Voices of VR
By Kent Bye
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Image by Kent Bye
Category: Technology
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Rate for this podcast
Subscribers: 221
Reviews: 3
Episodes: 200
Mar 30, 2026
Jan 6, 2021
Jeff
Jan 5, 2019
definitely the top VR podcast
Description
Designing for Virtual Reality. Oral history podcast featuring the pioneering artists, storytellers, and technologists driving the resurgence of virtual & augmented reality. Learn about the patterns of immersive storytelling, experiential design, ethical frameworks, & the ultimate potential of XR.
| Episode | Date |
|---|---|
|
#1788: Curatorial Overview of Venice Immersive 2026 & Celebrating 10 Years of Immersive Storytelling
|
Aug 17, 2026 |
|
#1787: Blending the Elements of Experiential Design & Process-Relational Foundations of the Elements
|
Aug 11, 2026 |
|
#1786: Collective Reading Experience of “Constantinopoliad” Provokes Discussion on Defining “Immersive”
|
Aug 10, 2026 |
|
#1785: The Landmark Achievements of “Blur” in Fusing Theater, Montage, Mixed Reality, and LBE VR
|
Aug 10, 2026 |
|
#1784: The Incredible Spatial Transitions of “Dark Rooms” with Radical Consent Innovations
|
Aug 10, 2026 |
|
#1783: “Less Than 5gr of Saffron” Wins 2nd Place Prize at Venice Immersive with Spatial Poem Quill Animation
|
Aug 10, 2026 |
|
#1782: “A Long Goodbye” Wins 3rd Place Prize at Venice Immersive with Emotionally-Moving Story on Dementia and Spatial Grammar Innovations
|
Aug 10, 2026 |
|
#1781: Winner of Venice Immersive 2025 “The Clouds Are Two Thousand Meters Up” Innovates on Gaussian Splats & Spatial Storytelling
|
Aug 10, 2026 |
|
#1780: Recap of VRChat Worlds Gallery at Venice Immersive 2025 with Mike Salmon
|
Aug 10, 2026 |
|
#1779: “Heartbeat” Immersive, 1-on-1 Biometric Synchronization and Involuntary Collective Agency
|
Aug 10, 2026 |
|
#1778: Collaborative Social Game and Story of “Happy Shadow”
|
Aug 10, 2026 |
|
#1777: Active Imagination, Associative Dream Logic, & Embodied Interactions in “Sense of Nowhere”
|
Aug 10, 2026 |
|
#1776: The Spatial Grammar Innovations of Dialectical Contrasts and Abstraction within “The Big Cube”
|
Aug 10, 2026 |
|
#1775: The Continuous Spatial One-Shot of Backlight’s “La Magie Opera” LBE
|
Aug 10, 2026 |
|
#1774: Combining Live Dance and Music in Immersive LBE Performance “L’ombre (The Shadow)”
|
Aug 10, 2026 |
|
#1773: “Collective Body” Assigns Elemental Avatars Based Upon Archetypal Dance Movements
|
Aug 10, 2026 |
|
#1772: Climate Change Spatial Montage “Out of Nowhere” Aspires to Move Towards Rewilding Prevention
|
Aug 10, 2026 |
|
#1771: Environmental Storytelling in “The Great Orator” VR Diorama with Generative AI Experiments
|
Aug 10, 2026 |
|
#1770: Eastern Philosophy-Inspired Fusion of Theater and XR with “Mnemosyne”
|
Aug 10, 2026 |
|
#1769: Mixed Reality Musical on Avatars and Identity in “First Virtual Suit”
|
Aug 10, 2026 |
|
#1768: Symbolic Journey through Lithuania’s Artist Mikalojus Konstantinas Čiurlionis’ Paintings in “Creation of the World”
|
Aug 10, 2026 |
|
#1767: Immersive Journey through Special Effects Pioneer Carlo Rambaldi’s Paintings in “Alien Perspective”
|
Aug 10, 2026 |
|
#1766: Formula 1 LBE Experience “Black Cats & Chequered Flags” is an Immersive Biopic of Alberto Anscari
|
Aug 10, 2026 |
|
#1765: Immersive Action Thriller “Mulan 2125” Pushes the Edge of Graphical Fidelity
