The Stack
By Monocle
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Category: Society & Culture
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Subscribers: 120
Reviews: 0
Episodes: 100
Description
Essential listening for anyone who cares about the printed word and developments in publishing. From independent publications, new forms of print media and graphic novels to little-known niche magazines, ‘The Stack’ is Monocle’s take on the world of print, focusing on everything from the glossiest fashion title to the grittiest local newspaper.
| Episode | Date |
|---|---|
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Books & Books, ‘Kathimerini English Edition’ and successful South Korean publications
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Apr 27, 2024 |
|
‘Wildsam Magazine’, Paper Café in Nairobi and Japanese music books
|
Apr 20, 2024 |
|
Simon Kuper’s new book on Paris, food titles at Salone del Mobile and the return of ‘Saveur’
|
Apr 13, 2024 |
|
‘Fortune’, ‘Secret Stays’ and ‘Twen (1959-1971)’
|
Apr 06, 2024 |
|
‘Numéro Switzerland’ debut, food title ‘Picnic’ and a zine on Indonesian cooking
|
Mar 30, 2024 |
|
Maria Fernanda Delmas from ‘Valor Econômico’, Brazil’s main financial daily
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Mar 23, 2024 |
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A Brazilian publishing house, ‘Summit Journal’ and Japan’s stationery awards
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Mar 16, 2024 |
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Desire in print
|
Mar 09, 2024 |
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Sarah Andelman, Mise en Page
|
Mar 02, 2024 |
|
Foreign Exchange News, ‘Paper’ and Class of Palm Beach
|
Feb 24, 2024 |
|
The new Saint Laurent bookshop, a title on all things Balkans and a Manchester quarterly
|
Feb 17, 2024 |
|
‘Direction of Travel’, ‘L’Illustré’ and ‘O Novo Rio’
|
Feb 10, 2024 |
|
‘Ori’, ‘Office’ and ‘Fotografiska Berlin Magazine’
|
Feb 03, 2024 |
|
Reinventing the newsstand and fashion criticism
|
Jan 27, 2024 |
|
‘Quarter Past Noon’, ‘The Island Book of Records’ and media in Iowa
|
Jan 20, 2024 |
|
‘Afrosport’, Dingbats* notebooks and ‘Agreenculture’
|
Jan 13, 2024 |
|
‘The Grub Street Journal’, Newsstand and ‘Untapped’
|
Jan 06, 2024 |
|
The best of 2023, part two
|
Dec 30, 2023 |
|
The Stack Best of 2023
|
Dec 23, 2023 |
|
IDEA – the home of Superbooks
|
Dec 16, 2023 |
|
The delights of a Smythson notebook and ‘Apartamento’ magazine
|
Dec 09, 2023 |
|
‘Noma in Kyoto’, ‘Freude.Forever’ and ‘Roam’
|
Dec 02, 2023 |
|
‘Somesuch Stories’ and new spaces to buy magazines: Spruce Gallery and Adresse News
|
Nov 25, 2023 |
|
Jo Ellison, ‘HTSI’ editor
|
Nov 18, 2023 |
|
How the notebook changed the world
|
Nov 11, 2023 |
|
‘Cocoa & Jasmine’, ‘New Escapologist’ and ‘Get Familiar’
|
Nov 04, 2023 |
|
‘Fantastic Man’, ‘The Entrepreneurs’ and PageFive
|
Oct 28, 2023 |
|
Photography in Ghana, an Asian literary journal and the transition to print
|
Oct 21, 2023 |
|
A cool Moroccan title, a Dutch magazine supplement and wildlife photography
|
Oct 14, 2023 |
|
Surf photography, Australia’s top bookshop and modernism in print
|
Oct 07, 2023 |
|
‘The Manchester Mill’, DistriPress and ‘Bibliotech’
|
Sep 30, 2023 |
|
We love newsstands!
|
Sep 23, 2023 |
|
‘We Stay’, ‘Krytyka’ and ‘Cake Zine’
|
Sep 16, 2023 |
|
‘Swill’ and ‘Sea Pools’
|
Sep 09, 2023 |
|
The Hydra Book Club and ‘Red’ magazine
|
Sep 02, 2023 |
|
10 years of Indiecon, ‘Linseed’ and ‘To Have & To Hold’
|
Aug 26, 2023 |
|
‘Technikart’ and ‘Cultured’
|
Aug 19, 2023 |
|
Afluente, ‘The Drift’ and ‘Bagel’
|
Aug 12, 2023 |
|
‘Flaneur’, ‘The Laterals’ and ‘Play & Display’
|
Aug 05, 2023 |
|
‘RACEWKND’, Typewronger Books and ‘The Paper’
|
Jul 29, 2023 |
|
‘Swim & Sun: A Monocle Guide’, ‘Slop’ and ‘Sablos’
|
Jul 22, 2023 |
|
