Voices of VR
By Kent Bye
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Image by Kent Bye
Category: Technology
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Rate for this podcast
Subscribers: 216
Reviews: 2
Episodes: 200
Jan 6, 2021
Jeff
Jan 5, 2019
definitely the top VR podcast
Description
Designing for Virtual Reality. Oral history podcast featuring the pioneering artists, storytellers, and technologists driving the resurgence of virtual & augmented reality. Learn about the patterns of immersive storytelling, experiential design, ethical frameworks, & the ultimate potential of XR.
| Episode | Date |
|---|---|
|
#1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac
|
Aug 18, 2025 |
|
#1649: Fangs & Arbi Close Out Raindance with a Breathtaking Music and VJ Show at the Moon Pool
|
Aug 18, 2025 |
|
#1648: Vast Hand-Painted “Natura’s Queendom” Wins Raindance Immersive Best Art World
|
Aug 18, 2025 |
|
#1647: Virtual Art Exhibition Innovations in Jessien’s “What is Virtual Art?” VRChat World
|
Aug 18, 2025 |
|
#1646: “The Continuous Present” Combines Poetry, Music, & Giant Immersive Sculptures to Win Raindance Immersive Best Art Experience
|
Aug 18, 2025 |
|
#1645: “Hommage” Adventure Inspired by Moebius’ Art Collaboratively Built in Resonite
|
Aug 18, 2025 |
|
#1644: Juliana Loh on Creating Immersive Art in VR and AR
|
Aug 18, 2025 |
|
#1643: Studio Penrose’s “Our Precious Autumn” Short Film Shot in VRChat Wins Raindance Award
|
Aug 18, 2025 |
|
#1642: “Cathedral of Witches” Performance Explores Trans & Queer Spirituality in VRChat
|
Aug 18, 2025 |
|
#1641: “Silhouette of Memories” Cinematic VR Concert Experience Features Live Choreography
|
Aug 18, 2025 |
|
#1640: “Tonevok” features Real-Time Audioreactive MIDI Visualizations in VRChat
|
Aug 18, 2025 |
|
#1639: Playing Live Jazz in VRChat with EMN Records enabled by Yamaha SYNCROOM in Japan
|
Aug 18, 2025 |
|
#1638: Virtual Photographer Kaerun’s Japanese Friendships Featured in Documentary at Raindance
|
Aug 18, 2025 |
|
#1637: VRChat Doc “The Architect Across Realities” Features MR Design Innovations in Japan
|
Aug 18, 2025 |
|
#1636: Planned Improvements of VRChat’s Trust & Safety from New Lead Jun Young Ro
|
Aug 18, 2025 |
|
#1635: VRChat’s Avatar Marketplace is Targeting Demographic of New Users
|
Aug 18, 2025 |
|
#1634: User Claims Potential Gaps in VRChat’s Moderation of NSFW Avatars
|
Aug 18, 2025 |
|
#1633: iNK Stories 2018: “Fire Escape” Multi-Threaded Murder Mystery in VR
|
Aug 18, 2025 |
|
#1632: iNK Stories 2018: Embodied Interactions in Vérité VR “Hero” on Bombing Aftermath
|
Aug 18, 2025 |
|
#1631: iNK Stories 2017: GDC Narrative Innovations Showcase Highlights
|
Aug 18, 2025 |
|
#1630: Keiichi Matsuda on Metaphors for AI Agents in XR User Experience: From Omniscient Gods to Animistic Familiars
|
Aug 02, 2025 |
|
#1629: Niantic Spatial is Building an AI-Powered Map with Snap for AR Glasses & AI Agents
|
Aug 02, 2025 |
|
