2024)
|
Dec 29, 2024 |
|
Vincent Haddad, "The Detroit Genre: Race, Dispossession, and Resilience in American Literature and Film, 1967-2023" (Lever Press, 2024)
|
Dec 24, 2024 |
|
The Big Heat
|
Dec 23, 2024 |
|
Jeremy Dauber, "American Scary: A History of Horror, from Salem to Stephen King and Beyond" (Algonquin Books, 2024)
|
Dec 22, 2024 |
|
Scott Huver, "Beverly Hills Noir: Crime, Sin, & Scandal in 90210" (Post Hill Press, 2024)
|
Dec 22, 2024 |
|
Joseph McBride, "George Cukor's People: Acting for a Master Director" (Columbia UP, 2024)
|
Dec 21, 2024 |
|
Victoria Sturtevant, "It's All in the Delivery: Pregnancy in American Film and Television Comedy" (U Texas Press, 2024)
|
Dec 08, 2024 |
|
Scott Anthony, "The Story of British Propaganda Film" (Bloomsbury, 2024)
|
Dec 07, 2024 |
|
Biopic
|
Dec 01, 2024 |
|
Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024)
|
Nov 30, 2024 |
|
Chris Berry et al., "Taiwanese-Language Cinema: Rediscovered and Reconsidered" (Edinburgh UP, 2024)
|
Nov 27, 2024 |
|
Steven Swarbrick and Jean-Thomas Tremblay, "Negative Life: The Cinema of Extinction" (Northwestern UP, 2024)
|
Nov 23, 2024 |
|
Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)
|
Nov 21, 2024 |
|
A Serious Man
|
Nov 17, 2024 |
|
Erin Lee Mock, "Changed Men: Veterans in American Popular Culture after World War II" (U Virginia Press, 2024)
|
Nov 16, 2024 |
|
Nicholas Baer, "Historical Turns: Weimar Cinema and the Crisis of Historicism" (U California Press, 2024)
|
Nov 16, 2024 |
|
Elsie Walker, "Life 24x a Second: Cinema, Selfhood, and Society" (Oxford UP, 2023)
|
Nov 14, 2024 |
|
Laure Astourian, "The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema" (Indiana UP, 2024)
|
Nov 14, 2024 |
|
Hunter Hargraves, "Uncomfortable Television" (Duke UP, 2024)
|
Nov 12, 2024 |
|
Sarah Cleary, "The Myth of Harm: Horror, Censorship and the Child" (Bloomsbury, 2022)
|
Nov 12, 2024 |
|
True Believer
|
Nov 11, 2024 |
|
Daniela Berghahn, "Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film" (Edinburgh UP, 2023)
|
Nov 09, 2024 |
|
Blow Out
|
Nov 04, 2024 |
|
The Fly
|
Oct 28, 2024 |
|
Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)
|
Oct 26, 2024 |
|
Kevin Sanson, "Mobile Hollywood: Labor and the Geography of Production" (U California Press, 2024)
|
Oct 20, 2024 |
|
Peter C. Kunze, "Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance" (Rutgers UP, 2023)
|
Oct 19, 2024 |
|
Out of Sight
|
Oct 14, 2024 |
|
Slavery and Film, Creativity and Academia, and Is Slavery a Good Metaphor for AI?
|
Oct 12, 2024 |
|
Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023)
|
Oct 10, 2024 |
|
Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019)
|
Oct 08, 2024 |
|
Kramer vs. Kramer
|
Oct 07, 2024 |
|
Shweta Kishore and Kunal Ray, "Resistance in Indian Documentary Film: Aesthetics, Culture and Practice" (Edinburgh UP, 2024)
|
Oct 07, 2024 |
|
Gerald Sim, "Screening Big Data: Films That Shape Our Algorithmic Literacy" (Routledge, 2024)
|
Oct 03, 2024 |
|
As Good as It Gets
|
Sep 30, 2024 |
|
Alessandra Seggi, "Youth and Suicide in American Cinema: Context, Causes, and Consequences" (Palgrave MacMillan, 2022)
|
Sep 29, 2024 |
|
Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016)
|
Sep 23, 2024 |
|
David Kroening Seitz, "A Different Trek: Radical Geographies of Deep Space Nine" (U Nebraska Press, 2023)
|
Sep 20, 2024 |
|
Sheri Chinen Biesen, "Through a Noir Lens: Adapting Film Noir Visual Style" (Columbia UP, 2024)
|
Sep 18, 2024 |
|
Emily Strand and Amy H. Sturgis, "Star Trek: Essays Exploring the Final Frontier" (Vernon Press, 2023)
|
Sep 16, 2024 |
|
Salma Siddique, "Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960" (Cambridge UP, 2022)
|
Sep 14, 2024 |
|
Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)
|
Sep 13, 2024 |
|
Steve Jones, "The Metamodern Slasher Film" (Edinburgh UP, 2024)
|
Sep 10, 2024 |
|
L. A. Confidential
|
Sep 09, 2024 |
|
Chris Richardson, "Batman and the Joker: Contested Sexuality in Popular Culture" (Routledge, 2020)
|
Sep 03, 2024 |
|
For a Few Dollars More
|
Sep 02, 2024 |
|
Christopher Brown, "Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice" (Edinburgh UP, 2024)
|
Aug 27, 2024 |
|
To Have and Have Not
|
Aug 26, 2024 |
|
Thief
|
Aug 19, 2024 |
|
Can "Alien: Romulus" Revive the Alien Franchise?
|
Aug 19, 2024 |
|
The Sounds of Silents
|
Aug 19, 2024 |
|
Karen Tongson, "Normporn: Queer Viewers and the TV That Soothes Us" (NYU Press, 2023)
|
Aug 18, 2024 |
|
Alonso Duralde, "Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film" (Running Press Adult, 2024)
|
Aug 14, 2024 |
|
Jocelyn Szczepaniak-Gillece, "Movies Under the Influence" (U Minnesota Press, 2024)
|
Aug 13, 2024 |
|
Melissa Fitzgerald and Mary McCormack, "What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service" (Dutton, 2024)
|
Aug 12, 2024 |
|
Training Day
|
Aug 12, 2024 |
|
Nora Stone, "How Documentaries Went Mainstream: A History, 1960-2022" (Oxford UP, 2023)
|
Aug 08, 2024 |
|
Yiman Wang, "To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World" (U California Press, 2024)
|
Aug 04, 2024 |
|
Kate Hext, "Wilde in the Dream Factory: Decadence and the American Movies" (Oxford UP, 2024)
|
Aug 03, 2024 |
|
Collateral
|
Jul 29, 2024 |
|
Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)
|
Jul 27, 2024 |
|
Rosemary Pennington, "Pop Islam: Seeing American Muslims in Popular Media" (Indiana UP, 2024)
|
Jul 26, 2024 |
|
Jonathan Branfman, "Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy" (NYU Press, 2024)
|
Jul 26, 2024 |
|
Steven Powell, "Love Me Fierce In Danger: The Life of James Ellroy" (Bloomsbury, 2023)
|
Jul 25, 2024 |
|
40 Years of Purple Rain: What to Make of the Movie/Album in 2024
|
Jul 25, 2024 |
|
Charles Barr, "British Cinema: a Very Short Introduction" (Oxford UP, 2022)
|
Jul 23, 2024 |
|
The Graduate
|
Jul 22, 2024 |
|
Filmmaker, Artist, Writer: A Conversation with Paromita Vohra
|
Jul 19, 2024 |
|
Ying Qian, "Revolutionary Becomings: Documentary Media in Twentieth-Century China" (Columbia UP, 2023)
|
Jul 17, 2024 |
|
Melissa E. Anderson, "Inland Empire" (Fireflies Press, 2021)
|
Jul 16, 2024 |
|
Auto Focus
|
Jul 15, 2024 |
|
Pamela Hutchinson, "The Red Shoes" (Bloomsbury, 2023)
|
Jul 14, 2024 |
|
Olga Gershenson, "New Israeli Horror: Local Cinema, Global Genre" (Rutgers UP, 2024)
|
Jul 13, 2024 |
|
Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024)
|
Jul 12, 2024 |
|
William Gow, "Performing Chinatown: Hollywood, Tourism, and the Making of a Chinese American Community" (Stanford UP, 2024)
|
Jul 10, 2024 |
|
Darshana Sreedhar Mini, "Rated A: Soft-Porn Cinema and Mediations of Desire in India" (U California Press, 2024)
|
Jul 07, 2024 |
|
Marsha Gordon, "Becoming the Ex-Wife: The Unconventional Life and Forgotten Writings of Ursula Parrott" (U California Press, 2024)
|
Jul 05, 2024 |
|
Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)
|
Jul 02, 2024 |
|
Forbidden Planet
|
Jul 01, 2024 |
|
Swapnil Rai, "Networked Bollywood: How Star Power Globalized Hindi Cinema" (Cambridge UP, 2024)
|
Jun 29, 2024 |
|
Barbara Klinger, "Immortal Films: 'Casablanca' and the Afterlife of a Hollywood Classic" (U California Press, 2022)
|
Jun 27, 2024 |
|
Ishita Tiwary, "Video Culture in India: The Analog Era" (Oxford UP, 2024)
|
Jun 26, 2024 |
|
Kim Nelson, "Making History Move: Five Principles of the Historical Film" (Rutgers UP, 2024)
|
Jun 25, 2024 |
|
After Hours
|
Jun 24, 2024 |
|
Slava Greenberg, "Animated Film and Disability: Cripping Spectatorship" (Indiana UP, 2023)
|
Jun 21, 2024 |
|
Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024)
|
Jun 21, 2024 |
|
Budhaditya Chattopadhyay, "Sound in Indian Film and Audiovisual Media: History, Practices and Production" (Amsterdam UP, 2023)
|
Jun 17, 2024 |
|
Bringing Out the Dead
|
Jun 17, 2024 |
|
Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024)
|
Jun 14, 2024 |
|
On Richard Linklater and “Hit Man”
|
Jun 14, 2024 |
|
Amrita Ghosh, "Kashmir's Necropolis: Literary, Cultural, and Visual Texts" (Lexington Books, 2023)
|
Jun 04, 2024 |
|
American Movie
|
Jun 03, 2024 |
|
Robert Phillip Kolker and Marsha Gordon, "Film, Form, and Culture" (Routledge, 2024)
|
May 30, 2024 |
|
First Reformed
|
May 13, 2024 |
|
Emily Strand and Amy H. Sturgis, "Star Wars: Essays Exploring a Galaxy Far, Far Away" (Vernon Press, 2023)
|
May 10, 2024 |
|
Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)
|
May 08, 2024 |
|
Hobson’s Choice
|
May 06, 2024 |
|
Sydney Stern, "The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics" (U Mississippi Press, 2019)
|
May 05, 2024 |
|
Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)
|
May 04, 2024 |
|
John Powers, "Technology and the Making of Experimental Film Culture" (Oxford UP, 2023)
|
May 04, 2024 |
|
Kristi Irene McKim, "Rushmore" (British Film Institute, 2023)
|
May 03, 2024 |
|
Robert Farley on how "Andor" recreates "The Battle of Algiers" (and it works)
|
May 03, 2024 |
|
Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024)
|
May 02, 2024 |
|
We Own the Night
|
Apr 29, 2024 |
|
Alexander Greenhough, "Albert Brooks: Interviews" (UP of Mississippi, 2024)
|
Apr 24, 2024 |
|
Pamela Robertson Wojcik, "Unhomed: Cycles of Mobility and Placelessness in American Cinema" (U California Press, 2024)
|
Apr 24, 2024 |
|
Cat People
|
Apr 22, 2024 |
|
Diana Leon-Boys, "Elena, Princesa of the Periphery: Disney’s Flexible Latina Girl" (Rutgers UP, 2023)
