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Jan 6, 2021
Jeff
Jan 5, 2019
definitely the top VR podcast
| Episode | Date |
|---|---|
|
#1681: VRChat Worldbuilder DrMorro on His Epic & Dreamlike Masterpieces
|
Nov 09, 2025 |
|
#1680: Charlie Melcher’s “The Future of Storytelling” Book Surveys Over 50 Living Stories
|
Nov 05, 2025 |
|
#1679: The Matrix at Cosm Expands Film Beyond the Frame with Cinematic Shared Reality
|
Nov 05, 2025 |
|
#1678: Wevr on VR LBE as a “New Cinema,” a 10-Year Retrospective
|
Nov 05, 2025 |
|
#1677: Snap’s AR Developer Relations Plan for 2026 Specs Consumer Launch with Joe Darko
|
Oct 26, 2025 |
|
#1676: 1st Place Spectacles Lensathon Team: Decisionator Object-Detection, AI Decision-Maker
|
Oct 26, 2025 |
|
#1675: 2nd Place Spectacles Lensathon Team: CartDB Barcode-Scanning Nutrition App
|
Oct 26, 2025 |
|
#1674: 3rd Place Spectacles Lensathon Team: Fireside Tales Collaborative Storytelling with GenAI
|
Oct 26, 2025 |
|
#1673: Snap Lensfest Announcement Reflections from AR Gaming Studio DB Creations
|
Oct 26, 2025 |
|
#1672: Niantic Spatial’s Project Jade Demo Shows Latest Location-Aware, AI Tour Guide Innovations
|
Oct 26, 2025 |
|
#1671: Reflecting on Snap’s AR Platform & Developer Tools Past and Future with Terek Judi
|
Oct 26, 2025 |
|
#1670: Snapchat’s Embodied Gaming Innovations with AR Developer Relations Head
|
Oct 26, 2025 |
|
#1669: Snap’s Resh Sidhu on the Future of AR Commerce & Developer-Centered Innovation
|
Oct 26, 2025 |
|
#1668: Snap Co-Founders Community Q&A about Specs 2026 Launch Plan
|
Oct 26, 2025 |
|
#1667: Kickoff of Snap Lensfest 2025 Coverage & SnapOS 2.0 Announcements
|
Oct 26, 2025 |
|
#1666: VRChat CEO Graham Gaylor on Exploring Various UGC Monetization Strategies
|
Sep 30, 2025 |
|
#1665: Resolution Games’ “Battlemarked” Blends Mixed Reality Social Features with Demeo and D&D Gameplay
|
Sep 30, 2025 |
|
#1664: Resolution Games CEO on Apple Vision Pro Launch + Gaze & Pinch HCI Mechanic in “Game Room” (2024)
|
Sep 30, 2025 |
|
#1663: ShapesXR Updates & Neural Band Design Implications of Transforming Your Hand into a Mouse
|
Sep 30, 2025 |
|
#1662: Meta Connect Highlights & Meta Horizon News with JDun and JoyReign
|
Sep 30, 2025 |
|
#1661: State of VR Gaming with Jasmine Uniza’s Impact Realities and Flat2VR Studios
|
Sep 30, 2025 |
|
#1660: Enabling JavaScript-Based Native App XR Pipelines with NativeScript, React Native, and Node API with Matt Hargett
|
Sep 30, 2025 |
|
#1659: VR Gaming Career Retrospective of Chicken Waffle’s Finn Staber
|
Sep 30, 2025 |
|
#1658: Kiira Benz Part 3: Immersive Storytelling Career Retrospective (2025)
|
Sep 30, 2025 |
|
#1657: Kiira Benz Part 2: “Finding Pandora X” Bringing Immersive Theatre to VRChat (2020)
|
Sep 30, 2025 |
|
#1656: Kiira Benz Part 1: “Runnin'” Large-Scale Volumetric Music Video (2019)
|
Sep 30, 2025 |
|
#1655: Meta Horizon Studio News and Virtual Fashion with Paige Dansinger
|
Sep 30, 2025 |
|
#1654: CNET’s Scott Stein’s Reflections on Meta Ray-Ban Display Glasses & Neural Band Implications
|
Sep 30, 2025 |
|
#1653: XR Analyst Anshel Sag on Meta’s AI Glasses Strategy
|
Sep 30, 2025 |
|
#1652: Kick-off of Meta Connect Coverage with Meta Ray-Ban Display Glasses Insights from Norm Chan
|
Sep 30, 2025 |
|
#1651: PHI’s EXP Rosemont Location Expands Their LBE Distribution Network to US & Collaboration with Excurio
|
Sep 12, 2025 |
|