#1628: Part 2: Caitlin Krause on “Digital Wellbeing” Theory and Practice with XR & AI (2025)
|
Aug 02, 2025 |
|
#1627: Part 1: Caitlin Krause on Bringing Mindfulness Practices into VR (2019)
|
Aug 02, 2025 |
|
#1626: New Spatial Entities OpenXR Extension to Scan, Detect, & Track Planes with Khronos Group President Neil Trevett
|
Aug 02, 2025 |
|
#1625: Tom Emrich’s “The Next Dimension” Book on AR for Marketing & Business Growth
|
Aug 02, 2025 |
|
#1624: Tom Emrich’s State of AR in 2018
|
Aug 02, 2025 |
|
#1623: Qualcomm’s 2025 AWE Announcements and Android XR Partnerships with Ziad Asghar
|
Aug 02, 2025 |
|
#1622: Qualcomm’s 2023 AWE Announcements for Snapdragon Spaces Ecosystem
|
Aug 02, 2025 |
|
#1621: Karl Guttag’s Technical Deep-Dive and Analysis of Consumer XR Displays and LCoS (2023)
|
Aug 02, 2025 |
|
#1620: Snap’s Head of Hardware Scott Myers on Spectacles Announcements & Ecosystem Update
|
Aug 02, 2025 |
|
#1619: Deploying Snap Spectacles in Verse Immersive AR LBE with Enklu’s Ray Kallmeyer
|
Aug 02, 2025 |
|
#1618: Producing Live Sports for Cosm’s Immersive Dome with Ryan Cole
|
Aug 02, 2025 |
|
#1617: Dream Park: Using MR in Public Spaces to Create Downloadable Theme Parks with Brent Bushnell & Aidan Wolf
|
Aug 02, 2025 |
|
#1616: Founding Story of Two Bit Circus Micro-Amusement Park with Brent Bushnell & Eric Gradman (2018)
|
Aug 02, 2025 |
|
#1615: Viverse’s WebXR Publishing Strategy with James C. Kane & “In Tirol” Game
|
Aug 02, 2025 |
|
#1614: Story Behind “Escape Artist” 2024 Polys WebXR Awards Winner
|
Aug 02, 2025 |
|
#1613: VR Content Creator Matteo311 on the State of VR Gaming
|
Aug 02, 2025 |
|
#1612: AWE Hall of Famer Gregory Panos’s Journey into VR: Identity, Body Capture, and Virtual Immortalization
|
Aug 02, 2025 |
|
#1611: Socratic Debate on Future of AI & XR from AWE 2025 Panel
|
Aug 02, 2025 |
|
#1610: Scouting XR & AI Infrastructure Trends with Nokia’s Leslie Shannon
|
Aug 02, 2025 |
|
#1609: Framework for Personalized, Responsive XR Stories with Narrative Futurist Joshua Rubin
|
Aug 02, 2025 |
|
#1608: AWE Hall of Famer Brenda Laurel on “Computers as Theater” Book, Ethics, and VR for Ecological Thinking
|
Aug 02, 2025 |
|
#1607: Deirdre V. Lyons on Immersive Theater & XR Women Innovation Award Winner from 2023
|
Aug 02, 2025 |
|
#1606: Weekly Meetups in VR with XR Women Founder Karen Alexander
|
Aug 02, 2025 |
|
#1605: Rapid Prototyping in VR with ShapesXR + 2021 Launch with CEO Inga Petryaevskaya
|
Aug 02, 2025 |
|
#1604: Investing in Female Founders with WXR Fund’s Amy LaMeyer + Immersive Music Highlights (2019)
|
Aug 02, 2025 |
|
#1603: Spatial Analytics with Cognitive3D’s Tony Bevilacqua (2023)
|
Aug 02, 2025 |
|
#1602: Part 3: Jason Marsh on Telling Data Stories with Flow Immersive (2025)
|
Aug 02, 2025 |
|
#1601: Part 2: Jason Marsh on Telling Data Stories with Flow Immersive (2019)
|
Aug 02, 2025 |
|
#1600: Part 1: Jason Marsh on Telling Data Stories with Flow Immersive (2018)
|
Aug 02, 2025 |
|