|
Apr 19, 2024 |
|
Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023)
|
Apr 17, 2024 |
|
Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)
|
Apr 17, 2024 |
|
The Ladykillers
|
Apr 15, 2024 |
|
Sharrona Pearl, "Mask" (Bloombury, 2024)
|
Apr 14, 2024 |
|
Grazia Ingravalle, "Archival Film Curatorship: Early and Silent Cinema from Analog to Digital" (Amsterdam UP, 2024)
|
Apr 12, 2024 |
|
Pan’s Labyrinth
|
Apr 08, 2024 |
|
Jane M. Ferguson, "Silver Screens and Golden Dreams: A Social History of Burmese Cinema" (U Hawaii Press, 2024)
|
Apr 05, 2024 |
|
Daniel de Visé, "The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic" (Grove Atlantic, 2024)
|
Apr 05, 2024 |
|
Adapting Liu Cixin’s "Three-Body Problem" for Television
|
Apr 02, 2024 |
|
Eternal Sunshine of the Spotless Mind
|
Mar 25, 2024 |
|
Maggie Hennefeld, "Death by Laughter: Female Hysteria and Early Cinema" (Columbia UP, 2024)
|
Mar 25, 2024 |
|
Stephen Lee Naish, "Music and Sound in the Films of Dennis Hopper" (Routledge, 2024)
|
Mar 21, 2024 |
|
Defending Your Life
|
Mar 18, 2024 |
|
Anna Kornbluh, "Immediacy: Or, The Style of Too Late Capitalism" (Verso, 2024)
|
Mar 17, 2024 |
|
Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)
|
Mar 16, 2024 |
|
Nick Jones, "Gooey Media: Screen Entertainment and the Graphic User Interface" (Edinburgh UP, 2023)
|
Mar 15, 2024 |
|
Eleanor Patterson, "Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution" (U Illinois Press, 2024)
|
Mar 12, 2024 |
|
Magic
|
Mar 11, 2024 |
|
Dune, Part Two: An Interview with Dr. Kara Kennedy
|
Mar 08, 2024 |
|
Baby Face
|
Mar 04, 2024 |
|
Jinying Li, "Anime's Knowledge Cultures: Geek, Otaku, Zhai" (U Minnesota Press, 2024)
|
Mar 03, 2024 |
|
Jesse David Fox, "Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work" (FSG, 2023)
|
Mar 02, 2024 |
|
Eve Benhamou, "Contemporary Disney Animation: Genre, Gender and Hollywood" (Edinburgh UP, 2022)
|
Feb 27, 2024 |
|
Conan the Barbarian
|
Feb 26, 2024 |
|
Tucker: The Man and His Dream
|
Feb 19, 2024 |
|
Kartik Nair, "Seeing Things: Spectral Materialities of Bombay Horror" (U California Press, 2024)
|
Feb 14, 2024 |
|
Jenna Ng, "The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie" (Amsterdam UP, 2021)
|
Feb 14, 2024 |
|
The Hunting Trilogy
|
Feb 12, 2024 |
|
Robert Alpert et al., "Diseased Cinema: Plagues, Pandemics and Zombies in American Movies" (Edinburgh UP, 2023)
|
Feb 06, 2024 |
|
Limelight
|
Feb 05, 2024 |
|
Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023)
|
Feb 04, 2024 |
|
Andrew David Jackson, "The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea" (Edinburgh UP, 2023)
|
Jan 30, 2024 |
|
Anatomy of a Fall
|
Jan 29, 2024 |
|
Ridley Scott's "Napoleon": A Historian's Review
|
Jan 28, 2024 |
|
Bliss Cua Lim, "The Archival Afterlives of Philippine Cinema" (Duke UP, 2024)
|
Jan 24, 2024 |
|
My Best Fiend
|
Jan 22, 2024 |
|
"Apocalypto" and Mel Gibson (with Jonathon Fessenden)
|
Jan 18, 2024 |
|
Eyes Wide Shut
|
Jan 15, 2024 |
|
Matt Singer, "Opposable Thumbs: How Siskel & Ebert Changed Movies Forever" (G.P. Putnam's Sons, 2023)
|
Jan 13, 2024 |
|
Ofer Ashkenazi, "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" (U Michigan Press, 2020)
|
Jan 09, 2024 |
|
The Omen
|
Jan 08, 2024 |
|
Jennifer Cazenave, "An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah" (SUNY Press, 2019)
|
Jan 08, 2024 |
|
Plot
|
Jan 04, 2024 |
|
W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)
|
Jan 03, 2024 |
|
Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)
|
Jan 01, 2024 |
|
Meet John Doe
|
Jan 01, 2024 |
|
Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)
|
Dec 28, 2023 |
|
Nobuko Ishitate-Okunomiya Yamasaki, "Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire" (Routledge, 2023)
|
Dec 25, 2023 |
|
The Sting
|
Dec 25, 2023 |
|
Jie Li, "Cinematic Guerrillas: Propaganda, Projectionists, and Audiences in Socialist China" (Columbia UP, 2023)
|
Dec 24, 2023 |
|
George MacLeod, "Mediating Violence from Africa: Francophone Literature, Film, and Testimony After the Cold War" (U Nebraska Press, 2023)
|
Dec 24, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Olga V. Solovieva, "The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently" (Oxford UP. 2023)
|
Dec 22, 2023 |
|
David Craig, "Apocalypse Television: How The Day After Helped Save the World" (Applause Books, 2023)
|
Dec 20, 2023 |
|
Donnie Darko
|
Dec 18, 2023 |
|
Simone Gigliotti, "Restless Archive: The Holocaust and the Cinema of the Displaced" (Indiana UP, 2023)
|
Dec 16, 2023 |
|
The Man Who Shot Liberty Vallance
|
Dec 11, 2023 |
|
Ervin Malakaj, "Anders als Die Andern" (McGill-Queen's UP, 2023)
|
Dec 11, 2023 |
|
This is the Best Statement of the Simulation Hypothesis We've Seen
|
Dec 08, 2023 |
|
Wild Strawberries
|
Dec 04, 2023 |
|
Daniel Herbert, "Maverick Movies: New Line Cinema and the Transformation of American Film" (U California Press, 2023)
|
Dec 02, 2023 |
|
I Know Where I’m Going!
|
Nov 27, 2023 |
|
Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
|
Nov 25, 2023 |
|
Mia Mask, "Black Rodeo: A History of the African American Western" (U Illinois Press, 2023)
|
Nov 24, 2023 |
|
Jeffrey Angles, ed., "Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama" (U Minnesota Press, 2023)
|
Nov 23, 2023 |
|
Spirited Away
|
Nov 21, 2023 |
|
Alexa Weik von Mossner, "Affective Ecologies: Empathy, Emotion, and Environmental Narrative" (Ohio State UP, 2017)
|
Nov 18, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
'For All Mankind,’ An Alternate History About the Possibility of Utopia
|
Nov 15, 2023 |
|
Minority Report
|
Nov 13, 2023 |
|
Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)
|
Nov 12, 2023 |
|
What Reality TV Says About Us
|
Nov 08, 2023 |
|
This Will Change Your Perspective on James Bond
|
Nov 07, 2023 |
|
Point Blank
|
Nov 06, 2023 |
|
Jacqueline R. Braitman, "She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman" (UP of Mississippi, 2020)
|
Nov 02, 2023 |
|
Scott Eyman, "Charlie Chaplin vs. America: When Art, Sex, and Politics Collided" (Simon & Schuster, 2023)
|
Oct 31, 2023 |
|
Babette’s Feast
|
Oct 30, 2023 |
|
Stephen B. Armstrong, "I Want You Around: The Ramones and the Making of Rock 'n' Roll High School" (Backbeat Books, 2023)
|
Oct 27, 2023 |
|
Big Night
|
Oct 23, 2023 |
|
Cutter’s Way
|
Oct 16, 2023 |
|
Smith Mehta, "The New Screen Ecology in India: Digital Transformation of Media" (British Film Institute, 2023)
|
Oct 15, 2023 |
|
Paul Crenshaw, "Melt with Me: Coming of Age and Other '80s Perils" (Ohio State UP, 2023)
|
Oct 12, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Marlena Williams, "Night Mother: A Personal and Cultural History of the Exorcist" (Mad Creek Books, 2023)
|
Oct 10, 2023 |
|
Lost in America
|
Oct 09, 2023 |
|
Geraint D'Arcy, "Mise en scène, Acting, and Space in Comics" (Palgrave Macmillan, 2020)
|
Oct 07, 2023 |
|
The Vanishing
|
Oct 02, 2023 |
|
Melanie Williams, "A Taste of Honey" (Bloomsbury, 2023)
|
Oct 01, 2023 |
|
Hieyoon Kim, "Celluloid Democracy: Cinema and Politics in Cold War South Korea" (U California Press, 2023)
|
Sep 27, 2023 |
|
Rope
|
Sep 25, 2023 |
|
Diana Rickard, "The New True Crime: How the Rise of Serialized Storytelling Is Transforming Innocence" (NYU Press, 2023)
|
Sep 23, 2023 |
|
Jeffrey Angles, ed., "Godzilla and Godzilla Raids Again: The Original Novellas by Shigeru Kayama" (U Michigan Press, 2023)
|
Sep 21, 2023 |
|
Sorcerer
|
Sep 19, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Kristen Lopez, "But Have You Read the Book?: 52 Literary Gems That Inspired Our Favorite Films" (Running Press Adult, 2023)
|
Sep 12, 2023 |
|
Robyn Muir, "The Disney Princess Phenomenon: A Feminist Analysis" (Bristol UP, 2023)
|
Sep 11, 2023 |
|
The Blues Brothers
|
Sep 11, 2023 |
|
Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)
|
Sep 09, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
The Wages of Fear
|
Sep 04, 2023 |
|
Diana W. Anselmo, "A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood" (U California Press, 2023)
|
Sep 02, 2023 |
|
Beth Tsai, "Taiwan New Cinema at Film Festivals" (Edinburgh UP, 2023)
|
Aug 28, 2023 |
|
In a Lonely Place
|
Aug 28, 2023 |
|
Karima K. Jeffrey-Legette, "Speculative Film and Moving Images by or about Black Women and Girls" (Lexington Books, 2022)
|
Aug 27, 2023 |
|
Chesya Burke, "Hero Me Not: The Containment of the Most Powerful Black, Female Superhero" (Rutgers UP, 2023)
|
Aug 25, 2023 |
|
PostScript: The Barbie Movie: A Conversation about a Cinematic and Cultural Event
|
Aug 23, 2023 |
|
The French Connection
|
Aug 21, 2023 |
|
David Humphrey, "The Time of Laughter: Comedy and the Media Cultures of Japan" (U Michigan Press, 2023)
|
Aug 15, 2023 |
|
California Split
|
Aug 14, 2023 |
|
William J. Mann, "Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair" (Harper, 2023)
|
Aug 09, 2023 |
|
Raging Bull
|
Aug 07, 2023 |
|
The Fourth Wise Man (with Jonathon Fessenden)
|
Aug 04, 2023 |
|
Moving Innovation: A History of Computer Animation
|
Aug 03, 2023 |
|
Alix Beeston and Stefan Solomon, "Incomplete: The Feminist Possibilities of the Unfinished Film" (U California Press, 2023)
|
Aug 02, 2023 |
|
The Great Dictator
|
Jul 31, 2023 |
|
Film Chat: Hsin-Chien Huang on VR Film in Taiwan
|
Jul 30, 2023 |
|
Penelope Ingram, "Imperiled Whiteness: How Hollywood and Media Make Race in 'Postracial' America" (UP of Mississippi, 2023)
