New Books in Performing Arts
By Marshall Poe
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Category: Performing Arts
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Episodes: 600
Description
This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.
Discover our 150+ channels and browse our 28,000+ episodes on our website: newbooksnetwork.com
Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: https://newbooksnetwork.substack.com/
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| Episode | Date |
|---|---|
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Playing with Plays: Drama and Early Modern Chinese Media Ecologies with Yinghui Wu (Brill, 2025)
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Sep 25, 2026 |
|
Leonhard Emmerling, "The Idiots: The History of the Homo Nullus" (Seagull Books, 2026)
|
Sep 09, 2026 |
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Erin A. Craig, "Our Strange Duet: Inspired by Andrew Lloyd Webber's Phantom of the Opera" (Delacorte Press, 2026)
|
Sep 01, 2026 |
|
John Trafton, "Los Angeles and Film: A Cultural History of 20th-Century Hollywood" (Bloomsbury, 2026)
|
Aug 31, 2026 |
|
Nancy Yunhwa Rao, "Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond" (U Illinois Press, 2025)
|
Aug 31, 2026 |
|
Transcending Disciplinary Confinements With(in) Beckett Studies
|
Aug 25, 2026 |
|
Musical Pripetshik: Lyrics and Melodies of Traditional Yiddish Folksongs
|
Aug 25, 2026 |
|
Beth Weinstein, "Architecture and Choreography: Collaborations in Dance, Space and Time" (Routledge, 2024)
|
Aug 22, 2026 |
|
Mulholland Drive at 25: Film Quarterly
|
Aug 21, 2026 |
|
Sandip Roy, "Chapal Rani, the Last Queen of Bengal" (Seagull Books, 2026)
|
Aug 20, 2026 |
|
Linda Williams and eds. Christine Gledhill et al., "Melodrama As Provocateur" (Duke UP, 2026)
|
Aug 14, 2026 |
|
Christopher Campo-Bowen, "Visions of the Village: Ruralness, Identity, and Czech Opera" (Oxford UP, 2025)
|
Aug 10, 2026 |
|
Caro Pirri, "Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement" (Oxford UP, 2025)
|
Aug 10, 2026 |
|
Caryl Flinn and Dana B. Polan, "The Patty Duke Show and the American Sixties: Hot Dogs and Crêpes Suzette" (Oxford UP, 2026)
|
Aug 09, 2026 |
|
Michelle Bigenho and Henry Stobart, "Heritage Fever: Law and Cultural Politics in a Decolonizing State" (Oxford UP, 2025)
|
Jul 26, 2026 |
|
Ashton Lazarus, "Performing Transgression: Crowds and Bodies in Heian Japan" (Harvard UP, 2026)
|
Jul 24, 2026 |
|
Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024)
|
Jul 19, 2026 |
|
Yiddish Tangos and Klezmer Mambos
|
Jul 10, 2026 |
|
Krzysztof Rowiński, "Failure Narratives Beyond Redemption: Twentieth Century Literature and Film" (Routledge, 2026)
|
Jul 07, 2026 |
|
John Kapusta, "Self-Realization Nation: How Artists of the Creative Counterculture Made a New America" (U California Press, 2026)
|
Jun 27, 2026 |
|
James O'Leary, "The Middlebrow Musical: Between Broadway and Opera in 1940s America" (Oxford UP, 2025)
|
Jun 19, 2026 |
|
Cheryl Thompson, "Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919" (Wilfrid Laurier Press, 2026)
|
Jun 16, 2026 |
|
Kristen Abbott Bennett, "Teaching Shakespeare's Theatre of the World" (Cambridge UP, 2025)
|
Jun 12, 2026 |
|
Allyson Nadia Field, "Acts of Love: Black Performance and the Kiss That Changed Film History" (U California Press, 2026)
|
Jun 06, 2026 |
|
Ginger Dellenbaugh, "Maria Callas's Lyric and Coloratura Arias" (Bloomsbury, 2021)
|
Jun 06, 2026 |
|
A Divine Comedy: On Hollywood, Creativity, and Religion with Rob Long
|
Jun 03, 2026 |
|
Joanna Dee Das, "Faith, Family, and Flag: Branson Entertainment and the Idea of America" (U Chicago Press, 2025)
|
May 31, 2026 |
|
Chloe Chapin, "Suitable: The Sartorial Revolution and the Fashioning of Modern Men" (Oxford UP, 2026)
|
May 31, 2026 |
|
Janani Balasubramanian and Natalie Gosnell, "Art-Science Undisciplined: A Playbook for Transformative Collaboration" (U California Press, 2026)
|
May 30, 2026 |
|
Robin R. Means Coleman and Novotny Lawrence eds., "The Oxford Handbook of Black Horror Film" (Oxford UP, 2024)
|
May 29, 2026 |
|
Yiddish Ethnography and An-ski
|
May 29, 2026 |
|
Andrea Zarafshon Moore, "Audible Loss: New Music and the Crisis of Memory" (Fordham UP, 2025)
|
May 26, 2026 |
|
Shane Breaux, "Reverberations of Culture: Racialized Performance in Early Twentieth-Century Musical Variety by Just a Buncha Clowns" (Routledge, 2026)
|
May 24, 2026 |
|
Tony Lee Moral, "A Century of Hitchcock: The Man, the Myths, the Legacy" (UP of Kentucky, 2026)
|
May 22, 2026 |
|
Marissa Nicosia, "Shakespeare in the Kitchen" (Routledge, 2026)
|
May 19, 2026 |
|
Es-pranza Humphrey, "Act Black: Posters from Black American Stage & Screen" (Poster House Museum, 2026)
|
May 12, 2026 |
|
David Womersley, "Thinking Through Shakespeare" (Princeton UP, 2026)
|
Apr 28, 2026 |
|
Michael Lee Nirenberg, "Cinematic Immunity" (Feral House, 2026)
|
Apr 25, 2026 |
|
Jes Battis, "It's Only Forever: Labyrinth" (ECW Press, 2026)
|
Apr 25, 2026 |
|
Laura Horak, "Trans Cinema: Making Communities, Identities, and Worlds" (U California Press, 2026)
|
Apr 23, 2026 |
|
Dybbuks, Golems, S. An-ski, and Jewish Legends in Times of Fear
|
Apr 18, 2026 |
|
The Shawshank Redemption in China: An Interview with Matti Lehtonen
|
Apr 17, 2026 |
|
Daniel Rachel, "This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich" (Akashic Books, 2026)
|
Apr 04, 2026 |
|
Danielle Bainbridge, "Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive" (NYU Press, 2026)
|
Apr 03, 2026 |
|
The 50th Anniversary Tour of Patti Smith's Horses: A Conversation with Caryn Rose
|
Mar 28, 2026 |
|
John Kuhn, "Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England" (U Pennsylvania Press, 2024)
|
Mar 27, 2026 |
|
Jewface: “Yiddish” Dialect Songs of Tin Pan Alley
|
Mar 16, 2026 |
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Jessica Clarke, "A New History of Ancient Roman Theatre" (Liverpool UP, 2025)
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Mar 13, 2026 |
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Karen Schupp and Sherrie Barr eds., "Stories We Dance / Stories We Tell: Essays on Dance in Higher Education" (McFarland, 2025)
|
Feb 15, 2026 |
|
Lynneth Miller Renberg, "Women, Dance and Parish Religion in England, 1300-1640: Negotiating the Steps of Faith" (Boydell & Brewer, 2022)
|
Feb 14, 2026 |
|
Sourit Bhattacharya, "Postcolonialism Now: Literature, Reading, Decolonising" (Orient BlackSwan, 2024)
|
Feb 13, 2026 |
|
Matti Friedman, "Who by Fire: Leonard Cohen in the Sinai" (Spiegel & Grau, 2022)
|
Feb 09, 2026 |
|
Isaac Butler, "The Method: How the Twentieth Century Learned to Act" (Bloomsbury, 2022)
|
Feb 08, 2026 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Feb 07, 2026 |
|
Polina Dimova, "At the Crossroads of the Senses: The Synaesthetic Metaphor Across the Arts in European Modernism" (Penn State UP, 2024)
|
Feb 06, 2026 |
|
Jacqueline Riding, "Hard Streets: Working-Class Lives in Charlie Chaplin’s London" (Profile Books, 2025)
|
Feb 05, 2026 |
|
Luis Rechani Agrait, "My Excellency: Comedy in Three Acts" (Swan Isle Press, 2025)
|
Jan 30, 2026 |
|
Luis Rechani Agrait, "My Excellency: Comedy in Three Acts" (Swan Isle Press, 2025)
|
Jan 30, 2026 |
|
Mark Gallagher, "Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal" (U Texas Press, 2025)
|
Jan 30, 2026 |
|
163* The Drama of Celebrity with Sharon Marcus (JP)
|
Jan 29, 2026 |
|
Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
|
Jan 26, 2026 |
|
Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
|
Jan 26, 2026 |
|
Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)
|
Jan 24, 2026 |
|
Kellen Hoxworth, "Transoceanic Blackface: Empire, Race, Performance" (Northwestern UP, 2024)
|
Jan 20, 2026 |
|
Christopher Lynch, "Formulating Foster: Stephen C. Foster and the Creation of a National Musical Myth" (Oxford UP, 2025)
|
Jan 19, 2026 |
|
Ryan Donovan, "Broadway Bodies: A Critical History of Conformity" (Oxford UP, 2023)
|
Jan 18, 2026 |
|
Leah Lowthorp, "Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India" (Indiana UP, 2025)
|
Jan 14, 2026 |
|
Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)
|
Jan 11, 2026 |
|
Caitlin Vincent, "Opera Wars: Inside the World of Opera and the Battles for Its Future" (Simon and Schuster, 2026)
|
Jan 10, 2026 |
|
Stuart Klawans, "Crooked, But Never Common: The Films of Preston Sturges" (Columbia UP, 2023)
|
Jan 10, 2026 |
|
Anita Gonzalez, "Shipping Out: Race, Performance, and Labor at Sea" (U Michigan Press, 2025)
|
Jan 09, 2026 |
|
Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)
|
Jan 05, 2026 |
|
Jason Isralowitz, "Nothing to Fear: Alfred Hitchcock and the Wrong Men" (Fayetteville Mafia Press, 2023)
|
Jan 05, 2026 |
|
Lesley Nicole Braun, "Congo's Dancers: Women and Work in Kinshasa" (U Wisconsin Press, 2023)
|
Jan 05, 2026 |
|
Susan McCready, "Commemorative Acts: French Theatre and the Memory of the Great War" (U Toronto Press, 2025)