#1599: Part 2: Immersive Data Visualization with BadVR’s Suzanne Borders (2021)
|
Aug 02, 2025 |
|
#1598: Part 1: Immersive Data Visualization with BadVR’s Suzanne Borders (2018)
|
Aug 02, 2025 |
|
#1597: Educator Vasilisa Glauser on Using VR for Twice Exceptional Students
|
Aug 02, 2025 |
|
#1596: Engage XR’s Virtual Concert as Experiential Advertising for their Immersive Learning Platform (2023)
|
Aug 02, 2025 |
|
#1595: Part 2: Rylan Pozniak Daniels’ Journey into XR Development (2025)
|
Aug 02, 2025 |
|
#1594: Part 1: Rylan Pozniak Daniels’ Journey into XR Development (2019)
|
Aug 02, 2025 |
|
#1593: From Military to Enterprise VR Training with Mass Virtual on Spatial Learning
|
Aug 02, 2025 |
|
#1592: Highlights of AWE 2025 from Head of Programming Sonya Haskins
|
Aug 02, 2025 |
|
#1591: Sonya Haskins’ Journey to Head of Programming at Augmented World Expo
|
Aug 02, 2025 |
|
#1590: AWE Past & Present Series: Ori Inbar on the Founding of Augmented World Expo to Cultivate the XR Community
|
Aug 02, 2025 |
|
#1588: Excurio is Bringing their High-Throughput, XR LBE Theaters to North America
|
Jul 18, 2025 |
|
#1587: “Space-Time Adventure Tours” AR Guided Tour to NYC Central Park Monuments
|
Jul 18, 2025 |
|
#1586: Academic Research on Immersive Storytelling with Philippe Bedard, co-editor of “States of Immersion Across Media: Bodies, Techniques, Practices” book
|
Jul 18, 2025 |
|
#1585: Debating AI Project and a Curating Taiwanese LBE VR Exhibition at Museum of Moving Image
|
Jul 18, 2025 |
|
#1584: White Paper on XR for Impact Campaign Activation for “On the Morning You Wake to the End of the World”
|
Jul 18, 2025 |
|
#1583: From XR Storytelling to Museum to Ice Cream to AI: Michaela Ternasky-Holland’s Entry into Immersive
|
Jul 18, 2025 |
|
#1582: Shawn Taylor on Fandom for Social Change, Polychronic Time, Worldbuilding & Future Dreaming
|
Jul 18, 2025 |
|
#1581: The Story Behind “The ORIXA Project” Series of XR Experiences
|
Jul 18, 2025 |
|
#1580: “Neuro-Cinema: From Synapse to Montage” Explores Bioethics Moral Dilemmas & BCI-Controlled Editing & Robotics
|
Jul 18, 2025 |
|
#1579: The Backstory on ONX Studios and the Onassis Foundation’s Support for XR Art & Innovation
|
Jul 18, 2025 |
|
#1578: Poetic Exploration of the Transmission of Class Power Dynamics in “The Dollhouse”
|
Jul 18, 2025 |
|
#1577: Architecting a Multi-Threaded Narrative of Recovered Traumatic Memories in “Lacuna”
|
Jul 18, 2025 |
|
#1576: How Singer Studios Uses VR to Kickstart New Film, TV, Podcast, & Graphic Novel IP with “Trailblazer with Daisy Ridley” + Cannes Immersive 2025 Coverage
|
Jul 18, 2025 |
|
#1575: Part 2: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2025)
|
Jul 18, 2025 |
|
#1574: Part 1: Co-Creation with XR for Building Community with “A Father’s Lullaby” (2023)
|
Jul 18, 2025 |
|
#1573: Muslim Futurist “New Maqam City” Invites Users to Play with Mystic Sufi Beats to Imagine States of Flourishing
|
Jul 18, 2025 |
|