|
Jul 26, 2023 |
|
Mission Impossible: Dead Reckoning Part One
|
Jul 24, 2023 |
|
Bombay Talkies
|
Jul 20, 2023 |
|
Wirsching: Bombay Talkies B-Side
|
Jul 20, 2023 |
|
Mani Sharpe, "Late-Colonial French Cinema: Filming the Algerian War of Independence" (Edinburgh UP, 2023)
|
Jul 19, 2023 |
|
Xiaoning Lu, "Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)" (Brill, 2020)
|
Jul 18, 2023 |
|
The Matrix
|
Jul 17, 2023 |
|
Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)
|
Jul 17, 2023 |
|
Mathias F. Clasen, "Why Horror Seduces" (Oxford UP, 2017)
|
Jul 08, 2023 |
|
Ball of Fire
|
Jul 07, 2023 |
|
Robin Steedman, "Creative Hustling: Women Making and Distributing Films from Nairobi" (MIT Press, 2023)
|
Jul 06, 2023 |
|
Suk-Young Kim, "Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars" (Applause Books, 2023)
|
Jul 04, 2023 |
|
Jennifer Caplan, "Funny, You Don't Look Funny: Judaism and Humor from the Silent Generation to Millennials" (Wayne State UP, 2023)
|
Jul 04, 2023 |
|
Tilly Bridges, "Begin Transmission: The Trans Allegories of The Matrix" (BearManor Media, 2023)
|
Jul 04, 2023 |
|
Mulholland Drive
|
Jul 03, 2023 |
|
Stella Dallas
|
Jun 26, 2023 |
|
Sunset Blvd
|
Jun 19, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Elephant Man
|
Jun 06, 2023 |
|
Xiaomei Chen, "Performing the Socialist State: Modern Chinese Theater and Film Culture" (Columbia UP, 2023)
|
Jun 05, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
Black Film, British Cinema II
|
May 25, 2023 |
|
Brad Krumholz, "Why Do Actors Train?: Embodiment for Theatre Makers and Thinkers" (Bloomsbury, 2023)
|
May 24, 2023 |
|
Thomas Chen, "Made in Censorship: The Tiananmen Movement in Chinese Literature and Film" (Columbia UP, 2022)
|
May 22, 2023 |
|
Catherine Russell, "The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star" (U Illinois Press, 2023)
|
May 17, 2023 |
|
Sarah Atkinson and Helen W. Kennedy, "Secret Cinema and the Immersive Experience Industry" (Manchester UP, 2022)
|
May 13, 2023 |
|
Naomi McDougall Jones, "The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood" (Beacon, 2020)
|
May 12, 2023 |
|
Fiona Gregory, "Actresses and Mental Illness: Histrionic Heroines" (Routledge, 2018)
|
May 09, 2023 |
|
James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)
|
May 02, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Michael K. Johnson, "Speculative Wests: Popular Representations of a Region and Genre" (U Nebraska Press, 2023)
|
Apr 20, 2023 |
|
Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)
|
Apr 18, 2023 |
|
Cinegogía: An Open Access Resource for Teaching and Studying Latin American Cinema
|
Apr 14, 2023 |
|
Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)
|
Apr 13, 2023 |
|
John Miller, "The Heart of the Forest: Why Woods Matter" (British LIbrary, 2022)
|
Apr 12, 2023 |
|
Johnny Walker, "Rewind, Replay: Britain and the Video Boom, 1978-92" (Edinburgh UP, 2022)
|
Apr 07, 2023 |
|
Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
|
Apr 04, 2023 |
|
Ross Clare, "Ancient Greece and Rome in Modern Science Fiction: Amazing Antiquity" (Liverpool UP, 2022)
|
Apr 03, 2023 |
|
Suzanne Ferriss, "Lost in Translation" (British Film Institute, 2023)
|
Mar 31, 2023 |
|
Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
|
Mar 31, 2023 |
|
Ethan Warren, "The Cinema of Paul Thomas Anderson: American Apocrypha" (Columbia UP, 2023)
|
Mar 29, 2023 |
|
Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021)
|
Mar 28, 2023 |
|
Larisa Grollemond and Bryan C. Keene, "The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medieval Worlds" (Getty, 2022)
|
Mar 27, 2023 |
|
Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
|
Mar 19, 2023 |
|
Film Chat: Vietnamese Refugee Camps in Penghu
|
Mar 14, 2023 |
|
Nicholas Carnes and Lilly J. Goren, "The Politics of the Marvel Cinematic Universe" (UP of Kansas, 2022)
|
Mar 13, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 3
|
Mar 13, 2023 |
|
Stefano Gualeni and Riccardo Fassone, "Fictional Games: A Philosophy of Worldbuilding and Imaginary Play" (Bloomsbury, 2023)
|
Mar 12, 2023 |
|
Film Chat: Queer, Sci-Fi and the Family
|
Mar 11, 2023 |
|
Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
|
Mar 11, 2023 |
|
Ross Melnick, "Hollywood's Embassies: How Movie Theaters Projected American Power Around the World" (Columbia UP, 2022)
|
Mar 10, 2023 |
|
Book Chat: "Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan" (U Hawaii Press, 2019)
|
Mar 10, 2023 |
|
Film Chat: "Whale Island" (2020)
|
Mar 08, 2023 |
|
Once Upon an Algorithm: How Stories Explain Computing
|
Mar 07, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 2
|
Mar 06, 2023 |
|
Measure for Measure Episode 4: Movies
|
Mar 05, 2023 |
|
Girish Shambu, "The New Cinephilia" (Caboose, 2022)
|
Mar 04, 2023 |
|
The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 1
|
Feb 27, 2023 |
|
Lara Gabrielle, "Captain of Her Soul: The Life of Marion Davies" (U California Press, 2022)
|
Feb 27, 2023 |
|
Patricia Saldarriaga and Emy Manini, "Infected Empires: Decolonizing Zombies" (Rutgers UP, 2022)
|
Feb 23, 2023 |
|
Elora Halim Chowdhury, "Ethical Encounters: Transnational Feminism, Human Rights, and War Cinema in Bangladesh" (Temple UP, 2022)
|
Feb 22, 2023 |
|
Ying Zhu, "Hollywood in China: Behind the Scenes of the World's Largest Movie Market" (New Press, 2022)
|
Feb 18, 2023 |
|
Maya Phillips, "Nerd: Adventures in Fandom from This Universe to the Multiverse" (Atria Books, 2022)
|
Feb 14, 2023 |
|
Star Wars: Andor’s Aldhani and its Real-World Parallels
|
Feb 10, 2023 |
|
Chris Kempshall, "The History and Politics of Star Wars: Death Stars and Democracy" (Routledge, 2022)
|
Feb 07, 2023 |
|
Tim Harte, "Faster, Higher, Stronger, Comrades!: Sports, Art, and Ideology in Late Russian and Early Soviet Culture" (U Wisconsin Press, 2020)
|
Feb 05, 2023 |
|
Horton's Cosmic Zoom: A Discussion with Zachary Horton
|
Feb 02, 2023 |
|
Kaelen Wilson-Goldie, "Beautiful, Gruesome, and True: Artists at Work in the Face of War" (Columbia Global Reports, 2022)
|
Jan 29, 2023 |
|
Drew Morton, "After Midnight: Watchmen After Watchmen" (U Mississippi Press, 2022)
|
Jan 20, 2023 |
|
The Sámi in "Frozen" (Part 2)
|
Jan 12, 2023 |
|
The Sámi in "Frozen" (Part 1)
|
Jan 11, 2023 |
|
The Fremen in "Dune"
|
Jan 10, 2023 |
|
Romani Representation in Pop Culture
|
Jan 09, 2023 |
|
Ellen Cassedy, "Working 9 to 5: A Women's Movement, a Labor Union, and the Iconic Movie" (Chicago Review Press, 2022)
|
Jan 06, 2023 |
|
Why are Insects so Scary? On Insects in Films.
|
Jan 03, 2023 |
|
Bonus Episode: "Nomadland"
|
Jan 01, 2023 |
|
Catholic Movies, Part 1: "Silence" and "The Scarlet and the Black"
|
Dec 30, 2022 |
|
"Gone with the Wind" Revisited
|
Dec 28, 2022 |
|
Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)
|
Dec 25, 2022 |
|
Eve Golden, "Jayne Mansfield: The Girl Couldn't Help It" (UP of Kentucky, 2021)
|
Dec 25, 2022 |
|
What Makes a Book, Song or Movie Popular? A Conversation with Noah Askin
|
Dec 23, 2022 |
|
Stevie Suan, "Anime's Identity: Performativity and Form Beyond Japan" (U Minnesota Press, 2021)
|
Dec 23, 2022 |
|
Kathe Geist, "Ozu: A Closer Look" (Hong Kong UP, 2022)
|
Dec 21, 2022 |
|
Ariana Huberman. "Keeping the Mystery Alive: Jewish Mysticism in Latin American Cultural Production" (Academic Studies Press, 2022)
|
Dec 20, 2022 |
|
Nicholas de Villiers, "Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang" (U Minnesota Press, 2022)
|
Dec 14, 2022 |
|
Jake S. Friedman, "The Disney Revolt: The Great Labor War of Animation's Golden Age" (Chicago Review Press, 2022)
|
Dec 10, 2022 |
|
Daniel Immerwahr, "The Galactic Vietnam: Technology, Modernization, and Empire in George Lucas’s Star Wars" (2022)
|
Dec 10, 2022 |
|
Madeline Lane-McKinley, "Comedy Against Work: Utopian Longing in Dystopian Times" (Common Notions, 2022)
|
Dec 04, 2022 |
|
Craig Oldham, "The Shining: A Visual and Cultural Haunting" (Rough Trade Books, 2022)
|
Dec 03, 2022 |
|
Stephen Galloway, "Truly, Madly: Vivien Leigh, Laurence Olivier, and the Romance of the Century" (Grand Central, 2022)
|
Nov 25, 2022 |
|
Carolyne Larrington, "All Men Must Die: Power and Passion in Game of Thrones" (Bloomsbury, 2021)
|
Nov 24, 2022 |
|
Joseph McBride, "Billy Wilder: Dancing on the Edge" (Columbia UP, 2021)
|
Nov 24, 2022 |
|
Burt Kearns, "Lawrence Tierney: Hollywood's Real-Life Tough Guy" (UP of Kentucky, 2022)
|
Nov 23, 2022 |
|
Jeanne Theoharis, "The Rebellious Life of Mrs. Rosa Parks" (Beacon Press, 2015)
|
Nov 23, 2022 |
|
Bridget Kies and Megan Connor, "Fandom, the Next Generation" (U Iowa Press, 2022)
|
Nov 22, 2022 |
|
Cajetan Iheka, "African Ecomedia: Network Forms, Planetary Politics" (Duke UP, 2021)
|
Nov 22, 2022 |
|
Jon Lewis, "The Godfather, Part II" (Bloomsbury, 2022)
|
Nov 21, 2022 |
|
Alan Shuback, "Hollywood at the Races: Film's Love Affair with the Turf" (UP of Kentucky, 2019)
|
Nov 15, 2022 |
|
Bruce Davis, "The Academy and the Award: The Coming of Age of Oscar and the Academy of Motion Picture Arts and Sciences" (Brandeis UP, 2022)
|
Nov 08, 2022 |
|
Laura A. Frahm, "Design in Motion: Film Experiments at the Bauhaus" (MIT Press, 2022)
|
Nov 02, 2022 |
|
Shaken and Stirred
|
Nov 02, 2022 |
|
Joseph McBride, "The Whole Durn Human Comedy: Life According to the Coen Brothers" (Anthem Press, 2022)
|
Oct 28, 2022 |
|
Shall We Play A Game?