|
Jan 02, 2026 |
|
Agata Fijalkowski, "Law, Visual Culture, and the Show Trial" (Routledge, 2023)
|
Dec 31, 2025 |
|
J. W. Rinzler and Lee Unkrich, "Stanley Kubrick's The Shining" (Taschen, 2023)
|
Dec 31, 2025 |
|
Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)
|
Dec 30, 2025 |
|
Eric G. Wilson, "Point Blank" (British Film Institute, 2023)
|
Dec 29, 2025 |
|
Sean Minogue, "Prodigals" (Latitude 46 Publishing, 2025)
|
Dec 27, 2025 |
|
Liberation & the Literature of the Women’s Movement with Bess Wohl and Honor Moore
|
Dec 23, 2025 |
|
Max Brzezinski, "Under Pressure: A Song by David Bowie and Queen" (Duke UP, 2025)
|
Dec 19, 2025 |
|
Mark Deuze, "Well-Being and Creative Careers: What Makes You Happy Can Also Make You Sick" (Intellect Books, 2025)
|
Dec 14, 2025 |
|
Jibola Fagbamiye and Conor McCreery, "Fela: Music Is the Weapon" (Amistad Press, 2025)
|
Dec 09, 2025 |
|
Grace Kessler Overbeke, "First Lady of Laughs: The Forgotten Story of Jean Carroll" (NYU Press, 2024)
|
Dec 05, 2025 |
|
Elliott Kalan, "Joke Farming: How to Write Comedy and Other Nonsense" (U Chicago Press, 2025)
|
Dec 04, 2025 |
|
Sarah F. Derbew, "Untangling Blackness in Greek Antiquity" (Cambridge UP, 2022)
|
Dec 01, 2025 |
|
Stefania Marghitu, "Teen TV" (Routledge, 2021)
|
Nov 30, 2025 |
|
Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
|
Nov 28, 2025 |
|
Amy Hughes, "An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States" (U Michigan Press, 2025)
|
Nov 24, 2025 |
|
Lester D. Friedman, "Citizen Spielberg" (U of Illinois Press, 2022)
|
Nov 17, 2025 |
|
Christina Lane, "Phantom Lady: Hollywood Producer Joan Harrison, the Forgotten Woman Behind Hitchcock" (Chicago Review Press, 2020)
|
Nov 16, 2025 |
|
Páraic Kerrigan, "LGBTQ Visibility, Media and Sexuality in Ireland" (Routledge, 2020)
|
Nov 16, 2025 |
|
Lucy Caplan, "Dreaming in Ensemble: How Black Artists Transformed American Opera" (Harvard UP, 2025)
|
Nov 15, 2025 |
|
Strings of Identity: The Horse-Head Fiddle and Mongolian Identity in China (with Ying Song)
|
Nov 05, 2025 |
|
Jessica Doyle and Jordan Ferguson, "Dance Dance Revolution" (Boss Fight Books, 2025)
|
Nov 03, 2025 |
|
Janice Ross "The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design" (Oxford UP, 2025)
|
Oct 28, 2025 |
|
A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia
|
Oct 27, 2025 |
|
Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
|
Oct 25, 2025 |
|
Julia Fawcett, "Movable Londons: Performance and the Modern City" (U Michigan Press, 2025)
|
Oct 25, 2025 |
|
Delia Casadei, "Risible: Laughter without Reason and the Reproduction of Sound" (U California Press, 2024)
|
Oct 21, 2025 |
|
Peter C. Zimmerman, "The Jazz Masters: Setting the Record Straight" (UP of Mississippi, 2021)
|
Oct 20, 2025 |
|
Bradley Morgan, "U2: Until the End of the World" (Weldon Owen, 2025)
|
Oct 19, 2025 |
|
Whitney Laemmli on Making Movement Modern
|
Oct 13, 2025 |
|
Christa Anne Bentley et al, eds., "Taylor Swift: The Star, The Songs, The Fans" (Routledge, 2025)
|
Sep 27, 2025 |
|
Samer Al-Saber, "A Movement's Promise: The Making of Contemporary Palestinian Theater" (Stanford UP, 2025)
|
Sep 24, 2025 |
|
Mary Beth Willard, "Why It's Ok to Enjoy the Work of Immoral Artists" (Routledge, 2021)
|
Sep 22, 2025 |
|
Cary Baker, "Down On The Corner: Adventures in Busking & Street Music" (Jawbone Press, 2025)
|
Sep 05, 2025 |
|
Leon J. Hilton, "Counter-Cartographies: Neurodivergence and the Errancies of Performance" (U Minnesota Press, 2025)
|
Sep 02, 2025 |
|
Diana Souhami, "No Modernism Without Lesbians" (Head of Zeus Book, 2020)
|
Aug 31, 2025 |
|
Nan Z. Da, The Chinese Tragedy of King Lear (Princeton UP, 2025)
|
Aug 21, 2025 |
|
Kathleen Wilson, "Strolling Players of Empire: Theater and Performances of Power in the British Imperial Provinces, 1656–1833" (Cambridge UP, 2022)
|
Aug 21, 2025 |
|
Christopher M. Reali, "Music and Mystique in Muscle Shoals" (U Illinois Press, 2022)
|
Aug 17, 2025 |
|
Inna Faliks, "Weight in the Fingertips: A Musical Odyssey from Soviet Ukraine to the World Stage" (Backbeat Books, 2023)
|
Aug 15, 2025 |
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"Swiz" (Akashic Books, 2025)
|
Aug 11, 2025 |
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Julia Sneeringer, "A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69" (Bloomsbury, 2018)
|
Aug 03, 2025 |
|
Sarah E. K. Smith, "Trading on Art: Cultural Diplomacy and Free Trade in North America" (UBC Press, 2025)
|
Aug 02, 2025 |
|
Martin Shuster, "Critical Theory: The Basics" (Routledge, 2024)
|
Aug 01, 2025 |
|
Jess Reia, "Urban Music Governance: What Busking Can Teach Us about Data, Policy and Our Cities" (Intellect, 2025)
|
Jul 29, 2025 |
|
Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
|
Jul 27, 2025 |
|
Charlotte Bentley, "New Orleans and the Creation of Transatlantic Opera, 1819–1859" (U of Chicago Press, 2022)
|
Jul 25, 2025 |
|
Lost Women of Disco
|
Jul 22, 2025 |
|
Kelefa Sanneh, "Major Labels: A History of Popular Music in Seven Genres" (Penguin, 2021)
|
Jul 20, 2025 |
|
Triauna Carey, "The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance" (Lexington Books, 2024)
|
Jul 18, 2025 |
|
Neil Gregor, "The Symphony Concert in Nazi Germany" (U Chicago Press, 2025)
|
Jul 12, 2025 |
|
Love Saves the Day: On the 1970s New York Club Scene
|
Jul 08, 2025 |
|
Nan Z. Da, "The Chinese Tragedy of King Lear" (Princeton UP, 2025)
|
Jul 08, 2025 |
|
S1.E2. Wayne County at the Trucks (1974)
|
Jul 02, 2025 |
|
Cheryl Thompson, "Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895" (Wilfrid Laurier UP, 2025)
|
Jul 01, 2025 |
|
John DeVore, "Theatre Kids: A True Tale of Off-Off Broadway" (Applause, 2024)
|
Jun 28, 2025 |
|
Shayna M. Silverstein, "Fraught Balance: The Embodied Politics of Dabke Dance Music in Syria" (Wesleyan UP, 2024)
|
Jun 27, 2025 |
|
Maya J. Berry, "Defending Rumba in Havana: The Sacred and the Black Corporeal Undercommons" (Duke UP, 2025)
|
Jun 25, 2025 |
|
Amin Ghaziani, "Long Live Queer Nightlife: How the Closing of Gay Bars Sparked a Revolution" (Princeton UP, 2024)
|
Jun 21, 2025 |
|
Frederick Reece, "Forgery in Musical Composition: Aesthetics, History, and the Canon" (Oxford University Press, 2025)
|
Jun 17, 2025 |
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Leah Lax, "Not From Here: the Song of America" (Pegasus Elliot MacKenzie, 2024)
|
Jun 17, 2025 |
|
Pamela Karimi, "Women, Art, Freedom: Artists and Street Politics in Iran" (Leuven University Press, 2024)
|
Jun 14, 2025 |
|
John Trafton, "Movie-Made Los Angeles" (Wayne State UP, 2023)
|
Jun 11, 2025 |
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antonio c. cuyler, "Achieving Creative Justice in the U.S. Creative Sector" (Routledge, 2025)
|
Jun 10, 2025 |
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Gwynne Kuhner Brown, "William L. Dawson" (University of Illinois Press, 2024)
|
Jun 08, 2025 |
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Paola De Santo and Caterina Mongiat Farina, (eds. and trans.) Isabella Andreini, "Letters" (Iter Press, 2023)
|
Jun 07, 2025 |
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Donall Mac Cathmhaoill, "Theatres of Post-Conflict Northern Ireland: Winning the Peace" (University of Exeter Press, 2024)
|
Jun 07, 2025 |
|
Katie Beswick, "Slags on Stage: Class, Sex, Art and Desire in British Culture" (Routledge, 2025)
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May 31, 2025 |
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Adi Nester, "Unsettling Difference: Music Drama, the Bible, and the Critique of German Jewish Identity" (Cornell UP, 2025)
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May 30, 2025 |
|
Heist
|
May 28, 2025 |
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Claire Knight, "Stalin's Final Films: Cinema, Socialist Realism, and Soviet Postwar Reality, 1945-1953" (Cornell UP, 2024)
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May 23, 2025 |
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Kevin Smokler, "Break the Frame: Conversations with Women Filmmakers" (Oxford UP, 2025)
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May 22, 2025 |
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M. Myrta Leslie Santana, Transformismo: Performing Trans/Queer Cuba" (U Michigan Press, 2025)
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May 20, 2025 |
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Matthew Restall, "On Elton John: An Opinionated Guide" (Oxford UP, 2025)
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May 16, 2025 |
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Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025)
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May 15, 2025 |
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Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)
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May 14, 2025 |
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Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)