#1572: “The Innocence of Unknowing” Uses Socratic Dialogue with AI & Video Essay to Deconstruct Root Cases of Gun Violence
|
Jul 18, 2025 |
|
#1571: “Uncharted VR” Explores the Spatialization of African Languages and Knowledge through Immersive Architecture and Adowa Dance
|
Jul 18, 2025 |
|
#1570: “The Founders Pillars and The Power Loom” Uses AR to Contextualize Wall Street History Through African Textiles and Myths
|
Jul 18, 2025 |
|
#1569: Family of Storytellers Creates an AR Memorial of Black Poet Nikki Giovanni with Epic Organic Garden Installation
|
Jul 18, 2025 |
|
#1568: A Process-Relational Philosophy View on AI, Intelligence, & Consciousness with Matt Segall
|
Jun 04, 2025 |
|
#1567: Tribeca Immersive Curators on the 2025 Selection of Impact Projects Curated by Onassis ONX, Agog, & Tribeca
|
Jun 04, 2025 |
|
#1566: Raindance Immersive Curators on the 2025 Selection of Immersive Art on Social VR Platforms
|
Jun 04, 2025 |
|
#1565: “D-Day: The Camera Soldier” by Targo Stories Pushes Immersive Documentary Innovations on Apple Vision Pro
|
Jun 04, 2025 |
|
#1564: Adding Participatory & Community Elements to the Cinematic Tradition with PAM CUT’s Tomorrow Theater
|
May 30, 2025 |
|
#1563: Deconstructing AI Hype with “The AI Con” Authors Emily M. Bender and Alex Hanna
|
May 23, 2025 |
|
#1562: Highlights of Creature’s IGN XR Gaming Showcase + State of VR Vibe Check with Doug North Cook
|
May 19, 2025 |
|
#1561: PHI and Agog Collaborate on Immersive Residency on XR for Impact, Artist Retrospective, and Application Details
|
May 07, 2025 |
|
#1560: Walkabout Mini Golf’s Incredible Fusion of Worldbuilding, Gameplay, Social Dynamics, & DLC Experimentation
|
May 02, 2025 |
|
#1559: Expanding Social Dramaturgy of Theater with Video Games in 7-Hour “asses.masses” Binge-Watching Marathon
|
Apr 26, 2025 |
|
#1558: Series Director of “Adventure” Series on Apple Immersive Video and Grammar of 180 Video
|
Apr 18, 2025 |
|
#1557: Apple Immersive Video Behind-the-Scenes & Overcoming Fears with “Adventure” Series Athlete
|
Apr 08, 2025 |
|
#1556: “Currents” Boldly Defines a New Era of DIY 180-Degree Immersive Filmmaking with a Kit Under $5k
|
Mar 29, 2025 |
|
#1555: Award-Winning Tabletop Animation “Oto’s Planet” Uses Unique Interactive Mechanic to Chose Perspective
|
Mar 29, 2025 |
|
#1554: “Cosmos in Focus” Contextualizes James Webb Telescope Images in Educational Immersive Planetarium Experience
|
Mar 29, 2025 |
|
#1553: The Story of Kunstkraftwerk Leipzig, and the Multi-Channel Video Translation of “Origins – Life’s Epic Journey”
|
Mar 29, 2025 |
|
#1552: Fly to You Explores Stories of Separated Families in Division of Korea Using Point Clouds & 360 Video
|
Mar 29, 2025 |
|
#1551: Breaking Down the Game Design of New Conducting-Inspired, Hand-Tracked, Rhythm Game “Symphoni”
|
Mar 29, 2025 |
|
#1550: “EchoVision” Answers the Question ‘What is it like to see like a bat?’ with Mixed Reality, AI, & Haptics
|
Mar 29, 2025 |
|