|
Aug 10, 2026 |
|
#1764: Mixing Hand-Drawn Animation with 360 Video in “The Time Before”
|
Aug 10, 2026 |
|
#1763: Blending Theater and 360 Video in “Re-Launching-Luigi-Broglio”
|
Aug 10, 2026 |
|
#1762: Fusing Experimental Immersive Animation with Cutting-Edge Orchestral Spatial Audio Mix in “1968”
|
Aug 10, 2026 |
|
#1761: Unpacking the Immersive Orchestral Mix of “1968” with Massimiliano Borghesi
|
Aug 10, 2026 |
|
#1760: Immersive Fairy Tale about Automation with “The Sad Story of the Little Mouse Who Wanted to Become Somebody”
|
Aug 10, 2026 |
|
#1759: Mother-Daughter Team Explore Personal Challenges with Depression and Anxiety in “Mirage” Immersive Animation
|
Aug 10, 2026 |
|
#1758: Reckoning with Mental Health Taboos in Japan with “If You See a Cat” Immersive Animation
|
Aug 10, 2026 |
|
#1757: Embody a Geranium in Immersive Comedy about Boredom in “The Great Escape”
|
Aug 10, 2026 |
|
#1756: Exploring Narrative Potential of Generative AI in “8pm and the Cat”
|
Aug 10, 2026 |
|
#1755: Hand-Tracked Sign Language as Story Beat Triggers in “Eddie and I”
|
Aug 10, 2026 |
|
#1754: Screen Life Thriller “LILI” about Surveillance Fuses Game Design, Film, and MacBeth Adaptation
|
Aug 10, 2026 |
|
#1753: Mixed Reality Town-Building and Sim Game “Wall Town Wonders”
|
Aug 10, 2026 |
|
#1752: Blending Embodied Game & Narrative Genres with “One True Path, Part 1”
|
Aug 10, 2026 |
|
#1751: “Ghost Town” Narrative Integration in Puzzle Adventure with Exquisite Worldbuilding
|
Aug 10, 2026 |
|
#1750: Doug Liman’s “Asteroid” Short Immersive Film with Google Gemini Story Extension + Kickoff of Venice Immersive 2025 Coverage
|
Aug 10, 2026 |
|
#1749: Socratic Debate on the Future of “AI” & XR (Round 2) from AWE 2026
|
Jul 13, 2026 |
|
#1748: Caitlin Krause on the Experience of XR, Process Philosophy Musings, & the Ethics of AI
|
Jul 03, 2026 |
|
#1747: XR Software Engineer Trond Nilsen on Reluctantly Using AI Hyperscalers & the Aspiration for Open Source Alternatives
|
Jul 03, 2026 |
|
#1746: Tom Furness Announces The Luminara, Institute of Light to Cultivate Human Flourishing with XR
|
Jul 03, 2026 |
|
#1745: Key Open Standards Enabling the Open Metaverse Browser Initiative with Metaverse Standards Forum
|
Jul 03, 2026 |
|
#1744: Open Metaverse Browser Initiative for Web-Based Spatial Services Announced by RP1 and Metaverse Standards Forum
|
Jul 03, 2026 |
|
#1743: Ben Erwin on Immersive Public Media, Open Standards, & The Academy of Immersive Arts and Sciences
|
Jul 03, 2026 |
|
#1742: Amanda Watson on GPL Compatibility in VR, Oculus Link & Air Link, & VR as the Perfect 3DUI for Robotic Teleoperation
|
Jul 03, 2026 |
|
#1741: Interoperable OpenXR with a Single APK to 3 Different HMDs for a P2P Multi-Player Game by Stay Warm Studios
|
Jul 03, 2026 |
|
#1740: Targo Stories on the Growing Interest in Immersive Storytelling in the Broader XR Industry
|
Jul 03, 2026 |
|
#1739: Ganek Immersive Studio at USC’s School of Cinematic Arts is Cultivating the Next-Generation of Immersive Video Directors
|
Jul 03, 2026 |
|
#1738: USC’s Immersive Archive to Preserve Immersive Art and VR Stories
|
Jul 02, 2026 |
|
#1737: Christopher Stapleton’s Augmented Imagination Framework for Conversational Embodied Stories
|
Jul 02, 2026 |
|
#1736: HoloLabs Studio’s “Abyss Vault” LBE Escape Room Adventure Innovates on Collaborative Puzzles for 2-6 Players