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May 13, 2025 |
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The Fisher King
|
May 12, 2025 |
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Ariel Nereson, "Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past" (U Michigan Press, 2022)
|
May 11, 2025 |
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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
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May 08, 2025 |
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John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025)
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May 07, 2025 |
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Robin Miles: Talking Books
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May 06, 2025 |
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Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025)
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May 05, 2025 |
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Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)
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May 04, 2025 |
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Yuma Hampejs and Marcel Schulze, "Electronic Body Music" (Mionaetti, 2024)
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Apr 30, 2025 |
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Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025)
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Apr 25, 2025 |
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Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
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Apr 21, 2025 |
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Alfred L. Martin, Jr., "Fandom for Us, by Us: The Pleasures and Practices of Black Audiences" (NYU Press, 2025)
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Apr 19, 2025 |
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Sarah Saddler, "Performing Corporate Bodies: Multinational Theatre in Global India" (Routledge, 2025)
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Apr 15, 2025 |
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David Wiles, "Democracy, Theatre and Performance: From the Greeks to Gandhi" (Cambridge UP, 2024)
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Apr 12, 2025 |
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Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)
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Apr 08, 2025 |
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Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025)
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Apr 07, 2025 |
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Miriam Haughton, "The Theatre of Louise Lowe" (Cambridge UP, 2025)
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Apr 02, 2025 |
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Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)
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Mar 29, 2025 |
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Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024)
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Mar 28, 2025 |
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Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024)
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Mar 25, 2025 |
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Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)
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Mar 25, 2025 |
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Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024)
|
Mar 19, 2025 |
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Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)
|
Mar 14, 2025 |
|
Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)
|
Mar 08, 2025 |
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Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)
|
Mar 07, 2025 |
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Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)
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Mar 06, 2025 |
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Georgia Finnegan, "Grace & Grit: A History of Ballet in Minnesota" (Afton Historical Society, 2024)
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Mar 06, 2025 |
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Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)
|
Mar 05, 2025 |
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Alfie Bown, "Post-Comedy" (Polity, 2025)
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Mar 05, 2025 |
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Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)
|
Mar 05, 2025 |
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Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)
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Mar 04, 2025 |
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Joseph Jonghyun Jeon, "Bong Joon Ho" (U Illinois Press, 2024)
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Mar 04, 2025 |
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William Burns, "Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia" (Headpress, 2025)
|
Feb 25, 2025 |
|
Joseph Straus, "Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians" (Routledge, 2024)
|
Feb 15, 2025 |
|
Pamela Allen Brown, "The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata" (Oxford UP, 2021)
|
Feb 14, 2025 |
|
Laurel Victoria Gray, "Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road" (Bloomsbury, 2024)
|
Feb 10, 2025 |
|
Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024)
|
Feb 09, 2025 |
|
Réjane Dreifuss et al., "Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers" (Transcript Publishing, 2024)
|
Feb 08, 2025 |
|
Samantha Ege, "South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene" (U Illinois Press, 2024)
|
Feb 07, 2025 |
|
Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024)
|
Feb 03, 2025 |
|
Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023)
|
Jan 20, 2025 |
|
Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)
|
Jan 17, 2025 |
|
Arthur Bradley, "Staging Sovereignty: Theory, Theater, Thaumaturgy" (Columbia UP, 2024)
|
Jan 15, 2025 |
|
In One Ear, Out The Other
|
Jan 06, 2025 |
|
Adam Zucker, "Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity" (Oxford UP, 2024)
|
Jan 03, 2025 |
|
Randy Fertel, "Winging It: Improv’s Power & Peril in the Time of AI & Trump" (Spring, 2024)
|
Dec 24, 2024 |
|
Joseph McBride, "George Cukor's People: Acting for a Master Director" (Columbia UP, 2024)
|
Dec 21, 2024 |
|
Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)
|
Dec 13, 2024 |
|
Beth Kaplan, "Finding the Jewish Shakespeare: The Life and Legacy of Jacob Gordin" (Syracuse UP, 2007)
|
Dec 12, 2024 |
|
Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)
|
Dec 11, 2024 |
|
Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)
|
Dec 06, 2024 |
|
Biopic
|
Dec 01, 2024 |
|
Chris Berry et al., "Taiwanese-Language Cinema: Rediscovered and Reconsidered" (Edinburgh UP, 2024)
|
Nov 27, 2024 |
|
David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)
|
Nov 25, 2024 |
|
Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)
|
Nov 25, 2024 |
|
Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)
|
Nov 23, 2024 |
|
Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)
|
Nov 21, 2024 |
|
Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)
|
Nov 19, 2024 |
|
Carrie J. Preston, "Complicit Participation: The Liberal Audience for Theater of Racial Justice" (Oxford UP, 2024)
|
Nov 19, 2024 |
|
Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)
|
Nov 18, 2024 |
|
Risk
|
Nov 16, 2024 |
|
Nicholas Baer, "Historical Turns: Weimar Cinema and the Crisis of Historicism" (U California Press, 2024)
|
Nov 16, 2024 |
|
Elsie Walker, "Life 24x a Second: Cinema, Selfhood, and Society" (Oxford UP, 2023)
|
Nov 14, 2024 |
|
Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)
|
Nov 12, 2024 |
|
Daniela Berghahn, "Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film" (Edinburgh UP, 2023)
|
Nov 09, 2024 |
|
Roberto Morales-Harley, "The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater” (Open Book, 2024)
|
Nov 07, 2024 |
|
John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)
|
Nov 07, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Nov 02, 2024 |
|
Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)
|
Nov 01, 2024 |
|
Bihani Sarkar, "Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India" (I. B. Tauris, 2021)
|
Oct 30, 2024 |
|
Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)
|
Oct 26, 2024 |
|
Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
|
Oct 25, 2024 |
|