#1549: Honey Fungus Cultivates Intimacy with Nature through Embodied Actions Inspired by Fungi and Queer Ecology
|
Mar 29, 2025 |
|
#1548: “1906 Atlanta Race Massacre” Uses Phone-Based AR to Volumetrically Tell a Forgotten History
|
Mar 29, 2025 |
|
#1547: Simulating One-on-One Conversations about Abortion Experiences to Change Minds with “The Choice – Chapters 2 & 3”
|
Mar 29, 2025 |
|
#1546: How Indigenous Storytelling is Changing Non-Proliferation Narratives in “Ways of Knowing: A Navajo Nuclear History”
|
Mar 29, 2025 |
|
#1545: “Shelter” Observational 360 Documentary Shows Intimate Side of War via Ukrainian Citizen Bomb Shelters
|
Mar 29, 2025 |
|
#1544: Traces: The Grief Processor Immersive Documentary Invites Groups to Learn About Grief
|
Mar 29, 2025 |
|
#1543: “Proof As If Proof Were Needed” Enables Audiences to Collaboratively Edit Video Feeds via Embodied Movements
|
Mar 29, 2025 |
|
#1542: Exploring the Paradox of Narratively Critiquing AI While Also Using AI to Make “The Last Practice”
|
Mar 29, 2025 |
|
#1541: Virtual Being Engages in Socratic Monologue Comparing AI to Sugar in “Sweet!” Installation
|
Mar 29, 2025 |
|
#1540: Hacking AI for Black Representation & the Future Dreaming of Archival Collections with Tamara Shogaolu
|
Mar 29, 2025 |
|
#1539: Wandering in Open World Doc Archives in Mixed Reality with SXSW XR Jury Prize Winner “Reflections of Little Red Dot”
|
Mar 29, 2025 |
|
#1538: Mixed Reality Calibration Innovations Hidden within “The Secret Life of Monsters: The Gateway Experience”
|
Mar 29, 2025 |
|
1537: NOWISWHENWEARE (the stars) Uses Low-Bit Visuals & Hundreds of Spatial Audio Speakers to Tell a Moving Story
|
Mar 29, 2025 |
|
1536: Spatial Audio Trends from d&b audiotechnik’s Artist Relations Manager Wayne Powell
|
Mar 29, 2025 |
|
#1535: Roman Rappak’s 4th Annual “Ristband” SXSW Live Music Mixed Reality Performance Adds Spatial Audio
|
Mar 29, 2025 |
|
#1534: Animated Immersive Dome Experience “Resolution: A Cinephonic Rhapsody for the Soul” Created as an Album Listening Party
|
Mar 29, 2025 |
|
#1533: Web Developer Built “A Number from the Ghost” WebXR Adventures to Highlight His Music
|
Mar 29, 2025 |
|
#1532: Tenderclaws’ “Face Jumping” Explores the Frontiers of Eye-Tracked Locomotion in Poetically Surreal Short
|
Mar 29, 2025 |
|
#1531: In the Current of Being Uses Immersive Haptics to Tell the Story of Electroshock Conversation Therapy
|
Mar 29, 2025 |
|
#1530: Six-Month Immersive Storytelling Exhibition Curated by Ana Brzezińska Opening in Namur, Belgium
|
Mar 20, 2025 |
|
#1529: SXSW 2025 XR Experience Selection Sneak Peak with Programmer Blake Kammerdiener
|
Mar 06, 2025 |
|
#1528: “Theater” App on Apple Vision Pro Features Indie-Produced Dome, Planetarium, and Stereoscopic Content
|
Mar 06, 2025 |
|
#1527: “Lovesick” is Character-Driven, Escape Room Indie Gem of a Story
|
Mar 04, 2025 |
|
#1526: Allegations that Meta’s OVRPlugin is Undermining the Spirit of OpenXR by Blocking Non-Meta Headsets on PCVR.