|
Jul 02, 2026 |
|
#1735: Excurio Continues Worldwide LBE Expansion of the “Movie Theaters” of Free-Roaming VR
|
Jul 02, 2026 |
|
#1734: Metropolitan Museum of Art Experiments with XR & AI for Storytelling & Remote Access
|
Jul 02, 2026 |
|
#1733: Oregon Reality Lab Founder Donna Davis on Preparing College Students for the Future of Immersive Communication
|
Jul 02, 2026 |
|
#1732: ArborXR on Immersive Training Trends, Handling Meta’s Enterprise Uncertainty, & VR Headset Tradeoffs
|
Jul 02, 2026 |
|
#1731: Diversifying Beyond XR Indie Gaming & “Trip the Light” with Dark Arts Software
|
Jul 02, 2026 |
|
#1730: Studio Syro’s “Spatial Mailbox” Messaging App with Gesture-Based, 3DUI Innovations
|
Jul 02, 2026 |
|
#1729: Celeste Lear on Sustainability Awareness in XR, DJing in Social VR, Virtual Production, & TigerVision Immersive Displays
|
Jul 02, 2026 |
|
#1728: Preserving Tunisian Cultural Heritage with Tanit XR Reality Capture
|
Jul 02, 2026 |
|
#1727: Linux on Your Face with Privacy-First “Raven Prism” Monocular Display Glasses
|
Jul 02, 2026 |
|
#1726: Qualcomm’s New Snapdragon Reality Elite Announcement
|
Jul 02, 2026 |
|
#1725: XREAL AURA Spatial Computing Glasses Leverages Android XR & Snapdragon Reality Elite
|
Jul 02, 2026 |
|
#1724: Snap Specs Announcement & Kickoff of AWE 2026 Coverage
|
Jul 02, 2026 |
|
#1723: Agog’s Open Call for Climate Futures + Immersive Media: Deadline on June 12th
|
Jun 04, 2026 |
|
#1722: Meaningful XR Keynote on Patterns of Meaning, Transformation, and Impact
|
Jun 04, 2026 |
|
#1721: Impact Study on “Impulse” Immersive Doc on ADHD: Artistic Reflections
|
Jun 04, 2026 |
|
#1720: Immersive Impact Review is a Hybrid Journalism and Academic Magazine on XR Impact
|
Jun 04, 2026 |
|
#1719: RIP Rec Room: Reflections & Memories with Shawn Whiting
|
Jun 01, 2026 |
|
#1718: Primer on “The Transformation Economy” with Joe Pine: When Experiences Fulfill Aspirations, Meaning, & Flourishing
|
May 12, 2026 |
|
#1716: “Human Spatial Computing” is a Human-Rights-Centered Textbook for XR Design
|
May 10, 2026 |
|
#1715: “BurnerSphere” Combines Immersive Documentary, Social VR, and Digital Twin of Burning Man
|
May 10, 2026 |
|
#1714: Lincoln Center for Performing Arts Immersive Programming Overview with Jordana Leigh
|
May 05, 2026 |
|
1713: CIIIC’s €200 Million in Public Funding: The Creative Industries Immersive Impact Coalition
|
May 01, 2026 |
|
#1712: Preview of SXSW XR Experience 2026 with Blake Kammerdiener
|
Mar 13, 2026 |
|
#1711: Mission Responsible 3: Discussion on AI Ethics with 6 Winners of Polys Ombudsperson of the Year
|
Mar 13, 2026 |
|
#1710: When Integration Becomes Subordination: Big Tech Parallels in Carney’s Davos Speech & Untethering from the AI Big Brother
|
Feb 14, 2026 |
|
#1709: Ian Hamilton on Getting Fired from UploadVR & Concerns on AI Authorship in News
|
Feb 05, 2026 |
|
#1708: How Process Philosophy Centers Experience. A Prismatic Tour of “Whitehead’s Universe” by Andrew M. Davis
|
Dec 07, 2025 |
|
#1707: War Journalist Turns to Immersive Art to Shatter Our Numbness Through Feeling. “In 36,000 Ways” is a Revelatory Embodied Poem by Karim Ben Khelifa
|
Dec 07, 2025 |
|
#1706: Using Immersive Journalism to Document Genocide in Gaza with “Under the Same Sky”
|
Dec 07, 2025 |
|
#1705: The Art of Designing Emergent Social Dynamics with Ontroerend Goed’s “Handle with Care”