‘Delayed Gratification’, ‘The Monocle Companion’ and ‘The Jungle Journal’
|
Jul 15, 2023 |
|
‘Racquet’, ‘Paperboy’ and ‘The Pop Manifesto’
|
Jul 08, 2023 |
|
A catalogue that changed men’s fashion – plus how to write with style
|
Jul 01, 2023 |
|
‘Elle’, Ferment Kiosk and ‘Eaten’
|
Jun 24, 2023 |
|
‘Form International Issue’, ‘Mother Tongue’ and ‘Hard Pack’
|
Jun 17, 2023 |
|
‘The Beautiful Truth’, ‘Digital Storytelling’, ‘Klein’s Journal’ and ‘Patagon Journal’
|
Jun 10, 2023 |
|
‘Substack’, ‘Mirage’ and ‘Meantime’
|
Jun 03, 2023 |
|
A typography study, ‘Cahiers du Cinéma’ and gay fine art photography
|
May 27, 2023 |
|
Neville Brody
|
May 20, 2023 |
|
Ari Shapiro, Mag to Mag and ‘The Unseasonal’
|
May 13, 2023 |
|
Sarah McNally, William Lee Adams and Richard Hoechner
|
May 06, 2023 |
|
‘Architectural Digest’, ‘Condé Nast Traveler’ and ‘Prospect’
|
Apr 29, 2023 |
|
‘The New Yorker’, ‘Agência Pública’ and ‘Capsule’
|
Apr 22, 2023 |
|
‘The New York Times’ and ‘Footnotes’
|
Apr 15, 2023 |
|
‘ScreenAge’ by Fenton Bailey and ‘Bon Appétit’
|
Apr 08, 2023 |
|
What makes a good bookshop
|
Apr 01, 2023 |
|
‘Afghan Style’ and ‘Josef’
|
Mar 25, 2023 |
|
‘Sloft’, ‘Journal Safar’ and ‘Cold Cuts’
|
Mar 18, 2023 |
|
Film special: ‘A Rabbit’s Foot’ and At The Movies
|
Mar 11, 2023 |
|
‘Vanity Fair’ editor in chief, Radhika Jones
|
Mar 04, 2023 |
|
Jay Fielden on men’s magazines and Debika Ray from ‘Crafts’
|
Feb 25, 2023 |
|
‘The Colour Journal’ and ‘MacGuffin’
|
Feb 18, 2023 |
|
‘It’s A Passion Thing’, ‘Glory’ and ‘Tennis In Photographs’
|
Feb 11, 2023 |
|
A print selection
|
Feb 04, 2023 |
|
Dian Hanson’s ‘The History of Men’s Magazines’
|
Jan 28, 2023 |
|
‘Dagens Nyheter’, ‘Franchise’ and ‘20 Seconds’
|
Jan 21, 2023 |
|
The Monocle Companion and Eurozine
|
Jan 14, 2023 |
|
‘Forbes Ukraine’ and ‘Buffalo Zine’
|
Jan 07, 2023 |
|
The Best Of - Part 2
|
Dec 31, 2022 |
|
The Best Of – Part 1
|
Dec 24, 2022 |
|
‘The Number Ones’
|
Dec 17, 2022 |
|
A book on the best documentaries, Sudan’s first fashion zine and a local newspaper from Montana
|
Dec 10, 2022 |
|
‘Sight & Sound’s greatest films of all time
|
Dec 03, 2022 |
|
‘Bon Appétit’ redesign, ‘Tatler Hong Kong’ and George Lois
|
Nov 28, 2022 |
|
‘Bon Appétit’ redesign, ‘Tatler Hong Kong’ and George Lois
|
Nov 24, 2022 |
|
‘Remote Experiences’ and ‘Delayed Gratification’
|
Nov 19, 2022 |
|
Steven Klein
|
Nov 12, 2022 |
|
Steven Klein
|
Nov 12, 2022 |
|
‘Semafor’, ‘Linseed Journal’ and food writer Grace Dent
|
Nov 05, 2022 |
|
‘Condé Nast Traveler’, ‘Creem’ and ‘Process’
|
Oct 29, 2022 |
|
Christoph Amend, Luciane Pisani, Txai Suruí
|
Oct 22, 2022 |
|
World News Media Congress highlights
|
Oct 15, 2022 |
|
Marina Hyde and Joyce Pascowitch
|
Oct 08, 2022 |
|
Brazilian election special
|
Oct 01, 2022 |
|
Brazil’s podcast boom and the launch of ‘Vogue’ Philippines
|
Sep 24, 2022 |
|
Edward Enninful, ‘Euroman’ and the Jakarta Art Book Fair
|
Sep 17, 2022 |
|
‘Somesuch Stories’, micropublishing, global reaction to Queen Elizabeth II’s death
|
Sep 10, 2022 |
|
Panini’s World Cup sticker album
|
Sep 03, 2022 |
|
Indiecon 2022 special and Estonia’s largest newspaper, ‘Postimees’
|
Aug 27, 2022 |
|
‘The Cobrasnake’, print media in Hong Kong and Nick Bryant
|
Aug 20, 2022 |
|
‘Good Housekeeping’ and ‘Outsider’
|
Aug 13, 2022 |
|
Ted Kessler and the British music press
|
Aug 06, 2022 |
|
‘Pitch’, ‘smART’ magazine and the 24.02 Fund
|
Jul 30, 2022 |
|
‘The Monocle Companion’ and ‘Farta’
|
Jul 23, 2022 |
|
Summer reading: the Hydra Book Club, ‘Lodestars Anthology’, ‘In Palma’ and ‘Monocle Mediterraneo’
|
Jul 16, 2022 |
|
New on the newsstand: ‘Manera’, ‘Disco Pogo’ and ‘Decisive Agents’
|
Jul 09, 2022 |
|
Mafalda Anjos from ‘Visão’ and Russ Slater from ‘Sounds and Colours’
|
Jul 02, 2022 |
|
James Hewes, Newsha Tavakolian and David Shaftel
|
Jun 25, 2022 |
|
The Monocle Quality of Life Conference 2022: media highlights
|
Jun 18, 2022 |