|
Oct 26, 2022 |
|
Andrei Nae, "Immersion, Narrative, and Gender Crisis in Survival Horror Video Games" (Routledge, 2021)
|
Oct 26, 2022 |
|
Hongwei Bao, "Queer China: Lesbian and Gay Literature and Visual Culture Under Postsocialism" (Routledge, 2020)
|
Oct 26, 2022 |
|
Mallory Lewis and Nat Segaloff, "Shari Lewis and Lamb Chop: The Team That Changed Children's TV" (UP of Kentucky, 2022)
|
Oct 26, 2022 |
|
Larry Ceplair, "The Hollywood Motion Picture Blacklist: Seventy-Five Years Later" (UP of Kentucky, 2022)
|
Oct 26, 2022 |
|
Kyle Stevens, "The Oxford Handbook of Film Theory" (Oxford UP, 2022)
|
Oct 25, 2022 |
|
Scott Bukatman, "Black Panther" (U Texas Press, 2022)
|
Oct 21, 2022 |
|
Wolverines!
|
Oct 19, 2022 |
|
Diane Negra, "Shadow of a Doubt" (Auteur, 2021)
|
Oct 18, 2022 |
|
Erin Keane, "Runaway: Notes on the Myths That Made Me" (Belt Publishing, 2022)
|
Oct 17, 2022 |
|
Alexander Sergeant, "Encountering the Impossible: The Fantastic in Hollywood Fantasy Cinema" (SUNY Press, 2021)
|
Oct 14, 2022 |
|
Ramzi Fawaz, "Queer Forms" (NYU Press, 2022)
|
Oct 13, 2022 |
|
Bonus Episode: A Conversation about Past Episodes and Current Events
|
Oct 12, 2022 |
|
Eran Kaplan, "Projecting the Nation: History and Ideology on the Israeli Screen" (Rutgers UP, 2020)
|
Oct 11, 2022 |
|
Jennifer Wenzel, "The Disposition of Nature: Environmental Crisis and World Literature" (Fordham UP, 2019)
|
Oct 07, 2022 |
|
Pamela Robertson Wojcik, "Gidget: Origins of a Teen Girl Transmedia Franchise" (Routledge, 2022)
|
Oct 06, 2022 |
|
The Two Russias
|
Oct 05, 2022 |
|
Cinema’s First Nasty Women
|
Oct 04, 2022 |
|
Usha Iyer, "Dancing Women: Choreographing Corporeal Histories of Hindi Cinema" (Oxford UP, 2020)
|
Sep 30, 2022 |
|
Jean-Thomas Tremblay, "Breathing Aesthetics" (Duke UP, 2022)
|
Sep 29, 2022 |
|
Samhita Sunya, "Sirens of Modernity: World Cinema via Bombay" (U California Press, 2022)
|
Sep 29, 2022 |
|
Cold War Homefront
|
Sep 28, 2022 |
|
Catherine Lester, "Horror Films for Children: Fear and Pleasure in American Cinema" (Bloomsbury, 2021)
|
Sep 23, 2022 |
|
M. Hennefeld and N. Sammond, "Abjection Incorporated: Mediating the Politics of Pleasure and Violence" (Duke UP, 2020)
|
Sep 22, 2022 |
|
Jon Krampner, "Ernest Lehman: The Sweet Smell of Success" (UP of Kentucky, 2022)
|
Sep 21, 2022 |
|
It’s The End Of The World As We Know It
|
Sep 21, 2022 |
|
A MAD, MAD, World
|
Sep 14, 2022 |
|
Danielle J. Lindemann, "True Story: What Reality TV Says About Us" (FSG, 2022)
|
Sep 12, 2022 |
|
Who Can You Trust?
|
Sep 07, 2022 |
|
88 Underwater Eye: Margaret Cohen explores the Film Aquatic
|
Sep 01, 2022 |
|
Anthony Downey, "Critique in Practice: Renzo Martens' Episode III (Enjoy Poverty)" (Sternberg Press, 2020)
|
Sep 01, 2022 |
|
He May Be a Communist!
|
Aug 31, 2022 |
|
Julie A. Turnock, "The Empire of Effects: Industrial Light and Magic and the Rendering of Realism" (U Texas Press, 2022)
|
Aug 26, 2022 |
|
James Welker, "Queer Transfigurations: Boys Love Media in Asia" (U Hawaii Press, 2022)
|
Aug 25, 2022 |
|
Reality TV
|
Aug 23, 2022 |
|
87* Mike Leigh In Focus (JP)
|
Aug 18, 2022 |
|
Rebecca Weeks, "History by HBO: Televising the American Past" (UP of Kentucky, 2022)
|
Aug 12, 2022 |
|
Nick Davis, "Competing with Idiots: Herman and Joe Mankiewicz, a Dual Portrait" (Knopf, 2021)
|
Aug 10, 2022 |
|
Grant Wiedenfeld, "Hollywood Sports Movies and the American Dream" (Oxford UP, 2022)
|
Aug 08, 2022 |
|
86 Dana Stevens on Buster Keaton (JP EF)
|
Aug 04, 2022 |
|
Hanan Hammad, "Unknown Past: Layla Murad, the Jewish-Muslim Star of Egypt" (Stanford UP, 2022)
|
Jul 27, 2022 |
|
Ryan Uytdewilligen, "Killing John Wayne: The Making of the Conqueror" (Lyons Press, 2021)
|
Jul 21, 2022 |
|
Erika Balsom and Hila Peleg, "Feminist Worldmaking and the Moving Image" (MIT Press, 2022)
|
Jul 20, 2022 |
|
Scott Meslow, "From Hollywood with Love: The Rise and Fall (and Rise Again) of the Romantic Comedy" (Dey Street, 2022)
|
Jul 18, 2022 |
|
Alison Macor, "Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation" (U Texas Press, 2022)
|
Jul 08, 2022 |
|
Squid Game
|
Jul 06, 2022 |
|
A. S. Hamrah, "The Earth Dies Streaming: Film Writing, 2002-2018" (N+1 Books, 2018)
|
Jul 04, 2022 |
|
Paul Dobryden, "The Hygienic Apparatus: Weimar Cinema and Environmental Disorder" (Northwestern UP, 2022)
|
Jul 01, 2022 |
|
Katherine E. Sugg, "Apocalypse and Heroism in Popular Culture" (McFarland, 2022)
|
Jun 30, 2022 |
|
Justin Gautreau, "The Last Word: The Hollywood Novel and the Studio System" (Oxford UP, 2020)
|
Jun 21, 2022 |
|
Sara Austin, "Monstrous Youth: Transgressing the Boundaries of Childhood in the United States" (Ohio State UP, 2022)
|
Jun 20, 2022 |
|
Charles Elton, "Cimino: The Deer Hunter, Heaven's Gate, and the Price of a Vision" (Abrams Press, 2022)
|
Jun 15, 2022 |
|
Melissa Vosen Callens, "Ode to Gen X: Institutional Cynicism in 'Stranger Things' and 1980s Film" (UP of Mississippi, 2021)
|
Jun 09, 2022 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Jun 08, 2022 |
|
Dustin Tahmahkera, "Cinematic Comanches: The Lone Ranger in the Media Borderlands" (U Nebraska Press, 2022)
|
Jun 07, 2022 |
|
Lisa Blackmore and Liliana Gómez, "Liquid Ecologies in Latin American and Caribbean Art" (Routledge, 2020)
|
Jun 07, 2022 |
|
Erich Schwartzel, "Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy" (Penguin, 2022)
|
Jun 06, 2022 |
|
Ryan Watson, "Radical Documentary and Global Crises: Militant Evidence in the Digital Age" (Indiana UP, 2021)
|
Jun 06, 2022 |
|
Rosalind Galt, "Alluring Monsters: The Pontianak and Cinemas of Decolonization" (Columbia UP, 2021)
|
Jun 06, 2022 |
|
Daniel Fairfax, "The Red Years of Cahiers Du Cinéma (1968-1973)" (Amsterdam UP, 2021)
|
Jun 03, 2022 |
|
Jennifer Keishin Armstrong, "When Women Invented Television: The Untold Story of the Female Powerhouses Who Pioneered the Way We Watch Today" (Harper, 2021)
|
Jun 01, 2022 |
|
Chris Wade, "The Films of James Woods" (Wisdom Twins Books, 2022)
|
May 30, 2022 |
|
Zachary F. Price, "Black Dragon: Afro-Asian Performance and the Martial Arts Imagination" (Ohio State UP, 2021)
|
May 13, 2022 |
|
Lorena Cuya Gavilano, "Fictions of Migration: Narratives of Displacement in Peru and Bolivia" (Ohio State UP, 2021)
|
May 10, 2022 |
|
Mila Zuo, "Vulgar Beauty: Acting Chinese in the Global Sensorium" (Duke UP, 2022)
|
May 04, 2022 |
|
Steve A. Wiggins, "Nightmares with the Bible: The Good Book and Cinematic Demons" (Fortress, 2020)
|
Apr 27, 2022 |
|
Amanda D. Lotz, "Media Disrupted: Surviving Pirates, Cannibals, and Streaming Wars" (MIT Press, 2021)
|
Apr 27, 2022 |
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Delinda Collier, "Media Primitivism: Technological Art in Africa" (Duke UP, 2020)
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Apr 20, 2022 |
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Tony Shaw and Giora Goodman, "Hollywood and Israel: A History" (Columbia UP, 2022)
|
Apr 08, 2022 |
|
Sherryl Vint, "Science Fiction" (MIT Press, 2021)
|
Apr 04, 2022 |
|
Nick Marx, "Sketch Comedy: Identity, Reflexivity, and American Television" (Indiana UP, 2019)
|
Mar 30, 2022 |
|
Robert P. Kolker, "Triumph Over Containment: American Film in the 1950s" (Rutgers UP, 2021)
|
Mar 25, 2022 |
|
Liz Clarke, "The American Girl Goes to War: Women and National Identity in US Silent Film" (Rutgers UP, 2022)
|
Mar 23, 2022 |
|
Annie Berke, "Their Own Best Creations: Women Writers in Postwar Television" (U California Press, 2022)
|
Mar 16, 2022 |
|
René V. Arcilla, "Wim Wenders's Road Movie Philosophy: Education Without Learning" (Bloomsbury, 2020)
|
Mar 16, 2022 |
|
Helene Meyers, "Movie-Made Jews: An American Tradition" (Rutgers UP, 2021)
|
Mar 11, 2022 |
|
Nadir Lahiji, "Architecture, Philosophy, and the Pedagogy of Cinema: From Benjamin to Badiou" (Routledge, 2021)
|
Mar 11, 2022 |
|
Dahlia Schweitzer, "Haunted Homes" (Rutgers UP, 2021)
|
Mar 10, 2022 |
|
Dana Stevens, "Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century" (Simon and Schuster, 2022)
|
Mar 09, 2022 |
|
Edward Tyerman, "Internationalist Aesthetics: China and Early Soviet Culture" (Columbia UP, 2021)
|
Mar 08, 2022 |
|
3.3 In the Editing Room with Ruth Ozeki and Rebecca Evans (EH)
|
Mar 03, 2022 |
|
David Schwartz, "David Cronenberg: Interviews" (UP of Mississippi, 2021)
|
Feb 24, 2022 |
|
Rebecca Janzen, "Unholy Trinity: State, Church, and Film in Mexico" (SUNY Press, 2021)
|
Feb 24, 2022 |
|
Kathryn Millard, "Double Exposure: How Social Psychology Fell in Love with the Movies" (Rutgers UP, 2022)
|
Feb 17, 2022 |
|
Abby S. Waysdorf, "Fan Sites: Film Tourism and Contemporary Fandom" (U Iowa Press, 2021)
|
Feb 09, 2022 |
|
James S. Williams, "Ethics and Aesthetics in Contemporary African Cinema: The Politics of Beauty" (Bloomsbury, 2019)
|
Feb 08, 2022 |
|
Susan Jolliffe Napier, "Miyazakiworld: A Life in Art" (Yale UP, 2018)
|
Feb 08, 2022 |
|
Karen Redrobe and Jeff Scheible, "Deep Mediations: Thinking Space in Cinema and Digital Cultures" (U Minnesota Press, 2021)