|
Dec 07, 2025 |
|
#1704: “Lesbian Simulator” is an Interactive VR Narrative Masterclass Balancing Levity, Pride, & Naming of Homophobic Threats
|
Dec 07, 2025 |
|
#1703: “Reality Looks Back” Uses Quantum Possibility Metaphors & Gaussian Splats to Challenge Notions of Reality
|
Dec 07, 2025 |
|
#1702: “Coded Black” Creates Experiential Black History by Combining Horror Genres with Open World Exploration
|
Dec 07, 2025 |
|
#1701: Public Art Installation “Nothing to See Here” Uses Perception Art to Challenge Our Notions of Reality
|
Dec 07, 2025 |
|
#1700: Update on Co-Creating XR Distribution Field Initiative & Toolkits from MIT Open DocLab
|
Dec 07, 2025 |
|
#1699: Announcing “The Institute of Immersive Preservation” with Avinash Changa & His XR Virtual Machine Wizardry
|
Dec 07, 2025 |
|
#1698: Immersive Exhibition Lessons Learned from Undershed’s First Year with Amy Rose
|
Dec 07, 2025 |
|
#1697: Can Immersive Art Revitalize Civic Engagement? Netherlands CIIIC Funds “Shared Reality” Initiative
|
Dec 07, 2025 |
|
#1696: Speculative Architecture Meets the Immersive Dome in Sergey Prokofyev’s “Eternal Habitat”
|
Dec 07, 2025 |
|
#1695: “Another Place” Takes a Liminal Architectural Stroll into Memories of Another Time and Place
|
Dec 07, 2025 |
|
#1694: Reimagining Amsterdam’s Red Light District in “Unimaginable Red” Open World Game
|
Dec 07, 2025 |
|
#1693: A Survey of the Indie Immersive Dome Community Trends with “The Rift” Directors & 4Pi Productions
|
Dec 07, 2025 |
|
#1692: Playful Remixing of Scanned Animal Body Parts in “We Are Dead Animals”
|
Dec 07, 2025 |
|
#1691: A Call for Human Friction Over AI Slop in “Deep Soup” Participatory Film Based on “Designing Friction” Manifesto
|
Dec 07, 2025 |
|
#1690: Asking Philosophical Questions on AI in “The Oracle: Ritual for the Future” with Poetic Immersive Performance
|
Dec 07, 2025 |
|
#1689: Making Post-Human Babies in “IVF-X” to Catalyze Philosophical Reflections on Reproduction
|
Dec 07, 2025 |
|
#1688: Hacking Gamer Hardware and Stereotypes in “Gamer Keyboard Wall Piece #2”
|
Dec 07, 2025 |
|
#1687: Text-Based Adventure Theatrical Performance “MILKMAN ZERO: The First Delivery”
|
Dec 07, 2025 |
|
#1686: 15 Years of Hand-Written Letters about the Internet in “Life Needs Internet 2010–2025” Installation
|
Dec 07, 2025 |
|
#1685: Immersive Liner Notes of Hip-Hop Album “AÜTO/MÖTOR” Uses three.js & HTML 1.0 Aesthetics
|
Dec 07, 2025 |
|
#1684: Playable Essay “individualism in the dead-internet age” Recaps Enshittification Against Indie Devs
|
Dec 07, 2025 |
|
#1683: “Feedback VR: An Antifuturist Musical” Wins Immersive Non-Fiction Award at IDFA DocLab 2025
|
Dec 07, 2025 |
|
#1682: Preview of IDFA DocLab’s 2025 Selection of “Perception Art” & Immersive Stories
|
Nov 13, 2025 |
|
#1681: VRChat Worldbuilder DrMorro on His Epic & Dreamlike Masterpieces
|
Nov 09, 2025 |
|
#1680: Charlie Melcher’s “The Future of Storytelling” Book Surveys Over 50 Living Stories
|
Nov 05, 2025 |
|
#1679: The Matrix at Cosm Expands Film Beyond the Frame with Cinematic Shared Reality
|
Nov 05, 2025 |
|
#1678: Wevr on VR LBE as a “New Cinema,” a 10-Year Retrospective
|
Nov 05, 2025 |
|
#1677: Snap’s AR Developer Relations Plan for 2026 Specs Consumer Launch with Joe Darko
|
Oct 26, 2025 |
|
#1676: 1st Place Spectacles Lensathon Team: Decisionator Object-Detection, AI Decision-Maker
|
Oct 26, 2025 |