Kevin Sanson, "Mobile Hollywood: Labor and the Geography of Production" (U California Press, 2024)
|
Oct 20, 2024 |
|
Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)
|
Oct 19, 2024 |
|
Peter C. Kunze, "Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance" (Rutgers UP, 2023)
|
Oct 19, 2024 |
|
Brad Balukjian, "The Six Pack: On the Open Road in Search of Wrestlemania" (Hachette, 2024)
|
Oct 18, 2024 |
|
Ora Horn Prouser et al., "Under One Tent: Circus, Judaism, and Bible" (Ben Yehuda Press, 2023)
|
Oct 14, 2024 |
|
Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023)
|
Oct 10, 2024 |
|
John Withington, "A History of Fireworks from: Their Origins to the Present Day" (Reaktion, 2024)
|
Oct 08, 2024 |
|
Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)
|
Oct 07, 2024 |
|
Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
|
Oct 05, 2024 |
|
Serena Laiena, "The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing" (U Delaware Press, 2023)
|
Oct 05, 2024 |
|
Lynne B. Sagalyn, "Times Square Remade: The Dynamics of Urban Change" (MIT Press, 2023)
|
Sep 30, 2024 |
|
Konrad Bercovici, "The Algonquin Round Table: 25 Years with the Legends Who Lunch" (SUNY Press, 2024)
|
Sep 28, 2024 |
|
Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)
|
Sep 24, 2024 |
|
Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)
|
Sep 24, 2024 |
|
Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016)
|
Sep 23, 2024 |
|
Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)
|
Sep 21, 2024 |
|
Sheri Chinen Biesen, "Through a Noir Lens: Adapting Film Noir Visual Style" (Columbia UP, 2024)
|
Sep 18, 2024 |
|
Salma Siddique, "Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960" (Cambridge UP, 2022)
|
Sep 14, 2024 |
|
Grant Olwage, "Paul Robeson's Voices" (Oxford UP, 2023)
|
Sep 13, 2024 |
|
Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)
|
Sep 13, 2024 |
|
Steve Jones, "The Metamodern Slasher Film" (Edinburgh UP, 2024)
|
Sep 10, 2024 |
|
Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)
|
Sep 08, 2024 |
|
Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)
|
Sep 07, 2024 |
|
Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
|
Sep 07, 2024 |
|
Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)
|
Sep 06, 2024 |
|
John S. Garrison, "Red Hot + Blue" (Bloomsbury, 2024)
|
Sep 02, 2024 |
|
Steven Watts, "Citizen Cowboy: Will Rogers and the American People" (Cambridge UP, 2024)
|
Aug 31, 2024 |
|
Tarryn Li-Min Chun, "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024), "Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China" (U Michigan Press, 2024)
|
Aug 30, 2024 |
|
Randall Stephens, "The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock n’ Roll" (Harvard UP, 2018)
|
Aug 28, 2024 |
|
Sara Farrington, "A Trojan Woman Adapted from Euripides" (Broadway Play Publishing, 2024)
|
Aug 27, 2024 |
|
Christopher Brown, "Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice" (Edinburgh UP, 2024)
|
Aug 27, 2024 |
|
Jennifer Ponce de León, "Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War" (Duke UP, 2021)
|
Aug 23, 2024 |
|
Laura S. Lieber, "Staging the Sacred: Performance in Late Ancient Liturgical Poetry" (Oxford UP, 2023)
|
Aug 19, 2024 |
|
The Sounds of Silents
|
Aug 19, 2024 |
|
Alonso Duralde, "Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film" (Running Press Adult, 2024)
|
Aug 14, 2024 |
|
Leslie Ramos, "Philanthropy in the Arts: A Game of Give and Take" (Lund Humphries, 2023)
|
Aug 11, 2024 |
|
Marissa Nicosia, "Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660" (Oxford UP, 2023)
|
Aug 11, 2024 |
|
George Musgrave, "The England No One Cares About: Lyrics from Suburbia" (Goldsmiths Press, 2023)
|
Aug 10, 2024 |
|
Melissa Fitzgerald and Mary McCormack, "What's Next: A Backstage Pass to The West Wing, Its Cast and Crew, and Its Enduring Legacy of Service" (Dutton, 2024)
|
Aug 07, 2024 |
|
Jessica Roda, "For Women and Girls Only: Reshaping Jewish Orthodoxy Through the Arts in the Digital Age" (NYU Press, 2024)
|
Aug 06, 2024 |
|
Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024)
|
Aug 06, 2024 |
|
Nadirah Simmons, "First Things First: Hip-Hop Ladies Who Changed the Game" (Twelve, 2024)
|
Aug 04, 2024 |
|
Yiman Wang, "To Be an Actress: Labor and Performance in Anna May Wong's Cross-Media World" (U California Press, 2024)
|
Aug 04, 2024 |
|
Kate Hext, "Wilde in the Dream Factory: Decadence and the American Movies" (Oxford UP, 2024)
|
Aug 03, 2024 |
|
Jim Higgins, "Sweet, Wild and Vicious: Listening to Lou Reed and the Velvet Underground" (Trouser Press, 2024)
|
Jul 30, 2024 |
|
Kathleen Loock, "Hollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture" (U California Press, 2024)
|
Jul 27, 2024 |
|
Lindsay Goss, "F*ck The Army!: How Soldiers and Civilians Staged the GI Movement to End the Vietnam War" (NYU Press, 2024)
|
Jul 27, 2024 |
|
Robyn Hitchcock, "1967: How I Got There and Why I Never Left" (Akashic Books, 2024)
|
Jul 27, 2024 |
|
Jonathan Branfman, "Millennial Jewish Stars: Navigating Racial Antisemitism, Masculinity, and White Supremacy" (NYU Press, 2024)
|
Jul 26, 2024 |
|
Miguel Escobar Varela, "Theater as Data: Computational Journeys Into Theater Research" (U Michigan Press, 2021)
|
Jul 24, 2024 |
|
Charles Barr, "British Cinema: a Very Short Introduction" (Oxford UP, 2022)
|
Jul 23, 2024 |
|
Patrick McKelvey, "Disability Works: Performance After Rehabilitation" (NYU Press, 2024)
|
Jul 23, 2024 |
|
Kevin Mattson, "We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America" (Oxford UP, 2020)
|
Jul 22, 2024 |
|
Sarah Milton, "Ageing and New Intimacies: Gender, Sexuality and Temporality in an English Salsa Scene" (Manchester UP, 2024)
|
Jul 17, 2024 |
|
Helen Freear-Papio and Candyce Crew Leonard, "The Theatre of Twenty-First Century Spain" (Vernon Press, 2022)
|
Jul 16, 2024 |
|
Melissa E. Anderson, "Inland Empire" (Fireflies Press, 2021)
|
Jul 16, 2024 |
|
Emily Wilbourne, "Voice, Slavery, and Race in Seventeenth-Century Florence" (Oxford UP, 2023)
|
Jul 16, 2024 |
|
Emily J. Lordi, "The Meaning of Soul: Black Music and Resilience Since the 1960s" (Duke UP, 2020)
|
Jul 15, 2024 |
|
Pamela Hutchinson, "The Red Shoes" (Bloomsbury, 2023)
|
Jul 14, 2024 |
|
AI and Music: The Future is Here (featuring "There I Ruined It")
|
Jul 13, 2024 |
|
Heidi Honeycutt, "I Spit on Your Celluloid: The History of Women Directing Horror Movies" (Headpress, 2024)
|
Jul 12, 2024 |
|
Danielle Antoinette Hidalgo, "Dance Music Spaces: Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism" (Lexington, 2023)
|
Jul 12, 2024 |
|
Paul Rekret, "Take This Hammer: Work, Song, Crisis" (Goldsmiths Press, 2024)
|
Jul 10, 2024 |
|
Ed Simon, "Devil's Contract: A History of the Faustian Bargain" (Melville House, 2024)
|
Jul 09, 2024 |
|
Breathing Together
|
Jul 08, 2024 |
|
Jake Johnson, "The Possibility Machine: Music and Myth in Las Vegas" (U Illinois Press, 2023)
|
Jul 07, 2024 |
|
Swapnil Rai, "Networked Bollywood: How Star Power Globalized Hindi Cinema" (Cambridge UP, 2024)
|
Jun 29, 2024 |
|
Barbara Klinger, "Immortal Films: 'Casablanca' and the Afterlife of a Hollywood Classic" (U California Press, 2022)
|
Jun 27, 2024 |
|
Ann Powers, "Traveling: On the Path of Joni Mitchell" (Dey Street Books, 2024)
|
Jun 24, 2024 |
|
Christopher T. Conner and David R. Dickens, "Electronic Dance Music: From Deviant Subculture to Culture Industry" (Rowman & Littlefield, 2023)
|
Jun 23, 2024 |
|
Hank Willenbrink, "Performing for the Don: Theatres of Faith in the Age of Trump" (Routledge, 2024)
|
Jun 23, 2024 |
|
Jennifer S. Clark, "Producing Feminism: Television Work in the Age of Women's Liberation" (U California Press, 2024)
|
Jun 21, 2024 |
|
Harry R. McCarthy, "Boy Actors in Early Modern England" (Cambridge UP, 2022)
|
Jun 17, 2024 |
|
Jared Stearns, "Pure: The Sexual Revolutions of Marilyn Chambers" (Headpress, 2024)
|
Jun 14, 2024 |
|
Laura Davis-Chanin and Liz Lamere, "Infinite Dreams: The Life of Alan Vega" (Backbeat Books, 2024)
|
Jun 11, 2024 |
|
Timothy P. Storhoff, "Harmony and Normalization: US-Cuban Musical Diplomacy" (UP of Mississippi, 2020)
|
Jun 09, 2024 |
|
Matthew D. Morrison, "Blacksound: Making Race and Popular Music in the United States" (U California Press, 2024)
|
Jun 05, 2024 |
|
Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024)
|
Jun 04, 2024 |
|
Ramón Espejo, "The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues" (Legenda, 2024)
|
Jun 02, 2024 |
|
Robert Phillip Kolker and Marsha Gordon, "Film, Form, and Culture" (Routledge, 2024)
|
May 30, 2024 |
|
Bodie A. Ashton, "The Pet Shop Boys and the Political: Queerness, Culture, Identity, and Society" (Bloomsbury, 2024)
|
May 28, 2024 |
|
Chris Haufe, "Do the Humanities Create Knowledge?" (Cambridge UP, 2023)
|
May 28, 2024 |
|
Nicholas Taylor-Collins, "Shakespeare, Memory, and Modern Irish Literature" (Manchester UP, 2022)
|
May 24, 2024 |
|
Nicholas Underwood, "Yiddish Paris: Staging Nation and Community in Interwar France" (Indiana UP, 2022)