|
Feb 04, 2022 |
|
Joseph W. Ho, "Developing Mission: Photography, Filmmaking, and American Missionaries in Modern China" (Cornell UP, 2022)
|
Feb 02, 2022 |
|
Rich Brownstein, "Holocaust Cinema Complete: A History and Analysis of 400 Films, with a Teaching Guide" (McFarland, 2021)
|
Feb 01, 2022 |
|
The 15 Best Films about the Holocaust
|
Jan 27, 2022 |
|
Henry K. Miller, "The First True Hitchcock: The Making of a Filmmaker" (U California Press, 2022)
|
Jan 25, 2022 |
|
Dana Polan, "Dreams of Flight: 'The Great Escape' in American Film and Culture" (U California Press, 2021)
|
Jan 21, 2022 |
|
Esther De Dauw and Daniel J. Connell, "Toxic Masculinity: Mapping the Monstrous in Our Heroes" (UP of Mississippi, 2020)
|
Jan 20, 2022 |
|
Amy Holdsworth, "On Living with Television" (Duke UP, 2021)
|
Jan 18, 2022 |
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Alexandra Cosima Budabin and Lisa Ann Richey, "Batman Saves the Congo: How Celebrities Disrupt the Politics of Development" (U Minnesota Press, 2021)
|
Jan 17, 2022 |
|
Vivian Kirkfield, "Making Their Voices Heard: The Inspiring Friendship of Ella Fitzgerald and Marilyn Monroe" (Little Bee Books, 2020)
|
Jan 13, 2022 |
|
Olivier Delers and Martin Sulzer-Reichel, "Wim Wenders: Making Films that Matter" (Bloomsbury, 2020)
|
Jan 07, 2022 |
|
Stephanie M. Pridgeon, "Revolutionary Visions: Jewish Life and Politics in Latin American Film" (U Toronto Press, 2020)
|
Jan 05, 2022 |
|
Rich Brownstein, "Holocaust Cinema Complete: A History and Analysis of 400 Films, with a Teaching Guide" (McFarland, 2021)
|
Dec 31, 2021 |
|
Proust Questionnaire 36: Haaz Sleiman, Actor
|
Dec 30, 2021 |
|
Jennifer Fay, "Inhospitable World: Cinema in the Time of the Anthropocene" (Oxford UP, 2018)
|
Dec 27, 2021 |
|
Rayna Denison, "Anime: A Critical Introduction" (Bloomsbury, 2015)
|
Dec 16, 2021 |
|
Matthew H. Brown, "Indirect Subjects: Nollywood's Local Address" (Duke UP, 2021)
|
Dec 15, 2021 |
|
"Bambi" isn't about what you think it's about: Jack Zipes explains
|
Dec 15, 2021 |
|
Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021)
|
Dec 09, 2021 |
|
Alisa Freedman, "Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost" (Association for Asian Studies, 2021)
|
Dec 08, 2021 |
|
Caetlin Benson-Allott, "The Stuff of Spectatorship: Material Cultures of Film and Television" (U California Press, 2021)
|
Dec 06, 2021 |
|
Noah Isenberg ed., Shelley Frisch, trans., "Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna" (Princeton UP, 2021)
|
Dec 01, 2021 |
|
John Holmes McDowell et al., "Performing Environmentalisms: Expressive Culture and Ecological Change" (U Illinois Press, 2021)
|
Nov 30, 2021 |
|
Raymond C. Kuo, "Following the Leader: Alliance Design, Security Strategies, and Institutional Emulation" (Stanford UP, 2021)
|
Nov 29, 2021 |
|
Kate Fortmueller, "Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production" (U Texas Press, 2021)
|
Nov 18, 2021 |
|
Genevieve Yue, "Girl Head: Feminism and Film Materiality" (Fordham UP, 2020)
|
Nov 03, 2021 |
|
Gary Bettinson, "The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance" (Hong Kong UP, 2014)
|
Oct 22, 2021 |
|
Esther De Dauw, "Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic" (Rutgers UP, 2021)
|
Oct 21, 2021 |
|
Rebecca L. Stein, "Screen Shots: State Violence on Camera in Israel and Palestine" (Stanford UP, 2021)
|
Oct 20, 2021 |
|
Christie Milliken and Steve F. Anderson, "Reclaiming Popular Documentary" (Indiana UP, 2021)
|
Oct 19, 2021 |
|
Cyrus R. K. Patell, "Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe" (Bloomsbury, 2021)
|
Oct 18, 2021 |
|
Leslie Barnes and Joseph Mai, "The Cinema of Rithy Panh: Everything Has a Soul" (Rutgers UP, 2021)
|
Oct 15, 2021 |
|
Luci Marzola, "Engineering Hollywood: Technology, Technicians, and the Science of Building the Studio System" (Oxford UP, 2021)
|
Oct 13, 2021 |
|
Richard Grusin and Jocelyn Szczepaniak-Gillece, "Ends of Cinema" (U Minnesota Press, 2020)
|
Oct 13, 2021 |
|
Phil Rosenzweig, "Reginald Rose and the Journey of 12 Angry Men" (Fordham UP, 2021)
|
Oct 11, 2021 |
|
Mathias Clasen, "A Very Nervous Person's Guide to Horror Movies" (Oxford UP, 2021)
|
Oct 01, 2021 |
|
Erin Y. Huang, "Urban Horror: Neoliberal Post-Socialism and the Limits of Visibility" (Duke UP, 2020)
|
Sep 26, 2021 |
|
Amanda Konkle and Charles Burnetts, "Perspectives on Crazy Ex-Girlfriend: Nuanced Postnetwork Television" (Syracuse UP, 2020)
|
Sep 24, 2021 |
|
Kristian Petersen, "Muslims in the Movies: A Global Anthology" (Ilex Foundation, 2021)
|
Sep 17, 2021 |
|
Martin Harris, "Leatherface Vs. Tricky Dick: The Texas Chain Saw Massacre as Political Satire" (Headpress, 2021)
|
Sep 15, 2021 |
|
Bernard F. Dick, "Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood" (U Kentucky Press, 2021)
|
Sep 15, 2021 |
|
Cameron Crookston, "The Cultural Impact of Rupaul's Drag Race: Why Are We All Gagging?" (Intellect, 2021)
|
Sep 06, 2021 |
|
Chenshu Zhou, "Cinema Off Screen: Moviegoing in Socialist China" (U California Press, 2021)
|
Jul 28, 2021 |
|
Scott Krzych, "Beyond Bias: Conservative Media, Documentary Form, and the Politics of Hysteria" (Oxford UP, 2021)
|
Jul 23, 2021 |
|
Alyssa Goldstein Sepinwall, "Slave Revolt on Screen: The Haitian Revolution in Film and Video Games" (UP of Mississippi, 2021)
|
Jul 22, 2021 |
|
James Leo Cahill and Luca Caminati, "Cinema of Exploration: Essays on an Adventurous Film Practice" (Routledge, 2020)
|
Jul 22, 2021 |
|
Ellen Seiter and Stefania Marghitu, "Teen TV" (Routledge, 2021)
|
Jul 09, 2021 |
|
Rossen Djagalov, "From Internationalism to Postcolonialism: Literature and Cinema Between the Second and the Third Worlds" (McGill-Queen's UP, 2020)
|
Jul 06, 2021 |
|
Frank Burke et al., "A Companion to Federico Fellini" (Wiley-Blackwell, 2020)
|
Jul 05, 2021 |
|
Carey Purcell, "From Aphra Behn to Fun Home: A Cultural History of Feminist Theater" (Rowman & Littlefield, 2019)
|
Jun 25, 2021 |
|
Badia Ahad-legardy, "Afro-Nostalgia: Feeling Good in Contemporary Black Culture" (U Illinois Press, 2021)
|
Jun 23, 2021 |
|
Veronika Pehe, "Velvet Retro: Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture" (Berghahn Books, 2020)
|
Jun 21, 2021 |
|
Lisa Z. Sigel, "The People's Porn: A History of Handmade Pornography in America" (Reaktion Books, 2020)
|
Jun 18, 2021 |
|
Sean Guynes and Martin Lund, "Unstable Masks: Whiteness and American Superhero Comics" (Ohio State UP, 2020)
|
Jun 17, 2021 |
|
Vernadette Vicuña Gonzalez, "Empire's Mistress, Starring Isabel Rosario Cooper" (Duke UP, 2021)
|
Jun 17, 2021 |
|
Exploring the Diasporic Imagination in Recent Indonesian Popular Novels and Films (2000-2020)
|
Jun 03, 2021 |
|
Heather Berg, "Porn Work: Sex, Labor, and Late Capitalism" (UNC Press, 2021)
|
Jun 03, 2021 |
|
Patrick Maille, "The Cards: The Evolution and Power of Tarot" (UP of Mississippi, 2021)
|
Jun 01, 2021 |
|
Sergio Rigoletto, "Le norme traviate: Saggi sul genere e sulla sessualità nel cinema e nella televisione italiana" (Meltemi Publishers, 2020)
|
May 31, 2021 |
|
Pamela Hamilton, "Lady Be Good: The Life and Times of Dorothy Hale" (Koehler Books, 2021)
|
May 28, 2021 |
|
Michael D. Nichols, "Religion and Myth in the Marvel Cinematic Universe" (McFarland, 2021)
|
May 21, 2021 |
|
David Monod, "Vaudeville and the Making of Modern Entertainment, 1890–1925" (UNC Press, 2020)
|
May 19, 2021 |
|
Kathleen Collins, "From Rabbit Ears to the Rabbit Hole: A Life with Television" (UP of Mississippi, 2021)
|
May 13, 2021 |
|
Wazhmah Osman, "Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Local Activists" (U of Illinois Press, 2020)
|
May 12, 2021 |
|
Michael L. Siciliano, "Creative Control: The Ambivalence of Work in the Culture Industries" (Columbia UP, 2021)
|
May 06, 2021 |
|
Marko Dumancic, "Men Out of Focus: The Soviet Masculinity Crisis in the Long Sixties" (U Toronto Press, 2021)
|
May 05, 2021 |
|
Jörg Matthias Determann, "Islam, Science Fiction and Extraterrestrial Life: The Culture of Astrobiology in the Muslim World" (I. B. Tauris, 2020)
|
May 05, 2021 |
|
Carol Dyhouse, "Love Lives: From Cinderella to Frozen" (Oxford UP, 2021)
|
May 03, 2021 |
|
Tara T. Green, "Reimagining the Middle Passage: Black Resistance in Literature, Television, and Song" (Ohio State UP, 2018)
|
Apr 30, 2021 |
|
Jack Black, "Race, Racism and Political Correctness in Comedy: A Psychoanalytic Exploration" (Routledge, 2021)
|
Apr 28, 2021 |
|
Alfred L. Martin, Jr., "The Generic Closet: Black Gayness and the Black-Cast Sitcom" (Indiana UP, 2021)
|
Apr 27, 2021 |
|
Steven Capsuto, "Alternate Channels: Queer Images on 20th-Century TV" (2020)
|
Apr 23, 2021 |
|
Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)
|
Apr 13, 2021 |
|
Sheila E. Jelen, "Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies" (Wayne State UP, 2020
|
Apr 12, 2021 |
|
Ramsey McGlazer, "Old Schools: Modernism, Education, and the Critique of Progress" (Fordham UP, 2020)