|
#1675: 2nd Place Spectacles Lensathon Team: CartDB Barcode-Scanning Nutrition App
|
Oct 26, 2025 |
|
#1674: 3rd Place Spectacles Lensathon Team: Fireside Tales Collaborative Storytelling with GenAI
|
Oct 26, 2025 |
|
#1673: Snap Lensfest Announcement Reflections from AR Gaming Studio DB Creations
|
Oct 26, 2025 |
|
#1672: Niantic Spatial’s Project Jade Demo Shows Latest Location-Aware, AI Tour Guide Innovations
|
Oct 26, 2025 |
|
#1671: Reflecting on Snap’s AR Platform & Developer Tools Past and Future with Terek Judi
|
Oct 26, 2025 |
|
#1670: Snapchat’s Embodied Gaming Innovations with AR Developer Relations Head
|
Oct 26, 2025 |
|
#1669: Snap’s Resh Sidhu on the Future of AR Commerce & Developer-Centered Innovation
|
Oct 26, 2025 |
|
#1668: Snap Co-Founders Community Q&A about Specs 2026 Launch Plan
|
Oct 26, 2025 |
|
#1667: Kickoff of Snap Lensfest 2025 Coverage & SnapOS 2.0 Announcements
|
Oct 26, 2025 |
|
#1666: VRChat CEO Graham Gaylor on Exploring Various UGC Monetization Strategies
|
Sep 30, 2025 |
|
#1665: Resolution Games’ “Battlemarked” Blends Mixed Reality Social Features with Demeo and D&D Gameplay
|
Sep 30, 2025 |
|
#1664: Resolution Games CEO on Apple Vision Pro Launch + Gaze & Pinch HCI Mechanic in “Game Room” (2024)
|
Sep 30, 2025 |
|
#1663: ShapesXR Updates & Neural Band Design Implications of Transforming Your Hand into a Mouse
|
Sep 30, 2025 |
|
#1662: Meta Connect Highlights & Meta Horizon News with JDun and JoyReign
|
Sep 30, 2025 |
|
#1661: State of VR Gaming with Jasmine Uniza’s Impact Realities and Flat2VR Studios
|
Sep 30, 2025 |
|
#1660: Enabling JavaScript-Based Native App XR Pipelines with NativeScript, React Native, and Node API with Matt Hargett
|
Sep 30, 2025 |
|
#1659: VR Gaming Career Retrospective of Chicken Waffle’s Finn Staber
|
Sep 30, 2025 |
|
#1658: Kiira Benz Part 3: Immersive Storytelling Career Retrospective (2025)
|
Sep 30, 2025 |
|
#1657: Kiira Benz Part 2: “Finding Pandora X” Bringing Immersive Theatre to VRChat (2020)
|
Sep 30, 2025 |
|
#1656: Kiira Benz Part 1: “Runnin'” Large-Scale Volumetric Music Video (2019)
|
Sep 30, 2025 |
|
#1655: Meta Horizon Studio News and Virtual Fashion with Paige Dansinger
|
Sep 30, 2025 |
|
#1654: CNET’s Scott Stein’s Reflections on Meta Ray-Ban Display Glasses & Neural Band Implications
|
Sep 30, 2025 |
|
#1653: XR Analyst Anshel Sag on Meta’s AI Glasses Strategy
|
Sep 30, 2025 |
|
#1652: Kick-off of Meta Connect Coverage with Meta Ray-Ban Display Glasses Insights from Norm Chan
|
Sep 30, 2025 |
|
#1651: PHI’s EXP Rosemont Location Expands Their LBE Distribution Network to US & Collaboration with Excurio
|
Sep 12, 2025 |
|
#1650: Sneak Peak of Venice Immersive 2025 Selection with Curators Liz Rosenthal and Michel Reilhac
|
Aug 18, 2025 |
|
#1649: Fangs & Arbi Close Out Raindance with a Breathtaking Music and VJ Show at the Moon Pool
|
Aug 18, 2025 |
|
#1648: Vast Hand-Painted “Natura’s Queendom” Wins Raindance Immersive Best Art World
|
Aug 18, 2025 |
|
#1647: Virtual Art Exhibition Innovations in Jessien’s “What is Virtual Art?” VRChat World
|
Aug 18, 2025 |
|
#1646: “The Continuous Present” Combines Poetry, Music, & Giant Immersive Sculptures to Win Raindance Immersive Best Art Experience
|
Aug 18, 2025 |
|
#1645: “Hommage” Adventure Inspired by Moebius’ Art Collaboratively Built in Resonite
|
Aug 18, 2025 |
|
#1644: Juliana Loh on Creating Immersive Art in VR and AR