#1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac
|
Aug 18, 2025 |
|
#1649: Fangs & Arbi Close Out Raindance with a Breathtaking Music and VJ Show at the Moon Pool
|
Aug 18, 2025 |
|
#1648: Vast Hand-Painted “Natura’s Queendom” Wins Raindance Immersive Best Art World
|
Aug 18, 2025 |
|
#1647: Virtual Art Exhibition Innovations in Jessien’s “What is Virtual Art?” VRChat World
|
Aug 18, 2025 |
|
#1646: “The Continuous Present” Combines Poetry, Music, & Giant Immersive Sculptures to Win Raindance Immersive Best Art Experience
|
Aug 18, 2025 |
|
#1645: “Hommage” Adventure Inspired by Moebius’ Art Collaboratively Built in Resonite
|
Aug 18, 2025 |
|
#1644: Juliana Loh on Creating Immersive Art in VR and AR
|
Aug 18, 2025 |
|
#1643: Studio Penrose’s “Our Precious Autumn” Short Film Shot in VRChat Wins Raindance Award
|
Aug 18, 2025 |
|
#1642: “Cathedral of Witches” Performance Explores Trans & Queer Spirituality in VRChat
|
Aug 18, 2025 |
|
#1641: “Silhouette of Memories” Cinematic VR Concert Experience Features Live Choreography
|
Aug 18, 2025 |
|
#1640: “Tonevok” features Real-Time Audioreactive MIDI Visualizations in VRChat
|
Aug 18, 2025 |
|
#1639: Playing Live Jazz in VRChat with EMN Records enabled by Yamaha SYNCROOM in Japan
|
Aug 18, 2025 |
|
#1638: Virtual Photographer Kaerun’s Japanese Friendships Featured in Documentary at Raindance
|
Aug 18, 2025 |
|
#1637: VRChat Doc “The Architect Across Realities” Features MR Design Innovations in Japan
|
Aug 18, 2025 |
|
#1636: Planned Improvements of VRChat’s Trust & Safety from New Lead Jun Young Ro
|
Aug 18, 2025 |
|
#1635: VRChat’s Avatar Marketplace is Targeting Demographic of New Users
|
Aug 18, 2025 |
|
#1634: User Claims Potential Gaps in VRChat’s Moderation of NSFW Avatars
|
Aug 18, 2025 |
|
#1633: iNK Stories 2018: “Fire Escape” Multi-Threaded Murder Mystery in VR
|
Aug 18, 2025 |
|
#1632: iNK Stories 2018: Embodied Interactions in Vérité VR “Hero” on Bombing Aftermath
|
Aug 18, 2025 |
|
#1631: iNK Stories 2017: GDC Narrative Innovations Showcase Highlights
|
Aug 18, 2025 |
|
#1630: Keiichi Matsuda on Metaphors for AI Agents in XR User Experience: From Omniscient Gods to Animistic Familiars
|
Aug 02, 2025 |
|
#1629: Niantic Spatial is Building an AI-Powered Map with Snap for AR Glasses & AI Agents
|
Aug 02, 2025 |
|
#1628: Part 2: Caitlin Krause on “Digital Wellbeing” Theory and Practice with XR & AI (2025)
|
Aug 02, 2025 |
|
#1627: Part 1: Caitlin Krause on Bringing Mindfulness Practices into VR (2019)
|
Aug 02, 2025 |
|
#1626: New Spatial Entities OpenXR Extension to Scan, Detect, & Track Planes with Khronos Group President Neil Trevett
|
Aug 02, 2025 |
|
#1625: Tom Emrich’s “The Next Dimension” Book on AR for Marketing & Business Growth
|
Aug 02, 2025 |
|
#1624: Tom Emrich’s State of AR in 2018
|
Aug 02, 2025 |
|
#1623: Qualcomm’s 2025 AWE Announcements and Android XR Partnerships with Ziad Asghar
|
Aug 02, 2025 |
|
#1622: Qualcomm’s 2023 AWE Announcements for Snapdragon Spaces Ecosystem
|
Aug 02, 2025 |
|
#1621: Karl Guttag’s Technical Deep-Dive and Analysis of Consumer XR Displays and LCoS (2023)
|
Aug 02, 2025 |
|
#1620: Snap’s Head of Hardware Scott Myers on Spectacles Announcements & Ecosystem Update
|
Aug 02, 2025 |
|
#1619: Deploying Snap Spectacles in Verse Immersive AR LBE with Enklu’s Ray Kallmeyer
|
Aug 02, 2025 |
|
#1618: Producing Live Sports for Cosm’s Immersive Dome with Ryan Cole
|