|
Apr 07, 2021 |
|
Shannan Clark, "The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism" (Oxford UP, 2020)
|
Apr 06, 2021 |
|
Amanda Ann Klein, "Millennials Killed the Video Star: MTV's Transition to Reality Programming" (Duke UP, 2021)
|
Apr 05, 2021 |
|
James Elkins and Erna Fiorentini, "Visual Worlds: Looking, Images, Visual Disciplines" (Oxford UP, 2020)
|
Apr 01, 2021 |
|
D. A. Miller, "Hidden Hitchcock" (U Chicago Press, 2016)
|
Mar 31, 2021 |
|
Xiaomei Chen, "Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda" (Columbia UP, 2016)
|
Mar 10, 2021 |
|
Frances Galt, "Women’s Activism Behind the Screens: Trade Unions and Gender Inequality in the British Film and Television Industries" (Bristol UP, 2020)
|
Mar 05, 2021 |
|
Morton Schoolman, "A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics" (Duke UP, 2020)
|
Mar 04, 2021 |
|
Debashree Mukherjee, "Bombay Hustle: Making Movies in a Colonial City" (Columbia UP, 2020)
|
Feb 25, 2021 |
|
J. Lahti and R. Weaver-Hightower, "Cinematic Settlers: The Settler Colonial World in Film" (Routledge, 2020)
|
Feb 24, 2021 |
|
I. Stavans and J. Lambert, "How Yiddish Changed America and How America Changed Yiddish" (Restless Books, 2020)
|
Feb 23, 2021 |
|
Paola Bonifazio, "The Photoromance: A Feminist Reading of Popular Culture" (MIT Press, 2020)
|
Feb 19, 2021 |
|
Tavia Nyong’o, "Afro-Fabulations: The Queer Drama of Black Life" (NYU Press, 2028)
|
Feb 05, 2021 |
|
Linda C. Ehrlich, "The Films of Kore-eda Hirokazu: An Elemental Cinema" (Palgrave, 2019)
|
Feb 05, 2021 |
|
André Gregory, "This Is Not My Memoir" (FSG, 2020)
|
Jan 20, 2021 |
|
Woojeong Joo, "Cinema of Ozu Yasujiro: Histories of the Everyday" (Edinburgh UP, 2017)
|
Jan 11, 2021 |
|
Thomas Doherty, "Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century" (Columbia UP, 2020)
|
Jan 11, 2021 |
|
Mike Miley, "Truth and Consequences: Game Shows in Fiction and Film" (UP Mississippi, 2020)
|
Jan 08, 2021 |
|
Courtenay Stallings, "Laura's Ghost: Women Speak about Twin Peaks" (Fayetteville Mafia Press, 2020)
|
Jan 06, 2021 |
|
Charles R. Acland, "American Blockbuster: Movies, Technology, and Wonder" (Duke UP, 2020)
|
Dec 29, 2020 |
|
Trevor C. Pederson, "Psychoanalysis and Hidden Narrative in Film: Reading the Symptom" (Routledge, 2018)
|
Dec 28, 2020 |
|
Dan Callahan, "The Camera Lies: Acting for Hitchcock" (Oxford UP, 2020)
|
Dec 22, 2020 |
|
Waleed F. Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)
|
Dec 15, 2020 |
|
Samantha Langsdale and Elizabeth Rae Coody, "Monstrous Women in Comics" (UP of Mississippi, 2020)
|
Dec 02, 2020 |
|
Rebecca Harrison, "The Empire Strikes Back" (Bloomsbury, 2020)
|
Nov 30, 2020 |
|
Chris Richardson, "Batman and the Joker: Contested Sexuality in Popular Culture" (Routledge, 2020)
|
Nov 25, 2020 |
|
Liza Black, "Picturing Indians: Native Americans in Film, 1941-1960" (U Nebraska Press, 2020)
|
Nov 20, 2020 |
|
Ara H. Merjian, "Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism" (U Chicago Press, 2020)
|
Nov 18, 2020 |
|
E. Goldberg et al, "Bollywood Horrors: Religion, Violence and Cinematic Fears in India" (Bloomsbury, 2020)
|
Nov 18, 2020 |
|
Eithne Quinn, "A Piece of the Action: Race and Labor in Post–Civil Rights Hollywood" (Columbia UP, 2019)
|
Nov 16, 2020 |
|
Charles L. Leavitt IV, "Italian Neorealism: A Cultural History" (U Toronto Press, 2020)
|
Nov 16, 2020 |
|
Mark Glancy, "Cary Grant: The Making of a Hollywood Legend" (Oxford UP, 2020)
|
Nov 11, 2020 |
|
Eric San Juan, "The Films of Martin Scorsese: Gangsters, Greed, and Guilt" (Rowman and Littlefield, 2020)
|
Oct 20, 2020 |
|
Yvonne Rainer, "Revisions: Essays by Apollo Musagète, Yvonne Rainer, and Others" (No Place Press, 2020)
|
Oct 14, 2020 |
|
Dave O’Brien, "Culture is Bad for You: Inequality in the Cultural and Creative Industries" (Manchester UP, 2020)
|
Oct 12, 2020 |
|
Chris Fenton, "Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, and American Business" (Post Hill Press, 2020)
|
Oct 05, 2020 |
|
Glenn Kenny, "Made Men: The Story of Goodfellas" (Hanover Square, 2020)
|
Sep 30, 2020 |
|
Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
|
Sep 25, 2020 |
|
Joseph Clark, "News Parade: The American Newsreel and the World as Spectacle" (U Minnesota Press, 2020)
|
Sep 15, 2020 |
|
Rodrigo Quian Quiroga, "NeuroScience Fiction" (Benbella Books, 2020)
|
Sep 10, 2020 |
|
Chris Yogerst, "Hollywood Hates Hitler!: Jew-bating, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures" (U Mississippi, 2020)
|
Aug 28, 2020 |
|
Steven C. Smith, "Music by Max Steiner: The Epic Life of Hollywood’s Most Influential Composer" (Oxford UP, 2020)
|
Aug 21, 2020 |
|
Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)
|
Aug 20, 2020 |
|
Russell J. A. Kilbourn, "The Cinema of Paolo Sorrentino: Commitment to Style" (Wallflower Press, 2020)
|
Aug 04, 2020 |
|
The Joker: How a “Typical Hoodlum” Character of the ‘40s Attained Cult Status Today
|
Jul 29, 2020 |
|
Kevin J. Bryne, "Minstrel Traditions: Mediated Blackface in the Jazz Age" (Routledge, 2020)
|
Jul 29, 2020 |
|
Telory Arendell, "The Autistic Stage: How Cognitive Disability Changed 20th-Century Performance" (Sense Publishers, 2015)
|
Jul 24, 2020 |
|
Justin Gomer, "White Balance: How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights" (UNC Press, 2020)
|
Jul 24, 2020 |
|
Greg Mitchell, "The Beginning or the End: How Hollywood—and America—Learned to Stop Worrying and Love the Bomb" (The New Press, 2020)
|
Jul 07, 2020 |
|
Kendra Preston Leonard, "Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism" (Humanities Commons, 2010)
|
Jul 06, 2020 |
|
Creshema R. Murray, "Leadership Through the Lens: Interrogating Production, Presentation, and Power" (Rowman and Littlefield, 2017)
|
Jul 06, 2020 |
|
Greg Burris, "The Palestinian Idea: Film, Media, and the Radical Imagination" (Temple UP, 2019)
|
Jul 03, 2020 |
|
Adam Brown, "Judging 'Privileged' Jews: Holocaust Ethics, Representation, and the 'Grey Zone'" (Berghahn, 2015)
|
Jul 02, 2020 |
|
Greg Garrett, "A Long, Long Way: Hollywood’s Unfinished Journey from Racism to Reconciliation" (Oxford UP, 2020)
|
Jun 24, 2020 |
|
David Slucki et al., "Laughter After: Humor and the Holocaust" (Wayne State UP, 2020)
|
Jun 22, 2020 |
|
Clifford Mason, "Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun" (Rutgers UP, 2020)
|
Jun 22, 2020 |
|
Jeremy Black, "The World of James Bond: The Lives and Times of 007" (Rowman and Littlefield, 2017)
|
Jun 18, 2020 |
|
Robert Pippin, "Filmed Thought: Cinema as Reflective Form" (U Chicago Press, 2020)
|
Jun 11, 2020 |
|
Jon Wilkman, "Screening Reality: How Documentary Filmmakers Reimagined America" (Bloomsbury, 2020)
|
Jun 08, 2020 |
|
Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)
|
Jun 02, 2020 |
|
Brian Crim, "Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television" (Rutgers UP, 2020)
|
May 29, 2020 |
|
Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)
|
Apr 28, 2020 |
|
Joseph Rex Young, "George R.R. Martin and the Fantasy Form" (Routledge, 2019)
|
Apr 15, 2020 |
|
Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)
|
Mar 30, 2020 |
|
Kunio Hara, "Joe Hisaishi's Soundtrack for My Neighbor Totoro" (Bloomsbury Academic, 2020)
|
Mar 26, 2020 |
|
Kristen Hoerl, "Bad Sixties: Hollywood Memories of the Counterculture, Antiwar, and Black Power Movements" (UP of Mississippi, 2018)
|
Mar 24, 2020 |
|
Joshua Foa Dienstag, "Cinema Pessimism: A Political Theory of Representation and Reciprocity" (Oxford UP, 2019)
|
Mar 23, 2020 |
|
Áine O'Healy, "Migrant Anxieties: Italian Cinema in a Transnational Frame" (Indiana UP, 2019)
|
Mar 20, 2020 |
|
Erika Engstrom, "Feminism, Gender, and Politics in NBC’s Parks and Recreation" (Peter Lang, 2017)
|
Mar 03, 2020 |
|
Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)
|
Feb 25, 2020 |
|
K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)
|
Jan 30, 2020 |
|
Carol Dyhouse, "Hearthrobs: A History of Women and Desire" (Oxford UP, 2017)
|
Jan 24, 2020 |
|
Jennifer Cazenave, "An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann’s Shoah" (SUNY Press, 2019)
|
Jan 20, 2020 |
|
Stephen Benedict Dyson, "Imagining Politics: Interpretations in Political Science and Political Television" (U Michigan Press, 2019)
|
Jan 13, 2020 |
|
Seán Crosson, "Gaelic Games on Film" (Cork UP, 2019)
|
Dec 30, 2019 |
|
Hunter Vaughan, "Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies" (Columbia UP, 2019)
|
Dec 11, 2019 |
|
Simone Knox and Kai Hanno Schwind, "Friends: A Reading of the Sitcom" (Palgrave Macmillan, 2019)
|
Dec 10, 2019 |
|
Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)
|
Dec 03, 2019 |
|
Claudia Moscovici, "Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films" (Hamilton, 2019)
|
Dec 02, 2019 |
|
Liz Gloyn, "Tracking Classical Monsters in Popular Culture" (Bloomsbury Academic, 2019)
|
Nov 12, 2019 |
|
Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)
|
Nov 12, 2019 |
|