|
Aug 18, 2025 |
|
#1643: Studio Penrose’s “Our Precious Autumn” Short Film Shot in VRChat Wins Raindance Award
|
Aug 18, 2025 |
|
#1642: “Cathedral of Witches” Performance Explores Trans & Queer Spirituality in VRChat
|
Aug 18, 2025 |
|
#1641: “Silhouette of Memories” Cinematic VR Concert Experience Features Live Choreography
|
Aug 18, 2025 |
|
#1640: “Tonevok” features Real-Time Audioreactive MIDI Visualizations in VRChat
|
Aug 18, 2025 |
|
#1639: Playing Live Jazz in VRChat with EMN Records enabled by Yamaha SYNCROOM in Japan
|
Aug 18, 2025 |
|
#1638: Virtual Photographer Kaerun’s Japanese Friendships Featured in Documentary at Raindance
|
Aug 18, 2025 |
|
#1637: VRChat Doc “The Architect Across Realities” Features MR Design Innovations in Japan
|
Aug 18, 2025 |
|
#1636: Planned Improvements of VRChat’s Trust & Safety from New Lead Jun Young Ro
|
Aug 18, 2025 |
|
#1635: VRChat’s Avatar Marketplace is Targeting Demographic of New Users
|
Aug 18, 2025 |
|
#1634: User Claims Potential Gaps in VRChat’s Moderation of NSFW Avatars
|
Aug 18, 2025 |
|
#1633: iNK Stories 2018: “Fire Escape” Multi-Threaded Murder Mystery in VR
|
Aug 18, 2025 |
|
#1632: iNK Stories 2018: Embodied Interactions in Vérité VR “Hero” on Bombing Aftermath
|
Aug 18, 2025 |
|
#1631: iNK Stories 2017: GDC Narrative Innovations Showcase Highlights
|
Aug 18, 2025 |
|
#1630: Keiichi Matsuda on Metaphors for AI Agents in XR User Experience: From Omniscient Gods to Animistic Familiars
|
Aug 02, 2025 |
|
#1629: Niantic Spatial is Building an AI-Powered Map with Snap for AR Glasses & AI Agents
|
Aug 02, 2025 |
|
#1628: Part 2: Caitlin Krause on “Digital Wellbeing” Theory and Practice with XR & AI (2025)
|
Aug 02, 2025 |
|
#1627: Part 1: Caitlin Krause on Bringing Mindfulness Practices into VR (2019)
|
Aug 02, 2025 |
|
#1626: New Spatial Entities OpenXR Extension to Scan, Detect, & Track Planes with Khronos Group President Neil Trevett
|
Aug 02, 2025 |
|
#1625: Tom Emrich’s “The Next Dimension” Book on AR for Marketing & Business Growth
|
Aug 02, 2025 |
|
#1624: Tom Emrich’s State of AR in 2018
|
Aug 02, 2025 |
|
#1623: Qualcomm’s 2025 AWE Announcements and Android XR Partnerships with Ziad Asghar
|
Aug 02, 2025 |
|
#1622: Qualcomm’s 2023 AWE Announcements for Snapdragon Spaces Ecosystem
|
Aug 02, 2025 |
|
#1621: Karl Guttag’s Technical Deep-Dive and Analysis of Consumer XR Displays and LCoS (2023)
|
Aug 02, 2025 |
|
#1620: Snap’s Head of Hardware Scott Myers on Spectacles Announcements & Ecosystem Update
|
Aug 02, 2025 |
|
#1619: Deploying Snap Spectacles in Verse Immersive AR LBE with Enklu’s Ray Kallmeyer
|
Aug 02, 2025 |
|
#1618: Producing Live Sports for Cosm’s Immersive Dome with Ryan Cole
|
Aug 02, 2025 |
|
#1617: Dream Park: Using MR in Public Spaces to Create Downloadable Theme Parks with Brent Bushnell & Aidan Wolf
|
Aug 02, 2025 |
|
#1616: Founding Story of Two Bit Circus Micro-Amusement Park with Brent Bushnell & Eric Gradman (2018)
|
Aug 02, 2025 |
|
#1615: Viverse’s WebXR Publishing Strategy with James C. Kane & “In Tirol” Game
|
Aug 02, 2025 |
|
#1614: Story Behind “Escape Artist” 2024 Polys WebXR Awards Winner
|
Aug 02, 2025 |
|
#1613: VR Content Creator Matteo311 on the State of VR Gaming
|
Aug 02, 2025 |
|
#1612: AWE Hall of Famer Gregory Panos’s Journey into VR: Identity, Body Capture, and Virtual Immortalization
|
Aug 02, 2025 |