|
Feb 28, 2025 |
|
#1525: Niantic’s “Into the Scaniverse” Maps Over 50k Gaussian Splats from Around the World on Quest and WebXR
|
Feb 28, 2025 |
|
#1524: HTC Viverse Leverages Open Web Tech in Aim to Become ‘YouTube of 3D Content’
|
Feb 26, 2025 |
|
#1523: XR & AI Ethics & State of the Industry Discussion with Polys Ombudsperson Winners
|
Feb 21, 2025 |
|
#1522: A Survey of Spatial Audio Formats with 1618 Digital’s Oliver Kadel
|
Jan 29, 2025 |
|
#1521: New glTF External Reference Format Combines Multiple Assets into a Scene
|
Jan 29, 2025 |
|
#1520: Design Breakdown of One-on-One Immersive Theatre piece TM with Ontroerend Goed’s Alexander Devriendt
|
Jan 29, 2025 |
|
#1519: “The Reality of Hope” Sundance Short Doc Features Journey from VRChat Friend to Organ Donor
|
Jan 25, 2025 |
|
#1518: The Socratic Immersive Experience with Agnes Callard and her book “Open Socrates”
|
Jan 20, 2025 |
|
#1517: LBE Lessons Learned from 20-Venue Tour of “In Pursuit of Repetitive Beats” with Producer Dan Tucker
|
Dec 23, 2024 |
|
#1516: Myriam Achard on Phi Studio’s Expansion into LBE Distribution & the Fusion of Immersive Art at Phi Contemporary
|
Dec 23, 2024 |
|
#1515: VR Researcher Julia Scott-Stevenson on Embodiment in Story & Why Docs are Perfect to Explore AI
|
Dec 23, 2024 |
|
#1514: Creating GenAI Flower Ecosystem with “Future Botanica” AR App
|
Dec 23, 2024 |
|
#1513: From News Scan to GenAI Irish Sean-nós Songs in “You Can Sing Me on My Way” Audio Installation
|
Dec 23, 2024 |
|
#1512: DocLab Immersive Non-Fiction Winner “Me, A Depiction” Performance Installation Confronts Objectifying Gaze
|
Dec 23, 2024 |
|
#1511: Cultivating Virtual LGBTQIA+ Safe Spaces in VRChat with “Dollhouse for Queer Imaginaries”
|
Dec 23, 2024 |
|
#1510: Poetic VR Exploration of Iranian Protest Blinding in “Speechless Witness of a Wandering Tree”
|
Dec 23, 2024 |
|
#1509: Virtual Architecture Vibes Part 2: “Limbophobia” VR & Dome at IDFA DocLab
|
Dec 23, 2024 |
|
#1508: Virtual Architecture Vibes Part 1: “Limbotopia” VR & Dome at Film Gate Interactive
|
Dec 23, 2024 |
|
#1507: From Selfies to Virtual Offspring, “Ancestors” Turns Strangers into Family and Intergenerational Speculative Futures
|
Dec 23, 2024 |
|
#1506: Going on a Virtual Date in “ROAMance” that Generates Novel Encounters with Defamiliarization
|
Dec 23, 2024 |
|
1505: Immersive Journalist Features Volumetric Sexual Harassment Testimonies in “Walking Alone, Text You When I’m Home”
|
Dec 23, 2024 |
|
#1504: Open World, GenAI Podcast “Drift” Reflects on Climate Change from 500 Years in the Future
|
Dec 23, 2024 |
|
#1503: “The Liminal” Spatial Audio Installation Blends Audio Doc with Speculative Arab Futurism
|
Dec 23, 2024 |
|
#1502: Candid Audio Clips Juxtaposed with Poetic GenAI Video in “Sincerely Victor Pike”
|
Dec 23, 2024 |
|
#1501: Roaming as Resistance: “Entropic Fields of Displacement” wins DocLab Digital Storytelling Award
|
Dec 23, 2024 |
|
#1500: Sharing Indigenous Knowledge with 360 Video + AR Animations and Embodied Rituals in “Ancestral Secrets VR”
|
Dec 23, 2024 |
|
#1499: From Interactive Biohacking Lecture to Speakeasy with “Drinking Brecht: An Automated Laboratory Performance”
|
Dec 23, 2024 |
|
#1498: Immersive Installation Frames Provocative “Töngö Sondi” Animation on Langauge, Censorship, & Identity
|
Dec 23, 2024 |
|
#1497: Experimental VR Doc “Rapture II: Portal” Blends Hypnotic Audio with Spatial Scan of War-Abandoned Home
|
Dec 23, 2024 |
|