|
May 21, 2024 |
|
Rob Drew, "Unspooled: How the Cassette Made Music Shareable" (Duke UP, 2023)
|
May 20, 2024 |
|
James A. Cosby, "Rock Music, Authority and Western Culture, 1964-1980" (McFarland, 2024)
|
May 19, 2024 |
|
Ambereen Dadabhoy, "Shakespeare Through Islamic Worlds" (Routledge, 2023)
|
May 17, 2024 |
|
Douglas L. Reside, "Fixing the Musical: How Technologies Shaped the Broadway Repertory" (Oxford UP, 2023)
|
May 15, 2024 |
|
Julia A. Cassiday, "Russian Style: Performing Gender, Power, and Putinism" (U Wisconsin Press, 2023)
|
May 14, 2024 |
|
Alyxandra Vesey, "Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century" (Oxford UP, 2023)
|
May 11, 2024 |
|
Julia Havas, "Woman Up: Invoking Feminism in Quality Television" (Wayne State UP, 2022)
|
May 08, 2024 |
|
Sydney Stern, "The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics" (U Mississippi Press, 2019)
|
May 05, 2024 |
|
Patrick Humphries, "Cleopatra and the Undoing of Hollywood: How One Film Almost Sunk the Studios" (History Press, 2023)
|
May 04, 2024 |
|
Kristi Irene McKim, "Rushmore" (British Film Institute, 2023)
|
May 03, 2024 |
|
Katie Gee Salisbury, "Not Your China Doll: The Wild and Shimmering Life of Anna May Wong" (Dutton, 2024)
|
May 02, 2024 |
|
Justin O’Connor, "Culture is Not an Industry: Reclaiming Art and Culture for the Common" (Manchester UP, 2024)
|
May 01, 2024 |
|
Victoria Sparey, "Shakespeare's Adolescents: Age, Gender and the Body in Shakespearean Performance and Early Modern Culture" (Manchester UP, 2024)
|
Apr 30, 2024 |
|
Kristin M. Franseen, "Imagining Musical Pasts: The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson" (Clemson UP, 2023)
|
Apr 27, 2024 |
|
Dana Gorzelany-Mostak, "Tracks on the Trail: Popular Music, Race, and the US Presidency" (U Michigan Press, 2023)
|
Apr 26, 2024 |
|
Alexander Greenhough, "Albert Brooks: Interviews" (UP of Mississippi, 2024)
|
Apr 24, 2024 |
|
Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023)
|
Apr 17, 2024 |
|
Miriam Piilonen, "Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human" (Oxford UP, 2024)
|
Apr 15, 2024 |
|
Sharrona Pearl, "Mask" (Bloombury, 2024)
|
Apr 14, 2024 |
|
Ellie Tomsett, "Stand-up Comedy and Contemporary Feminisms: Sexism, Stereotypes and Structural Inequalities" (Bloomsbury, 2023)
|
Apr 06, 2024 |
|
Jane M. Ferguson, "Silver Screens and Golden Dreams: A Social History of Burmese Cinema" (U Hawaii Press, 2024)
|
Apr 05, 2024 |
|
Leah Broad, "Quartet: How Four Women Changed the Musical World" (Faber & Faber, 2023)
|
Apr 05, 2024 |
|
Daniel de Visé, "The Blues Brothers: An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic" (Grove Atlantic, 2024)
|
Apr 05, 2024 |
|
Edward Dusinberre, "Distant Melodies: Music in Search of Home" (U Chicago Press, 2022)
|
Apr 04, 2024 |
|
Richard Beaudoin, "Sounds As They Are: The unwritten music in classical recordings" (Oxford UP, 2024)
|
Apr 02, 2024 |
|
Sam McPheeters, "Mutations: Twenty Years Embedded in Hardcore Punk" (Barnacle Book, 2020)
|
Mar 28, 2024 |
|
Melodrama
|
Mar 25, 2024 |
|
Caste, Music, and Microinequities with Supriya Subramani
|
Mar 23, 2024 |
|
Radha Kapuria, "Music in Colonial Punjab" (Oxford UP, 2023)
|
Mar 21, 2024 |
|
Ellen E. Jones, "Screen Deep: How Film and TV Can Solve Racism and Save the World" (Faber and Faber, 2024)
|
Mar 16, 2024 |
|
Amy Lidster and Sonia Massai, "Shakespeare at War: A Material History" (Cambridge UP, 2023)
|
Mar 15, 2024 |
|
Jonas Tinius, "State of the Arts: An Ethnography of German Theatre and Migration" (Cambridge UP, 2023)
|
Mar 15, 2024 |
|
Gavin Butt, "No Machos Or Pop Stars: When the Leeds Art Experiment Went Punk" (Duke UP, 2022)
|
Mar 13, 2024 |
|
Reading Taylor Swift as a Cultural and Political Text
|
Mar 11, 2024 |
|
Xin Gu, "Cultural Work and Creative Subjectivity: Recentralising the Artist Critique and Social Networks in the Cultural Industries" (Routledge, 2023)
|
Mar 11, 2024 |
|
David Savran, "Tell It to the World: The Broadway Musical Abroad" (Oxford UP, 2024)
|
Mar 11, 2024 |
|
Priyanka Basu, "The Poet’s Song: ‘Folk’ and its Cultural Politics in South Asia" (Routledge, 2023)
|
Mar 06, 2024 |
|
Anna Dako, "Dances with Sheep: On RePairing the HumanNature Condition in Felt Thinking and Moving towards Wellbeing" (Intellect Books, 2023)
|
Mar 03, 2024 |
|
Joseph Cone, "Seeing Opera Anew: A Cultural and Biological Perspective" (Routledge, 2023)
|
Mar 03, 2024 |
|
Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024)
|
Mar 03, 2024 |
|
Jesse David Fox, "Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work" (FSG, 2023)
|
Mar 02, 2024 |
|
Marchella Ward, "Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back" (Cambridge UP, 2023)
|
Mar 01, 2024 |
|
Ina Marie Lunde Ilkama, "The Play of the Feminine" (HASP, 2023)
|
Feb 29, 2024 |
|
Horace J. Maxile, Jr. and Kristen M. Turner, "Race and Gender in the Western Music History Survey: A Teacher's Guide" (Routledge, 2022)
|
Feb 27, 2024 |
|
Stanley Wells, "What Was Shakespeare Really Like?" (Cambridge UP, 2023)
|
Feb 26, 2024 |
|
Imani D. Owens, "Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean" (Columbia UP, 2023)
|
Feb 23, 2024 |
|
Kareem Khubchandani, "Decolonize Drag" (OR Books, 2023)
|
Feb 14, 2024 |
|
Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2023)
|
Feb 07, 2024 |
|
Robert P. Kolker and Nathan Abrams, "Kubrick: An Odyssey" (Pegasus Books, 2024)
|
Feb 06, 2024 |
|
Mark Guarino, "Country and Midwestern: Chicago in the History of Country Music and the Folk Revival" (U Chicago Press, 2023)
|
Feb 05, 2024 |
|
Murray Forman and Mark V. Campbell, "Hip Hop Archives: The Politics and Poetics of Knowledge Production" (Intellect, 2023)
|
Feb 04, 2024 |
|
Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023)
|
Feb 04, 2024 |
|
Michael O'Malley, "The Beat Cop: Chicago's Chief O'Neill and the Creation of Irish Music" (U Chicago Press, 2022)
|
Feb 03, 2024 |
|
Merin Shobhana Xavier, "The Dervishes of the North: Rumi, Whirling, and the Making of Sufism in Canada" (U Toronto Press, 2023)
|
Feb 02, 2024 |
|
Sheila Marie Bock, "Claiming Space: Performing the Personal Through Decorated Mortarboards" (Utah State UP, 2023)
|
Feb 02, 2024 |
|
Andrew David Jackson, "The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea" (Edinburgh UP, 2023)
|
Jan 30, 2024 |
|
Eugenio Refini, "Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy" (Legenda, 2022)
|
Jan 25, 2024 |
|
Aaron Carnes, "In Defense of Ska: The Ska Now More Than Ever Edition" (Clash Books, 2023)
|
Jan 21, 2024 |
|
Jessica Goethals, "Margherita Costa, Diva of the Baroque Court" (U Toronto Press, 2023)
|
Jan 20, 2024 |
|
Aniefiok Ekpoudom, "Where We Come From: Rap, Home & Hope in Modern Britain" (Faber and Faber, 2024)
|
Jan 19, 2024 |
|
Adriana Helbig, "ReSounding Poverty: Romani Music and Development Aid" (Oxford UP, 2023)
|
Jan 19, 2024 |
|
Miles P. Grier, "Inkface: Othello and White Authority in the Era of Atlantic Slavery" (U Virginia Press, 2023)
|
Jan 15, 2024 |
|
Michael Quinn Dudley, "The Shakespeare Authorship Question and Philosophy" (Cambridge Scholars, 2023)
|
Jan 13, 2024 |
|
Matt Singer, "Opposable Thumbs: How Siskel & Ebert Changed Movies Forever" (G.P. Putnam's Sons, 2023)
|
Jan 13, 2024 |
|
Selby Wynn Schwartz, "The Bodies of Others: Drag Dances and Their Afterlives" (U Michigan Press, 2019)
|
Jan 11, 2024 |
|
Matthew Kennedy, "On Elizabeth Taylor: An Opinionated Guide" (Oxford UP, 2024)
|
Jan 10, 2024 |
|
Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023)
|
Jan 07, 2024 |
|
Elizabeth Eva Leach, "Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders" (Cornell UP, 2023)
|
Jan 06, 2024 |
|
Plot
|
Jan 04, 2024 |
|
W. K. Stratton, "The Wild Bunch: Sam Peckinpah, a Revolution in Hollywood, and the Making of a Legendary Film" (Bloomsbury, 2019)
|
Jan 03, 2024 |
|
Patrick Ffrench, "Roland Barthes and Film: Myth, Eroticism and Poetics" (Bloomsbury, 2019)
|
Jan 01, 2024 |
|
Laurent Dubois, “The Banjo: America’s African Instrument” (Harvard UP, 2016)
|
Dec 30, 2023 |
|
Bryan McCann, "The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era" (U Alabama Press, 2017)
|
Dec 26, 2023 |
|
Walter Greason and Tim Fielder, "The Graphic History of Hip Hop" (NYC Department of Education, 2023)
|
Dec 25, 2023 |
|
Howie Singer and Bill Rosenblatt, "Key Changes: The Ten Times Technology Transformed the Music Industry" (Oxford UP, 2023)
|
Dec 23, 2023 |
|
Nate Patrin, "The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave" (U Minnesota Press, 2023)
|
Dec 23, 2023 |
|
Michelle R. Scott, "T.O.B.A. Time: Black Vaudeville and the Theater Owners' Booking Association in Jazz-Age America" (U Illinois Press, 2023)
|
Dec 18, 2023 |
|
Lawrence Sherman and Dennis Plies, "Every Brain Needs Music: The Neuroscience of Making and Listening to Music" (Columbia UP, 2023)
|
Dec 16, 2023 |
|
Between Jesus and Krishna: Christian Encounters with South Indian Temple Dance
|
Dec 15, 2023 |
|
Rob Harvilla, "60 Songs That Explain The 90s" (Twelve, 2023)
|