|
#1611: Socratic Debate on Future of AI & XR from AWE 2025 Panel
|
Aug 02, 2025 |
|
#1610: Scouting XR & AI Infrastructure Trends with Nokia’s Leslie Shannon
|
Aug 02, 2025 |
|
#1609: Framework for Personalized, Responsive XR Stories with Narrative Futurist Joshua Rubin
|
Aug 02, 2025 |
|
#1608: AWE Hall of Famer Brenda Laurel on “Computers as Theater” Book, Ethics, and VR for Ecological Thinking
|
Aug 02, 2025 |
|
#1607: Deirdre V. Lyons on Immersive Theater & XR Women Innovation Award Winner from 2023
|
Aug 02, 2025 |
|
#1606: Weekly Meetups in VR with XR Women Founder Karen Alexander
|
Aug 02, 2025 |
|
#1605: Rapid Prototyping in VR with ShapesXR + 2021 Launch with CEO Inga Petryaevskaya
|
Aug 02, 2025 |
|
#1604: Investing in Female Founders with WXR Fund’s Amy LaMeyer + Immersive Music Highlights (2019)
|
Aug 02, 2025 |
|
#1603: Spatial Analytics with Cognitive3D’s Tony Bevilacqua (2023)
|
Aug 02, 2025 |
|
#1602: Part 3: Jason Marsh on Telling Data Stories with Flow Immersive (2025)
|
Aug 02, 2025 |
|
#1601: Part 2: Jason Marsh on Telling Data Stories with Flow Immersive (2019)
|
Aug 02, 2025 |
|
#1600: Part 1: Jason Marsh on Telling Data Stories with Flow Immersive (2018)
|
Aug 02, 2025 |
|
#1599: Part 2: Immersive Data Visualization with BadVR’s Suzanne Borders (2021)
|
Aug 02, 2025 |
|
#1598: Part 1: Immersive Data Visualization with BadVR’s Suzanne Borders (2018)
|
Aug 02, 2025 |
|
#1597: Educator Vasilisa Glauser on Using VR for Twice Exceptional Students
|
Aug 02, 2025 |
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#1596: Engage XR’s Virtual Concert as Experiential Advertising for their Immersive Learning Platform (2023)
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Aug 02, 2025 |
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#1595: Part 2: Rylan Pozniak Daniels’ Journey into XR Development (2025)
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Aug 02, 2025 |
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#1594: Part 1: Rylan Pozniak Daniels’ Journey into XR Development (2019)
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Aug 02, 2025 |
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#1593: From Military to Enterprise VR Training with Mass Virtual on Spatial Learning
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Aug 02, 2025 |
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#1592: Highlights of AWE 2025 from Head of Programming Sonya Haskins
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Aug 02, 2025 |
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#1591: Sonya Haskins’ Journey to Head of Programming at Augmented World Expo
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Aug 02, 2025 |
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#1590: AWE Past & Present Series: Ori Inbar on the Founding of Augmented World Expo to Cultivate the XR Community
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Aug 02, 2025 |
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#1589: Using VR to Paint Dreams for Active Imagination, Collaborative Dreamwork, and Symbolic Contemplation
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Jul 18, 2025 |
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#1588: Excurio is Bringing their High-Throughput, XR LBE Theaters to North America
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Jul 18, 2025 |