Aug 02, 2025 |
|
#1617: Dream Park: Using MR in Public Spaces to Create Downloadable Theme Parks with Brent Bushnell & Aidan Wolf
|
Aug 02, 2025 |
|
#1616: Founding Story of Two Bit Circus Micro-Amusement Park with Brent Bushnell & Eric Gradman (2018)
|
Aug 02, 2025 |
|
#1615: Viverse’s WebXR Publishing Strategy with James C. Kane & “In Tirol” Game
|
Aug 02, 2025 |
|
#1614: Story Behind “Escape Artist” 2024 Polys WebXR Awards Winner
|
Aug 02, 2025 |
|
#1613: VR Content Creator Matteo311 on the State of VR Gaming
|
Aug 02, 2025 |
|
#1612: AWE Hall of Famer Gregory Panos’s Journey into VR: Identity, Body Capture, and Virtual Immortalization
|
Aug 02, 2025 |
|
#1611: Socratic Debate on Future of AI & XR from AWE 2025 Panel
|
Aug 02, 2025 |
|
#1610: Scouting XR & AI Infrastructure Trends with Nokia’s Leslie Shannon
|
Aug 02, 2025 |
|
#1609: Framework for Personalized, Responsive XR Stories with Narrative Futurist Joshua Rubin
|
Aug 02, 2025 |
|
#1608: AWE Hall of Famer Brenda Laurel on “Computers as Theater” Book, Ethics, and VR for Ecological Thinking
|
Aug 02, 2025 |
|
#1607: Deirdre V. Lyons on Immersive Theater & XR Women Innovation Award Winner from 2023
|
Aug 02, 2025 |
|
#1606: Weekly Meetups in VR with XR Women Founder Karen Alexander
|
Aug 02, 2025 |
|
#1605: Rapid Prototyping in VR with ShapesXR + 2021 Launch with CEO Inga Petryaevskaya
|
Aug 02, 2025 |
|
#1604: Investing in Female Founders with WXR Fund’s Amy LaMeyer + Immersive Music Highlights (2019)
|
Aug 02, 2025 |
|
#1603: Spatial Analytics with Cognitive3D’s Tony Bevilacqua (2023)
|
Aug 02, 2025 |
|
#1602: Part 3: Jason Marsh on Telling Data Stories with Flow Immersive (2025)
|
Aug 02, 2025 |
|
#1601: Part 2: Jason Marsh on Telling Data Stories with Flow Immersive (2019)
|
Aug 02, 2025 |
|
#1600: Part 1: Jason Marsh on Telling Data Stories with Flow Immersive (2018)
|
Aug 02, 2025 |
|
#1599: Part 2: Immersive Data Visualization with BadVR’s Suzanne Borders (2021)
|
Aug 02, 2025 |
|
#1598: Part 1: Immersive Data Visualization with BadVR’s Suzanne Borders (2018)
|
Aug 02, 2025 |
|
#1597: Educator Vasilisa Glauser on Using VR for Twice Exceptional Students
|
Aug 02, 2025 |
|
#1596: Engage XR’s Virtual Concert as Experiential Advertising for their Immersive Learning Platform (2023)
|
Aug 02, 2025 |
|
#1595: Part 2: Rylan Pozniak Daniels’ Journey into XR Development (2025)
|
Aug 02, 2025 |
|
#1594: Part 1: Rylan Pozniak Daniels’ Journey into XR Development (2019)
|
Aug 02, 2025 |
|
#1593: From Military to Enterprise VR Training with Mass Virtual on Spatial Learning
|
Aug 02, 2025 |
|
#1592: Highlights of AWE 2025 from Head of Programming Sonya Haskins
|
Aug 02, 2025 |
|
#1591: Sonya Haskins’ Journey to Head of Programming at Augmented World Expo
|
Aug 02, 2025 |
|
#1590: AWE Past & Present Series: Ori Inbar on the Founding of Augmented World Expo to Cultivate the XR Community
|
Aug 02, 2025 |
|
#1588: Excurio is Bringing their High-Throughput, XR LBE Theaters to North America
|
Jul 18, 2025 |
|
#1587: “Space-Time Adventure Tours” AR Guided Tour to NYC Central Park Monuments
|
Jul 18, 2025 |
|
#1586: Academic Research on Immersive Storytelling with Philippe Bedard, co-editor of “States of Immersion Across Media: Bodies, Techniques, Practices” book
|
Jul 18, 2025 |
|
#1585: Debating AI Project and a Curating Taiwanese LBE VR Exhibition at Museum of Moving Image
|
Jul 18, 2025 |
|