Dec 12, 2023 |
|
Ervin Malakaj, "Anders als Die Andern" (McGill-Queen's UP, 2023)
|
Dec 11, 2023 |
|
Mark Davidson and Parker Fishel, "Bob Dylan: Mixing Up the Medicine" (Callaway, 2023)
|
Dec 09, 2023 |
|
Hilary French, "Ballroom: A People’s History of Dancing" (Reaktion Books, 2022)
|
Dec 05, 2023 |
|
Ramsey Lewis and Aaron Cohen, "Gentleman of Jazz: A Life in Music" (Blackstone, 2023)
|
Dec 04, 2023 |
|
Daniel Herbert, "Maverick Movies: New Line Cinema and the Transformation of American Film" (U California Press, 2023)
|
Dec 02, 2023 |
|
Jackie Lubeck, "To The Good People of Gaza: Theatre for Young People by Jackie Lubeck and Theatre Day Productions" (Methuen Drama, 2022)
|
Dec 02, 2023 |
|
Poppy Corbett et al., "Creative Histories of Witchcraft: France, 1790–1940" (Cambridge UP, 2022)
|
Nov 30, 2023 |
|
Vid Simoniti, "Artists Remake the World: A Contemporary Art Manifesto" (Yale UP, 2023)
|
Nov 29, 2023 |
|
Richard Schoch, "Shakespeare’s House: A Window onto his Life and Legacy" (Bloomsbury, 2023)
|
Nov 29, 2023 |
|
Michael Rushton, "The Moral Foundations of Public Funding for the Arts" (Palgrave Macmillan, 2023)
|
Nov 25, 2023 |
|
Mia Mask, "Black Rodeo: A History of the African American Western" (U Illinois Press, 2023)
|
Nov 24, 2023 |
|
Ina Rupprecht, ed., "Persecution, Collaboration, Resistance: Music in the ‘Reichskommissariat Norwegen’ (1940–45)" (Waxmann Verlag, 2020)
|
Nov 21, 2023 |
|
Warren Zanes, "Deliver Me from Nowhere: The Making of Bruce Springsteen's 'Nebraska' (Crown, 2023)
|
Nov 17, 2023 |
|
Pavitra Sundar, "Listening with a Feminist Ear: Soundwork in Bombay Cinema" (U Michigan Press, 2023)
|
Nov 15, 2023 |
|
Brigid Cohen, "Musical Migration and Imperial New York: Early Cold War Scenes" (U Chicago Press, 2022)
|
Nov 15, 2023 |
|
Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)
|
Nov 12, 2023 |
|
Ralph H. Craig III, "Dancing in My Dreams: A Spiritual Biography of Tina Turner" (Eerdmans, 2023)
|
Nov 10, 2023 |
|
What Reality TV Says About Us
|
Nov 08, 2023 |
|
Michael Newton, "It's a Wonderful Life" (British Film Institute, 2023)
|
Nov 08, 2023 |
|
This Will Change Your Perspective on James Bond
|
Nov 07, 2023 |
|
Michael Kaler, "Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead" (Duke UP, 2023)
|
Nov 06, 2023 |
|
Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023)
|
Nov 05, 2023 |
|
"We are all latecomers": Martin Puchner's "Culture" (JP, EF)
|
Nov 02, 2023 |
|
Michael Custodis, "Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45" (Waxmann Verlag, 2021)
|
Nov 02, 2023 |
|
Jacqueline R. Braitman, "She Damn Near Ran the Studio: The Extraordinary Lives of Ida R. Koverman" (UP of Mississippi, 2020)
|
Nov 02, 2023 |
|
Jennifer Saltzstein, "Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History" (Oxford UP, 2023)
|
Nov 01, 2023 |
|
Scott Eyman, "Charlie Chaplin vs. America: When Art, Sex, and Politics Collided" (Simon & Schuster, 2023)
|
Oct 31, 2023 |
|
Henrik Fürst and Erik Nylander, "The Value of Art Education: Cultural Engagements at the Swedish Folk High Schools" (Palgrave MacMillan, 2023)
|
Oct 30, 2023 |
|
Shakespeare's "The Tempest" Part 3: The Language
|
Oct 30, 2023 |
|
Lesley Nicole Braun, "Congo's Dancers: Women and Work in Kinshasa" (U Wisconsin Press, 2023)
|
Oct 29, 2023 |
|
Pat Thomson and Christine Hall, "Schools and Cultural Citizenship: Arts Education for Life" (Routledge, 2023)
|
Oct 28, 2023 |
|
Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022)
|
Oct 27, 2023 |
|
Eric G. Wilson, "Point Blank" (British Film Institute, 2023)
|
Oct 24, 2023 |
|
Shakespeare's "The Tempest" Part 2: Characters and Questions
|
Oct 23, 2023 |
|
Grant H. Kester, "The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde" (Duke UP, 2023)
|
Oct 21, 2023 |
|
Scott Feinberg, “The Hollywood Reporter’s 100 Greatest Film Books of All Time” (2023)
|
Oct 21, 2023 |
|
Shakespeare's "The Tempest" Part 1: The Story
|
Oct 16, 2023 |
|
Adam Blum et al., "Here I'm Alive: The Spirit of Music in Psychoanalysis" (Columbia UP, 2023)
|
Oct 15, 2023 |
|
Paraska Tolan-Szkilnik, "Maghreb Noir: The Militant-Artists of North Africa and the Struggle for a Pan-African, Postcolonial Future" (Stanford UP, 2023)
|
Oct 11, 2023 |
|
Marlena Williams, "Night Mother: A Personal and Cultural History of the Exorcist" (Mad Creek Books, 2023)
|
Oct 10, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 3: The Language
|
Oct 09, 2023 |
|
Geraint D'Arcy, "Mise en scène, Acting, and Space in Comics" (Palgrave Macmillan, 2020)
|
Oct 07, 2023 |
|
Mara Mills and Rebecca Sanchez, eds., "Crip Authorship: Disability as Method" (NYU Press, 2023)
|
Oct 06, 2023 |
|
Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)
|
Oct 04, 2023 |
|
Thomas E. Boomershine, "First-Century Gospel Storytellers and Audiences: The Gospels as Performance Literature" (Cascade Books, 2022)
|
Oct 04, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 2: Characters and Questions
|
Oct 02, 2023 |
|
Melanie Williams, "A Taste of Honey" (Bloomsbury, 2023)
|
Oct 01, 2023 |
|
Kiana Fitzgerald, "Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music" (Running Press Adult, 2023)
|
Sep 30, 2023 |
|
Peter Reed, "Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance" (Cambridge UP, 2022)
|
Sep 28, 2023 |
|
Hieyoon Kim, "Celluloid Democracy: Cinema and Politics in Cold War South Korea" (U California Press, 2023)
|
Sep 27, 2023 |
|
Jonathan Mael, "Harlem World: How Hip Hop's Super Showdown Changed Music Forever" (Johns Hopkins UP, 2023)
|
Sep 26, 2023 |
|
Jessica Lowell Mason and Nicole Crevar, "Madwomen in Social Justice Movements, Literatures, and Art" (Vernon Press, 2023)
|
Sep 26, 2023 |
|
Shakespeare's "Romeo and Juliet" Part 1: The Story
|
Sep 25, 2023 |
|
Tracy Rutler, "Queering the Enlightenment: Kinship and Gender in Eighteenth-Century French Literature" (Oxford UP/Liverpool UP, 2021)
|
Sep 23, 2023 |
|
Kimberly Mack, "Living Colour's Time's Up" (Bloomsbury, 2023)
|
Sep 19, 2023 |
|
Hongwei Bao, "Contemporary Chinese Queer Performance" (Routledge, 2022)
|
Sep 18, 2023 |
|
Deanne Williams, "Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy" (Arden Shakespeare, 2023)
|
Sep 18, 2023 |
|
Shakespeare's "Twelfth Night" Part 3: The Language
|
Sep 18, 2023 |
|
Bryan Rennie, "An Ethology of Religion and Art: Belief as Behavior" (Routledge, 2020)
|
Sep 16, 2023 |
|
Jonathan Leal, "Dreams in Double Time: On Race, Freedom, and Bebop" (Duke UP, 2023)
|
Sep 14, 2023 |
|
Gregory Cahill, "The Golden Voice: The Ballad of Cambodian Rock's Lost Queen" (Life Drawn, 2023)
|
Sep 14, 2023 |
|
Jo Shaw and Ben Fletcher-Watson, "The Art of Being Dangerous: Exploring Women and Danger through Creative Expression" (Leuven UP, 2021)
|
Sep 13, 2023 |
|
A Better Way to Buy Books
|
Sep 12, 2023 |
|
Shakespeare's "Twelfth Night" Part 2: Characters and Questions
|
Sep 11, 2023 |
|
Josephine Lee, "Oriental, Black, and White: The Formation of Racial Habits in American Theater" (UNC Press, 2022)
|
Sep 11, 2023 |
|
Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)
|
Sep 09, 2023 |
|
Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023)
|
Sep 08, 2023 |
|
Caveh Zahedi, "Digging My Own Grave: The Films of Caveh Zahedi" (Factory 25, 2015)
|
Sep 06, 2023 |
|
James Newlin and James W. Stone, "New Psychoanalytic Readings of Shakespeare: Cool Reason and Seething Brains" (Routledge, 2023)
|
Sep 06, 2023 |
|
Shakespeare's "Twelfth Night" Part 1: The Story
|
Sep 04, 2023 |
|
John Szwed, "Cosmic Scholar: The Life and Times of Harry Smith" (FSG, 2023)
|
Sep 03, 2023 |
|
Elise Herrala, "Art of Transition: The Field of Art in Post-Soviet Russia" (Routledge, 2021)
|
Sep 03, 2023 |
|
Diana W. Anselmo, "A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood" (U California Press, 2023)
|
Sep 02, 2023 |
|
Anna Kathryn Grau and Lisa Colton, "Female-Voice Song and Women's Musical Agency in the Middle Ages" (Brill, 2022)
|
Sep 01, 2023 |
|
Una McIlvenna, "Singing the News of Death: Execution Ballads in Europe 1500-1900" (Oxford UP, 2022)
|
Aug 31, 2023 |
|
Bonnie Gordon, "Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds" (U Chicago Press, 2023)
|
Aug 31, 2023 |
|
Hamid Keshmirshekan, "The Art of Iran in the Twentieth and Twenty-First Centuries: Tracing the Modern and the Contemporary" (Edinburgh UP, 2023)
|
Aug 30, 2023 |
|
John Brackett, "Live Dead: The Grateful Dead, Live Recordings, and the Ideology of Liveness" (Duke UP, 2023)
|
Aug 30, 2023 |
|
Chuyun Oh, "K-pop Dance: Fandoming Yourself on Social Media" (Routledge, 2022)
|
Aug 28, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 3: The Language
|
Aug 28, 2023 |
|
Vanessa I. Corredera, "Reanimating Shakespeare's Othello in Post-Racial America" (Edinburgh UP, 2022)
|
Aug 27, 2023 |
|
Polyphony
|
Aug 24, 2023 |
|
PostScript: The Barbie Movie: A Conversation about a Cinematic and Cultural Event
|
Aug 23, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 2: Characters and Questions
|
Aug 21, 2023 |
|