#1496: Using GenAI to Recreate Erased Family Photos with “Burn From Absence” 4-Channel Video
|
Dec 23, 2024 |
|
#1495: Getting Roasted by Unfiltered “AI & Me” Photo Booth Installation
|
Dec 23, 2024 |
|
#1494: Innovative VR Opera “From Dust” Combines GenAI Prompts, Digital Serenading, & Personality Branching
|
Dec 02, 2024 |
|
#1493: “About a Hero” Doc Written by AI Trained on Werner Herzog Corpus Blends Realities and Opens IDFA
|
Nov 14, 2024 |
|
#1492: IDFA DocLab Curators Preview 2024 Slate of AI & XR Immersive Documentaries
|
Nov 13, 2024 |
|
#1491: Film Gate Interactive Media Festival 10-Year Retrospective
|
Nov 13, 2024 |
|
#1490: “Any War Any Enemy” is a Beautiful Anti-War, Immersive Poem About Nuclear Annihilation
|
Oct 31, 2024 |
|
#1489: “Gorilla Tag” Design Philosophy & Embodied Gameplay Deep Dive with Kerestell Smith
|
Oct 06, 2024 |
|
#1488: Nima Zeighami on Delivering WebXR Content with Infinite Reality’s Ethereal Engine Acquisition
|
Oct 06, 2024 |
|
#1487: XR Evangelists JoyReign & JDun on Horizon World Trends & Meta Connect Announcements
|
Oct 06, 2024 |
|
#1486: Going All-in with Gaussian Splats: Gracia’s Viewer, AI Training, & Photoreal Capture with VR Fund’s Tipatat Chennavasin
|
Oct 06, 2024 |
|
#1485: Fitness Flow States with “Starwave” Design Innovation Leads & Finding Love within VR
|
Oct 06, 2024 |
|
#1484: Cas & Chary on Meta Connect Announcements & Using Ray-Ban Meta Smartglasses to Stay Connected
|
Oct 06, 2024 |
|
#1483: “Dimensional Double Shift” Combines Multi-Player Co-Op, “Job Simulator” Gameplay, & Hand Tracking
|
Oct 06, 2024 |
|
#1482: Mixed Reality Gameplay Innovations & Design Insights from “Starship Home” Co-Directors Mark Schramm & Ashley Pinnick
|
Oct 06, 2024 |
|
#1481: Agile Lens 2024: Context on Boz’s Apology to VR Devs, Orion AR Glasses Impressions, & Unreal Engine Mediation with Apple/Meta
|
Oct 06, 2024 |
|
#1480: Agile Lens 2023: Hands on with Four Seasons VR Demo & A Christmas Carol VR 2023
|
Oct 06, 2024 |
|
#1479: Agile Lens 2023: Selling High-End Real Estate with VR, Unreal’s Meta Humans. Pixel Streaming, & AI Experiments
|
Oct 06, 2024 |
|
#1478: Agile Lens 2018: The Intersection of Architecture, Theatre, & Storytelling with Alex Coulombe
|
Oct 06, 2024 |
|
#1477: Flat2VR Studios’ Journey of Bringing 2D Games to VR with Eric Masher
|
Oct 06, 2024 |
|
#1476: UploadVR Editor Ian Hamilton’s Deep Reflections: AR vs VR, Ethical Dilemmas, & Future of Meta’s Algorithmic Realities
|
Oct 06, 2024 |
|
#1475: A-Frame’s Diego Marcos on WebXR Momentum and Integrations with Open Source AI
|
Oct 06, 2024 |
|
#1474: Teaching Immersive Storytelling at ASU’s Narrative and Emerging Media Program with Nonny de la Peña & Mary Matheson
|
Oct 06, 2024 |
|
#1473: Learn XR’s Dilmer Valecillos on Teaching XR Development & Meta Connect Announcement Impressions
|
Oct 06, 2024 |
|
#1472: VR Training Trends Using AI with Virti’s Courtney Harding
|
Oct 06, 2024 |
|
#1471: Tyriel Wood & Zimtok5 on Oculus Quest 3S Tradeoffs with Quest 3
|
Oct 06, 2024 |
|
#1470: Meta’s “Hyperscape” Serves Cloud-Rendered, Photorealistic, Gaussian Splat Captures
|
Oct 06, 2024 |
|
#1469: Analyst Anshel Sag on Meta Connect Announcements & Orion Glasses Impressions
|
Oct 06, 2024 |
|
#1468: Kickoff of Meta Connect 2024 Coverage with Orion AR Glasses Hands-on Impressions with Tested’s Norm Chan & CNET’s Scott Stein
|
Oct 06, 2024 |
|
#1467: AR Medical Training App Wins Spectacles Hackathon + My Concluding Thoughts on Snap Spectacles
|
Sep 23, 2024 |