Elena Past, "Italian Ecocinema: Beyond the Human" (Indiana UP, 2019)
|
Nov 04, 2019 |
|
Kathryn Conrad on University Press Publishing
|
Nov 03, 2019 |
|
Aisha Shillingford and Terry Marshall, "Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda" (WDL, 2019)
|
Oct 28, 2019 |
|
J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)
|
Oct 24, 2019 |
|
Rico Issacs, "Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia" (I.B. Tauris, 2018)
|
Sep 09, 2019 |
|
Jennifer C. Lena, "Entitled: Discriminating Tastes and the Expansion of the Arts" ( Princeton UP, 2019)
|
Aug 29, 2019 |
|
Lindsey Green-Simms, "Postcolonial Automobility: Car Culture in West Africa" (U Minnesota Press, 2019)
|
Aug 15, 2019 |
|
Polina Kroik, "Cultural Production and the Politics of Women’s Work in American Film and Literature" (Routledge, 2019)
|
Aug 12, 2019 |
|
Grégory Pierrot, "The Black Avenger in Atlantic Culture" (U Georgia Press, 2019)
|
Aug 07, 2019 |
|
David Resnick, "Representing Education In Film: How Hollywood Portrays Educational Thought, Settings and Issues" (Palgrave Macmillan, 2018)
|
Jul 29, 2019 |
|
Liat Steir-Livny, "Remaking Holocaust Memory: Documentary Cinema by Third Generation Survivors in Israel" (Syracuse UP, 2019)
|
Jul 11, 2019 |
|
Jinah Kim, "Postcolonial Grief: The Afterlives of the Pacific Wars in the Americas" (Duke UP, 2019)
|
Jul 11, 2019 |
|
Anne A. Cheng, "Ornamentalism" (Oxford UP, 2019)
|
Jun 21, 2019 |
|
Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)
|
Jun 19, 2019 |
|
Kara Ritzheimer, "'Trash,' Censorship, and National Identity in Early Twentieth-Century Germany" (Cambridge UP, 2016)
|
Jun 18, 2019 |
|
Sara K. Eskridge, "Rube Tube: CBS and Rural Comedy in the Sixties" (U Missouri Press, 2019)
|
Jun 14, 2019 |
|
Brian Cremins, "Captain Marvel and the Art of Nostalgia" (UP of Mississippi, 2017)
|
Jun 11, 2019 |
|
Annie McClanahan, "Dead Pledges: Debt, Crisis, and Twenty-First Century Culture" (Stanford UP, 2016)
|
Jun 07, 2019 |
|
Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)
|
May 23, 2019 |
|
Dan Golding, "Star Wars after Lucas: A Critical Guide to the Future of the Galaxy" (U Minnesota Press, 2019)
|
May 13, 2019 |
|
Nicholas Baer et al. "Unwatchable" (Rutgers UP, 2019)
|
May 09, 2019 |
|
Eric T. Kasper and Quentin D. Vieregge, "The United States Constitution in Film: Part of Our National Culture" (Lexington Books, 2018)
|
Apr 30, 2019 |
|
Michael Benson, "Space Odyssey: Stanley Kubrick, Arthur C. Clark and The Making of a Masterpiece" (Simon and Schuster, 2018)
|
Apr 29, 2019 |
|
Robert Matzen, "Dutch Girl: Audrey Hepburn and World War II" (GoodKnight Books, 2019)
|
Apr 16, 2019 |
|
Racquel J. Gates, "Double Negative: The Black Image and Popular Culture" (Duke UP, 2018)
|
Apr 03, 2019 |
|
Joan Neuberger, "This Thing of Darkness: Eisenstein’s Ivan the Terrible in Stalin’s Russia" (Cornell UP, 2019)
|
Mar 21, 2019 |
|
Discussion of Massive Online Peer Review and Open Access Publishing
|
Mar 19, 2019 |
|
Margaret Hennefeld, "Specters of Slapstick and Silent Film Comediennes" (Columbia UP, 2018)
|
Mar 05, 2019 |
|
Kendall Phillips, "A Place of Darkness: The Rhetoric of Horror in Early American Cinema" (U Texas, 2018)
|
Feb 20, 2019 |
|
Pema Tseden, "Enticement" (SUNY Press, 2018)
|
Feb 19, 2019 |
|
Nathan Holmes, "Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination" (SUNY Press, 2018)
|
Feb 11, 2019 |
|
Arnika Fuhrmann, "Ghostly Desires: Queer Sexuality and Vernacular Buddhism in Contemporary Thai Cinema" (Duke UP, 2016)
|
Jan 22, 2019 |
|
Shanna de la Torre, "Sex for Structuralists: The Non-Oedipal Logics of Femininity and Psychosis" (Palgrave Macmillan, 2018)
|
Jan 17, 2019 |
|
Joe Street, "Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash" (UP of Florida, 2016)
|
Jan 07, 2019 |
|
David LaRocca, "The Philosophy of War Films" (U Press of Kentucky, 2018)
|
Dec 31, 2018 |
|
Christian B. Long, "The Imaginary Geography of Hollywood Cinema 1960-2000" (Intellect, 2017)
|
Dec 28, 2018 |
|
Tison Pugh, "The Queer Fantasies of the American Family Sitcom" (Rutgers UP, 2018)
|
Dec 18, 2018 |
|
Annabel Cooper, "Filming the Colonial Past: The New Zealand Wars on Screen" (Otago UP, 2018)
|
Dec 14, 2018 |
|
McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)
|
Dec 06, 2018 |
|
Kevin Hamilton and Ned O’Gorman, "Lookout America!: The Secret Hollywood Studio at the Heart of the Cold War" (Dartmouth College Press, 2018)
|
Dec 05, 2018 |
|
Catherine Russell, "Archiveology: Walter Benjamin and Archival Film Practices" (Duke UP, 2018)
|
Nov 29, 2018 |
|
Alicia Malone, “The Female Gaze: Essential Movies Made by Women” (Mango Publishing Group, 2018)
|
Nov 16, 2018 |
|
Anindita Banerjee, “Russian Science Fiction Literature and Cinema: A Critical Reader” (Academic Studies Press, 2018)
|
Nov 08, 2018 |
|
Zachary Lechner, “The South of the Mind: American Imaginings of White Southernness, 1960–1980” (U Georgia Press, 2018)
|
Oct 31, 2018 |
|
Anthony Slide, “Magnificent Obsession: The Outrageous History of Film Buffs, Collectors, Scholars, and Fanatics” (UP of Mississippi, 2018)
|
Oct 30, 2018 |
|
Richard Baxstrom and Todd Meyers, “Violence’s Fabled Experiment” (August Verlag, 2018)
|
Oct 11, 2018 |
|
Rachel Harris, “Warriors, Witches, Whores: Women in Israeli Cinema” (Wayne State UP, 2017)
|
Oct 10, 2018 |
|
Becky Aikman, “Off the Cliff: How the Making of ‘Thelma & Louise’ Drove Hollywood to the Edge” (Penguin, 2018)
|
Aug 23, 2018 |
|
Rachel Morley, “Performing Femininity: Woman as Performer in Early Russian Cinema” (I. B. Tauris, 2016)
|
Aug 01, 2018 |
|
Martin Shuster, “New Television: The Aesthetics and Politics of a Genre” (U Chicago Press, 2017)
|
Jul 19, 2018 |
|
Chris Nashawaty, “Caddyshack: The Making of a Hollywood Cinderella Story” (Flatiron Books, 2018)
|
Jul 18, 2018 |
|
Yaron Peleg, “Directed by God: Jewishness in Contemporary Israeli Film and Television” (University of Texas Press, 2016)
|
Jun 12, 2018 |
|
Discussion with Dahlia Schweitzer (“Going Viral”) and Rob Thomas (“Veronica Mars”)
|
May 15, 2018 |
|
Mark A. McCutcheon, “The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology” (Athabasca UP, 2018)
|
May 03, 2018 |
|
Jacob Bricca, “Documentary Editing: Principles and Practice” (Focal Press, 2018)
|
Apr 24, 2018 |
|
Brian Tochterman, “The Dying City: Postwar New York and the Ideology of Fear” (UNC Press, 2017)
|
Apr 23, 2018 |
|
Mehal Krayem, “Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama” (Melbourne UP, 2017)
|
Apr 20, 2018 |
|
Dahlia Schweitzer, “Going Viral: Zombies, Viruses, and the End of the World” (Rutgers UP, 2018)
|
Mar 29, 2018 |
|
Kerry Wallach, “Passing Illusions: Jewish Visibility in Weimar Germany” (U Michigan Press, 2017)
|
Mar 29, 2018 |
|
Vanda Krefft, “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox” (Harper, 2017)
|
Mar 28, 2018 |
|
Bruce Clarke, “Neocybernetics and Narrative” (University of Minnesota Press, 2014)
|
Mar 22, 2018 |
|
Jennifer Frost, “Producer of Controversy: Stanley Kramer, Hollywood Liberalism and the Cold War” (UP of Kansas, 2017)
|
Feb 21, 2018 |
|
Carla M. Wilson, “Curious Impossibilities: Ten Cinematic Riffs” (Black Scat Books, 2017)
|
Feb 12, 2018 |
|
Becky Aikman, “Off the Cliff: How the Making of Thelma and Louise Drove Hollywood to the Edge” (Penguin Books, 2017)
|
Jan 30, 2018 |
|
Kevin Bartig, “Sergei Prokofiev’s Alexander Nevsky” (Oxford UP, 2017)
|
Jan 29, 2018 |
|
Zach Sands, “Film Comedy and the American Dream” (Routledge, 2017)
|
Jan 25, 2018 |
|
Leslie Kealhofer-Kemp, “Muslim Women in French Cinema: Voices of Maghrebi Migrants in France” (Liverpool UP, 2016)
|
Jan 18, 2018 |
|
Stephen Most, “Stories Make the World: Reflections on Storytelling and the Art of the Documentary” (Berghahn Books, 2017)
|
Jan 03, 2018 |
|
Vanda Krefft, “The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox” (Harper, 2017)
|
Nov 27, 2017 |
|
Mary Tomsic, “Beyond the Silver Screen: A History of Women, Filmmaking and Film Culture in Australia, 1920-1990” (Melbourne UP, 2017)
|
Nov 17, 2017 |
|
Matthew S. Rindge, “Profane Parables: Film and the American Dream” (Baylor UP, 2016)
|
Nov 10, 2017 |
|
Joel Dinerstein, “The Origins of Cool in Postwar America” (U. Chicago Press, 2017)
|
Oct 31, 2017 |
|
Stephen Pimpare, “Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen” (Oxford UP, 2017)
|
Sep 25, 2017 |
|
Noel Brown, “The Children’s Film: Genre, Nation and Narrative” (Wallflower Press, 2017)
|
Aug 19, 2017 |
|
Patty Farmer, “Starring the Plaza: Hollywood, Broadway, and High Society Visit the World’s Favorite Hotel” (Beaufort Books, 2017)
|
Aug 14, 2017 |
|
Jennifer Fleeger, “Mismatched Women: The Siren’s Song Through the Machine” (Oxford UP, 2014)
|
Aug 13, 2017 |
|
Don Nunley with Marshall Terrill, “Steve McQueen: Le Mans in the Rearview Mirror” (Dalton Watson, 2017)
|
Aug 02, 2017 |
|
Blake Atwood, “Reform Cinema in Iran: Film and Political Change in the Islamic Republic” (Columbia UP, 2016)
|
Jun 26, 2017 |
|