Kevin Landis, "One Public: New York’s Public Theater in the Era of Oskar Eustis" (Methuen Drama, 2022)
|
Aug 19, 2023 |
|
Jamila Rodrigues, "Sufi Women, Embodiment and the 'Self': Gender in Islamic Ritual" (Routledge, 2023)
|
Aug 18, 2023 |
|
David Humphrey, "The Time of Laughter: Comedy and the Media Cultures of Japan" (U Michigan Press, 2023)
|
Aug 15, 2023 |
|
Al Coppola, "The Theater of Experiment: Staging Natural Philosophy in Eighteenth-Century Britain" (Oxford UP, 2016)
|
Aug 15, 2023 |
|
Shakespeare's "The Merchant of Venice" Part 1: The Story
|
Aug 14, 2023 |
|
Nicholas Tochka, "Rocking in the Free World: Popular Music and the Politics of Freedom in Postwar America" (Oxford UP, 2023)
|
Aug 14, 2023 |
|
William J. Mann, "Bogie and Bacall: The Surprising True Story of Hollywood's Greatest Love Affair" (Harper, 2023)
|
Aug 09, 2023 |
|
Shakespeare's "King Lear" Part 3: The Language
|
Aug 07, 2023 |
|
Tony McCaffrey, "Giving and Taking Voice in Learning Disabled Theatre" (Routledge, 2023)
|
Aug 05, 2023 |
|
What Was Contemporary Art?
|
Aug 04, 2023 |
|
Michael Baltutis, "The Festival of Indra: Innovation, Archaism, and Revival in a South Asian Performance" (SUNY Press, 2023)
|
Aug 03, 2023 |
|
Alix Beeston and Stefan Solomon, "Incomplete: The Feminist Possibilities of the Unfinished Film" (U California Press, 2023)
|
Aug 02, 2023 |
|
Shakespeare's "King Lear" Part 2: Characters and Questions
|
Jul 31, 2023 |
|
Kyle A. Thomas and Carol Symes, "The Play about the Antichrist (Ludus de Antichristo): A New Verse Translation, Edition, and Commentary" (Medieval Institute Publications, 2023)
|
Jul 24, 2023 |
|
Shakespeare's "King Lear" Part 1: The Story
|
Jul 24, 2023 |
|
Rich Deakin, "Grebo!: The Loud & Lousy Story of Gaye Bykers on Acid and Crazyhead" (Headpress, 2021)
|
Jul 23, 2023 |
|
Howard Fishman, "To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse" (Dutton, 2023)
|
Jul 22, 2023 |
|
Bombay Talkies
|
Jul 20, 2023 |
|
Wirsching: Bombay Talkies B-Side
|
Jul 20, 2023 |
|
Mani Sharpe, "Late-Colonial French Cinema: Filming the Algerian War of Independence" (Edinburgh UP, 2023)
|
Jul 19, 2023 |
|
Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)
|
Jul 17, 2023 |
|
Shakespeare's "Henry V" Part 3: The Language
|
Jul 17, 2023 |
|
Emily Katz Anhalt, "Embattled: How Ancient Greek Myths Empower Us to Resist Tyranny" (Redwood Press, 2021)
|
Jul 11, 2023 |
|
Katherine Giuffre, "Outrage: The Arts and the Creation of Modernity" (Stanford UP, 2023)
|
Jul 10, 2023 |
|
Shakespeare's "Henry V" Part 2: Characters and Questions
|
Jul 10, 2023 |
|
William Perrine, "Alien Territory: Radical, Experimental, & Irrelevant Music in 1970s San Diego" (Billingsgate Media, 2023)
|
Jul 09, 2023 |
|
Mathias F. Clasen, "Why Horror Seduces" (Oxford UP, 2017)
|
Jul 08, 2023 |
|
Robin Steedman, "Creative Hustling: Women Making and Distributing Films from Nairobi" (MIT Press, 2023)
|
Jul 06, 2023 |
|
Suk-Young Kim, "Surviving Squid Game: A Guide to K-Drama, Netflix, and Global Streaming Wars" (Applause Books, 2023)
|
Jul 04, 2023 |
|
Tilly Bridges, "Begin Transmission: The Trans Allegories of The Matrix" (BearManor Media, 2023)
|
Jul 04, 2023 |
|
Shakespeare's "Henry V" Part 1: The Story
|
Jul 03, 2023 |
|
Adrian Rifkin, "Future Imperfect: The Past Between My Fingers..." (2021)
|
Jul 02, 2023 |
|
The Marketplace of Attention: How Audiences Take Shape in a Digital Age
|
Jul 01, 2023 |
|
Marie Arleth Skov, "Punk Art History: Artworks from the European No Future Generation" (Intellect, 2023)
|
Jun 30, 2023 |
|
TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara
|
Jun 29, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 3: The Language
|
Jun 26, 2023 |
|
Michael Gray, "Song & Dance Man: The Art of Bob Dylan-Vol. 1 Language & Tradition" (FM Press, 2023)
|
Jun 22, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 2: Context and Questions
|
Jun 19, 2023 |
|
Roy Christopher, "Boogie Down Predictions: Hip-Hop, Time, and Afrofuturism" (MIT Press, 2022)
|
Jun 12, 2023 |
|
Shakespeare's "A Midsummer Night's Dream" Part 1: The Story
|
Jun 12, 2023 |
|
Arturo Rodríguez Morató and Alvaro Santana-Acuña, "Sociology of the Arts in Action: New Perspectives on Creation, Production, and Reception" (Palgrave MacMillan, 2023)
|
Jun 11, 2023 |
|
Paul Metsa and Rick Shefchik, "Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece" (U Minnesota Press, 2023)
|
Jun 11, 2023 |
|
Rumi, "Gold" (New York Review of Books, 2022)
|
Jun 10, 2023 |
|
Robin James, "The Future of Rock and Roll: 97X WOXY and the Fight for True Independence" (UNC Press, 2023)
|
Jun 07, 2023 |
|
Xiaomei Chen, "Performing the Socialist State: Modern Chinese Theater and Film Culture" (Columbia UP, 2023)
|
Jun 05, 2023 |
|
Shakespeare's "Julius Caesar" Part 3: The Language
|
Jun 05, 2023 |
|
Lance Esplund, "The Art of Looking: How to Read Modern and Contemporary Art" (Basic, 2018)
|
Jun 04, 2023 |
|
Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)
|
Jun 04, 2023 |
|
A Slow Burning Fire: The Rise of the New Art Practice in Yugoslavia
|
May 29, 2023 |
|
Shakespeare's "Julius Caesar" Part 2: Characters and Questions
|
May 29, 2023 |
|
Lisa McCormick, "The Cultural Sociology of Art and Music: New Directions and New Discoveries" (Palgrave MacMillan, 2022)
|
May 28, 2023 |
|
Black Film, British Cinema II
|
May 25, 2023 |
|
Heather Augustyn, "Rude Girls: Women in 2 Tone and One Step Beyond" (2023)
|
May 25, 2023 |
|
The Place Is Here: The Work of Black Artists in 1980s Britain
|
May 24, 2023 |
|
Brad Krumholz, "Why Do Actors Train?: Embodiment for Theatre Makers and Thinkers" (Bloomsbury, 2023)
|
May 24, 2023 |
|
Muse, Odalisque, Handmaiden: A Girl's Life in the Incredible String Band
|
May 22, 2023 |
|
Shakespeare's "Julius Caesar" Part 1: The Story
|
May 22, 2023 |
|
Mark LeVine, "We'll Play Till We Die: Journeys Across a Decade of Revolutionary Music in the Muslim World" (U California Press, 2022)
|
May 19, 2023 |
|
Catherine Russell, "The Cinema of Barbara Stanwyck: Twenty-Six Short Essays on a Working Star" (U Illinois Press, 2023)
|
May 17, 2023 |
|
Shakespeare's "Othello" Part 3: The Language
|
May 15, 2023 |
|
Sebanti Chatterjee, "Choral Voices: Ethnographic Imaginations of Sound and Sacrality" (Bloomsbury, 2023)
|
May 14, 2023 |
|
Naomi McDougall Jones, "The Wrong Kind of Women: Inside Our Revolution to Dismantle the Gods of Hollywood" (Beacon, 2020)
|
May 12, 2023 |
|
Mark Goodall, "Gathering of the Tribe: A Companion to Occult Music on Vinyl" (Headpress, 2022)
|
May 12, 2023 |
|
Saturation: Race, Art, and the Circulation of Value
|
May 10, 2023 |
|
Fiona Gregory, "Actresses and Mental Illness: Histrionic Heroines" (Routledge, 2018)
|
May 09, 2023 |
|
Shakespeare's "Othello" Part 2: Characters and Questions
|
May 08, 2023 |
|
Brian Valente-Quinn, "Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa" (Northwestern UP, 2021)
|
May 06, 2023 |
|
Philip Ewell, "On Music Theory, and Making Music More Welcoming for Everyone" (U Michigan Press, 2023)
|
May 03, 2023 |
|
James Charney, "Madness at the Movies: Understanding Mental Illness through Film" (Johns Hopkins UP, 2023)
|
May 02, 2023 |
|
Shakespeare's "Othello" Part 1: The Story
|
May 01, 2023 |
|
Katherine Gillen et al., "The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en la Frontera" (ACMRS, 2023)
|
Apr 30, 2023 |
|
Annie Zaleski, "Lady Gaga: Applause" (Palazzo Editions, 2022)
|
Apr 30, 2023 |
|
Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)
|
Apr 29, 2023 |
|
David Shulman and Heike Oberlin, "Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam" (Oxford UP, 2019)
|
Apr 27, 2023 |
|
Will York, "Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age" (Headpress, 2023)
|
Apr 25, 2023 |
|
Shakespeare's "As You Like It" Part 3: the Language
|
Apr 24, 2023 |
|
Catherine Grant, "A Time of One's Own: Histories of Feminism in Contemporary Art" (Duke UP, 2022)
|
Apr 22, 2023 |
|
Rachel Anne Gillett, "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris" (Oxford UP, 2021)
|
Apr 22, 2023 |
|
Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
|
Apr 20, 2023 |
|
Dwayne Epstein, "Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time" (Citadel Press, 2023)
|
Apr 18, 2023 |
|
Shakespeare's "As You Like It" Part 2: Characters and Questions
|
Apr 17, 2023 |
|
Jeremy Richey, "Sylvia Kristel: From Emmanuelle to Chabrol" (Cult Epics, 2022)
|
Apr 13, 2023 |
|
Natasha Rogoff, "Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia" (Rowman & Littlefield, 2022)
|
Apr 12, 2023 |
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Tina Post, "Deadpan: The Aesthetics of Black Inexpression" (NYU Press, 2023)
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Apr 12, 2023 |
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Akiko Takeyama, "Staged Seduction: Selling Dreams in a Tokyo Host Club" (Stanford UP, 2016)
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Apr 11, 2023 |
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Shakespeare's "As You Like It" Part 1: the Story