|
#1466: Freelance XR Dev Veronica Flint Shares Thoughts on Spectacles and Ray-Ban Meta Smart Glasses
|
Sep 23, 2024 |
|
#1465: Team of Women AR Artists Explore Dreams in Spectacles Hackathon
|
Sep 23, 2024 |
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#1464: Snap’s Head of Spectacles Software Engineering Shares Technical Break Down of Design Tradeoffs
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Sep 23, 2024 |
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#1463: Arguing for Utility-Driven AR Minimalism with Lucas Rizzotto Reflecting upon the XR Market
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Sep 23, 2024 |
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#1462: XR Industry Reality Checks with Cix Liv and Turning Your Phone into an AI-Driven Exercise Routine
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Sep 23, 2024 |
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#1461: AR Lens Genres, Spectacles Impressions, & SelfReflect VTubing App Using Snap’s Camera Kit with Brielle Garcia
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Sep 23, 2024 |
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#1460: Snap AR Platform Lead Sophia Dominguez on Spectacles and AR Ecosystem
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Sep 23, 2024 |
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#1459: Snap Co-Founders Share Vision for AR & Spectacles at Lens Fest Q&A Panel
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Sep 23, 2024 |
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#1458: Building a Geo-Located, Dungeon-Raiding, AR Game for Spectacles with Aidan Wolf
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Sep 23, 2024 |
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#1457: Snap’s Lens Studio, Spectacles, & “Polygon Studio” Open Source Low-Poly Drawing App
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Sep 23, 2024 |
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#1456: Turning Your Phone into a Spectacles AR controller with DB Creations’ “Tiny Motor Arcade”
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Sep 23, 2024 |
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#1455: Wabisabi Game Studio Leverages AR Connected Lenses on Snap Spectacles for Outdoor Capture the Flag Game
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Sep 23, 2024 |
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#1454: Niantic Launches Virtual Pet AR Game “Peridot Beyond” on Snap’s Spectacles
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Sep 23, 2024 |
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#1453: Kickoff of Snap Spectacles Coverage with First Impressions with XR Analyst Anshel Sag
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Sep 23, 2024 |
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#1452: Immersive Documentary about Chinese Censorship “All I Know About Teacher Li” Tops Venice Immersive Audience Favorites Survey
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Sep 17, 2024 |
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#1451: Revealing Hidden Asian Colonial Histories with “The Guardians Of Jade Mountain”
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Sep 17, 2024 |
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#1450: Translating Surreal Paintings into an Immersive Story about Relationships with “Play Life”
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Sep 17, 2024 |