#1584: White Paper on XR for Impact Campaign Activation for “On the Morning You Wake to the End of the World”
|
Jul 18, 2025 |
|
#1583: From XR Storytelling to Museum to Ice Cream to AI: Michaela Ternasky-Holland’s Entry into Immersive
|
Jul 18, 2025 |
|
#1582: Shawn Taylor on Fandom for Social Change, Polychronic Time, Worldbuilding & Future Dreaming
|
Jul 18, 2025 |
|
#1581: The Story Behind “The ORIXA Project” Series of XR Experiences
|
Jul 18, 2025 |
|
#1580: “Neuro-Cinema: From Synapse to Montage” Explores Bioethics Moral Dilemmas & BCI-Controlled Editing & Robotics
|
Jul 18, 2025 |
|
#1579: The Backstory on ONX Studios and the Onassis Foundation’s Support for XR Art & Innovation
|
Jul 18, 2025 |
|
#1578: Poetic Exploration of the Transmission of Class Power Dynamics in “The Dollhouse”
|
Jul 18, 2025 |
|
#1577: Architecting a Multi-Threaded Narrative of Recovered Traumatic Memories in “Lacuna”
|
Jul 18, 2025 |
|
#1576: How Singer Studios Uses VR to Kickstart New Film, TV, Podcast, & Graphic Novel IP with “Trailblazer with Daisy Ridley” + Cannes Immersive 2025 Coverage
|
Jul 18, 2025 |
|
#1575: Part 2: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2025)
|
Jul 18, 2025 |
|
#1574: Part 1: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2023)
|
Jul 18, 2025 |
|
#1573: Muslim Futurist “New Maqam City” Invites Users to Play with Mystic Sufi Beats to Imagine States of Flourishing
|
Jul 18, 2025 |
|
#1572: “The Innocence of Unknowing” Uses Socratic Dialogue with AI & Video Essay to Deconstruct Root Cases of Gun Violence
|
Jul 18, 2025 |
|
#1571: “Uncharted VR” Explores the Spatialization of African Languages and Knowledge through Immersive Architecture and Adowa Dance
|
Jul 18, 2025 |
|
#1570: “The Founders Pillars and The Power Loom” Uses AR to Contextualize Wall Street History Through African Textiles and Myths
|
Jul 18, 2025 |
|
#1569: Family of Storytellers Creates an AR Memorial of Black Poet Nikki Giovanni with Epic Organic Garden Installation
|
Jul 18, 2025 |
|
#1568: A Process-Relational Philosophy View on AI, Intelligence, & Consciousness with Matt Segall
|
Jun 04, 2025 |
|
#1567: Tribeca Immersive Curators on the 2025 Selection of Impact Projects Curated by Onassis ONX, Agog, & Tribeca
|
Jun 04, 2025 |
|
#1566: Raindance Immersive Curators on the 2025 Selection of Immersive Art on Social VR Platforms
|
Jun 04, 2025 |
|
#1565: “D-Day: The Camera Soldier” by Targo Stories Pushes Immersive Documentary Innovations on Apple Vision Pro
|
Jun 04, 2025 |
|
#1564: Adding Participatory & Community Elements to the Cinematic Tradition with PAM CUT’s Tomorrow Theater
|
May 30, 2025 |
|
#1563: Deconstructing AI Hype with “The AI Con” Authors Emily M. Bender and Alex Hanna
|
May 23, 2025 |
|
#1562: Highlights of Creature’s IGN XR Gaming Showcase + State of VR Vibe Check with Doug North Cook
|
May 19, 2025 |
|
#1561: PHI and Agog Collaborate on Immersive Residency on XR for Impact, Artist Retrospective, and Application Details
|
May 07, 2025 |
|
#1560: Walkabout Mini Golf’s Incredible Fusion of Worldbuilding, Gameplay, Social Dynamics, & DLC Experimentation
|
May 02, 2025 |
|
#1559: Expanding Social Dramaturgy of Theater with Video Games in 7-Hour “asses.masses” Binge-Watching Marathon
|
Apr 26, 2025 |
|
#1558: Series Director of “Adventure” Series on Apple Immersive Video and Grammar of 180 Video
|
Apr 18, 2025 |
|