William Elison, et.al. “Amar Akbar Anthony: Bollywood, Brotherhood, and the Nation” (Harvard UP, 2016)
|
Jun 20, 2017 |
|
Gary Kulik, “War Stories: False Atrocity Tales, Swift Boaters, and Winter Soldiers” (Potomac Books, 2009)
|
Jun 15, 2017 |
|
Gillian McIver, “Art History for Filmmakers: The Art of Visual Storytelling” (Bloomsbury, 2016)
|
Jun 14, 2017 |
|
Stephen Lee Naish, “Deconstructing Dirty Dancing” (Zero Books, 2017)
|
May 16, 2017 |
|
Mia Mask, “Divas on the Screen: Black Women in American Film” (U. of Illinois Press, 2009)
|
Mar 29, 2017 |
|
Steve Aldous, “The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series” (McFarland, 2015)
|
Mar 29, 2017 |
|
Richard Baxstrom and Todd Meyers, “Realizing the Witch: Science, Cinema, and the Mastery of the Invisible” (Fordham UP, 2015)
|
Mar 28, 2017 |
|
Laurence A. Rickels, “The Psycho Records” (Wallflower Press, 2016)
|
Mar 21, 2017 |
|
Nancy Wang Yuen, “Reel Inequality: Hollywood Actors and Racism” (Rutgers UP, 2017)
|
Mar 14, 2017 |
|
Mick Broderick, “Reconstructing Strangelove: Inside Stanley Kubrick’s ‘Nightmare Comedy'” (WallFlower Press, 2016)
|
Mar 02, 2017 |
|
Sherilyn Connelly, “Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016” (McFarland, 2017)
|
Feb 23, 2017 |
|
Bob Moss, “Vibes from the Screen: Getting Greater Enjoyment from Films” (MCP Books, 2016)
|
Feb 21, 2017 |
|
James A. Davidson, “Hal Ashby and the Making of Harold and Maude” (McFarland, 2016)
|
Jan 24, 2017 |
|
Tom Rice, “White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan” (Indiana U. Press, 2016)
|
Jan 23, 2017 |
|
Anthony Lioi, “Nerd Ecology: Defending the Earth with Unpopular Culture” (Bloomsbury Academic, 2016)
|
Jan 20, 2017 |
|
Toni Pressley-Sanon, “Zombifying a Nation: Race, Gender and the Haitian Loas on Screen” (McFarland, 2016)
|
Jan 18, 2017 |
|
Kevin Smokler, “Brat Pack America: A Love Letter to 80s Teen Movies” (Rare Bird Books, 2016)
|
Jan 18, 2017 |
|
David Shafer, “Antonin Artaud” (Reaktion/U Chicago Press, 2016)
|
Jan 04, 2017 |
|
Amanda Deutch, “Pull Yourself Together: The Gena Rowlands Poems” (Dancing Girl Press, 2016)
|
Nov 23, 2016 |
|
Robert Matzen, “Mission: Jimmy Stewart and the Fight for Europe” (GoodKnight Books, 2016)
|
Oct 24, 2016 |
|
Elizabeth Reich, “Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema” (Rutgers UP, 2016)
|
Oct 10, 2016 |
|
Dennis Bartok and Jeff Joseph, “A Thousand Cuts: The Bizarre Underground World of Collectors and Dealers Who Saved the Movies ” (U. Press of Mississippi, 2016)
|
Sep 19, 2016 |
|
Stephen Lee Naish, “Create or Die: Essays on the Artistry of Dennis Hopper” (Amsterdam UP, 2016)
|
Aug 24, 2016 |
|
Sue Matheson, “The Westerns and War Films of John Ford” (Rowman and Littlefield, 2016)
|
Jul 21, 2016 |
|
Anand Pandian, “Reel World: An Anthropology of Creation” (Duke UP, 2015)
|
Jun 26, 2016 |
|
Cass Sunstein, “The World According to Star Wars” (Harper Collins, 2016)
|
May 28, 2016 |
|
Birgit Meyer, “Sensational Movies: Video, Vision, and Christianity in Ghana” (U of California Press, 2015)
|
Apr 30, 2016 |
|
Harlan Lebo, “Citizen Kane: A Filmmakers Journey” (Thomas Dunne Books, 2016)
|
Apr 19, 2016 |
|
Jason Mittell, “Complex TV: The Poetics of Contemporary Television” (NYU Press 2015)
|
Apr 18, 2016 |
|
Kimberly Fain, “Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies” (Praeger, 2015)
|
Apr 03, 2016 |
|
Alan Sepinwall, “The Revolution Was Televised” (Touchstone, 2015)
|
Feb 24, 2016 |
|
George Cotkin, “Feast of Excess: A Cultural History of the New Sensibility” (Oxford UP, 2015)
|
Jan 22, 2016 |
|
Ranen Omer-Sherman, “Imagining the Kibbutz: Visions of Utopia in Literature and Film” (Penn State UP, 2015)
|
Dec 08, 2015 |
|
Hilary Neroni, “The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film” (Columbia UP, 2015)
|
Oct 27, 2015 |
|
Liam Burke, “The Comic Book Film Adaptation: Exploring Modern Hollywood’s Leading Genre” (UP of Mississippi, 2015)
|
Sep 26, 2015 |
|
Elizabeth Haas, Terry Chrstensen, and Peter J. Haas, “Projecting Politics: Political Messages in American Films” (Routledge, 2015)
|
Sep 09, 2015 |
|
Laura Isabel Serna, “Making Cinelandia: American Films and Mexican Film Culture Before the Golden Age” (Duke UP, 2014)
|
Aug 17, 2015 |
|
Michael Ray FitzGerald, “Native Americans on Network TV: Stereotypes, Myths, and the ‘Good Indian'” (Rowman and Littlefield, 2013)
|
Jul 24, 2015 |
|
Caseen Gaines, “We Don’t Need Roads: The Making of the Back to the Future Trilogy” (Plume, 2015)
|
Jun 28, 2015 |
|
Suzanne Broderick, “Real War vs. Reel War: Veterans, Hollywood, and WWII” (Rowman and Littlefield, 2015)
|
Jun 24, 2015 |
|
Donald Dewey, “Lee J. Cobb: Characters of an Actor” (Rowman and Littlefield, 2014)
|
Jun 20, 2015 |
|
Dave Itzkoff, “Mad as Hell: The Making of Network and the Fateful Vision of the Angriest Man in Movies” (Times Books, 2014)
|
Jun 10, 2015 |
|
Paul Seydor, “The Authentic Death and Contentious Afterlife of Pat Garrett and Billy the Kid” (Northwestern UP, 2015)
|
Jun 02, 2015 |
|
Tom Hertweck, “Food on Film” (Rowman and Littlefield, 2014)
|
Apr 26, 2015 |
|
Hugo Frey, “Nationalism and the Cinema in France” (Berghahn Books, 2014)
|
Apr 24, 2015 |
|
Chris Morgan, “The Comic Galaxy of Mystery Science Theater 3000” (McFarland, 2015)
|
Apr 17, 2015 |
|
Kathryn Cramer Brownell, “Showbiz Politics: Hollywood in American Political Life” (UNC Press, 2014)
|
Apr 10, 2015 |
|
Joan Kramer and David Heeley, “In the Company of Legends” (Beaufort Books, 2015)
|
Apr 03, 2015 |
|
Raluca Lucia Cimpean, “The JFK Image: Profiles in Docudrama” (Rowman and Littlefield, 2014)
|
Mar 28, 2015 |
|
Norma Jones, Maja-Bajac-Carter, Bob Batchelor, “Heroines of Film and Television: Portrayals in Popular Culture” (Rowman and Littlefield, 2014)
|
Feb 25, 2015 |
|
Steven Awalt, “Steven Spielberg and Duel: The Making of a Film Career” (Rowman and Littlefield, 2014)
|
Feb 18, 2015 |
|
Kutter Callaway, “Scoring Transcendence: Contemporary Film Music as Religious Experience” (Baylor UP, 2013)
|
Feb 16, 2015 |
|
John Wiley Jr., “The Scarlett Letters: The Making of the Film Gone With the Wind” (Taylor Trade Publishing, 2014)
|
Jan 22, 2015 |
|
Guy Westwell, “Parallel Lines: Post-9/11 American Cinema” (Wallflower Press, 2014)
|
Jan 13, 2015 |
|
Glen Jeansonne and David Luhrssen, “War on the Silver Screen” (Potomac Books, 2014)
|
Jan 05, 2015 |
|
Dick Lehr, “The Birth of a Nation” (PublicAffairs, 2014)
|
Dec 19, 2014 |
|
Bruce Babington, “The Sports Film: Games People Play” (Wallflower Press, 2014)
|
Dec 11, 2014 |
|
Cynthia J. Miller and A. Bowdoin Van Riper, “1950s “Rocketman” TV Series and Their Fans:
|
Dec 02, 2014 |
|
Laura Mattoon D’Amore, “Smart Chicks on Screen” (Rowman and Littlefield, 2014)
|
Nov 25, 2014 |
|
Bridget Conor, “Screenwriting: Creative labor and professional practice” (Routledge, 2014)
|
Nov 18, 2014 |
|
Chris Taylor, “How Star Wars Conquered the Universe” (Basic Books, 2014)
|
Nov 14, 2014 |
|
Bryn Upton, “Hollywood and the End of the Cold War: Signs of Cinematic Change” (Rowman and Littlefield, 2014)
|
Oct 21, 2014 |
|
Hideaki Fujiki, “Making Personas: Transnational Film Stardom in Modern Japan” (Harvard University Asia Center, 2013)
|
Sep 04, 2014 |
|
M. Gail Hamner, “Imaging Religion in Film: The Politics of Nostalgia” (Palgrave Macmillan, 2011
|
May 19, 2014 |
|
Travis Vogan, “Keepers of the Flame: NFL Films and the Rise of Sports Media” (University of Illinois Press, 2014)
|
May 16, 2014 |
|
Donald T. Critchlow, “When Hollywood Was Right” (Cambridge UP, 2013)
|
Apr 27, 2014 |
|
Aswin Punthamabekar, “From Bombay to Bollywood: The Making of a Global Media Industry” (NYU Press, 2013)
|
Feb 19, 2014 |
|
Olga Gershenson, “The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe” (Rutgers UP, 2013)
|
Feb 05, 2014 |
|
Daisuke Miyao, “The Aesthetics of Shadow: Lighting and Japanese Cinema” (Duke UP, 2013)
|
Jan 28, 2014 |
|
David Konow, “Reel Terror: The Scary, Bloody, Gory, Hundred-Year History of Classic Horror Films” (St. Martin’s Press, 2012)
|
Oct 17, 2013 |
|
Louis Menashe, “Moscow Believes in Tears: Russians and Their Movies” (New Academia, 2010)
|
Feb 15, 2013 |
|
S. Brent Plate, “Religion and Film: Cinema and the Re-Creation of the World” (Wallflower Press, 2008)
|
Nov 05, 2012 |
|
David A. Kirby, “Lab Coats in Hollywood: Science, Scientists, and Cinema” (MIT Press, 2011)
|
Jul 02, 2012 |
|
Jennifer Frost, “Hedda Hopper’s Hollywood: Celebrity Gossip and American Conservatism” (NYU Press, 2011)
|
Oct 25, 2011 |
|
Robert J. Corber, “Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema” (Duke University Press, 2011)
|
Aug 04, 2011 |
|
Maria Yatskova, “Miss Gulag” (Neihausen-Yatskova & Vodar Films, 2007)
|
Jun 03, 2011 |
|
Laura Wittern-Keller, “The Miracle Case: Film Censorship and the Supreme Court” (University of Kansas Press, 2008)
|
Nov 07, 2008 |
|
Laura Wittern-Keller, “Freedom of the Screen: Legal Challenges to Film Censorship 1915-1981” (University of Kentucky Press, 2008)
|
Apr 04, 2008 |