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Apr 10, 2023 |
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Celeste Day Moore, "Soundscapes of Liberation: African American Music in Postwar France" (Duke UP, 2021)
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Apr 10, 2023 |
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Bettina Judd, "Feelin: Creative Practice, Pleasure, and Black Feminist Thought" (Northwestern UP, 2022)
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Apr 08, 2023 |
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Simon Strange, "Blank Canvas: Art School Creativity and the Development of Punk, Post Punk and New Wave Music" (Intellect, 2023)
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Apr 08, 2023 |
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The Gospel According to Dorothy (with Kathryn Wehr)
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Apr 06, 2023 |
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Natilee Harren, "Fluxus Forms: Scores, Multiples, and the Eternal Network" (U Chicago Press, 2020)
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Apr 05, 2023 |
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Mauro Resmini, "Italian Political Cinema: Figure of the Long '68" (U Minnesota Press, 2023)
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Apr 04, 2023 |
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Frenchy Lunning, "Cosplay: The Fictional Mode of Existence" (U Minnesota Press, 2022)
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Apr 04, 2023 |
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Shakespeare's "Macbeth" Part 3: the Language
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Apr 03, 2023 |
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Colleen Lye and Christopher Nealon, "After Marx: Literature, Theory, and Value in the Twenty-First Century" (Cambridge UP, 2022)
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Mar 31, 2023 |
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Suzanne Ferriss, "Lost in Translation" (British Film Institute, 2023)
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Mar 31, 2023 |
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Ethan Warren, "The Cinema of Paul Thomas Anderson: American Apocrypha" (Columbia UP, 2023)
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Mar 29, 2023 |
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Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021)
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Mar 28, 2023 |
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Shakespeare's "Macbeth" Part 2: Characters and Questions
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Mar 27, 2023 |
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Elizabeth Bronwyn Boyd, "Southern Beauty: Race, Ritual, and Memory in the Modern South" (U Georgia Press, 2022)
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Mar 27, 2023 |
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Sarah L. Kaufman, "The Art of Grace: On Moving Well Through Life" (Norton, 2015)
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Mar 23, 2023 |
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Rose Marshack, "Play Like a Man: My Life in Poster Children" (U Illinois Press, 2023)
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Mar 20, 2023 |
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Shakespeare's "Macbeth" Part 1: the Story
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Mar 20, 2023 |
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Nicholas Brown, "Autonomy: The Social Ontology of Art under Capitalism" (Duke UP, 2019)
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Mar 19, 2023 |
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The Sharing of Sound Art
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Mar 18, 2023 |
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Rick de Villiers, "Eliot and Beckett's Low Modernism: Humility and Humiliation" (Edinburgh UP, 2021)
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Mar 17, 2023 |
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Hugh Hodges, "The Fascist Groove Thing: A History of Thatcher's Britain in 21 Mixtapes" (PM Press, 2023)
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Mar 16, 2023 |
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Laura Kolb, "Fictions of Credit in the Age of Shakespeare" (Oxford UP, 2021)
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Mar 14, 2023 |
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The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 3
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Mar 13, 2023 |
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Kelsey Klotz, "Dave Brubeck and the Performance of Whiteness" (Oxford UP, 2023)
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Mar 12, 2023 |
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Joey Merlo, "On Set with Theda Bara" (1080 Press, 2023)
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Mar 11, 2023 |
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Brian Harker, "Sportin' Life: John W. Bubbles, an American Classic" (Oxford UP, 2022)
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Mar 11, 2023 |
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Jessica Rosenberg, "Botanical Poetics: Early Modern Plant Books and the Husbandry of Print" (U Pennsylvania Press, 2022)
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Mar 10, 2023 |
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Lillian Colon, "Lilly: The First Latina Rockette" (Lilly Enterprises, 2021)
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Mar 07, 2023 |
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The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 2
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Mar 06, 2023 |
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Measure for Measure Episode 4: Movies
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Mar 05, 2023 |
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Error, Ego, Humility and Music: A Discussion with Tony Monaco
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Mar 05, 2023 |
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Girish Shambu, "The New Cinephilia" (Caboose, 2022)
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Mar 04, 2023 |
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Margaret Hall, "Gemignani: Life and Lessons from Broadway and Beyond" (Applause Books, 2022)
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Mar 01, 2023 |
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Lara Gabrielle, "Captain of Her Soul: The Life of Marion Davies" (U California Press, 2022)
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Feb 27, 2023 |
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Dan DiPiero, "Contingent Encounters: Improvisation in Music and Everyday Life" (U Michigan Press, 2022)
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Feb 27, 2023 |
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Frances Howard, "Global Perspectives on Youth Arts Programs: How and Why the Arts Can Make a Difference" (Policy Press, 2022)
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Feb 27, 2023 |
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The Wooden O and the Iron Throne: Game of Thrones and Shakespeare Part 1
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Feb 27, 2023 |
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Jen B. Larson, "Hit Girls: Women of Punk in the USA, 1975-1983" (Feral House, 2022)
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Feb 26, 2023 |
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Alexandra Chiriac, "Performing Modernism: A Jewish Avant-Garde in Bucharest" (de Gruyter, 2022)
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Feb 25, 2023 |
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Shakespeare's "Hamlet" Part 3: the Language
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Feb 20, 2023 |
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Leila Jancovich and David Stevenson, "Failures in Cultural Participation" (Palgrave Macmillan, 2022)
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Feb 20, 2023 |
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Ying Zhu, "Hollywood in China: Behind the Scenes of the World's Largest Movie Market" (New Press, 2022)
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Feb 18, 2023 |
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Maya Phillips, "Nerd: Adventures in Fandom from This Universe to the Multiverse" (Atria Books, 2022)
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Feb 14, 2023 |
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Nic Brown, "Bang Bang Crash: A Memoir" (Counterpoint, 2023)
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Feb 14, 2023 |