#1557: Apple Immersive Video Behind-the-Scenes & Overcoming Fears with “Adventure” Series Athlete
|
Apr 08, 2025 |
|
#1556: “Currents” Boldly Defines a New Era of DIY 180-Degree Immersive Filmmaking with a Kit Under $5k
|
Mar 29, 2025 |
|
#1555: Award-Winning Tabletop Animation “Oto’s Planet” Uses Unique Interactive Mechanic to Chose Perspective
|
Mar 29, 2025 |
|
#1554: “Cosmos in Focus” Contextualizes James Webb Telescope Images in Educational Immersive Planetarium Experience
|
Mar 29, 2025 |
|
#1553: The Story of Kunstkraftwerk Leipzig, and the Multi-Channel Video Translation of “Origins – Life’s Epic Journey”
|
Mar 29, 2025 |
|
#1552: Fly to You Explores Stories of Separated Families in Division of Korea Using Point Clouds & 360 Video
|
Mar 29, 2025 |
|
#1551: Breaking Down the Game Design of New Conducting-Inspired, Hand-Tracked, Rhythm Game “Symphoni”
|
Mar 29, 2025 |
|
#1550: “EchoVision” Answers the Question ‘What is it like to see like a bat?’ with Mixed Reality, AI, & Haptics
|
Mar 29, 2025 |
|
#1549: Honey Fungus Cultivates Intimacy with Nature through Embodied Actions Inspired by Fungi and Queer Ecology
|
Mar 29, 2025 |
|
#1548: “1906 Atlanta Race Massacre” Uses Phone-Based AR to Volumetrically Tell a Forgotten History
|
Mar 29, 2025 |
|
#1547: Simulating One-on-One Conversations about Abortion Experiences to Change Minds with “The Choice – Chapters 2 & 3”
|
Mar 29, 2025 |
|
#1546: How Indigenous Storytelling is Changing Non-Proliferation Narratives in “Ways of Knowing: A Navajo Nuclear History”
|
Mar 29, 2025 |
|
#1545: “Shelter” Observational 360 Documentary Shows Intimate Side of War via Ukrainian Citizen Bomb Shelters
|
Mar 29, 2025 |
|
#1544: Traces: The Grief Processor Immersive Documentary Invites Groups to Learn About Grief
|
Mar 29, 2025 |
|
#1543: “Proof As If Proof Were Needed” Enables Audiences to Collaboratively Edit Video Feeds via Embodied Movements
|
Mar 29, 2025 |
|
#1542: Exploring the Paradox of Narratively Critiquing AI While Also Using AI to Make “The Last Practice”
|
Mar 29, 2025 |
|
#1541: Virtual Being Engages in Socratic Monologue Comparing AI to Sugar in “Sweet!” Installation
|
Mar 29, 2025 |
|
#1540: Hacking AI for Black Representation & the Future Dreaming of Archival Collections with Tamara Shogaolu
|
Mar 29, 2025 |
|
#1539: Wandering in Open World Doc Archives in Mixed Reality with SXSW XR Jury Prize Winner “Reflections of Little Red Dot”
|
Mar 29, 2025 |
|
#1538: Mixed Reality Calibration Innovations Hidden within “The Secret Life of Monsters: The Gateway Experience”
|
Mar 29, 2025 |
|
1537: NOWISWHENWEARE (the stars) Uses Low-Bit Visuals & Hundreds of Spatial Audio Speakers to Tell a Moving Story
|
Mar 29, 2025 |
|
1536: Spatial Audio Trends from d&b audiotechnik’s Artist Relations Manager Wayne Powell
|
Mar 29, 2025 |
|
#1535: Roman Rappak’s 4th Annual “Ristband” SXSW Live Music Mixed Reality Performance Adds Spatial Audio
|
Mar 29, 2025 |
|
#1534: Animated Immersive Dome Experience “Resolution: A Cinephonic Rhapsody for the Soul” Created as an Album Listening Party
|
Mar 29, 2025 |
|
#1533: Web Developer Built “A Number from the Ghost” WebXR Adventures to Highlight His Music
|
Mar 29, 2025 |
|
#1532: Tenderclaws’ “Face Jumping” Explores the Frontiers of Eye-Tracked Locomotion in Poetically Surreal Short
|
Mar 29, 2025 |
|
#1531: In the Current of Being Uses Immersive Haptics to Tell the Story of Electroshock Conversation Therapy
|
Mar 29, 2025 |
|
#1530: Six-Month Immersive Storytelling Exhibition Curated by Ana Brzezińska Opening in Namur, Belgium
|
Mar 20, 2025 |
|
#1529: SXSW 2025 XR Experience Selection Sneak Peak with Programmer Blake Kammerdiener
|
Mar 06, 2025 |
|
#1528: “Theater” App on Apple Vision Pro Features Indie-Produced Dome, Planetarium, and Stereoscopic Content
|
Mar 06, 2025 |
|
#1527: “Lovesick” is Character-Driven, Escape Room Indie Gem of a Story
|
Mar 04, 2025 |
|
#1526: Allegations that Meta’s OVRPlugin is Undermining the Spirit of OpenXR by Blocking Non-Meta Headsets on PCVR.
|
Feb 28, 2025 |
|
#1525: Niantic’s “Into the Scaniverse” Maps Over 50k Gaussian Splats from Around the World on Quest and WebXR
|
Feb 28, 2025 |
|
#1524: HTC Viverse Leverages Open Web Tech in Aim to Become ‘YouTube of 3D Content’
|
Feb 26, 2025 |
|
#1523: XR & AI Ethics & State of the Industry Discussion with Polys Ombudsperson Winners
|
Feb 21, 2025 |
|
#1522: A Survey of Spatial Audio Formats with 1618 Digital’s Oliver Kadel
|
Jan 29, 2025 |
|
#1521: New glTF External Reference Format Combines Multiple Assets into a Scene
|
Jan 29, 2025 |
|
#1520: Design Breakdown of One-on-One Immersive Theatre piece TM with Ontroerend Goed’s Alexander Devriendt
|
Jan 29, 2025 |
|
#1519: “The Reality of Hope” Sundance Short Doc Features Journey from VRChat Friend to Organ Donor
|
Jan 25, 2025 |
|
#1518: The Socratic Immersive Experience with Agnes Callard and her book “Open Socrates”
|
Jan 20, 2025 |
|
#1517: LBE Lessons Learned from 20-Venue Tour of “In Pursuit of Repetitive Beats” with Producer Dan Tucker
|
Dec 23, 2024 |
|
#1516: Myriam Achard on Phi Studio’s Expansion into LBE Distribution & the Fusion of Immersive Art at Phi Contemporary
|
Dec 23, 2024 |
|
#1515: VR Researcher Julia Scott-Stevenson on Embodiment in Story & Why Docs are Perfect to Explore AI
|
Dec 23, 2024 |
|
#1514: Creating GenAI Flower Ecosystem with “Future Botanica” AR App
|
Dec 23, 2024 |
|
#1513: From News Scan to GenAI Irish Sean-nós Songs in “You Can Sing Me on My Way” Audio Installation
|
Dec 23, 2024 |
|
#1512: DocLab Immersive Non-Fiction Winner “Me, A Depiction” Performance Installation Confronts Objectifying Gaze
|
Dec 23, 2024 |
|
#1511: Cultivating Virtual LGBTQIA+ Safe Spaces in VRChat with “Dollhouse for Queer Imaginaries”
|
Dec 23, 2024 |
|
#1510: Poetic VR Exploration of Iranian Protest Blinding in “Speechless Witness of a Wandering Tree”
|
Dec 23, 2024 |
|
#1509: Virtual Architecture Vibes Part 2: “Limbophobia” VR & Dome at IDFA DocLab
|
Dec 23, 2024 |
|
#1508: Virtual Architecture Vibes Part 1: “Limbotopia” VR & Dome at Film Gate Interactive
|
Dec 23, 2024 |
|
#1507: From Selfies to Virtual Offspring, “Ancestors” Turns Strangers into Family and Intergenerational Speculative Futures
|
Dec 23, 2024 |
|
#1506: Going on a Virtual Date in “ROAMance” that Generates Novel Encounters with Defamiliarization
|
Dec 23, 2024 |
|
1505: Immersive Journalist Features Volumetric Sexual Harassment Testimonies in “Walking Alone, Text You When I’m Home”
|
Dec 23, 2024 |
|
#1504: Open World, GenAI Podcast “Drift” Reflects on Climate Change from 500 Years in the Future
|
Dec 23, 2024 |
|
#1503: “The Liminal” Spatial Audio Installation Blends Audio Doc with Speculative Arab Futurism
|
Dec 23, 2024 |
|
#1502: Candid Audio Clips Juxtaposed with Poetic GenAI Video in “Sincerely Victor Pike”
|
Dec 23, 2024 |
|
#1501: Roaming as Resistance: “Entropic Fields of Displacement” wins DocLab Digital Storytelling Award
|
Dec 23, 2024 |
|
#1500: Sharing Indigenous Knowledge with 360 Video + AR Animations and Embodied Rituals in “Ancestral Secrets VR”
|
Dec 23, 2024 |
|
#1499: From Interactive Biohacking Lecture to Speakeasy with “Drinking Brecht: An Automated Laboratory Performance”
|
Dec 23, 2024 |
|
#1498: Immersive Installation Frames Provocative “Töngö Sondi” Animation on Langauge, Censorship, & Identity
|
Dec 23, 2024 |
|
#1497: Experimental VR Doc “Rapture II: Portal” Blends Hypnotic Audio with Spatial Scan of War-Abandoned Home
|
Dec 23, 2024 |
|
#1496: Using GenAI to Recreate Erased Family Photos with “Burn From Absence” 4-Channel Video
|
Dec 23, 2024 |
|
#1495: Getting Roasted by Unfiltered “AI & Me” Photo Booth Installation
|
Dec 23, 2024 |
|
#1494: Innovative VR Opera “From Dust” Combines GenAI Prompts, Digital Serenading, & Personality Branching
|
Dec 02, 2024 |
|
#1493: “About a Hero” Doc Written by AI Trained on Werner Herzog Corpus Blends Realities and Opens IDFA
|
Nov 14, 2024 |
|
#1492: IDFA DocLab Curators Preview 2024 Slate of AI & XR Immersive Documentaries
|
Nov 13, 2024 |
|
#1491: Film Gate Interactive Media Festival 10-Year Retrospective
|
Nov 13, 2024 |
|
#1490: “Any War Any Enemy” is a Beautiful Anti-War, Immersive Poem About Nuclear Annihilation
|
Oct 31, 2024 |
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#1489: “Gorilla Tag” Design Philosophy & Embodied Gameplay Deep Dive with Kerestell Smith
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Oct 06, 2024 |
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#1488: Nima Zeighami on Delivering WebXR Content with Infinite Reality’s Ethereal Engine Acquisition
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Oct 06, 2024 |
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#1487: XR Evangelists JoyReign & JDun on Horizon World Trends & Meta Connect Announcements
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Oct 06, 2024 |
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#1486: Going All-in with Gaussian Splats: Gracia’s Viewer, AI Training, & Photoreal Capture with VR Fund’s Tipatat Chennavasin
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Oct 06, 2024 |
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#1485: Fitness Flow States with “Starwave” Design Innovation Leads & Finding Love within VR
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Oct 06, 2024 |
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#1484: Cas & Chary on Meta Connect Announcements & Using Ray-Ban Meta Smartglasses to Stay Connected
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Oct 06, 2024 |
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#1483: “Dimensional Double Shift” Combines Multi-Player Co-Op, “Job Simulator” Gameplay, & Hand Tracking
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Oct 06, 2024 |
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#1482: Mixed Reality Gameplay Innovations & Design Insights from “Starship Home” Co-Directors Mark Schramm & Ashley Pinnick
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Oct 06, 2024 |
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#1481: Agile Lens 2024: Context on Boz’s Apology to VR Devs, Orion AR Glasses Impressions, & Unreal Engine Mediation with Apple/Meta
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Oct 06, 2024 |